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![The Complete Dirty Harry (Dirty Harry/Enforcer/Magnum Force/Dead Pool/Sudden Impact) [VHS]](http://ecx.images-amazon.com/images/I/51PG207KE8L._SL160_.jpg) |
The Complete Dirty Harry (Dirty Harry/Enforcer/Magnum Force/Dead Pool/Sudden Impact) [VHS]
List Price: $59.91
Sale Price: $30.00
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Five--count 'em, five--chances to wallow in the shoot-first, ask-questions-later ethos of San Francisco cop Harry Callahan, who became a signature character for actor Clint Eastwood. The first one, Dirty Harry, is the best, a Don Siegel film in which Harry flouts rules about police brutality to capture a serial killer. In Magnum Force he tracks rogue cops and utters his "Do you feel lucky, punk?" speech. In The Enforcer he gets a female partner (future Cagney and Lacy star Tyne Daly). Sudden Impact featured him tracking a female serial killer and offered a new catch phrase: "Go ahead. Make my day." And The Dead Pool, aside from offering a smart little chase involving a radio-controlled model car, brought him face to face with Liam Neeson. You can't ask for much more firepower in one box than this. --Marshall Fine
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Christy - The Complete Series
List Price: $39.98
Sale Price: $18.39
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Determination, faith, and optimism are powerful forces that enable individuals to positively affect the lives of themselves and others. Christy, a captivating 1994 television series based on the book by Catherine Marshall and reminiscent of the Anne of Green Gables and Little House on the Prairie series, is the story of an idealistic 19-year-old woman named Christy Huddleston (Kellie Martin) who sets out for the wilderness of the Smoky Mountains of Tennessee in 1912 on a mission to educate the children of the remote community of Cutter Gap. A well-to-do girl raised in the city, Christy is shocked and completely unprepared for the extreme poverty, ignorance, and superstitious tendencies of Cutter Gap's people, but resolves to persevere in her commitment to better the lives of her young students. Each day brings a fresh lesson for the children and a new struggle that inspires Christy to draw upon and re-examine her own faith while striving to disprove local superstitions and replace long-held animosities and prejudices with virtues like forgiveness and respect. Christy is surrounded by a handful of allies in Cutter Gap that include fellow missionary Miss Alice Henderson (Tyne Daly), whom she idolizes for her strength, resolve, and mentorship; Fairlight Spencer (Tess Harper), a local woman who offers Christy the rare gift of friendship; mission preacher Reverend David Grantland (Randall Batinkoff), a hard worker who immediately becomes smitten with Christy; and local Doctor Neil MacNeill (Stewart Finlay-McLennan) whose gruff manner and atheistic beliefs both confuse and excite Christy. Eventually, Christy finds she's fallen in love with both Reverend Grantland and Doctor MacNeill and embarks on a very personal journey toward maturity while simultaneously succeeding in her quest to educate the children of Cutter Gap and affect significant positive change throughout the entire community. (Ages 9 and older) --Tami Horiuchi
Studio: Tcfhe Release Date: 03/27/2007 Run time: 907 minutes Rating: Nr
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Gypsy
List Price: $14.98
Sale Price: $6.89
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Story of how Louise Hovick rises from behind her little sister's shadow, Dainty June and vaudeville to become the 1930's burlesque queen, Gypsy Rose Lee.Genre: MusicalsRating: NRRelease Date: 14-FEB-2006Media Type: DVD
Widely considered, top to bottom, one of the finest musicals in Broadway history, Gypsy got lucky in its film version. Granted, Rosalind Russell doesn't have the bell-ringing voice one craves for in "Everything's Coming Up Roses," but as a domineering stage mom, she's truly fearsome. Trouping through vaudeville with her is her daughter, the future celebrity stripper Gypsy Rose Lee, played by Natalie Wood in all her youthful lusciousness. The production is studio-bound, but this actually fits the unreal show-biz world depicted. The Jule Styne-Stephen Sondheim score has no weak spots, and some of the burlesque numbers ("Let Me Entertain You" and the riotous "You Gotta Get a Gimmick") are so authentic, you'd swear they were at least 100 years old. Gypsy is one of those big, somewhat stately musicals that does satisfying credit to its stage origins; no cinematic ground-breaking here, but a swell way to spend a rainy afternoon. --Robert Horton
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![Dirty Harry Collection (Dirty Harry / Magnum Force / The Enforcer / Sudden Impact / The Dead Pool) [Blu-ray]](http://ecx.images-amazon.com/images/I/51SXI2ONG5L._SL160_.jpg) |
