Young Frankenstein

Large 3 1/2 x 2 1/2 inch (9cms x 6.5 cms) Rectangular Fridge Magnet. These Magnets feature the Art of Poster Pop Artists from Aaron Marshall, SHAG (Josh Agle), Kozik, Almera to Von Franco and Vince Ray. Professionally Printed printed using Archival Inks and Paper with a very high quality gloss finish on a sturdy metal casing. The back of the item is a very strong full size magnet. These items are professionally factory manufactured in California.

Large 3 1/2 x 2 1/2 inch (9cms x 6.5 cms) Rectangular Fridge Magnet. These Magnets feature the Art of Poster Pop Artists from Aaron Marshall, SHAG (Josh Agle), Kozik, Almera to Von Franco and Vince Ray. Professionally Printed printed using Archival Inks and Paper with a very high quality gloss finish on a sturdy metal casing. The back of the item is a very strong full size magnet. These items are professionally factory manufactured in California.

Unlike The Producers, the musical version of Young Frankenstein was not met with critical adoration when it opened on Broadway in November, 2007. Mel Brooks had followed the same formula, transferring all of his own source movie's famous lines and plot points to the stage, but oddly, the cast album works better than the stage production, which is indeed often lumbering. Brooks' songs are still fairly derivative but here, undistracted by director Susan Stroman's flat staging, you can focus more on Doug Besterman's excellent orchestrations and on the adept cast itself. As Dr. "Fronkensteen," Roger Bart is much less grating than on stage, for instance. As Inga, Sutton Foster exhibits some mad yodeling skills in "Roll in the Hay" and sounds like a classic Broadway babe on "Listen to Your Heart." Megan Mullally (Elizabeth) sells "Please Don't Touch Me," "Deep Love," and "Alone" (a bonus track cut from the show), while Andrea Martin (Frau Blucher) kills with the Brecht-Weill pastiche "He Vas My Boyfriend." And yes, Irving Berlin's "Puttin' on the Ritz" is included, complete with monster grunts and a long tap passage in this extended version. The show may not be worth the hype, but the recording is a pleasant surprise. --Elisabeth Vincentelli

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Though it's haunted by goblins, ghosts, and monsters, it is hard to find anything very satanic in much of this music, except its fiendishly difficult pyrotechnics. Its sole purpose is to display Gil Shaham's devilishly dazzling virtuosity, glorious tone, elegance, humor, and bewitching charm. The only substantial piece is Tartini's "Devil's Trill Sonata," in Kreisler's edition complete with his long, diabolically strenuous cadenza; Shaham plays it very beautifully, with genuine, moving expressiveness. Elsewhere, his tongue is never far from his cheek, whether he is tossing off Bazzini's "Rondo de Lutins" perfectly at top speed, or having fun with the fireworks of Korngold's "Caprice fantastique," Sarasate's "Faust Fantasie," Grieg's "Puck" arranged by Joseph Achron, Paganini's Caprice No. 13, with a piano part by Robert Schumann, and Saint-Saëns' "Dance macabre," in which the pianist doubles for a whole orchestra. There are also transcriptions of passionately romantic pieces by Brahms and Mendelssohn, and excursions into different styles: William Bolcom's "Graceful Ghost" rag; "Transylvanian Lullaby" from John Morris's soundtrack for "Young Frankenstein" transcribed by Shaham's pianist, Jonathan Feldman; and the title piece, "Devil's Dance" arranged by John Williams from his soundtrack for "The Witches of Eastwick." You can safely invite this devil of a violinist into your home--he is excellent company. --Edith Eisler

Gil Shaham & Jonathan Feldman - The Devil's Dance by Gil Shaham [Violin], Jonathan Feldman [Piano]This product is manufactured on demand using CD-R recordable media. Amazon.com's standard return policy will apply.

Mel Brooks' monstrously crazy tribute to Mary Shelley's classic pokes hilarious fun at just about every Frankenstein movie ever made. Summoned by a will to his late grandfather's castle in Transylvania young Dr. Frankenstein (Gene Wilder) soon discovers the scientist's step-by-step manual explaining how to bring a corpse to life. Assisted by the hunchback Igor (Marty Feldman) and the curvaceous Inga (Teri Garr) he creates a monster (Peter Boyle) who only wants to be loved.

