Stage Play

Ceramic and carbide grade. Includes ceramic rods non-slip rubber feet plastic holder and carbide cutting heads. This features 2 tungsten carbide cutting heads whose pre-set angles ensure the perfect edge every time. 3-4 strokes restores the edge.ATTRIBUTES Material: Carbide & Ceramic Special Features: Non-Skid Base for Stable Sharpening Crossed Carbide Blades Provide Quick Edge Setting Crossed Ceramic Rods Provide A Razor Sharp Edge Pre-Set Sharpening Angles Provide Guaranteed Results Type: Hand Held

i Play Green Sprouts Collapsible Green Silicone Storage Bowl i Play Green Sprouts Collapsible Green Silicone Storage Bowl is PVC, phthalate and nitrosamine free! i Play Green Sprouts Collapsible Green Silicone Storage Bowl enables you to store fresh, homemade baby food or other snacks in a sealable storage container. i Play Green Sprouts Collapsible Green Silicone Storage Bowl's unique design allows it to collapse for storage and travel. i Play Green Sprouts Collapsible Green Silicone Storage Bowl is heat resistant up to 425 degrees. i Play Green Sprouts Collapsible Green Silicone Storage Bowl is dishwasher and microwave safe. BPA and PVC Free Feeding Green Sprouts is a company committed to providing the best safe and non-toxic products for your baby and toddler. When eating and playing, babies develop by exploring through their senses and putting everything in their mouths. You can minimize the risk of ingestion of harmful toxins by removing products that contain PVC and BPA from your child's environment. The Green Sprouts feeding line contains no BPA or PVC. Green Sprouts believes in keeping babies safe throughout every stage of development! Perfect Baby Gifts Green Sprouts has added eco-friendly toys made from cornstarch resin and organic cotton, in addition to their regular line of pacifiers, teethers, and rattles. Protect your child from germs with Green Sprouts shopping cart covers, available in four adorable prints.

i Play Green Sprouts Formula Dispenser i Play Green Sprouts Formula Dispenser is PVC, BPA, and phthalate free. i Play Green Sprouts Formula Dispenser is divided into four sections to hold formula or cereal powder while traveling. i Play Green Sprouts Formula Dispenser has a removable spout cover that doubles as a mixing spoon. i Play Green Sprouts Formula Dispenser is dishwasher safe. BPA and PVC Free Feeding Green Sprouts is a company committed to providing the best safe and non-toxic products for your baby and toddler. When eating and playing, babies develop by exploring through their senses and putting everything in their mouths. You can minimize the risk of ingestion of harmful toxins by removing products that contain PVC and BPA from your child's environment. The Green Sprouts feeding line contains no BPA or PVC. Green Sprouts believes in keeping babies safe throughout every stage of development! Perfect Baby Gifts Green Sprouts has added eco-friendly toys made from cornstarch resin and organic cotton, in addition to their regular line of pacifiers, teethers, and rattles. Protect your child from germs with Green Sprouts shopping cart covers, available in four adorable prints.

Let the spectacle astound you!   In celebration of the 25th Anniversary of Andrew Lloyd Webber's The Phantom of the Opera, Cameron Mackintosh produced a unique, spectacular staging of the musical on a scale which had never been seen before. Inspired by the original staging by Hal Prince and Gillian Lynne, this lavish, fully-staged production set in the sumptuous Victorian splendor of London's legendary Royal Albert Hall features a cast and orchestra of over 200, plus some very special guest appearances. Starring: Ramin Karimloo, Sierra Boggess, Hadley Fraser, Wendy Ferguson, Barry James, Gareth Snook, Liz Robertson, Wynne Evans, Sergei Polunin Directed by: Nick Morris

All products are BRAND NEW and factory sealed. Fast shipping and 100% Satisfaction Guaranteed.

One of the most common complaints about musicals is that the books are flimsy pretexts from which to hang numbers. Wicked runs into the opposite problem: it has a great plot, but too often the songs just get in the way. Based on Gregory Maguire's novel of the same name, Wicked tells us what happened between Glinda the Good and Elphaba, the Wicked Witch of the West, before Dorothy showed up in Oz. And the show is lucky to boast a pair of ace leading women in the main roles. As Glinda, Kristin Chenoweth delivers a sensational star turn, displaying a crystal-pure voice and sharp comic timing; Idina Menzel lends her powerful pipes to the tricky role of Elphaba. Unfortunately, you wish they had better material to work with. Stephen Schwartz's pop score is often dragged down by overly synthetic orchestrations and sentimental lyrics (think Chicken Soup for the Witch). Still, at its best Wicked is a seductive slice of popular entertainment that could well give a younger audience a lasting taste for musical theater. --Elisabeth Vincentelli

Although it squarely falls in the "jukebox musical" category, Jersey Boys doesn¹t try to integrate its songs in an artificial plotline. The show tells the story of the early-1960s group the Four Seasons, and the musical numbers tend to be introduced in context, as when songwriter Bob Gaudio comes up with a tune, or the quartet performs a show. This allows Jersey Boys to flow better than some of ill-fated peers, and the actors can shine without having to bend backward to accommodate an inane book. The show's most (only) daring move is to start with a hip-hop-tinged French-language version of "December 1963 (Oh, What a Night)," an actual hit in France in 2000. After that it's all VH1-biopic territory, but it's done with so much flair, taste and energy that the ride's a fun one. The Four Seasons had enough hits ("Sherry," "Big Girls Don't Cry," "Rag Doll," etc.) to easily fill an evening at the theater, so it's left to the cast to do right by them. And it does, particularly John Lloyd Young as the band¹s star lead, Frankie Valli. Young hits all the falsetto notes and brings real freshness to the part. His "Can¹t Take My Eyes Off You," a second-act peak, is signed, sealed and delivered with a star's acumen. --Elisabeth Vincentelli

22 tracks. Bob Gaudio prod.