Dirty Harry Collection (Dirty Harry / Magnum Force / The Enforcer / Sudden Impact / The Dead Pool) [Blu-ray]
List Price: $64.98
Sale Price: $35.62
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Five--count 'em, five--chances to wallow in the shoot-first, ask-questions-later ethos of San Francisco cop Harry Callahan, who became a signature character for actor Clint Eastwood. The first one, Dirty Harry, is the best, a Don Siegel film in which Harry flouts rules about police brutality to capture a serial killer. In Magnum Force he tracks rogue cops and utters his "Do you feel lucky, punk?" speech. In The Enforcer he gets a female partner (future Cagney and Lacy star Tyne Daly). Sudden Impact featured him tracking a female serial killer and offered a new catch phrase: "Go ahead. Make my day." And The Dead Pool, aside from offering a smart little chase involving a radio-controlled model car, brought him face to face with Liam Neeson. You can't ask for much more firepower in one box than this. --Marshall Fine
Studio: Warner Home Video Release Date: 02/16/2010 Run time: 530 minutes
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All On A Wintry Night: A Judy Collins Christmas
List Price: $16.98
Sale Price: $9.07
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Judy Collins studied classical piano as a child before she took up guitar and switched to singing folksongs as a teenager. On her CD of Christmas music, All on a Wintry Night, her stately versions of carols such as "Silent Night" and "Joy to the World" reflect her classical upbringing rather than her days as a Greenwich Village folkie. Even her performances of modern holiday songs such as "I'll Be Home for Christmas" and "Let It Snow" have a formal feel that recalls her mid-'70s forays into art song. The instrumental accompaniment is spare and the choral backup by the Trinity Boys Choir, the St. Thomas Boys Choir, and the Stephen Hill Singers is designed to subtly frame her lovely voice. Eleven of the 14 songs here originally appeared on her 1994 release, Come Rejoice! The new songs include "The Blizzard," "The Wexford Carol," and "In the Bleak Midwinter," a duet with Tyne Daly. All on a Wintry Night is a sweet collection of musical sugarplums from one of America's most admired singers. --Michael Simmons
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The World According to Mr. Rogers: Important Things to Remember
List Price: $14.00
Sale Price: $6.20
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"If you could only sense how important you are to the lives of those you meet; how important you can be to the people you may never even dream of. There is something of yourself that you leave at every meeting with another person." -- from The World According to Mister Rogers A timeless collection of wisdom on love, friendship, respect, individuality, and honesty from the man who has been a friend and neighbor to generations of Americans. There are few personalities who evoke such universal feelings of warmth as Fred Rogers. An enduring presence in American homes for over 30 years, his plainspoken wisdom continues to guide and comfort many. The World According to Mister Rogers distills the legacy and singular worldview of this beloved American figure. An inspiring collection of stories, anecdotes, and insights -- with sections titled Understanding Love, The Courage to Be Yourself, The Challenge of Inner Discipline, and We Are All Neighbors -- The World According to Mister Rogers is a testament to the legacy of a man who served and continues to serve as a role model to millions.
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Cagney & Lacey ...and Me. An Inside Hollywood Story or How I Learned to Stop Worrying and Love the Blonde
List Price: $14.99
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Heros and villains, life and death, and sex and betrayal are part of a producer's life in the Hollywood fast lane. For author and Emmy Award-winning producer Barney Rosenzweig, that trip started on the set of the television show Cagney & Lacey.Rosenzweig personally supervised each episode of Cagney & Lacey - every piece of casting, every script, music cue, and film edit. One hundred twenty-five episodes and five Cagney & Lacey movies made him a master of the craft of producing. The show - with its unique social commentary that cemented Rosenzweig's role in television history - gave him a rare insider's view of the show business world. Now - almost thirty years after Cagney & Lacey's debut - in the first digital edition Rosenzweig reveals with rare candor the secret society-like machinations of Hollywood's seductive spin machine.The e-book contains a full summary of all 125 episodes formerly available only in the special edition hardback version.The series and the people who made the show possible are responsible for some of the most memorable years of Rosenzweig's life. He fondly recalls that period and provides and intruiging behind-the-scenes view in Cagney & Lacey ...and Me.
