Rapp Pascal

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Two CD set in a slimline double jewelbox. No slip cover. Scuffs on discs will not affect play. Original Motion Picture Soundtrack

It's not that surprising that Rent, a successful musical with a strong youth following, would have transferred from the New York stage to film. What is remarkable is that the material has aged very well and that most of the original cast have made the trip to the silver screen. This is no small feat since nearly ten years have elapsed since the show's Off-Broadway debut and the film's release. When it opened in 1996, Jonathan Larson's rock musical based on neobohemian life in the gritty East Village felt a bit hackneyed at times; now, Rent feels more like a Broadway fantasy about life on the edge, and that new element actually works in the show's favor. The two cast additions--Rosario Dawson (replacing Daphne Rubin-Vega as Mimi) and Tracie Thomas (replacing Fredi Walker as Joanne)--act well and with emotion, but aren't quite powerful enough. They are eclipsed by vets such as Anthony Rapp, Idina Menzel, Wilson Jermaine Heredia, and Taye Diggs, who of course had the chance to perfect their roles on stage and can also be heard on the original cast recording. It's a pleasure to hear these stalwarts New York performers strut their stuff again. This soundtrack will please the show's fans, and probably attract new ones. --Elisabeth Vincentelli

Composer: Jonathan Larson Audio CD (August 27, 1996) Number of Discs: 2

Into Broadway's creative vacuum of revivals, movie adaptations, and Hollywood star vehicles comes Rent, the story of squatters, junkies, performance artists, struggling musicians, drag queens, aspiring filmmakers, and HIV-positives (and you thought Miss Saigon's helicopter landing was cool). Undoubtedly among the defining pop cultural events of 1996, Rent has already won four Tony awards and a Pulitzer Prize for Drama. More importantly, it threatens to bring substance back to the Great White Way. Transposing Puccini's 100-year-old opera La Bohème into modern day Bohemia (19th-century Paris's Left Bank becomes late-20th-century New York's East Village where the scourge of tuberculosis becomes the plague of AIDS) Rent celebrates life among the young, sick, and unconventional. While Broadway shows are hardly the place for authentic portrayals of the latest marginalized hipsters, composer Jonathan Larson (who died at age 36, days before his musical opened) managed to sculpt vivid characters and scenes that bring Avenue A as close as it will ever come to 42nd Street. And by telling a socially relevant story of living without the guarantee of a future (renting, that is), Larson does his own little bit to define an X'ed generation. At worst, Rent is the Hair of the '90s. For the majority of us who won't be seeing Rent anytime soon, the Original Cast Recording is more than just an after-show souvenir. Well-packaged with a complete libretto, the two-CD set is a worthwhile album separate of live performance. Full of songs that are funny and catchy, inspiring and touching, smart and hip and not overly sentimental, Rent mixes showtune pop with elements of rock, R&B, dance, gospel, and tango to make one of the best albums of the year--certainly the best rock opera in decades. La vie bohème, indeed. --Roni Sarig

Yes, it's true that 90% of the time Broadway fans will want the original Broadway cast recording over any other version, and 95% of the time the full recording will beat any set of "highlights." But this collection of songs from the Rent movie may defy both trends. Rentheads surely have the two-disc Broadway version already, and this well-selected 65 minutes may satisfy their desire to have performances from the movie as well (and the movie has less music than the show anyway). On the other end of the spectrum, people who enjoyed the movie but don't feel the compulsion to own every note of what they heard might well be pleased with a single disc of highlights. Pick it up and live La Vie Boheme all over again. --David Horiuchi

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The passion to create and the courage to love are the ties that bind a group of struggling artists in Lower Manhattan in 1990 as they deal with friendship, life, and death in the shadow of AIDS. Jonathan Larson's Tony-winning Broadway hit, which shifted the story of "La Boheme" from 1890s Paris, makes the leap to the screen in this vibrant musical. Original stage stars Taye Diggs, Wilson Jermaine Heredia, Jesse L. Martin, Idina Menzel, Adam Pascal, and Anthony Rapp are joined by Rosario Dawson and Tracie Thoms; songs include "La Vie Boheme," "Seasons of Love," "Today 4 U." 135 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, French Dolby Digital 5.1; Subtitles: English, French; audio commentary; deleted scenes; documentary; more. Two-disc set.