Mel Brooks' monstrously crazy tribute to Mary Shelley's classic pokes hilarious fun at just about every Frankenstein movie ever made. Summoned by a will to his late grandfather's castle in Transylvania, young Dr. Frankenstein (Gene Wilder) soon discovers the scientist's step-by-step manual explaining how to bring a corpse to life. Assisted by the hunchback Igor (Marty Feldman) and the curvaceous Ings (Teri Garr), he creates a monster (Peter Boyle) who only wants to be loved.

Mel Brooks's greatest motion-picture triumph is a flawlessly loving recreation, and outrageous send-up, of the classic Universal horror movies of the '30s--James Whale's Frankenstein (and Bride of Frankenstein), of course, but also Tod Browning's Dracula and others. Except, of course, that here the mad doctor (a descendant of the original Frankenstein clan, played by Gene Wilder) insists that his name be pronounced "FRONK-en-steen," and his hunchback assistant with the roving eyeball (Marty Feldman) is equally insistent on being called "EYE-gore." From the opening scene, in which Dr. Frankenstein demonstrates his theories upon a hapless and frail elderly subject, to the conversion of Madeline Kahn into a bride so lusty she sizzles, Young Frankenstein presents one inspired horror-comic set piece after another. --Jim Emerson

If you were to argue that Mel Brooks's Young Frankenstein ranks among the top-ten funniest movies of all time, nobody could reasonably dispute the claim. Spoofing classic horror in the way that Brooks's previous film Blazing Saddles sent up classic Westerns, the movie is both a loving tribute and a raucous, irreverent parody of Universal's classic horror films Frankenstein (1931) and Bride of Frankenstein (1935). Filming in glorious black and white, Brooks re-created the Frankenstein laboratory using the same equipment from the original Frankenstein (courtesy of designer Kenneth Strickfaden), and this loving attention to physical and stylistic detail creates a solid foundation for nonstop comedy. The story, of course, involves Frederick Frankenstein (Gene Wilder) and his effort to resume experiments in re-animation pioneered by his late father. (He's got some help, since dad left behind a book titled How I Did It.) Assisting him is the hapless hunchback Igor (Marty Feldman) and the buxom but none-too-bright maiden Inga (Teri Garr), and when Frankenstein succeeds in creating his monster (Peter Boyle), the stage is set for an outrageous revision of the Frankenstein legend. With comedy highlights too numerous to mention, Brooks guides his brilliant cast (also including Cloris Leachman, Madeline Kahn, Kenneth Mars, and Gene Hackman in a classic cameo role) through scene after scene of inspired hilarity. Indeed, Young Frankenstein is a charmed film, nothing less than a comedy classic, representing the finest work from everyone involved. Not one joke has lost its payoff, and none of the countless gags have lost their zany appeal. From a career that includes some of the best comedies ever made, this is the film for which Mel Brooks will be most fondly remembered. Befitting a classic, the Special Edition DVD includes audio commentary by Mel Brooks, a "making of" documentary, interviews with the cast, hilarious bloopers and outtakes, and the original theatrical trailers. No video library should be without a copy of Young Frankenstein. And just remember--that's Fronkensteen. --Jeff Shannon Beyond Young Frankenstein High Anxiety Spaceballs Blazing Saddles Stills from Young Frankenstein (Click for larger image)

