West Vintage

Moen 9601 Replacement Filter Wholesale Use with F7400 & 77200 faucet series solid carbon block filter Filter improves taste and reduces odor and contaminants including Lead, Cysts, Mercury, Lindane, Atrazine, Turbidity, and Toxophene activated carbon block filter does not remove beneficial fluoride reduces chlorine to improve taste and odor 1 gpm (4 L/m) flow rate is convenient for filling large vessels Long-life filter needs to be replaced only twice a year does not remove beneficial fluoride easy to change disposable filter - no tools, no mess

Westmark of Germany is well known for its quality craftsmanship of kitchen gadgets. This egg slicer is great creating round and oval slices. It is easy to use due to its ergonomically shaped handle. Made from a high quality cast aluminum that is powder coated for easy cleaning. Stainless steel wires. Dishwasher safe. Lightweight but durable - the Westmark way!

This polished aluminum coffeemaker brews coffee and then lets brunch guests or executives at a breakfast meeting serve themselves. The coffeemaker brews up to 30 cups of coffee and averages about one cup per minute in brewing time. For accurate filling, the urn has water level markings on its interior. The coffeemaker has a red serving light that illuminates when brewing is complete and the coffee is ready to pour. The two-way faucet pours easily and is dripless. An automatic temperature control keeps coffee warm as long as it is plugged into an outlet. For safety from burns, the filter basket has a cool tip and the handles, base, and lid are all heat-resistant. Additionally, the coffeemaker?s cover twists to lock, ensuring that accidental spilling will not occur.

An indispensable and definitive collection showcasing the passionate genius of the late rapper. The album's nonchronological sequence highlights the contradictory impulses that made Tupac's music so commanding; the 21 well-loved "hits," some slightly reedited for legal reasons, are accompanied by four previously unheard songs. Of the new material, the raw-sounding "God Bless the Dead" has been the subject of the most speculation, owing to its subject matter: a eulogizing of the late Notorious B.I.G.--a mysterious feat, since Tupac was killed six months before Biggie. And, making its first proper appearance on a Tupac album, the B-side "Hit 'Em Up" stands as the most intense outburst of pure venomous rage ever captured on tape. Whether he's waxing political, philosophical, or just plain paranoid, Tupac's empathetic, charismatic style remains unmatched. --Charley Gothic

All products are BRAND NEW and factory sealed. Fast shipping and 100% Satisfaction Guaranteed.

All products are BRAND NEW and factory sealed. Fast shipping and 100% Satisfaction Guaranteed.

The Blueprint may be Jay Z's most captivating record since Reasonable Doubt, but its predictably detached mood reflects the master hustler's superior ability to trick out lackluster subject matter with lyrical complexity and brief flashes of manufactured introspection. The Blueprint, a solid mix of preprogrammed radio hits ("Izzo," "Girls, Girls, Girls") and better-than-average mid-tempo compositions ("Never Change," "Song Cry"), confirms the Brooklyn rapper's legendary status. Blistering flames of the Queensbridge/Jay Z feud fan high with "Takeover," a direct attack on Nas, set over the Doors' rock & roll burner, "5 to 1." "Renegade" provides the album's only full-on guest appearance. Jay and Eminem take this opportunity to address haters (within the industry and in the general population) who don't understand the mind of an artist. Jigga spells it out on the title track: "Reasonable Doubt--classic, shoulda went triple." The Blueprint might not be quite on par with Reasonable Doubt but it is reasonably good. --Rebecca Levine

JAY Z THE BLACK ALBUM

If The Black Album is truly Jay-Z's last statement before retirement, he at least goes out near the top of his game. While it probably won't be remembered as his best album, The Black Album is his most personal to date and features some of his most compelling writing. Jay-Z is defiant and defensive here--he's trying to make sure his legacy is properly acknowledged, although he can get a bit heavy-handed at times. Still, he's rarely been more incisive or insightful in his rhymes, exposing his own childhood struggles on songs like "December 4th" while slapping at his haters with "What More Can I Say" and the cutting "Threat." Longtime Jay-Z collaborators Just Blaze and Kanye West churn out outstanding production, especially Blaze, whose beats for "December 4th" and "Public Service Announcement" are among the album's best. Newcomers Aqua and the Buchanans represent well also but Eminem's minor-key drone for "Moment of Clarity" is mired in mediocrity. Jay might fade to black after this one but his last shot doesn't miss. --Oliver Wang

