Rare Broadway

A captivating male a cappella group. Originally formed 12 years ago while students together at Indiana University, the group has reassembled and reemerged after their video for "The 12 Days Of Christmas" became a phenomenon with almost 12 million views on Youtube. Includes classics such as Santa Claus is Coming to Town, Jingle Bell Rock, Auld Lang Syne and more. Santa Claus is Coming to Town Jingle Bell Rock The Christmas Song This Christmas Christmas Wish Hark! The Herald Angels Sing Angels We have Heard On High Little Saint Nick The 12 Days Of Christmas(Live) Indiana Christmas Sweet Little Jesus Boy Christmas (Baby Please Come Home) Carol of The Bells Silent Night Auld Lang Syne

Seussical: the Musical, which is based on Dr. Seuss's beloved characters, made the news even before its Broadway opening, as tales of disastrous out-of-town tryouts multiplied and creative turmoil abounded. But the show has its fans--Rosie O'Donnell, for one, likes it so much that she jumped in to play the Cat in the Hat for a month while Roger Bart was on vacation. And guess what? As conceived by Ragtime's Lynn Ahrens and Stephen Flaherty, Seussical isn't nearly as bad as its reputation would suggest. While Junior digs the familiar characters, Mom and Dad will notice that "A Day for the Cat in the Hat" could be an outtake from Cabaret--if that show had been rated G, of course--while "It's Possible" suddenly turns into an Elton John-type romp midway through. Easy on the ear and very pop, this is a kid-friendly cast album that won't insult an adult's intelligence. --Elisabeth Vincentelli

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**OWN THIS RARE, FAN MUST-HAVE MUSIC MAN COLLECTIBLE **PLUS FREE VHS! 1972, 36-Year-Old, Collectible Cassette Soundtrack In Authentic, Original, Clamshell Case! Tracks: Main Title Etc./Ya Got Trouble/Piano Lesson, If You Don't Mind My Saying So/Goodnight My Someone/Ya Got Trouble, 76 Trombones/Sincere/Sadder But Wiser Girl For Me/Snipoopi/Marian The Librarian/Being In Love/Gary Indiana/Wells Fargo Wago/Lida Rose, Will I Ever Tell You/Gary Indiana/Pick A Little Talk A Little/Till There Was You/Goodnight My Someone, 76 Trombones. **PLUS FREE VHS: The Music Man! (1991)

Lorraine Hansberry's play is given sensitive treatment by filmmaker Daniel Petrie (The Bay Boy). Sidney Poitier heads a fine cast in the story of an African American family in Chicago who are struggling with mixed aspirations, not enough money, conflicts over religion, and institutional racism. The film is pretty much set-bound (as plays adapted for the screen sometimes are), but the drama is intense and moving. --Tom Keogh

Groundbreaking film adaptation of Lorraine Hansberry's stage drama follows a black Chicago family's attempt to get out of the slums and build a better life for themselves. Stars Sidney Poitier, Ruby Dee, Claudia McNeil, Diana Sands; look for a young Louis Gossett. 128 min. Standard and Widescreen (Enhanced); Soundtrack: English Dolby Digital mono; Subtitles: English, Chinese, Korean, Portuguese, Spanish, Thai; biographies; theatrical trailers.

Riding the strange '50s nostalgia wave that swept through America during the late 1970s (caused by TV shows like Happy Days and films like American Graffiti), Grease became not only the word in 1978, but also a box-office smash and a cultural phenomenon. Twenty years later, this entertaining film adaptation of the Broadway musical received another successful theatrical release, which included visual remastering and a shiny new Dolby soundtrack. While this 2002 DVD release contains retrospective interviews with the cast and director Randal Kleiser, it's unfortunately full screen. As a result, the widescreen dance numbers are instead panned and scanned, destroying the symmetrical, lively choreography. A widescreen version is also available and is highly recommended because without the vibrant colors, unforgettably campy and catchy tunes (like "Greased Lightning," "Summer Nights," and "You're the One That I Want"), and fabulously choreographed, widescreen musical numbers, the film has to rely on a silly, cliché-filled plot that we've seen hundreds of times. As it is, the episodic story about the romantic dilemmas experienced by a group of graduating high school seniors remains fresh, fun, and incredibly imaginative. The young, animated cast also deserves a lot of credit, bringing chemistry and energy to otherwise bland material. John Travolta, straight from his success in Saturday Night Fever, knows his sexual star power and struts, swaggers, sings, and dances appropriately, while Olivia Newton-John's portrayal of virgin innocence is the only decent acting she's ever done. And then there's Stockard Channing, spouting sexual double-entendres as Rizzo, the bitchy, raunchy leader of the Pink Ladies, who steals the film from both of its stars. Ignore the sequel at all costs. --Dave McCoy