If you were to argue that Mel Brooks's Young Frankenstein ranks among the top-ten funniest movies of all time, nobody could reasonably dispute the claim. Spoofing classic horror in the way that Brooks's previous film Blazing Saddles sent up classic Westerns, the movie is both a loving tribute and a raucous, irreverent parody of Universal's classic horror films Frankenstein (1931) and Bride of Frankenstein (1935). Filming in glorious black and white, Brooks re-created the Frankenstein laboratory using the same equipment from the original Frankenstein (courtesy of designer Kenneth Strickfaden), and this loving attention to physical and stylistic detail creates a solid foundation for nonstop comedy. The story, of course, involves Frederick Frankenstein (Gene Wilder) and his effort to resume experiments in re-animation pioneered by his late father. Assisting him is the hapless hunchback Igor (Marty Feldman) and the buxom but none-too-bright maiden Inga (Teri Garr), and when Frankenstein succeeds in creating his monster (Peter Boyle), the stage is set for an outrageous revision of the Frankenstein legend. With comedy highlights too numerous to mention, Brooks guides his brilliant cast (also including Cloris Leachman, Madeline Kahn, Kenneth Mars, and Gene Hackman in a classic cameo role) through scene after scene of inspired hilarity. Indeed, Young Frankenstein is a charmed film, nothing less than a comedy classic, representing the finest work from everyone involved. Not one joke has lost its payoff, and none of the countless gags have lost their zany appeal. No video library should be without a copy of Young Frankenstein. And just remember--that's Fronkensteen.

Hollywood Westerns were never the same after director/co-writer Mel Brooks put them through the comedy wringer with this tasteless, hilarious spoof. Can the frontier town of Rockridge cope with the arrival of Cleavon Little as its new--and black--sheriff? With Gene Wilder, Harvey Korman, Madeline Kahn as Lili Von Shtupp, and Alex Karras as the horse-punching Mongo. 93 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, Spanish Dolby Digital mono; Subtitles: English, French, Spanish; audio commentary by Brooks; deleted scenes; documentaries; "Black Bart" TV pilot.

Mel Brooks scored his first commercial hit with this raucous Western spoof starring the late Cleavon Little as the newly hired (and conspicuously black) sheriff of Rock Ridge. Sheriff Bart teams up with deputy Jim (Gene Wilder) to foil the railroad-building scheme of the nefarious Hedley Lamarr (Harvey Korman). The simple plot is just an excuse for a steady stream of gags, many of them unabashedly tasteless, that Brooks and his wacky cast pull off with side-splitting success. The humor is so juvenile and crude that you just have to surrender to it; highlights abound, from the lunkheaded Alex Karras as the ox-riding Mongo to Madeline Kahn's uproarious send-up of Marlene Dietrich as saloon songstress Lili Von Shtupp. Adding to the comedic excess is the infamous campfire scene involving a bunch of hungry cowboys, heaping servings of baked beans and, well, you get the idea. --Jeff Shannon

Mel Brooks scored his first commercial hit with this raucous Western spoof starring the late Cleavon Little as the newly hired (and conspicuously black) sheriff of Rock Ridge. Sheriff Bart teams up with deputy Jim (Gene Wilder) to foil the railroad-building scheme of the nefarious Hedley Lamarr (Harvey Korman). The simple plot is just an excuse for a steady stream of gags, many of them unabashedly tasteless, that Brooks and his wacky cast pull off with side-splitting success. The humor is so juvenile and crude that you just have to surrender to it; highlights abound, from the lunkheaded Alex Karras as the ox-riding Mongo to Madeline Kahn's uproarious send-up of Marlene Dietrich as saloon songstress Lili Von Shtupp. Adding to the comedic excess is the infamous campfire scene involving a bunch of hungry cowboys, heaping servings of baked beans and, well, you get the idea. --Jeff Shannon

Mel Brooks's greatest motion-picture triumph is a flawlessly loving recreation, and outrageous send-up, of the classic Universal horror movies of the '30s--James Whale's Frankenstein (and Bride of Frankenstein), of course, but also Tod Browning's Dracula and others. Except, of course, that here the mad doctor (a descendant of the original Frankenstein clan, played by Gene Wilder) insists that his name be pronounced "FRONK-en-steen," and his hunchback assistant with the roving eyeball (Marty Feldman) is equally insistent on being called "EYE-gore." From the opening scene, in which Dr. Frankenstein demonstrates his theories upon a hapless and frail elderly subject, to the conversion of Madeline Kahn into a bride so lusty she sizzles, Young Frankenstein presents one inspired horror-comic set piece after another. --Jim Emerson

