Simon Baker

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While not exactly classical crossover's take on The Monkees, this international quartet of young male vocalists from America, France, Spain, and Switzerland shares a similar genesis. Assembled after a long talent search and audition process, they were teamed with pop producers Per Magnusson and David Krueger (Britney Spears, Backstreet Boys) and Steve Mac (Charlotte Church, Kelly Clarkson) and turned loose on a slate of classical-pop favorites, with a dramatic, dynamically nuanced read of Toni Braxton's signature "Unbreak My Heart" setting the standard. While the deceptive ease of their harmonies belie the group's disparate nationalities and talent search roots on the melodramatic "Hoy Que Ya No Estas Aqui," Morricone's glorious Mission theme, "Nella Fantasia" and the cascading "Passera," the album's pop-oriented material is a decidedly more mixed bag ."Everytime I Look at You" and "Feelings" (not Morris Albert's) soar gracefully, while "The Man You Love" seems more a throwback to the producers' boy band roots. The standard "My Way" and a lovely, bonus cut Italian version of "Unchained Melody" close the album out on a high note, even if their safe familiarity doesn't offer the promising quartet a sufficient musical challenge. --Jerry McCulley [NOTE: A DualDisc version including DVD is now available.] More Divine Crooners to Explore Haunted Heart, Renee Fleming Stardust, Rod Stewart Andrea, Andrea Bocelli Follow Your Heart, Mario Frangoulis On the Moon, Peter Cincotti Taking a Chance on Love, Jane Monheit

Il Divo are four exceptional young men with formally trained voices who take popular songs, old and new, to another level where the historic rift between pop and classical music is finally healed. The band were formed after a worldwide search which took more than two years. Consisting of an American, Frenchman, Spaniard and a Swiss, Il Divo spent the first half of 2004 in London rehearsing and recording. Some of their songs will be familiar like "Nella Fantasia" (based on Gabriel's Oboe from Ennio Morricone's penned score of The Mission) and a unique and powerful version of Toni Braxton's "Unbreak My Heart". The four principles share the lead throughout, combining to deliver choruses whose awesome power is matched by their tonal delicacy. Passion and restraint they show to be an irresistible aphrodisiac. Reflecting the multi-national character of the group, the songs are not all sung in English but drift between Spanish, English and Italian. However they are worded, all use the emotional Esperanto of love.

Track Listings: 1. Horchata 2. White Sky 3. Holiday 4. California English 5. Taxi Cab 6. Run 7. Cousins 8. Giving Up The Gun 9. Diplomat's Son 10. I Think Ur A Contra

This powerful production originated on the stage of the Glyndebourne Festival. It was restaged and filmed on location for the BBC telecast preserved in this video recording. Director Trevor Nunn takes full advantage of the realism, fluidity of movement, and precision of small details that are difficult to achieve when televising a staged performance but easy and natural in a movie treatment. Nunn's vision, conveyed by an unusually talented cast, is constantly touching and rises to overwhelming intensity at climactic points. For example: the crap game and fight that end in Robbins's death, the hurricane scene, Crown's capture and abuse of Bess on Kittiwah Island, Porgy's fight with Crown, the comically sinister antics of Sportin' Life, the double-edged pathos and absurdity of the scene in which Bess gets "divorced," and the electrifying conclusion, when Porgy throws away his crutches and sets out, naively, to find Bess in New York. Musically, Simon Rattle and all the performers find the exact style for Gershwin's marvelous score--not only such big numbers as "Summertime," "Bess, You Is My Woman Now," "I Loves You, Porgy," "I Got Plenty o' Nuttin'," "It Ain't Necessarily So," "I Hates Your Struttin' Style," and "O Lawd, I'm on My Way," but such smaller items as the exquisite cries of the street vendors of honey, strawberries, and crabs. There are no weaknesses in the cast. Willard White and Cynthia Haymon are ideal in the title roles, Gregg Baker is a terrifying, larger-than-life Crown, and Damon Evans is a properly slimy Sportin' Life. The white police officers are splendidly repulsive. --Joe McLellan