Riding the strange '50s nostalgia wave that swept through America during the late 1970s (caused by TV shows like Happy Days and films like American Graffiti), Grease became not only the word in 1978, but also a box-office smash and a cultural phenomenon. Twenty years later, this entertaining film adaptation of the Broadway musical received another successful theatrical release, which included visual remastering and a shiny new Dolby soundtrack. In this 2002 DVD release, Grease lovers can also now see it in the correct 2:35 to 1 Panavision aspect ratio, and see retrospective interviews with cast members and director Randal Kleiser. All these stylistic touches are essential to the film's success. Without the vibrant colors, unforgettably campy and catchy tunes (like "Greased Lightning," "Summer Nights," and "You're the One That I Want"), and fabulously choreographed, widescreen musical numbers, the film would have to rely on a silly, cliché-filled plot that we've seen hundreds of times. As it is, the episodic story about the romantic dilemmas experienced by a group of graduating high school seniors remains fresh, fun, and incredibly imaginative. The young, animated cast also deserves a lot of credit, bringing chemistry and energy to otherwise bland material. John Travolta, straight from his success in Saturday Night Fever, knows his sexual star power and struts, swaggers, sings, and dances appropriately, while Olivia Newton-John's portrayal of virgin innocence is the only decent acting she's ever done. And then there's Stockard Channing, spouting sexual double-entendres as Rizzo, the bitchy, raunchy leader of the Pink Ladies, who steals the film from both of its stars. Ignore the sequel at all costs. --Dave McCoy

The off-Broadway comedy-horror-musical hit that ran for years makes a successful transfer to film with a bevy of big-name cameos and two perfectly cast leads. Rick Moranis is the nebbish Seymour, who pines for flower-girl Audrey (Ellen Greene) while living in the basement of florist Mr. Mushnik (Vincent Gardenia). Things start turning around for Seymour, though, after he buys a little plant during a solar eclipse, christens it Audrey II, and discovers that it likes to drink blood. Soon enough, though, Seymour finds out that Audrey II, now grown to epic proportions, is in actuality a "mean green mother from outer space" that is hell-bent on world domination. Based on the 1960 Roger Corman cheapie that featured a young Jack Nicholson, Little Shop boasts a hilarious, amazing score by Howard Ashman and Alan Menken, who would go on to revitalize Disney's animation arm with The Little Mermaid and Beauty and the Beast. Greene, the lone holdover from the original cast, is a ravishing, goofy Audrey, whose awkward demeanor belies a voice that could knock Ethel Merman off her feet. She's ably matched by Moranis, whose lack of a singing voice is perfectly in sync with Seymour's nerdiness. And Levi Stubbs Jr. of the Four Tops provides the lowdown, nasty-minded voice of Audrey II; his rendition of the Oscar-nominated "Mean Green Mother from Outer Space" is a showstopper. As for those celebrity cameos, Steve Martin's sadistic dentist is a masterful creation, as is Bill Murray's masochistic patient; John Candy, James Belushi, and Christopher Guest also pop up. And there was never a lovelier and funkier Greek chorus than the three Motown-fueled girls (Tichina Arnold, Michelle Weeks, and Tisha Campbell) who appear throughout the film. --Mark Englehart

The film of the off-Broadway musical of the horror movie spoof...hilarious, tuneful story of a nerd and his man-eating plant stars Rick Moranis, Ellen Greene, Steve Martin and Levi Stubbs (of Four Tops fame) as the voice of Audrey II. Songs include "Suddenly Seymour," "Mean Green Mother from Outer Space." 94 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, French Dolby Digital Surround stereo, Spanish Dolby Digital mono; Subtitles: English, Spanish, French; audio commentary; outtakes; theatrical trailers.

