Seymour Hoffman

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VHS tape is in great condition. Rare and hard to find. This item will still be in its original case. Running time 110 minutes

25th Hour is a eulogy, mourning the New York of post-September 11, 2001, and the regrettable life of one of the city's least reputable citizens. Monty Brogan (Edward Norton) isn't a bad guy--in fact he's a mensch, adopting a battered dog in the film's mood-setting opening scene, and leading a decent life with his girlfriend (Rosario Dawson)... when he's not dealing narcotics. Facing a seven-year prison term, Monty spends his last free night with pals (Barry Pepper, Philip Seymour Hoffman) and visiting his understanding father (Brian Cox), while a Russian drug lord pressures him for getting busted. Lee directs this plotless, no-win scenario as the last gasp of a guy with nowhere to go, and the film (written by David Benioff, from his own novel) suffers from a similar loss of potential, lacking enough focus to make Monty's odyssey compelling. Instead, 25th Hour (which also costars Anna Paquin) rambles from scene to lazy scene, vaguely lamenting that lives have been wasted, some by terrorism, others by self-destruction. --Jeff Shannon

The true story of Oakland Athletics general manager Billy Beane's attempt to field a successful baseball team after a 2001 playoff loss to the Yankees is chronicled in this sports drama, based on the book "Moneyball: The Art of Winning an Unfair Game." With a limited budget, Beane (Brad Pitt) enlists the aid of an economics whiz (Jonah Hill) with a mathematical approach to scouting players, encountering opposition from the A's' more traditional manager (Philip Seymour Hoffman). Robin Wright also stars. 133 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, DVS, Spanish Dolby Digital 5.1, French Dolby Digital 5.1; Subtitles: English (SDH), French, Korean, Mandarin, Spanish; deleted scenes; featurettes.

It's amazing that Moneyball makes baseball statistics seem fascinating--but that's because it's not really a movie about numbers, and it's not really a movie about baseball, either. It's about what drives people to take risks--in this instance, Billy Beane (played by Brad Pitt), general manager of the Oakland A's, who's just had his best players poached by teams that can afford to pay a lot more. Fed up with how money twists the game, he listens to Peter Brand (Jonah Hill), who persuades him that certain players are being undervalued for trivial reasons--that statistics reveal hidden strengths that could, when used in the right combinations, produce a winning season. Beane takes Brand's advice, then has to fight everyone else around him to follow it through. Moneyball skillfully takes the audience into Beane's psyche. Pitt is in excellent form; it's an understated but magnetic performance, the kind that rarely wins awards but should. Pitt has the physical presence of a former athlete and vividly expresses the mind of a man who's never achieved success but isn't ready to give up. Director Bennett Miller (Capote) shapes the supporting cast (Hill, Philip Seymour Hoffman, Robin Wright, and others less recognizable but just as solid) as carefully as Beane shapes his team. Miller has a few flashy (and highly effective) moments of sound manipulation and editing, but Moneyball is carried by its superb performances. --Bret Fetzer

An amiable inquisitive Chicago priest moonlights as a detective and is assisted by a rather worldly lock-picking nun.

Set on the gritty Brooklyn waterfront, A View from the Bridge follows the cataclysmic downfall of Eddie Carbone, who spends his days as a hardworking longshoreman and his nights at home with his wife, Beatrice, and niece, Catherine. But the routine of his life is interrupted when Beatrice's cousins, illegal immigrants from Italy, arrive in New York. As one of them embarks on a romance with Catherine, Eddie's envy and delusion plays out with devastating consequences.

It's extremely difficult to be an actor, for many reasons: It's mostly unrewarding financially. It takes a lot of hard work before an actor even gets a part. A career is apt to be short-lived. The field is incredibly competitive. Cream does not always rise to the top. And yet actors young and old line up by the thousands wanting to do it. What fuels this desire? What is it that drives actors to withstand the frustration of not getting parts, of getting bad parts in bad plays, of being mistreated by directors, misundertood by audiences, misinterpreted by critics?With a nod to the Paris Review's Writers at Work model, Actors at Work looks at the way some of our most respected stage and film actors today approach their calling. In a collection of interviews with a dozen artists, including Philip Seymour Hoffman, Patti LuPone, and Billy Crudup, the book explores not only the impetus to perform but also key topics about the process and profession, including the way actors approach a role, what techniques they use to deal with directors and other cast members, the ways in which they use their own personal lives in their work, and their influences, idols, and insecurities. The result is a book that actors will find indispensable and fans will find irresistible.

This in-depth investigation allegedly uncovers terrifying information about the tragic Oklahoma City bombing and suggests that terrorist acts are used by the government to increase wiretapping, search and seizure, and invasive surveillance of private citizens. Photos & illustrations.

Signed 8x10 comes with powers collectibles coa and matching holograms

2008 UD A Piece of History A Piece of Hollywood Memorablia #21 - Phillip Seymour Hoffman Capote Jacket

2008 UD A Piece of History A Piece of Hollywood Memorablia #11 - Phillip Seymour Hoffman Capote Sweater