If you were to argue that Mel Brooks's Young Frankenstein ranks among the top-ten funniest movies of all time, nobody could reasonably dispute the claim. Spoofing classic horror in the way that Brooks's previous film Blazing Saddles sent up classic Westerns, the movie is both a loving tribute and a raucous, irreverent parody of Universal's classic horror films Frankenstein (1931) and Bride of Frankenstein (1935). Filming in glorious black and white, Brooks re-created the Frankenstein laboratory using the same equipment from the original Frankenstein (courtesy of designer Kenneth Strickfaden), and this loving attention to physical and stylistic detail creates a solid foundation for nonstop comedy. The story, of course, involves Frederick Frankenstein (Gene Wilder) and his effort to resume experiments in re-animation pioneered by his late father. (He's got some help, since dad left behind a book titled How I Did It.) Assisting him is the hapless hunchback Igor (Marty Feldman) and the buxom but none-too-bright maiden Inga (Teri Garr), and when Frankenstein succeeds in creating his monster (Peter Boyle), the stage is set for an outrageous revision of the Frankenstein legend. With comedy highlights too numerous to mention, Brooks guides his brilliant cast (also including Cloris Leachman, Madeline Kahn, Kenneth Mars, and Gene Hackman in a classic cameo role) through scene after scene of inspired hilarity. Indeed, Young Frankenstein is a charmed film, nothing less than a comedy classic, representing the finest work from everyone involved. Not one joke has lost its payoff, and none of the countless gags have lost their zany appeal. From a career that includes some of the best comedies ever made, this is the film for which Mel Brooks will be most fondly remembered. Befitting a classic, the Special Edition DVD includes audio commentary by Mel Brooks, a "making of" documentary, interviews with the cast, hilarious bloopers and outtakes, and the original theatrical trailers. No video library should be without a copy of Young Frankenstein. And just remember--that's Fronkensteen. --Jeff Shannon Beyond Young Frankenstein High Anxiety Spaceballs Blazing Saddles Stills from Young Frankenstein (Click for larger image)

Mel Brooks' monstrously crazy tribute to Mary Shelley's classic pokes hilarious fun at just about every Frankenstein movie ever made. Summoned by a will to his late grandfather's castle in Transylvania young Dr. Frankenstein (Gene Wilder) soon discovers the scientist's step-by-step manual explaining how to bring a corpse to life. Assisted by the hunchback Igor (Marty Feldman) and the curvaceous Ings (Teri Garr) he creates a monster (Peter Boyle) who only wants to be loved.System Requirements:Running Time: 130 MinutesFormat: DVD MOVIE Genre: COMEDY Rating: PG UPC: 024543371571 Manufacturer No: 2237157

Mel Brooks' riotous parody of the horror film genre stars Gene Wilder as mad doctor Frederick Frankenstein (pronounced "Fron-ken-steen"), Marty Feldman as hunchbacked Ygor (pronounced "Eye-gor"), and Peter Boyle as the zipper-necked creature. With Cloris Leachman, Madeline Kahn, Teri Garr. 106 min. Widescreen; Soundtracks: English 5.1 DTS HD Master Audio Lossless, Dolby Digital mono, Spanish Dolby Digital mono, French Dolby Digital mono; Subtitles: English, Spanish, Cantonese, Mandarin; audio commentary by Brooks; "making of" documentary; featurettes; deleted scenes; isolated music score; photo gallery; outtakes; interviews; more.

Mel Brooks's greatest motion-picture triumph is a flawlessly loving recreation, and outrageous send-up, of the classic Universal horror movies of the '30s--James Whale's Frankenstein (and Bride of Frankenstein), of course, but also Tod Browning's Dracula and others. Except, of course, that here the mad doctor (a descendant of the original Frankenstein clan, played by Gene Wilder) insists that his name be pronounced "FRONK-en-steen," and his hunchback assistant with the roving eyeball (Marty Feldman) is equally insistent on being called "EYE-gore." From the opening scene, in which Dr. Frankenstein demonstrates his theories upon a hapless and frail elderly subject, to the conversion of Madeline Kahn into a bride so lusty she sizzles, Young Frankenstein presents one inspired horror-comic set piece after another. --Jim Emerson