The Gershwins' musical masterpiece Porgy and Bess is one of America's greatest works. This production was adapted for the screen by Trevor Nunn and Yves Baigneres. It was directed by Trevor Nunn and is based on the highly successful staging of the original Glyndebourne Festival Opera production in 1986-87, which was remounted at Covent Garden in the autumn of 1992 with most of the original cast. Immediately after that performance the production was moved to the giant stage at Shepperton Studios, with much expanded sets and lighting. It was then recorded using EMI's original award-winning soundtrack. First performed in 1935 and based on the play Porgy by DuBose and Dorothy K. Heyward, Porgy and Bess has achieved worldwide renown through such memorable songs as "Summertime," "It Ain't Necessarily So," "I Got Plenty o' Nuttin'," "Oh Lawd, I'm on My Way," and many more, set to Gershwin's moving symphonic score. 184 minutes. Porgy: Willard White Bess: Cynthia Haymon Crown: Gregg Baker Serena: Cynthia Clarey Maria: Mariette Simpson Sporting Life: Damon Evans Clara: Paula Ingram (sung by Harolyn Blackwell) Jake: Gordon Hawkins (sung by Bruce Hubbard) Mingo: Barrington Coleman Robbins: D. Alonzo Washington (sung by Johnny Worthy)

The satirical sensibilities of writer Peter Shaffer and director Milos Forman (One Flew over the Cuckoo's Nest) were ideally matched in this Oscar-winning movie adaptation of Shaffer's hit play about the rivalry between two composers in the court of Austrian Emperor Joseph II--official royal composer Antonio Salieri (F. Murray Abraham), and the younger but superior prodigy Wolfgang Amadeus Mozart (Tom Hulce). The conceit is absolutely delicious: Salieri secretly loathes Mozart's crude and bratty personality, but is astounded by the beauty of his music. That's the heart of Salieri's torment--although he's in a unique position to recognize and cultivate both Mozart's talent and career, he's also consumed with envy and insecurity in the face of such genius. That such magnificent music should come from such a vulgar little creature strikes Salieri as one of God's cruelest jokes, and it drives him insane. Amadeus creates peculiar and delightful contrasts between the impeccably re-created details of its lavish period setting and the jarring (but humorously refreshing and unstuffy) modern tone of its dialogue and performances--all of which serve to remind us that these were people before they became enshrined in historical and artistic legend. Jeffrey Jones, best-known as Ferris Bueller's principal, is particularly wonderful as the bumbling emperor (with the voice of a modern midlevel businessman). The film's eight Oscars include statuettes for Best Director Forman, Best Actor Abraham (Hulce was also nominated), Best Screenplay, and Best Picture. --Jim Emerson

Gripping human drama. Sumptuous period epic. Glorious celebration of the music of Wolfgang Amadeus Mozart. This marvelous winner of eight Academy Awards(R) portrays the rivalry between the genius Mozart (Tom Hulce) and the jealous court composer (Best Actor Oscar(R) Winner F.Murray Abraham) who may have ruined Mozart's career and shortened his life.

Australian model George Lazenby took up the mantle of the world's most suave secret agent when Sean Connery retired as James Bond--prematurely, it turned out. Connery returned in Diamonds Are Forever before leaving the role to Roger Moore and Lazenby's subsequent career fizzled, yet this one-hit wonder is responsible for one of the best Bond films of all time. In On Her Majesty's Secret Service, 007 leaves the Service to privately pursue his SPECTRE nemesis Blofeld (played this time by Telly Savalas), whose latest master plan involves a threat to the world's crops by agricultural sterilization. Bond teams up with suave international crime lord Draco (Gabriele Ferzetti) and falls in love with--and marries--his elegant daughter, Tracy (Diana Rigg). Bond goes monogamous? Not at first; after all he has Blofeld's harem to seduce. Lazenby hasn't the intensity of Connery but he has fun with his quips and even lampoons the Bond image in a playful pre-credits sequence, and Rigg, fresh from playing sexy Emma Peel in The Avengers, matches 007 in every way. Former editor Peter Hunt makes a strong directorial debut, deftly handling the elaborate action sequences--including a car chase turned road rally through the icy snow--with a kinetic finesse and a dash of humor. Though not a hit on its original release, On Her Majesty's Secret Service has become a fan favorite and the closest the series has come to capturing the spirit of Ian Fleming's books. --Sean Axmaker

VHS video Approx run time 2 hrs. 22 min./color/1969 Digital video tranfer. Rated PG.