Lasko 16inch Oscillating Stand Fan Weight: 9.25 lbs. Size: 18inch L x 17inch W x 47inch H. 3 Quiet Speeds. Tilt-Back Feature. Fully-Adjustable Height. Easy-Grip Rotary Control. Simple No Tool Assembly. Ideal for All Rooms. ETL Listed. Wide-Area Oscillation

The Waste King Legend 8000 One-Horsepower Disposer showcases an ultra-powerful motor, stainless steel grinding components, superior sound insulation, and a corrosion-proof grinding chamber for efficient, quiet, no-fuss waste disposal. Once installed, this continuous-feed waste disposer will more than earn its place in your kitchen. The Legend 8000 1.0-Horsepower Disposer At a Glance:2,800 RPM permanent magnet motorStainless steel swivel impellers reduce jammingSplash guard is removable and easy to cleanSound insulated to reduce noiseLifetime mechanical and corrosion warrantiesThe Legend 8000 offers more power per pound than the competition. View larger.Experience a More Powerful GrindFeaturing an energy-efficient, high-speed, 2,800 RPM 'Vortex' permanent magnet motor, the Legend 8000 offers more power per pound than comparative disposers. This one-horsepower motor will grind just about anything, and it requires 115 volts, 60 Hertz, and 7.0 current-amps to operate.Jam-Free, Mess-Free FeedsThe Legend 8000 is a continuous-feed disposer, which means you can add waste while the unit runs. Stainless steel swivel impellers reduce jamming, and an easily removable Grinding Components Minimize Noise and WearBecause the Legend 8000's grinding chamber is made of glass-filled nylon, you will never have to worry about corrosion. Also, the stainless steel grinding components are insulated, so you'll get the quietest grind possible.Easy Installation; Works with Septic TanksThe Waste King Legend 8000 includes a fast-and-easy mount system, with all the necessary hardware for no-hassle installation. The disposer is safe for properly sized septic tanks and comes with a 36-inch power cord.Lifetime In-Home Service WarrantyThe Waste King Legend 8000 is backed by a limited mechanical warranty. This means that if your disposer develops a material or mechanical defect within the lifetime of the original purchaser, it will be replaced in your home--free of charge. The disposer also comes with a lifetime warranty against corrosion.What's in the BoxThe Waste King Legend 8000 1.0-Horsepower Disposer, mounting hardware, and power cord.

The Waste King Legend series 1 HP garbage disposer has a 2800 RPM motor, heavy cast stainless steel anti jam swivel impellers, and stainless steel grinding components. It is sound insulated, comes with an installed power cord, and has a front mount reset button and plumb EZ mounting system.

Director Blake Edwards, fresh from the success of the first two Pink Panther movies, indulged his love of classic slapstick comedy with this long free-for-all, which throws in everything but Laurel and Hardy's kitchen sink. The film reunites Some Like It Hot stars Tony Curtis and Jack Lemmon, ably aided by a spunky Natalie Wood. The subject is a New-York-to-Paris auto race in the early years of the 20th century, pitting the Great Leslie (Curtis), a goody-goody dressed all in white--even his teeth sparkle--against the malevolent Professor Fate (Lemmon), whose coal-black heart is reflected in his handlebar mustache. He looks like a bill collector from a silent- movie melodrama. Lemmon does double duty, also playing the pampered, drunken king of a small European country, whose laugh sounds like the wail of a cat in heat. The film may be too long for its own good, and you really have to love Jack Lemmon to put up with his over-the-top performance, but it's side-splitting in spots. It's one of those movies, if seen in childhood, that stays in your mind for years afterward. Some of the bigger routines, such as a pie fight of epic proportions, don't work as well as the simple chemistry between the perpetually exasperated Professor Fate and his much-abused assistant, Max (a terrific Peter Falk). Push the button, Max. --Robert Horton