An entire generation of baby boomers grew up with this stagy but magical production, which originated on Broadway but was broadcast several times on TV. They may not know Mary Martin or Cyril Ritchard--two staples of the commercial theater in their time--for any other reason, but they'll always be able to name them as Peter Pan and Captain Hook. The story of the boy who wouldn't grow up includes a classic score with songs that can bring a tear of nostalgia to the eye of the middle-aged--like "I Won't Grow Up," "I've Gotta Crow," and "Neverland." The flying, the goofy comedy--it's all there in this video version of the classic TV broadcast. It's hard to know what sophisticated modern youngsters would make of it, but their parents will gladly sit and watch with them. --Marshall Fine

Come meet Mark Twain. OK, true, the humorist has been dead for more years than we care to remember, and not many of us around today were alive to hear what he sounded like. But Hal Holbrook is so spectacular in his one-man performance that you could swear you were listening to Twain himself. The gravelly voice, the lined face, the slow shuffle, and cigar-induced throat clearings seem so natural that you'll have difficulty recognizing Holbrook beneath the white suit, the gray hair, and the handlebar mustache. Mark Twain Tonight! began as a Broadway show in the 1960s and was filmed as a CBS special in 1967. Yet you'd never know it, because the humor, which is more than a century old, is still laugh-out-loud funny today. Twain--I mean, Holbrook--gives a monologue that is rambling, intelligent, and humorous as he culls together commentary from a variety of Twain sources. From dachshund hounds, politics, and patriotism to cigar smoking, memory loss, and religion, this 90-minute video leaps from subject to subject as we're entertained by material that's as fresh today as it was when it was written in the 1800s. --Jenny Brown

Plastic handle and blade. Seven and one half inches from butt to tip of the blade.

Nylon cloth performance style fan that snaps open with a flick of the wrist. Use for dance and theater or display it for decoration! The ribbing is heavy plastic. This is a large fan that is 12 inch tall fan opens to measure about 25 inches across at the base. Impressive!

GrayBean EL Tape/EL belt/EL strip/EL lighting tape Voltage: DC12V /AC90-240V Application Fields: building decoration; door, wall and shop window decoration, enlace on tree, festival lighting fence; outdoor emergent warning sign; stage design;car; banner, etc. kids playing on chritsmas day. Any size and design can be decided by you. We will give you excellent effect! Onite is an EXCLUSIVE trademark owned by GrayBean LLC.

In celebration of the 25th Anniversary of Andrew Lloyd Webber's The Phantom of the Opera, Cameron Mackintosh produced a unique, spectacular staging of the musical on a scale which had never been seen before.  Inspired by the original staging by Hal Prince and Gillian Lynne, this lavish, fully-staged production set in the sumptuous Victorian splendour of London's legendary Royal Albert Hall features a cast and orchestra of over 200, plus some very special guest appearances. Starring: Ramin Karimloo, Sierra Boggess, Hadley Fraser, Wendy Ferguson, Barry James, Gareth Snook, Liz Robertson, Wynne Evans, Sergei Polunin Directed by: Nick Morris

Director Franco Zeffirelli's exceptional version of Shakespeare's immortal tale casts young unknowns Olivia Hussey and Leonard Whiting as the teenage lovers crossed by the stars and doomed by the animosity felt between their families, the Montagues and the Capulets. Co-stars Michael York, Milo O'Shea, John McEnery; narrated by Laurence Olivier. 138 min. Widescreen (Enhanced); Soundtrack: English Dolby Digital mono; Subtitles: English; theatrical trailer.

Franco Zeffirelli's 1968 adaptation of Shakespeare's Romeo and Juliet was unique in its day for casting kids in the play's pivotal roles of, well, kids. Seventeen-year-old Leonard Whiting and 15-year-old Olivia Hussey play the titular pair, the Bard's star-crossed lovers who defy a running feud between their families in order to be together in love. Typically played on stage and in previous film productions by adult actors, the innocent look and rawness of Whiting and Hussey resonated at the time with a burgeoning youth movement from San Francisco to Prague. The tragic romance at the center of the story also clicked with anti-authority sentiments, but even without that, Zeffirelli scores points by validating the ideals and passions of strong-willed adolescents. Less successful are scenes requiring the actors to have a fuller grasp of the text, though the best thing going remains the unambiguous duel between Romeo and Tybalt (Michael York). Lavishly photographed by Pasquale de Santis on location in Italy, this Romeo and Juliet brought a different tone and dimension to a story that had become tiresome in reverential presentations. --Tom Keogh