Allegra's Window: Small Is Beautiful [VHS]

Simon Baker's sly, sexy charm is a big reason The Mentalist is one of TV's most popular series. But Baker isn't the only appeal of this thoughtful, well-written, fast-paced crime drama. The Mentalist owes much more to Agatha Christie than to Law & Order or other contemporary police procedurals--because it focuses on Baker's character, Patrick Jane, using his brain and intuition to crack cases. Sure, there's the usual thorough police work done by Jane's California Bureau of Investigation team, led by the no-nonsense Agent Lisbon (the always appealing Robin Tunney). But Jane has gifts of observation that help profile, and capture, the bad guys preying on the good people around Sacramento. Jane is also pursuing his own specific demon: Red John, the evil serial killer who murdered Jane's family at the beginning of the series. It's a wonder that the folks in California aren't in a blind panic, given that this madman is still at large some three years later--but it's to The Mentalist's credit, and to its CBI in particular, that the story thread continues to be believable, and manageable from a crime-fighting perspective. The ensemble cast is stellar, including Tunney, who seems to be developing some deeper feelings for Jane. Other standouts include Tim Kang and Amanda Rhigetti, whose new romance with an FBI agent pummels the heart of her former flame, played by Owain Yeoman, and contains a potential landmine or two itself later in the season. But it's Baker's light, deft portrayal of a tortured genius who manages to keep a wry sense of humor that makes The Mentalist so compelling episode after episode. As always, the location shooting around Northern California is breathtaking. This boxed set includes a great documentary with interviews of professors and former law-enforcement officials at the John Jay College of Criminal Justice in New York, talking about how real serial-killer profiling is done--and applying it to the fictional Red John. And this season also features an episode directed by Simon Baker, with a commentary from him that is particularly crisp and entertaining. Crime-show fans will love The Mentalist, and so will those intrigued by the always-baffling puzzles of human behavior. --A.T. Hurley

Studio: Warner Home Video Release Date: 09/20/2011 Run time: 1058 minutes Rating: Nr

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As a scientist, Albert Einstein is undoubtedly the most epic among 20th-century thinkers. Albert Einstein as a man, however, has been a much harder portrait to paint, and what we know of him as a husband, father, and friend is fragmentary at best. With Einstein: His Life and Universe, Walter Isaacson (author of the bestselling biographies Benjamin Franklin and Kissinger) brings Einstein's experience of life, love, and intellectual discovery into brilliant focus. The book is the first biography to tackle Einstein's enormous volume of personal correspondence that heretofore had been sealed from the public, and it's hard to imagine another book that could do such a richly textured and complicated life as Einstein's the same thoughtful justice. Isaacson is a master of the form and this latest opus is at once arresting and wonderfully revelatory. --Anne Bartholomew Read "The Light-Beam Rider," the first chapter of Walter Isaacson's Einstein: His Life and Universe. Five Questions for Walter Isaacson Amazon.com: What kind of scientific education did you have to give yourself to be able to understand and explain Einstein's ideas? Isaacson: I've always loved science, and I had a group of great physicists--such as Brian Greene, Lawrence Krauss, and Murray Gell-Mann--who tutored me, helped me learn the physics, and checked various versions of my book. I also learned the tensor calculus underlying general relativity, but tried to avoid spending too much time on it in the book. I wanted to capture the imaginative beauty of Einstein's scientific leaps, but I hope folks who want to delve more deeply into the science will read Einstein books by such scientists as Abraham Pais, Jeremy Bernstein, Brian Greene, and others. Amazon.com: That Einstein was a clerk in the Swiss Patent Office when he revolutionized our understanding of the physical world has often been treated as ironic or even absurd. But you argue that in many ways his time there fostered his discoveries. Could you explain? Isaacson: I think he was lucky to be at the patent office rather than serving as an acolyte in the academy trying to please senior professors and teach the conventional wisdom. As a patent examiner, he got to visualize the physical realities underlying scientific concepts. He had a boss who told him to question every premise and assumption. And as Peter Galison shows in Einstein's Clocks, Poincare's Maps, many of the patent applications involved synchronizing clocks using signals that traveled at the speed of light. So with his office-mate Michele Besso as a sounding board, he was primed to make the leap to special relativity. Amazon.com: That time in the patent office makes him sound far more like a practical scientist and tinkerer than the usual image of the wild-haired professor, and more like your previous biographical subject, the multitalented but eminently earthly Benjamin Franklin. Did you see connections between them? Isaacson: I like writing about creativity, and that's what Franklin and Einstein shared. They also had great curiosity and imagination. But Franklin was a more practical man who was not very theoretical, and Einstein was the opposite in that regard. Amazon.com: Of the many legends that have accumulated around Einstein, what did you find to be least true? Most true? Isaacson: The least true legend is that he failed math as a schoolboy. He was actually great in math, because he could visualize equations. He knew they were nature's brushstrokes for painting her wonders. For example, he could look at Maxwell's equations and marvel at what it would be like to ride alongside a light wave, and he could look at Max Planck's equations about radiation and realize that Planck's constant meant that light was a particle as well as a wave. The most true legend is how rebellious and defiant of authority he was. You see it in his politics, his personal life, and his science. Amazon.com: At Time and CNN and the Aspen Institute, you've worked with many of the leading thinkers and leaders of the day. Now that you've had the chance to get to know Einstein so well, did he remind you of anyone from our day who shares at least some of his remarkable qualities? Isaacson: There are many creative scientists, most notably Stephen Hawking, who wrote the essay on Einstein as "Person of the Century" when I was editor of Time. In the world of technology, Steve Jobs has the same creative imagination and ability to think differently that distinguished Einstein, and Bill Gates has the same intellectual intensity. I wish I knew politicians who had the creativity and human instincts of Einstein, or for that matter the wise feel for our common values of Benjamin Franklin. More to Explore Benjamin Franklin: An American Life Kissinger: A Biography The Wise Men: Six Friends and the World They Made

