Warner Brothers

From the TV Series Two and a Half Men

From the TV Series Two and a Half Men SET OF 4 MUGS These mugs are hand painted

You too can now enjoy your eggnog in a Moose Mug just like Clark Griswold and Cousin Eddie in Christmas Vacation. These replica Christmas Vacation Moose Mugs are officially licensed by Warner Bros. Studios. Each high quality, yet affordably priced mug is individually made from hand molded glass. These festive goblets make unique gifts, perfect conversation pieces and unforgettable party favors.

A magical adaptation of Frances Hodgson Burnett's classic from director Agnieszka Holland ("Europa, Europa") focuses on an orphan girl who leaves India to live with her uncle in a dreary manor in England. There she befriends her invalid cousin and discovers a garden with fantastic healing powers. Kate Maberly, Heydon Prowse, and Maggie Smith star. 102 min. Standard and Widescreen (Enhanced); Soundtrack: English Dolby Digital Surround stereo; Subtitles: English, French, Spanish; theatrical trailers.

Filmed before (and quite nicely) in 1949, Frances Hodgson Burnett's classic children's story was remade for this admirable 1993 release, executive produced by Francis Ford Coppola and directed by acclaimed Polish filmmaker Agnieszka Holland. Splendidly adapted by Edward Scissorhands screenwriter Caroline Thompson, the film opens in India during the early 1900s, when young Mary Lennox (Kate Maberly) is orphaned and sent to England to live in Misselthwaite Manor, the gloomy estate of her brooding and melancholy uncle, Lord Craven (John Lynch). Because the uncle is almost always away on travels, struggling to forget the death of his beloved wife, Mary is left mostly alone to explore the estate. Eventually she befriends the young brother of a staff maid and Lord Craven's apparently crippled son, who has been needlessly bedridden for years. Together the three children restore a neglected garden on the estate grounds, and in doing so they set the stage for a moving reaffirmation of life and love. Filmed with graceful style and careful attention to the intelligence and cleverness of young children, The Secret Garden is that rarest breed of family film that transcends its own generic category, encouraging a sense of wonder and optimism to become a rewarding experience for viewers of any age. --Jeff Shannon

Filmed before (and quite nicely) in 1949, Frances Hodgson Burnett's classic children's story was remade for this admirable 1993 release, executive produced by Francis Ford Coppola and directed by acclaimed Polish filmmaker Agnieszka Holland. Splendidly adapted by Edward Scissorhands screenwriter Caroline Thompson, the film opens in India during the early 1900s, when young Mary Lennox (Kate Maberly) is orphaned and sent to England to live in Misselthwaite Manor, the gloomy estate of her brooding and melancholy uncle, Lord Craven (John Lynch). Because the uncle is almost always away on travels, struggling to forget the death of his beloved wife, Mary is left mostly alone to explore the estate. Eventually she befriends the young brother of a staff maid and Lord Craven's apparently crippled son, who has been needlessly bedridden for years. Together the three children restore a neglected garden on the estate grounds, and in doing so they set the stage for a moving reaffirmation of life and love. Filmed with graceful style and careful attention to the intelligence and cleverness of young children, The Secret Garden is that rarest breed of family film that transcends its own generic category, encouraging a sense of wonder and optimism to become a rewarding experience for viewers of any age. --Jeff Shannon

Before "Dreamgirls," this musical drama recalled the rise of a Supremes-like girl group from the Harlem ghetto to superstardom. While the group Sister and The Sisters pursues fame and fortune, their relationships fracture when Sister (Lonette McKee) turns to drugs and Sparkle (Irene Cara) cultivates a relationship with their manager (Philip Michael Thomas). Dwan Smith, Dorian Harewood also star; features a score by Curtis Mayfield. 98 min. Widescreen; Soundtrack: English Dolby Digital mono.

Before Dreamgirls hit cineplexes in 2006, there was Sparkle. Released in 1976, the low-budget movie (which is also loosely based on the story of Diana Ross and the Supremes) achieved somewhat of a cult following among fans that enjoy a good cry along with their kitsch. Sparkle tells the rags-to-riches (and rags again, for some of the characters) tale of three sisters with gorgeous voices. There's Sister (Lonette McKee), Sparkle (Irene Cara, Fame), and Delores (Dwan Smith), who team up with a couple of players (including a very young Philip Michael Thomas, pre-Miami Vice) to form a singing group. Because the men add little oomph to the outfit, the quintet becomes an all-girl trio and is renamed the redundant (and hysterical) Sister and the Sisters. But because this movie is called Sparkle and not Sister, we know that Irene Cara's character is the one to watch. Cara is a joy to listen to when she unleashes her powerful pipes. And as the much put-upon Sister, McKee is convincing and earns the viewer's sympathy. Set in the 1950's, the movie tackles racism, sexism, jealousy, and both chemical and physical abuse. While it is overly dramatic and liberally serves up sloppy doses of soap opera clichés, the film also is highly watchable because of its over-the-top campiness. --Jae-Ha Kim