Kitchen sink comic salute to silent slapstick from Blake Edwards follows a pack of wacky racers, including stalwart hero Tony Curtis, dastardly villain Jack Lemmon, and femme fatale Natalie Wood, on a 22,000-mile road race from New York to Paris in 1908. Peter Falk, Keenan Wynn, Vivian Vance, Larry Storch and Ross Martin also star. 160 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, French; Subtitles: English, Chinese, French, Japanese, Korean, Portuguese, Spanish, Thai; "making of" documentary; biographies; trailer.

Pardon Us (1931), Laurel and Hardy's first feature-length film, finds the duo causing chaos behind bars after selling bootleg beer to a cop. Ex-soldiers Stan and Ollie try to reunite a war buddy's orphaned daughter with her grandfather in "Pack Up Your Troubles" (1932). The boys are lodge members who sneak off to a convention--minus their wives--in "Sons of the Desert" (1933). Based on an opera, "The Bohemian Girl" (1936) has Gypsies Stan and Ollie caring for a kidnapped princess. The pair play dual roles as long-lost twin brothers in "Our Relations" (1936) and help a young woman save her frontier inheritance from land grabbers "Way Out West" (1937). An Alpine lodge is the setting for music and laughs in "Swiss Miss" (1938), while Ollie brings old army pal Stan home to care for him in "Block-Heads" (1938). The boys are off to college in "A Chump at Oxford" (1940), and they take a "relaxing" ocean voyage as "Saps at Sea" (1940). This 10-disc set also features all 40 L&H sound shorts made for Hal Roach from 1929-1935--including "Berth Marks," "Brats," "Below Zero," "Our Wife" "The Music Box," and others--plus Spanish-language versions, guest cameos, and more. 32 1/3 hrs. total. Standard; Soundtrack: English.

"Eternal pals and eternal antagonists, Stan Laurel and Oliver Hardy are the great partnership of movie slapstick. They finally get their DVD due with Laurel & Hardy: The Essential Collection, a 10-disc orgy of pratfalls, slow burns, and slap fights--in short, a collection that truly qualifies as a must-have for connoisseurs of comedy. The collection contains the sound films that Laurel and Hardy made for producer Hal Roach, the man who teamed the simpering English vaudeville player and the rotund American actor in the first place (although their laughs are evenly divided, Laurel was the creative force and chief gag-inventor of the duo). Their track record is proof that it isn't merely the jokes that make for comic success; it's the personalities of the comedians. Thus, Stan's dimwitted innocence and Ollie's perpetually exasperated reactions (raised to an exquisite art by Hardy's comprehensive glances at the camera, assuring the audience's complicity in his misery) are the essence of their success. Some films are great, some merely passable, but all stick blissfully to character. This is on glorious display through these Roach pictures, whether it's the boys sharing one small train berth in Berth Marks, executing their famous synchronized dance in Way Out West, or laboring to get that piano up a very steep flight of stairs in the Oscar-winning The Music Box. The films look as good as movies from 1929 to 1940 can reasonably be expected to look. Included in the boxed set are seven foreign-language films (six in Spanish, one in French), shot in order to keep the duo popular in overseas markets, before dubbing made that goal easier. Fascinatingly, these films often extend the English-language films they are ostensibly adapted from, with different gags and plot turns--and it's fun to hear Stan and Ollie speaking in another language. Special features include a ho-hum 40-minute tribute with testimonials from fellow comedians (especially talkative are Dick Van Dyke and Jerry Lewis); an ""Interactive Map"" with Los Angeles location sites from their movies; three Roach shorts in which L&H pop up in cameos; and a 1942 short produced for the Department of Agriculture (another L&H cameo). A few (not many) films have commentaries that include the informed Laurel and Hardy buff Richard W. Bann; Sons of the Desert has a track with Tim Conway and Chuck McCann, who don't seem to know how a commentary track works but have a nice time watching the movie. --Robert Horton"