By the author of the acclaimed bestseller Benjamin Franklin, this is the first full biography of Albert Einstein since all of his papers have become available. How did his mind work? What made him a genius? Isaacson's biography shows how his scientific imagination sprang from the rebellious nature of his personality. His fascinating story is a testament to the connection between creativity and freedom. Based on newly released personal letters of Einstein, this book explores how an imaginative, impertinent patent clerk -- a struggling father in a difficult marriage who couldn't get a teaching job or a doctorate -- became the mind reader of the creator of the cosmos, the locksmith of the mysteries of the atom and the universe. His success came from questioning conventional wisdom and marveling at mysteries that struck others as mundane. This led him to embrace a morality and politics based on respect for free minds, free spirits, and free individuals. These traits are just as vital for this new century of globalization, in which our success will depend on our creativity, as they were for the beginning of the last century, when Einstein helped usher in the modern age.

This is the story of the greatest empire the world has ever known. Simon Baker charts the rise and fall of the world's first superpower, focusing on six momentous turning points that shaped Roman history. Welcome to Rome as you've never seen it before - awesome and splendid, gritty and squalid. From the conquest of the Mediterranean beginning in the third century BC to the destruction of the empire at the hands of barbarian invaders some seven centuries later, we discover the most critical episodes in Roman history: the spectacular collapse of the 'free' republic, the birth of the age of the 'Caesars', the violent suppression of the strongest rebellion against Roman power, and the bloody civil war that launched Christianity as a world religion. At the heart of this account are the dynamic, complex but flawed characters of some of the most powerful rulers in history: men such as Pompey the Great, Julius Caesar, Augustus, Nero and Constantine. Putting flesh on the bones of these distant, legendary figures, Simon Baker looks beyond the dusty, toga-clad caricatures and explores their real motivations and ambitions, intrigues and rivalries. The superb narrative, full of energy and imagination, is a brilliant distillation of the latest scholarship and a wonderfully evocative account of Ancient Rome.

This is the story of the greatest empire the world has ever known. Simon Baker charts the rise and fall of the world’s first superpower, focusing on six momentous turning points that shaped Roman history. Welcome to Rome as you’ve never seen it before – awesome and splendid, gritty and squalid. From the conquest of the Mediterranean beginning in the third century BC to the destruction of the empire at the hands of barbarian invaders some seven centuries later, we discover the most critical episodes in Roman history: the spectacular collapse of the 'free' republic, the birth of the age of the 'Caesars', the violent suppression of the strongest rebellion against Roman power, and the bloody civil war that launched Christianity as a world religion. At the heart of this account are the dynamic, complex but flawed characters of some of the most powerful rulers in history: men such as Pompey the Great, Julius Caesar, Augustus, Nero and Constantine. Putting flesh on the bones of these distant, legendary figures, Simon Baker looks beyond the dusty, toga-clad caricatures and explores their real motivations and ambitions, intrigues and rivalries. The superb narrative, full of energy and imagination, is a brilliant distillation of the latest scholarship and a wonderfully evocative account of Ancient Rome.