Heros and villains, life and death, and sex and betrayal are part of a producer's life in the Hollywood fast lane. For author and Emmy Award-winning producer Barney Rosenzweig, that trip started on the set of the television show Cagney & Lacey.Rosenzweig personally supervised each episode of Cagney & Lacey - every piece of casting, every script, music cue, and film edit. One hundred twenty-five episodes and five Cagney & Lacey movies made him a master of the craft of producing. The show - with its unique social commentary that cemented Rosenzweig's role in television history - gave him a rare insider's view of the show business world. Now - almost thirty years after Cagney & Lacey's debut - in the first digital edition Rosenzweig reveals with rare candor the secret society-like machinations of Hollywood's seductive spin machine.The e-book contains a full summary of all 125 episodes formerly available only in the special edition hardback version.The series and the people who made the show possible are responsible for some of the most memorable years of Rosenzweig's life. He fondly recalls that period and provides and intruiging behind-the-scenes view in Cagney & Lacey ...and Me.
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Wonderful Town: New York Stories from The New Yorker
List Price: $36.95
Sale Price: $92.19
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"Ah, what can ever be more stately and admirable to me than mast-hemm'd Manhattan?" marveled the excitable Walt Whitman in 1865. The skinny island and its four sister boroughs have continued to fascinate writers ever since, and it would be hard to find a better record of that fascination than Wonderful Town: New York Stories from The New Yorker. As David Remnick explains in his foreword, the fledgling magazine paid relatively little heed to the nuts and bolts of metropolitan life, and in his original prospectus, Harold Ross didn't even mention fiction. But in the following decades, Ross and his successors published so many classic New York stories that the real challenge, according to Remnick, was whittling down the selection: "As there is barely enough room in this city to contain all of its busy, funny, angry, joyful, carping, and canny inhabitants, there was barely enough room to contain the wide range of stories we agreed upon." So what made the grade? There are treasures from John Cheever ("The Five-Forty-Eight"), James Thurber ("The Catbird Seat"), Maeve Brennan ("I See You, Bianca"), Isaac Bashevis Singer ("The Cafeteria"), Jamaica Kincaid ("Poor Visitor"), and many others. The uptown neighborhoods appear to be more generously represented--a token, perhaps, of the magazine's well-heeled, fur-bearing readership--but from early Updike to middle-period Tama Janowitz, there are plenty of excursions south of Fourteenth Street. It's not, however, a simple matter of geography, but a kind of urban metaphysics at work. There are numerous and overlapping New Yorks represented in this collection: you'll find John Cheever's postwar paradise cheek-by-jowl with Ann Beattie's yuppie stomping ground. Then there's James Stevenson's vision of a flooded Gotham: We are on the roof now. I have no idea what time it is, but it is daylight. The lower buildings have been submerged, the tall office buildings stand like tombstones above the heaving waves. There are whitecaps toward Central Park. An ocean liner stood by the Pan Am building for a while, then moved out to sea.... The water is swirling around the skylights now. The wind shifts. The waves are coming straight in from the Atlantic. Even in this postapocalyptic setting, New York stubbornly remains itself. A wonderful town indeed--and a wonderful collection to celebrate it. --Anita Urquhart
Read by Joe Morton, Timothy Jerome, and Maria TucciNine CDs, 10 hoursAnthologized from the reigning literary magazine of the century - and in honor of its 75th anniversary - the finest short stories about the greatest city in the world.Wonderful Town is the second half of our celebration of The New Yorker's 75th anniversary, masterfully anthologizes a selection of the greatest short stories written this century. While the individual stories differ widely in their theme and tone, all share the common thread of taking place in and around New York City. However, this anthology is as much about the writing as the venue and will make fascinating listening for all. In the authors' capable imaginations, the city itself is not just a setting but a character itself, with the kind of range and impact that any major literary character achieves. Like New York, Wonderful Town contains the anomalous and the commonplace, shock and comfort, triumph and melancholy.The impressive list of short story authors include among others: Isaac Baschevis Singer, J.D. Salinger, John O'Hara, John Updike, Philip Roth, Cynthia Ozick, John Cheever, Bernard Malamud, Wendy Wasserstein, Tama Janowitz and Grace Paley.