When it comes to long-awaited treats like The Marx Brothers Collection, you can never get too much of a good thing. These seven comedies can't compare to the sheer lunacy of the five classics (The Cocoanuts, Animal Crackers, Monkey Business, Horse Feathers, and Duck Soup) that the Marx Bros. made for Paramount between 1929 and 1933 (available in The Marx Brothers Silver Screen Collection), but when uber-producer Irving Thalberg signed Groucho, Harpo, and Chico to an MGM contract in 1935 (by which time sibling costar Zeppo had become the team's off-screen manager), he knew just how to cure their box-office blues. As a result, A Night at the Opera and A Day at the Races were critical and commercial hits, lavishly produced according to the "Tiffany" studio's golden-age formula of glamorous set pieces and musical numbers combined with sensible plots that smoothly integrated snappy, well-written Marxian antics. Opera is the jewel of this set, with timeless scenes (the Stateroom, the Groucho-Chico contract negotiation, etc.) that rank among the greatest bits of silver-screen comedy... not to mention Groucho's flirtatious insults at Margaret Dumont's upper-crust expense. A Day at the Races deserves near-equal acclaim ("Get-a your tootsie-fruitsie ice cream!"), but Thalberg's death in 1937 dealt a devastating blow, and the Marxes suffered from studio indifference, resulting in a succession of comedies that are timelessly enjoyable even as they fall prey to diminishing returns. By the time they made Go West and The Big Store, the Marxes were out of their element, and a few of the musical interludes indulge racial stereotypes that were common in the studio era. Despite this, these movies remain fresh and frantic, and Warner Bros. (holder of the RKO and MGM libraries) has done a marvelous job of packaging The Marx Brothers Collection to nostalgically approximate the filmgoing experience of the 1930s and '40s, with vintage shorts (Our Gang, Robert Benchley comedies, MGM cartoons, etc.) from the time of each feature's original release. Archival materials are slim but worthwhile (especially Groucho's 1961 interview with TV talk-show host Hy Gardner), and while Glenn Mitchell's commentary on Races is sparse and superficial, Leonard Maltin brings his usual superfan's enthusiasm and encyclopedic knowledge to bear on a full-length Opera commentary track. The new documentaries are somewhat redundant, but essential viewing for Marx Bros. neophytes. With all seven films presented in pristine condition, this is definitely a Marx Brothers Collection worth having. --Jeff Shannon

In "Room Service" (1938), Groucho, Harpo, and Chico are Broadway producers who have a play, some hungry actors, no backers, and a hotel bill that keeps rising. Their attempts to stay one step ahead of everyone will leave you in the aisle. Lucille Ball, Ann Miller, Frank Albertson co-star. Then, in "At the Circus" (1939), the boys try to save circus owner Kenny Baker's big top from bankruptcy. With Margaret Dumont. Five-disc set also includes "A Night at the Opera," "A Day at the Races," "Go West," "The Big Store," and "A Night in Casablanca." Standard; Soundtrack: English Dolby Digital mono; Subtitles: English, French, Spanish; audio commentary; audio outtakes; bonus shorts; bonus cartoons.

7B500EC 000 Finish: White Pictured in White Features: -Toilet seat.-Closed front with cover.-Easy to clean and change.-Non-corrosive bolts and wing nuts.-Manufacturer also known as Church. Color/Finish: -White finish.

Bayleaf and menthol give this lotion an appealingly masculine scent. Use it as an aftershave or as all over cologne. Great old-style paper packaging.

7B1960PCH 000 Features: -Toilet seat.-Closed front with cover.-Non-corrosive Hex-Tite bolts and wing nuts.-Retro look, chrome bar hinge with chrome or white caps.-Manufacturer also known as Church. Color/Finish: -White finish.