Rent, the show that in 1996 gave voice to a Broadway generation, has finally become an energetic, passionate, and touching movie musical. Based loosely on Puccini's La Bohème, it focuses on the year in the life of a group of friends in New York's East Village--"bohemians" who live carefree lives of art, music, sex, and drugs. Well, carefree until Mark, an aspiring filmmaker (Anthony Rapp), and Roger, an aspiring songwriter (Adam Pascal), find out they owe a year's rent to Benny (Taye Diggs), a former friend who had promised them free residence when he married the landlord's daughter. Roger has also attracted the attention of his downstairs neighbor, Mimi (Rosario Dawson), while Mark's former girlfriend, Maureen (Idina Menzel), has found a new romance in a lawyer named Joanne (Tracie Thoms). Philosophy professor Tom (Jesse L. Martin) finds his soul mate in drag queen Angel (Wilson Jermaine Heredia). But because this is the late-'80s, the threat of AIDS is always present. The remarkable thing about Rent the movie is that nearly 10 years after the show debuted on Broadway, six of the eight principals return in the roles they originated. They're a bit older than would be ideal for their characters, but they do have the advantage of having learned the show directly from creator Jonathan Larson (who died of an aortic aneurysm while the show was in previews), plus they started young--we're not exactly talking Sarah Brightman and Michael Crawford here. Alongside a polished performance like Rapp's--sometimes observer-commentator, sometimes participant in two of the score's showstoppers, "The Tango Maureen" and "La Vie Boheme"--the two new additions (Thoms in place of Fredi Walker, Dawson in place of the edgier Daphne Rubin-Vega) slip comfortably into the ensemble; the pivotal Dawson makes a seductive case as Mimi when she tempts Roger in the mesmerizing "Light My Candle" or burns up the stage of the Catscratch Club in "Out Tonight." Moviegoers who have an aversion to people who break into song while walking down the street probably won't have their minds changed by Rent (even if they are singing rock songs), and the gritty subject matter and lack of big-name stars make it unlikely to cross over to general audiences the way Chicago did. But fans of musicals should find "Seasons of Love" as stirring as ever, and the show's passionate admirers--the "Rentheads"--probably couldn't have wished for a more sympathetic director than Rent fan Chris Columbus, or a more faithful representation of the show they love. --David Horiuchi On the DVD Three powerful musical numbers cut from the final film are the highlight of the two-disc DVD. In the aftermath of the funeral scene, Anthony Rapp sings "Halloween," and he, Adam Pascal, and Rosario Dawson share "Goodbye Love" (both songs were in the stage version). Then in an alternate ending, the cast finishes "No Day But Today" on the bare stage on which the film began. There are worthwhile arguments for why these scenes were cut or replaced, so it's fortunate that the DVD lets us see these at all. Those musical numbers have optional commentary by director Chris Columbus, Rapp, and Pascal (two other cut scenes have no commentary), including one funny moment in which Rapp explains in great detail the technical challenge of shooting "Halloween" only to have Columbus say, "Yeah, but I don't know if that's the take we used." The three also provide commentary on the film itself, with Columbus discussing various decisions, criticizing the critics, and marveling "I still don't know how we got the PG-13," and Rapp and Pascal occasionally recalling differences in the stage version. The other whopper of a feature is No Day But Today, a nearly two-hour documentary that uses video clips, still photographs, and interviews with family and friends to celebrate the short life of Jonathan Larson and his creation. Topics include his early interest in musical theater ("I want to write the Hair for the '90s."), the support of Stephen Sondheim, the impact of the AIDS epidemic, the long and difficult road of Rent (casting the show, Larson learning to collaborate, the transfer to a Broadway stage, and the Rentheads), and Larson's tragic death. The last 20 minutes covers the making of the film, director Chris Columbus, the decision to rely on most of the original cast (the only two principals who didn't appear in the movie, Daphne Rubin-Vega and Fredi Walker-Browne, are interviewed in earlier segments, but only mentioned in passing here), recording sessions, and location shooting. If the movie of Rent was a tribute to Jonathan Larson, the DVD is all that and more, a moving and incredibly detailed look at an extraordinary talent whom the world lost far too soon. --David Horiuchi More Rent Movie soundtrack Original Broadway cast recording Anthony Rapp's Without You: A Memoir of Love, Loss, and the Musical "Rent"