In this lyrical, unsentimental, and compelling memoir, the son of a black African father and a white American mother searches for a workable meaning to his life as a black American. It begins in New York, where Barack Obama learns that his father-a figure he knows more as a myth than as a man-has been killed in a car accident. This sudden death inspires an emotional odyssey-first to a small town in Kansas, from which he retraces the migration of his mother's family to Hawaii, and then to Kenya, where he meets the African side of his family, confronts the bitter truth of his father's life, and at last reconciles his divided inheritance. About the Author: BARACK OBAMA graduated from Harvard Law School in 1991, where he served as the first African-American president of the Harvard Law Review. He has worked as a community organizer, civil rights attorney, and law professor. Since 1997, he has represented parts of Chicago's South Side in the Illinois General Assembly, and he is currently the Democratic nominee to become the junior U.S. senator from Illinois. He lives in Chicago with his wife, Michelle, and daughters, Malia and Sasha.

Dave's approach to golf is easy to understand: 80 percent of the strokes golfers lose to par are determined by their play within 100 yards of the green - the crucial scoring game. A former physicist for NASA, Dave brings a scientific rigor to his research and instruction that has made him the top short-game expert in the world. Now Dave shares, for the first time, the understanding and techniques he has taught the pros, including a wide array of innovative tests and exercises for mastering those deceptive and high-pressure shots of the short game. The first book by best-selling author and internationally revered instructor Dave Pelz since Putt like the Pros, this new offering can show you the way to lower scores by improving your short game. Packed with all the knowledge, charts, and photos needed to learn from the master, Dave Pelz's Short Game Bible is the essential book for every golfer. Covering everything golfers need to know about how to improve their short game, Dave Pelz's Short Game Bible can - and will - help you to consistently shoot lower scores.

As the reigning rabbi on the mysteries of golf from 100 yards in, Pelz has earned the right to anoint his expansive instruction on the short game a "Bible." A scientist by training, he's analyzed the macros and dissected the micros to come up with a gospel for pros (Lee Janzen, Vijay Singh, and Anika Sorenstam, to name a few disciples) and weekend hackers alike. Pelz fills his scripture with photos, illustrations, charts, and plenty of sage advice on pitching, chipping, sandplay, putting, equipment, execution, mechanics, technique, practice, attitude, lots of questions, and plenty of answers. Much of the Short Game Bible is pretty sophisticated stuff aimed toward better players--or, at least, players who take their golf seriously. But its basics are appropriate to any skill level of the game: Accurately assess your own weaknesses, and then go about improving them systematically with the author's carefully researched and tested plan. It seems so obvious, but the truth is, most golfers either beat balls on the range in search of distance or slave over eight-foot putts on the practice green; they fail to pay enough attention to the shots in between. Pelz does the math for you here; his figures add up, so that yours can go down--the golfing equivalent of forgiving sins and absolving trespasses. --Jeff Silverman

From primordial nothingness to this very moment, A Short History of Nearly Everything reports what happened and how humans figured it out. To accomplish this daunting literary task, Bill Bryson uses hundreds of sources, from popular science books to interviews with luminaries in various fields. His aim is to help people like him, who rejected stale school textbooks and dry explanations, to appreciate how we have used science to understand the smallest particles and the unimaginably vast expanses of space. With his distinctive prose style and wit, Bryson succeeds admirably. Though A Short History clocks in at a daunting 500-plus pages and covers the same material as every science book before it, it reads something like a particularly detailed novel (albeit without a plot). Each longish chapter is devoted to a topic like the age of our planet or how cells work, and these chapters are grouped into larger sections such as "The Size of the Earth" and "Life Itself." Bryson chats with experts like Richard Fortey (author of Life and Trilobite) and these interviews are charming. But it's when Bryson dives into some of science's best and most embarrassing fights--Cope vs. Marsh, Conway Morris vs. Gould--that he finds literary gold. --Therese Littleton

Billl Bryson writes that he decided to devote a portion of his life, - three years to read and devote as necessary finding saintly'patient experts prepared to answer a lot of outstandly dumb questions. The idea was to see if it isn't possible to understand and appreciate , enjoy even the wonder and accoplishments of science at a level that isn't too technical or demanding, isnt entirely superficial either. That is what this book intended to be'

Larry Broadway signed Baseball Card (Minor League Card)

Lee Roy Reams Broadway Star Rare Signed Autograph Photo