Star Acting

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Lily Damita, French dancer and film star of silent films and early talkies more famous for brawling with husband Errol Flyn (married 1935 - 1942) than her acting skills..

In an age when barroom-'n'-cheatin' songs hit country radio program directors' wastebaskets quicker than you can say "Foolin' Around," it's good to remember Gary Stewart. The Kentucky native kicked around for years before breaking big in 1975 with the likes of "Drinkin' Thing," "Out of Hand," and "She's Actin' Single (I'm Drinkin' Doubles)." If anything, those hard-driving plaints were soon eclipsed by the rocking "Your Place or Mine (I Really Don't Care)" and "Ten Years of This" (a bitter soliloquy delivered by a man to his wife on the occasion of their wedding anniversary)--two cuts on which Stewart gives Jerry Lee Lewis himself a run for his money in terms of unhinged vocal artistry. Essential captures all these and more on a generous CD that matches Gram Parsons, if not Hank Williams, for abandon and dark emotional intensity. --Rickey Wright

No Description AvailableNo Track Information AvailableMedia Type: CDArtist: STEWART,GARYTitle: ESSENTIALStreet Release Date: 02/11/1997

The 10th anniversary concert video of the international musical sensation Les Misérables might be the best thing to appease fans until a full-fledged movie comes along. Or it might be even better, as feature films are often subject to extramusical casting considerations and this 1995 dream cast is superb. Reprising their roles from the original London company are Colm Wilkinson (Valjean), Michael Ball (Marius), and Alun Armstrong (Thenardier). From Broadway come Judy Kuhn (Cosette), Lea Salonga (Eponine), and Michael Maguire (Enjolras); from a later London production comes Ruthie Henshall (Fantine); and from Australia comes Philip Quast (Javert). Alain Boublil and Claude-Michel Schönberg's score vividly captures the passion of Victor Hugo's epic tale of post-Revolutionary France, combining tear-jerking ballads ("I Dreamed a Dream," "Bring Him Home") and rousing anthems ("Do You Hear the People Sing"). The format of this concert is closer to that of a dramatic cantata rather than a fully staged production; the singers stand at their microphone stands with an orchestra and chorus behind them, but they do wear costumes and participate in some movement. At certain points such as the climax of the barricade scene, the video switches to action from a stage production. The Royal Philharmonic Orchestra sounds great, and it can be thrilling when 200 choristers (dressed in logo T-shirts) rise to their feet for a full-company number such as "One Day More." Also, subtitles provide date and scene information and help move the story along. The 147-minute video contains footage not seen when Les Mis was a PBS pledge-drive staple, most notably the encore in which a progression of 17 actors who have played Valjean around the world share "Do You Hear the People Sing?" Each sings a line in his native language, a testament to the enduring power of this show to audiences everywhere. --David Horiuchi

The 10th anniversary of the international musical sensation Les Misérables is celebrated in this 1995 concert at London's Royal Albert Hall. The all-star cast features Colm Wilkinson (Valjean), Ruthie Henshall (Fantine), Michael Ball (Marius), Judy Kuhn (Cosette), Lea Salonga (Eponine), Philip Quast (Javert), and Alun Armstrong (Thenardier). Favorite songs from the Alain Boublil and Claude-Michel Schönberg score include "Who Am I?", "I Dreamed a Dream," "Master of the House," "One Day More," "Do You Hear the People Sing?" and "Bring Him Home."

Anyone who fantasizes about becoming a porn star should see Porn Star: The Legend of Ron Jeremy, a cheerful documentary that paints a sympathetic but clear-eyed portrait of the most successful male porn star of all time. Through remarkably frank interviews with the man himself and a variety of friends and associates (including actresses, rival actors, and directors; porn moguls like Larry Flynt and Al Goldstein; and, most surprisingly, Jeremy's own family), Ron Jeremy emerges as a likeable but self-obsessed guy whose insatiable drive for fame and success is also a struggle to overcome loneliness and a lack of self-worth. Not that anyone's going to feel too sorry for a man who gets paid to have sex, but Jeremy's honesty and sense of humor deserve some respect. And despite all the flesh on display, Porn Star is more matter-of-fact than titillating, taking in its subject with a sociological distance. --Bret Fetzer

So, you want to be a star. The best place to start is with someone who knows what it takes. And this program introduces viewers to award-winning actress/producer/director Bea Silvern, who offers her expert advice on breaking into show business - whether in front of or behind the camera! Bea begins by talking about the importance of persistence; then she guides budding actors, actresses, producers and directors with her insider's advice about Stills; the Theatrical Resume; Extra Skills; Advertising; a Demo Tape; the Audition; Dialects; and Protocol.