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Here are some more information for Tyne Daly:

Actress gets attacked by an eel
Actress Kam Metcalf has a great sense of humor, wit and some interesting stories about her life and career thus far. Here she talks to us about how she got started in acting, what brought her to New York, her experiences there and other places her incredible life has taken her.
Kam explains: I initially applied for UCLA film school and got in. After a daunting and overwhelming first quarter, I went back to the University of Minneapolis. I then went to drama school and did shows throughout Minneapolis and in college. With each successive year there, I got bigger roles in productions. My last quarter, I got to play perhaps the role of my life, which was Emily in Our Town, with a marvelous cast. The person that played George was Michael Phillips, who is now one of the Siskel and Ebert film critic's, with AO Scott.
I then got into ACT, the American Conservatory Theater, Advanced Training Program. I was advised by Emily Mann, a director of mine in Minneapolis, who is now artistic director of the McCarter Theatre in Princeton. It turned out to be the best year of my life, being immersed with acting or anything related to it, every day and all the time. A fellow classmate at the time was Annette Bening. I also studied with superb teachers. I was cut after the first year, as was Denzel Washington, although not in the same year. I then went straight to New York, with a friend who was also going to Harvard.
On a tip from my friend, I lived at the hostel at Columbia University for the entire summer, which was a great beginning. I also studied a summer at Oxford. After that, housing was unstable and I jumped from place to place for about three years. I then settled on the Upper West Side and lived in a tiny apartment, for about seven years.
I got my first acting job one year later, and heard about it while vacationing in Minnesota. When I got back to New York, I found it was in a theater on West 19th Street that doubled as an adult establishment at night. The artistic director, Magdalena was a very warm-hearted woman who also ran the adult entertainment part and said I'd have a job if I wanted to stay when theater hours were over. I politely declined. Jobs flowed in just as sparsely over the next five years or so.
In 1986 I got involved with Riverside Shakespeare on the Upper West Side. It had great actors and directors. I started as ASM, and played the role of Moth in the tour of Loves, Labors, Lost. I eventually played Juliet, which was the second of my three favorite roles, in a workshop production read at Grant's tomb. A tour of Germany followed where I played Betty in The Crucible. It was a small role, so I also had to do the laundry. Not an easy feat when there are no laundromats to speak of.
I worked at Riverside Shakespeare near the end of its heyday but I think of them as an example of really great actors, directors, and minds, who are not famous. It was a great enriching few years, and I don't think I would take that back to get Hollywood scripts at my doorstep more quickly.
Earlier that year, I had toured doing The Little Prince. I played the Little Prince role, binding myself up on top to play the lead. This role was also one third in French. We toured schools all over the South and Southwest. We were told to drive, despite a blizzard in Colorado, and flipped our van entirely upside down, thereby dumping the trailer with our props out in the snow. We still did the show, even though I had a neck brace on.
In the early 1990s, I auditioned for an acting intern position with Tony Randall's National Actors Theatre, and got in. Days started about 9am, and if we had a show, we didn't get out until around 11pm. They were tough hours but being on Broadway and in two shows was amazing. Just being on that stage at the Lyceum Theatre was incredible. I got to work with brilliant people and celebrities such as the amazing John Neville. He is soft-spoken, nice and low-key, and he would casually say something just remarkable. I was Tyne Daly's assistant, who is such a warm person. I also worked with Jack Klugman, who is so real and just 'gets it', Ethan Hawke, Laura Linney, Tony Roberts, John Franklin Robbins, Joan Macintosh, Maryann Plunkett, Jay Sanders, Michael Stuhlbarg, Jon Voight, and Marshall Mason, who is so intelligent and intense. Of course Tony Randall, with his gigantic enthusiasm, was there every day.