Amazon Best Books of the Month, November 2011: It is difficult to read the opening pages of Walter Isaacson’s Steve Jobs without feeling melancholic. Jobs retired at the end of August and died about six weeks later. Now, just weeks after his death, you can open the book that bears his name and read about his youth, his promise, and his relentless press to succeed. But the initial sadness in starting the book is soon replaced by something else, which is the intensity of the read--mirroring the intensity of Jobs’s focus and vision for his products. Few in history have transformed their time like Steve Jobs, and one could argue that he stands with the Fords, Edisons, and Gutenbergs of the world. This is a timely and complete portrait that pulls no punches and gives insight into a man whose contradictions were in many ways his greatest strength. --Chris Schluep Amazon Exclusive: A Q&A with Walter Isaacson Q: It's becoming well known that Jobs was able to create his Reality Distortion Field when it served him. Was it difficult for you to cut through the RDF and get beneath the narrative that he created? How did you do it? Isaacson: Andy Hertzfeld, who worked with Steve on the original Macintosh team, said that even if you were aware of his Reality Distortion Field, you still got caught up in it. But that is why Steve was so successful: He willfully bent reality so that you became convinced you could do the impossible, so you did. I never felt he was intentionally misleading me, but I did try to check every story. I did more than a hundred interviews. And he urged me not just to hear his version, but to interview as many people as possible. It was one of his many odd contradictions: He could distort reality, yet he was also brutally honest most of the time. He impressed upon me the value of honesty, rather than trying to whitewash things. Q: How were the interviews with Jobs conducted? Did you ask lots of questions, or did he just talk? Isaacson: I asked very few questions. We would take long walks or drives, or sit in his garden, and I would raise a topic and let him expound on it. Even during the more formal sessions in his living room, I would just sit quietly and listen. He loved to tell stories, and he would get very emotional, especially when talking about people in his life whom he admired or disdained. Q: He was a powerful man who could hold a grudge. Was it easy to get others to talk about Jobs willingly? Were they afraid to talk? Isaacson: Everyone was eager to talk about Steve. They all had stories to tell, and they loved to tell them. Even those who told me about his rough manner put it in the context of how inspiring he could be. Q: Jobs embraced the counterculture and Buddhism. Yet he was a billionaire businessman with his own jet. In what way did Jobs' contradictions contribute to his success? Isaacson: Steve was filled with contradictions. He was a counterculture rebel who became a billionaire. He eschewed material objects yet made objects of desire. He talked, at times, about how he wrestled with these contradictions. His counterculture background combined with his love of electronics and business was key to the products he created. They combined artistry and technology. Q: Jobs could be notoriously difficult. Did you wind up liking him in the end? Isaacson: Yes, I liked him and was inspired by him. But I knew he could be unkind and rough. These things can go together. When my book first came out, some people skimmed it quickly and cherry-picked the examples of his being rude to people. But that was only half the story. Fortunately, as people read the whole book, they saw the theme of the narrative: He could be petulant and rough, but this was driven by his passion and pursuit of perfection. He liked people to stand up to him, and he said that brutal honesty was required to be part of his team. And the teams he built became extremely loyal and inspired. Q: Do you believe he was a genius? Isaacson: He was a genius at connecting art to technology, of making leaps based on intuition and imagination. He knew how to make emotional connections with those around him and with his customers. Q: Did he have regrets? Isaacson: He had some regrets, which he expressed in his interviews. For example, he said that he did not handle well the pregnancy of his first girlfriend. But he was deeply satisfied by the creativity he ingrained at Apple and the loyalty of both his close colleagues and his family. Q: What do you think is his legacy? Isaacson: His legacy is transforming seven industries: personal computers, animated movies, music, phones, tablet computing, digital publishing, and retail stores. His legacy is creating what became the most valuable company on earth, one that stood at the intersection of the humanities and technology, and is the company most likely still to be doing that a generation from now. His legacy, as he said in his "Think Different" ad, was reminding us that the people who are crazy enough to think they can change the world are the ones who do. Photo credit: Patrice Gilbert Photography

Based on more than forty interviews with Jobs conducted over two years—as well as interviews with more than a hundred family members, friends, adversaries, competitors, and colleagues—Walter Isaacson has written a riveting story of the roller-coaster life and searingly intense personality of a creative entrepreneur whose passion for perfection and ferocious drive revolutionized six industries: personal computers, animated movies, music, phones, tablet computing, and digital publishing. At a time when America is seeking ways to sustain its innovative edge, and when societies around the world are trying to build digital-age economies, Jobs stands as the ultimate icon of inventiveness and applied imagination. He knew that the best way to create value in the twenty-first century was to connect creativity with technology. He built a company where leaps of the imagination were combined with remarkable feats of engineering. Although Jobs cooperated with this book, he asked for no control over what was written nor even the right to read it before it was published. He put nothing off-limits. He encouraged the people he knew to speak honestly. And Jobs speaks candidly, sometimes brutally so, about the people he worked with and competed against. His friends, foes, and colleagues provide an unvarnished view of the passions, perfectionism, obsessions, artistry, devilry, and compulsion for control that shaped his approach to business and the innovative products that resulted. Driven by demons, Jobs could drive those around him to fury and despair. But his personality and products were interrelated, just as Apple’s hardware and software tended to be, as if part of an integrated system. His tale is instructive and cautionary, filled with lessons about innovation, character, leadership, and values.