The 10th anniversary concert video of the international musical sensation Les Misérables might be the best thing to appease fans until a full-fledged movie comes along. Or it might be even better, as feature films are often subject to extramusical casting considerations and this 1995 dream cast is superb. Reprising their roles from the original London company are Colm Wilkinson (Valjean), Michael Ball (Marius), and Alun Armstrong (Thenardier). From Broadway come Judy Kuhn (Cosette), Lea Salonga (Eponine), and Michael Maguire (Enjolras); from a later London production comes Ruthie Henshall (Fantine); and from Australia comes Philip Quast (Javert). Alain Boublil and Claude-Michel Schönberg's score vividly captures the passion of Victor Hugo's epic tale of post-Revolutionary France, combining tear-jerking ballads ("I Dreamed a Dream," "Bring Him Home") and rousing anthems ("Do You Hear the People Sing"). The format of this concert is closer to that of a dramatic cantata rather than a fully staged production; the singers stand at their microphone stands with an orchestra and chorus behind them, but they do wear costumes and participate in some movement. At certain points such as the climax of the barricade scene, the video switches to action from a stage production. The Royal Philharmonic Orchestra sounds great, and it can be thrilling when 200 choristers (dressed in logo T-shirts) rise to their feet for a full-company number such as "One Day More." Also, subtitles provide date and scene information and help move the story along. The 147-minute video contains footage not seen when Les Mis was a PBS pledge-drive staple, most notably the encore in which a progression of 17 actors who have played Valjean around the world share "Do You Hear the People Sing?" Each sings a line in his native language, a testament to the enduring power of this show to audiences everywhere. --David Horiuchi DVD features The 2008 two-disc edition presents the concert on a single-sided disc (the original DVD split the concert over two sides) with optional English subtitles. It's also in anamorphic widescreen (1.78:1 aspect ratio) comparied to the original's 1.33 full-screen. The second disc has Stage by Stage: Les Miserables, the hourlong documentary from 1988. Unfortunately the sound is only Dolby Digital 2.0. Early editions of the DVD had an odd omission (compared to the earlier Sony DVD)--the first 10 seconds of Gavroche's "Little People" were missing ("Good evening, dear inspector, lovely evening, my dear...")--that has now been corrected. --David Horiuchi

To mark the 10th anniversary of the award-winning musical, an all-star array of "Les Miz" cast members from productions around the world took the stage at London's Royal Albert Hall, joined by the Royal Philharmonic Orchestra, to perform the songs in concert. Colm Wilkinson, Judy Kuhn, Philip Quast, Lea Salonga, and Ruthie Henshall head the cast; songs include "I Dreamed a Dream," "One Day More!," "On My Own" and a special encore of "Do You Hear the People Sing?," performed by 17 Jean Valjeans in their native languages. 148 min. Widescreen (Enhanced); Soundtrack: English Dolby Digital stereo; "making of" documentary; interviews. Two-disc set.

Studio: Buena Vista Home Video Release Date: 10/06/2009

One of the brightest nuggets from Disney's golden age, this 1937 film is almost dizzying in its meticulous construction of an enchanted world, with scores of major and minor characters (including fauna and fowl), each with a distinct identity. When you watch Snow White's intricate, graceful movements of fingers, arms, and head all in one shot, it is not the technical brilliance of Disney's artists that leaps out at you, but the very spirit of her engaging, girl-woman character. When the wicked queen's poisoned apple turns from killer green to rose red, the effect of knowing something so beautiful can be so terrible is absolutely elemental, so pure it forces one to surrender to the horror of it. Based on the Grimm fairy tale, Snow White is probably the best family film ever to deal, in mythic terms, with the psychological foundation for growing up. It's a crowning achievement and should not be missed. --Tom Keogh Stills from Snow White and the Seven Dwarfs (Click for larger image)

One of the brightest nuggets from Disney's golden age, this 1937 film is almost dizzying in its meticulous construction of an enchanted world, with scores of major and minor characters (including fauna and fowl), each with a distinct identity. When you watch Snow White's intricate, graceful movements of fingers, arms, and head all in one shot, it is not the technical brilliance of Disney's artists that leaps out at you, but the very spirit of her engaging, girl-woman character. When the wicked queen's poisoned apple turns from killer green to rose red, the effect of knowing something so beautiful can be so terrible is absolutely elemental, so pure it forces one to surrender to the horror of it. Based on the Grimm fairy tale, Snow White is probably the best family film ever to deal, in mythic terms, with the psychological foundation for growing up. It's a crowning achievement and should not be missed. --Tom Keogh Stills from Snow White and the Seven Dwarfs (Click for larger image)

Includes "The Matrix Reloaded" and "The Matrix Revolutions."