If you were to argue that Mel Brooks's Young Frankenstein ranks among the top-ten funniest movies of all time, nobody could reasonably dispute the claim. Spoofing classic horror in the way that Brooks's previous film Blazing Saddles sent up classic Westerns, the movie is both a loving tribute and a raucous, irreverent parody of Universal's classic horror films Frankenstein (1931) and Bride of Frankenstein (1935). Filming in glorious black and white, Brooks re-created the Frankenstein laboratory using the same equipment from the original Frankenstein (courtesy of designer Kenneth Strickfaden), and this loving attention to physical and stylistic detail creates a solid foundation for nonstop comedy. The story, of course, involves Frederick Frankenstein (Gene Wilder) and his effort to resume experiments in re-animation pioneered by his late father. (He's got some help, since dad left behind a book titled How I Did It.) Assisting him is the hapless hunchback Igor (Marty Feldman) and the buxom but none-too-bright maiden Inga (Teri Garr), and when Frankenstein succeeds in creating his monster (Peter Boyle), the stage is set for an outrageous revision of the Frankenstein legend. With comedy highlights too numerous to mention, Brooks guides his brilliant cast (also including Cloris Leachman, Madeline Kahn, Kenneth Mars, and Gene Hackman in a classic cameo role) through scene after scene of inspired hilarity. Indeed, Young Frankenstein is a charmed film, nothing less than a comedy classic, representing the finest work from everyone involved. Not one joke has lost its payoff, and none of the countless gags have lost their zany appeal. From a career that includes some of the best comedies ever made, this is the film for which Mel Brooks will be most fondly remembered. Befitting a classic, the Special Edition DVD includes audio commentary by Mel Brooks, a "making of" documentary, interviews with the cast, hilarious bloopers and outtakes, and the original theatrical trailers. No video library should be without a copy of Young Frankenstein. And just remember--that's Fronkensteen. --Jeff Shannon Beyond Young Frankenstein High Anxiety Spaceballs Blazing Saddles Stills from Young Frankenstein (Click for larger image)

"Young Frankenstein" is a classic Mel Brooks film from 1974, an outrageous spoof on classic horror movies. Brooks went so far as to film it in black and white, adding to the old-time horror flavor. Sideshow Toy has recreated this flavor by creating these 12-inch action figures in black, white and gray tones. This adds more fun on these figures considering the source material. IGOR comes with a brain, a brain display case, a walking stick, a ram's horn trumpet, and a stand/base. His elbows, knees, and lower legs have bony bits jutting out, so that any pose Igor takes is true to Marty Feldman's performance. (The knobby bits are glued onto the body.) His cloak and belt are removable and replaced easily. The portrait sculptures for this edition of three figures was done by Mat Falls. Limited to an edition of 7500, they are sure to become hard to find collectibles! *For Adult Collectors.

"Young Frankenstein" is a classic Mel Brooks film from 1974, an outrageous spoof on classic horror movies. Brooks went so far as to film it in black and white, adding to the old-time horror flavor. Sideshow Toy has recreated this flavor by creating these 12-inch action figures in black, white and gray tones. This adds more fun on these figures considering the source material. THE MONSTER comes a soup bowl, a broken mug, a flower, shackles, an interchangeable hand with burning thumb and a stand/base. His jacket and pants are a fleece material which gives a rich texture to the look of the figure. The soles of his boots are molded and painted to resemble studs. The portrait sculptures for this issue of three figures was done by Mat Falls. Limited to an edition of 7500, they are sure to become hard to find collectibles! *For Adult Collectors.

"Young Frankenstein" is a classic Mel Brooks film from 1974, an outrageous spoof on classic horror movies. Brooks went so far as to film it in black and white, adding to the old-time horror flavor. Sideshow Toy has recreated this flavor by creating these 12-inch action figures in black, white and gray tones. This adds more fun on these figures considering the source material. Frederick comes with comes with a book ("How I Did It," by Victor Frankenstein), a scalpel, a stethoscope, magnifying goggles, a doctor's mask and a stand/base. His hands are molded as if he has on rubber gloves. His shoes and socks are removable and his surgical gown can also be removed. The portrait sculptures for this edition of three figures was done by Mat Falls. Limited to an edition of 7500, they are sure to become hard to find collectibles! *For Adult Collectors.