Rent, the show that in 1996 gave voice to a Broadway generation, has finally become an energetic, passionate, and touching movie musical. Based loosely on Puccini's La Bohème, it focuses on the year in the life of a group of friends in New York's East Village--"bohemians" who live carefree lives of art, music, sex, and drugs. Well, carefree until Mark, an aspiring filmmaker (Anthony Rapp), and Roger, an aspiring songwriter (Adam Pascal), find out they owe a year's rent to Benny (Taye Diggs), a former friend who had promised them free residence when he married the landlord's daughter. Roger has also attracted the attention of his downstairs neighbor, Mimi (Rosario Dawson), while Mark's former girlfriend, Maureen (Idina Menzel), has found a new romance in a lawyer named Joanne (Tracie Thoms). Philosophy professor Tom (Jesse L. Martin) finds his soul mate in drag queen Angel (Wilson Jermaine Heredia). But because this is the late-'80s, the threat of AIDS is always present. The remarkable thing about Rent the movie is that nearly 10 years after the show debuted on Broadway, six of the eight principals return in the roles they originated. They're a bit older than would be ideal for their characters, but they do have the advantage of having learned the show directly from creator Jonathan Larson (who died of an aortic aneurysm while the show was in previews), plus they started young--we're not exactly talking Sarah Brightman and Michael Crawford here. Alongside a polished performance like Rapp's--sometimes observer-commentator, sometimes participant in two of the score's showstoppers, "The Tango Maureen" and "La Vie Boheme"--the two new additions (Thoms in place of Fredi Walker, Dawson in place of the edgier Daphne Rubin-Vega) slip comfortably into the ensemble; the pivotal Dawson makes a seductive case as Mimi when she tempts Roger in the mesmerizing "Light My Candle" or burns up the stage of the Catscratch Club in "Out Tonight." Moviegoers who have an aversion to people who break into song while walking down the street probably won't have their minds changed by Rent (even if they are singing rock songs), and the gritty subject matter and lack of big-name stars make it unlikely to cross over to general audiences the way Chicago did. But fans of musicals should find "Seasons of Love" as stirring as ever, and the show's passionate admirers--the "Rentheads"--probably couldn't have wished for a more sympathetic director than Rent fan Chris Columbus, or a more faithful representation of the show they love. --David Horiuchi

The passion to create and the courage to love are the ties that bind a group of struggling artists in Lower Manhattan in 1990 as they deal with friendship, life, and death in the shadow of AIDS. Jonathan Larson's Tony-winning Broadway hit, which shifted the story of "La Boheme" from 1890s Paris, makes the leap to the screen in this vibrant musical. Original stage stars Taye Diggs, Wilson Jermaine Heredia, Jesse L. Martin, Idina Menzel, Adam Pascal, and Anthony Rapp are joined by Rosario Dawson and Tracie Thoms; songs include "La Vie Boheme," "Seasons of Love," "Today 4 U." 135 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, PCM 5.1, French Dolby Digital 5.1, PCM 5.1; Subtitles: English, French, Korean, Portuguese, Spanish, Thai.