By following up their debut thriller Bound with the 1999 box-office smash The Matrix, the codirecting Wachowski brothers--Andy and Larry--annihilated any suggestion of a sophomore jinx, crafting one of the most exhilarating sci-fi/action movies of the 1990s. Set in the not too distant future in an insipid, characterless city, we find a young man named Neo (Keanu Reeves). A software techie by day and a computer hacker by night, he sits alone at home by his monitor, waiting for a sign, a signal--from what or whom he doesn't know--until one night, a mysterious woman named Trinity (Carrie-Anne Moss) seeks him out and introduces him to that faceless character he has been waiting for: Morpheus (Laurence Fishburne). A messiah of sorts, Morpheus presents Neo with the truth about his world by shedding light on the dark secrets that have troubled him for so long: "You've felt it your entire life, that there's something wrong with the world. You don't know what it is, but it's there, like a splinter in your mind, driving you mad." Ultimately, Morpheus illustrates to Neo what the Matrix is--a reality beyond reality that controls all of their lives, in a way that Neo can barely comprehend. Neo thus embarks on an adventure that is both terrifying and enthralling. Pitted against an enemy that transcends human concepts of evil, Morpheus and his team must train Neo to believe that he is the chosen champion of their fight. With mind-boggling, technically innovative special effects and a thought-provoking script that owes a debt of inspiration to the legacy of cyberpunk fiction, this is much more than an out-and-out action yarn; it's a thinking man's journey into the realm of futuristic fantasy, a dreamscape full of eye candy that will satisfy sci-fi, kung fu, action, and adventure fans alike. Although the film is headlined by Reeves and Fishburne--who both turn in fine performances--much of the fun and excitement should be attributed to Moss, who flawlessly mixes vulnerability with immense strength, making other contemporary female heroines look timid by comparison. And if we were going to cast a vote for most dastardly movie villain of 1999, it would have to go to Hugo Weaving, who plays the feckless, semipsychotic Agent Smith with panache and edginess. As the film's box-office profits soared, the Wachowski brothers announced that The Matrix is merely the first chapter in a cinematically dazzling franchise--a chapter that is arguably superior to the other sci-fi smash of 1999 (you know... the one starring Jar Jar Binks). --Jeremy Storey

Slam-bang cyber-actioner stars Keanu Reeves as a computer hacker told by rebels Laurence Fishburne and Carrie-Anne Moss that the world, as he knows it, is actually a form of virtual reality. Reeves is enlisted to use his intelligence and strength to topple the oppressive computer-run powers that control the world. Joe Pantoliano, Hugo Weaving co-star. 138 min. Widescreen (Enhanced); Soundtracks: English Dolby TrueHD 5.1, Dolby Digital 5.1, French Dolby Digital 5.1, Spanish Dolby Digital stereo; Subtitles: English (SDH), French, Spanish; audio commentary; documentary; featurettes; music video; TV spots; theatrical trailers.

15 foot length x 5 inches in height. Border height:5 Wallpaper. By BREWSTER 1625, sold in UNIT. Available at American Blinds in WALLPAPER & FABRIC

8.5" Scooby Doo Silhouette Bubble Light Christmas Holiday Light Bulb Roman Night Light

7" Tweety Bird Bubble Light Christmas Holiday Light Bulb Roman Night Light

These rings look great added to your cupcakes or they can in pushed into the side of a larger cake for additional decorations. Great party favors. Long after the cake is gone, you will still have the rings. 12 Rings

Party Kit includes (8) Scooby Doo Cups, (8) Scooby Doo Dessert Plates, (1) Scooby Doo Tablecover and (16) Scooby Doo Beverage Napkins. Plastic tablecover measures approximately 54" high x 102" wide. Items feature Scooby surrounded by paint splatters and paw prints. Officially licensed Scooby DooTM products.

Brush your teeth twice a day with harry Potter! Soft bristle (#18) Johnson & Johnson toothbrush with image of Harry on the handle. Colors vary.