Also during this time I was working at Columbia Law School so I could afford to learn how to scuba dive. On a trip to the Cayman Islands, an eight foot eel came slithering through the water with its teeth bared and attacked me.
I was fortunate enough to work with Sidney Lumet, who is totally amazing and I appeared as the lead in an independent movie. Parts of it were filmed in New Jersey where they didn't want to pay me any wages after working overnight a couple of days, but the rest of the experience was really incredible.
In actuality, the best moments for me are meeting amazing people, connecting with another actor in a scene, having a great show on stage, or wrapping a movie at the end of a long day.
For an actor it is a lot of work finding jobs, finding the right resources, meeting the right people, getting ready for auditions, getting head shots, trying to figure out how to make enough money to live on, or even just finding some joy or keeping your hopes up.
I was called "brilliant" by a great director and coach for Al Pacino at Riverside Shakespeare and "so beautiful" by amazing Herbert Berghof. I have been described as grounded, intelligent, and high-energy. These are wonderful memories that mean a lot to me and probably get me through some long empty moments without work. Part of being an actor is that you can have a casting director who's just deadpan and you trudge out the door, and then you get that call back. You can also have people who love you but who you never hear from again.
There's not a lot of glamour in this business. I meet people who say "Oh, you're an actress, that must be fun." Well, I think that the fun is about 2% of the time when you get to work, or maybe the fulfillment in the pursuit of what I want.
In my spare time I love to read modern fiction or the classics, although I rarely get enough time.
In the past few years, I've wanted to work more in film although I still audition for theater. I would say it's even tougher now, especially for anything that pays well. I have had success in commercials, such as one for Merck, which helps pay the bills.
Some of my other memories include: I have run into a bear, in northern Minnesota; I was a state delegate at the age of 19; I met, and spoke to, Marcel Marceau; I've been the star of a movie; worked very hard for McGovern and been bitten by a doberman. I helped put out a forest fire and suffered smoke inhalation. I originated and edited a student newspaper. I threw the ring from the guy I almost married off the Golden Gate Bridge. I flew to St. Louis to be the lead in a series of ten commercials for Silver Dollar City; I rode a stingray when I went scuba diving; I lived through the tornado of May 1965 that made the front cover of National Geographic. I played right wing on the University of Minnesota women's hockey team. I met Sidney Lumet, and was chosen to work on Find Me Guilty. I ran into a skunk in Colorado; I've had a gun held to my head; I worked with Betty Friedan for six months; I've taken class with Herbert Berghof, who called me "beautiful, so beautiful"; I skied at Alta and worked at Sundance in the same year. I have climbed glaciers; I've had my heart broken so bad I didn't want to wake up every morning for two years; I dove on the reefs and wrecks at the Cayman Islands at night, was stung by jellyfish, and snorkeled over a shark. I love London Theater, and I've been to Prague, Copenhagen, Rome, Florence, Paris, Mexico City and Acapulco, all over Germany, Florence, and Sweden. I have not yet jumped out of a plane.
My aspiration is to get the richness I find in literature into my acting for both film and stage. I have quite a high bar, and even though I don't have thousands of words to express the richness of life, I keep that ideal in mind as I work a scene or build a character.
About the Author
See my other articles at this link. Thanks and enjoy
http://www.examiner.com/x-52388-Newark-City-Guide-Examiner
Has anyone ever seen the movie, The Wedding Dress?
Starring Neil Patrick Harris, Tyne Daly and Margaret Colin? I was just wondering, because tonight me and my mom was going to watch it..and i was just wondering if it was a good movie, if the acting was good..that sort of thing..
Any review is nice!!!
~thanks~
try http://www.joobay.com/2009,parent_id,categories
Prepping a Return to Ballroom , Jerry Mitchell Learns Its Secret
When director-choreographer Jerry Mitchell went to the original author of the teleplay of “Queen of the Stardust Ballroom” and told him he would like to do a revival of what Michael Bennett shortened to just Ballroom, the 1978 Broadway musical, Mitchell admitted he didn’t “have a take on it.”
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