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The Blind Side takes the true story of a young man who went from abandonment to success as a pro-football player and treats it with respect. The movie doesn't oversell what is, on the face of it, already compelling. It's almost impossible to describe the plot without sounding painfully inspirational: Michael Oher (Quinton Aaron, Be Kind Rewind), a hulking but gentle African-American teen in Tennessee, gets taken in by a well-to-do white family; the mother, Leigh Anne Touhy (Sandra Bullock), pushes and mothers the boy, who eventually wins a football scholarship to the University of Mississippi. In the wrong hands, this could have been maudlin, manipulative, and condescending. To the credit of writer-director John Lee Hancock, adapting Michael Lewis's acclaimed book, the result is intelligent, genuine, and alternately funny and moving. Leigh Anne could easily have been grandstanding and virtuous, but Bullock doesn't shy away from her vain and domineering side. The football scenes will be gripping even to non-sports fans because they've been so successfully grounded in Michael's emotional life. The all-around solid cast includes country music star Tim McGraw, pint-sized Jae Head (Hancock), and Kathy Bates as the tutor who guided Michael's academic success. Don't be surprised if you can't keep yourself from watching all the real-life photos of Michael, Leigh Anne, and the rest of the family that are featured in the credits; by the end of the movie, you will care about them all. --Bret Fetzer

The life story of Baltimore Ravens left tackle Michael Oher (Quinton Aaron) is told in this stirring drama. Lifted out of the poverty of a Memphis ghetto by his talent on the gridiron, the withdrawn teen finds acceptance and a chance to better himself when he's taken in by sassy socialite Leigh Anne Touhy (Best Actress Oscar-winner Sandra Bullock) and her loving family while he attends college. Based on the Michael Lewis book; Tim McGraw, Kathy Bates co-star. 128 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, French Dolby Digital 5.1, Spanish Dolby Digital 5.1; Subtitles: English (SDH), French, Spanish; deleted scenes.

Behind every great love is a great story. Two teenagers from opposite sides of the tracks fall in love during one summer together but are tragically forced apart. When they reunite 7 years later their passionate romance is rekindled forcing one of them to choose between true love and class order.Running Time: 124 min.Format: DVD MOVIE Genre: DRAMA UPC: 794043749728

When you consider that old-fashioned tearjerkers are an endangered species in Hollywood, a movie like The Notebook can be embraced without apology. Yes, it's syrupy sweet and clogged with clichés, and one can only marvel at the irony of Nick Cassavetes directing a weeper that his late father John--whose own films were devoid of saccharine sentiment--would have sneered at. Still, this touchingly impassioned and great-looking adaptation of the popular Nicholas Sparks novel has much to recommend, including appealing young costars (Ryan Gosling and Rachel McAdams) and appealing old costars (James Garner and Gena Rowlands, the director's mother) playing the same loving couple in (respectively) early 1940s and present-day North Carolina. He was poor, she was rich, and you can guess the rest; decades later, he's unabashedly devoted, and she's drifting into the memory-loss of senile dementia. How their love endured is the story preserved in the titular notebook that he reads to her in their twilight years. The movie's open to ridicule, but as a delicate tearjerker it works just fine. Message in a Bottle and A Walk to Remember were also based on Sparks novels, suggesting a triple-feature that hopeless romantics will cherish. --Jeff Shannon

Charlotte Brontë's Victorian romance is no stranger to the silver screen, but Sin Nombre director Cary Fukunaga's affecting and beautifully mounted adaptation is among the best. Sometimes, casting can make all the difference. In this case, Australia's Mia Wasikowska (Alice in Wonderland) plays the determined Jane Eyre opposite Ireland's Michael Fassbender (Fish Tank) as the world-weary Edward Rochester (neither actor betrays their country of origin). Fukunaga begins with Jane's escape from Rochester's High Gothic Thornfield Hall before flashing back to the days when the plainspoken orphan lived with her cruel and resentful aunt (an unsympathetic Sally Hawkins). The aunt ships her off to a loveless charity school, where she still manages to receive a fine education, after which she lands a position as governess for Rochester's ward, Adèle. Though his housekeeper (Dame Judi Dench, excellent) makes Jane feel welcome, the brooding Rochester attempts to mock and demean her, but the quick-witted 19-year-old can hold her own. What might offend a more superficial man intrigues her employer (played by a gent more handsome than the author intended). Sparks fly, but he expresses greater interest in a local beauty. Just as Jane finally pierces Rochester's armor, she discovers his terrible secret, and hits the road. She meets a kindly missionary (Jamie Bell) and his sweet sisters, who offer her the family she never had, before a sequence of well-plotted developments allow Jane to forge her own future. For once, no one can stop her, making for a swoon-worthy, if bittersweet conclusion. --Kathleen C. Fennessy

Director Cary Fukunaga presents this lavish version of Charlotte Bronte's classic tale. After surviving her harsh childhood, Jane Eyre (Mia Wasikowska) finds happiness when she becomes the governess at the Thornfield Hall estate. But when she falls for her enigmatic employer, Rochester (Michael Fassbender), her world suddenly becomes much more complicated. With Jamie Bell, Su Elliott, Sally Hawkins. 121 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, Spanish Dolby Digital 5.1; Subtitles: English (SDH), French, Spanish; audio commentary by Fukanaga; featurettes; deleted scenes.

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