Raisin Sun

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Perhaps only the fantasy duo of King Kong and Bambi could be a more bizarre pairing than Robert Plant and Alison Krauss. Yet on Raising Sand, their haunting and brilliant collaboration, the Led Zeppelin screamer and Nashville's most hypnotic song whisperer seem made for each other. This, however, is not the howling Plant of "Whole Lotta Love," but a far more precise and softer singer than even the one who emerged with Dreamland (2002). No matter that Plant seems so subdued as to be on downers, for that's one of the keys to this most improbable meeting of musical galaxies--almost all of it seems slowed down, out of time, otherworldly, and at times downright David Lynch-ian, the product of an altered consciousness. Yet probably the main reason it all works so well is the choice of producer T Bone Burnette, the third star of the album, who culled mostly lesser-known material from some of the great writers of blues, country, folk, gospel, and R&B, including Tom Waits, Townes Van Zandt, Milt Campbell, the Everly Brothers, Sam Phillips, and A.D. and Rosa Lee Watson. At times, Burnette's spare and deliberate soundscape--incisively crafted by guitarists Marc Ribot and Norman Blake, bassist Dennis Crouch, drummer Jay Bellerose, and multi-instrumentalist Mike Seeger, among others--is nearly as dreamy and subterranean as Daniel Lanois's work with Emmylou Harris (Wrecking Ball). Occasionally, Burnette opts for a fairly straightforward production while still reworking the original song (Plant's own "Please Read the Letter," Mel Tillis's "Stick with Me, Baby"). But much of the new flesh on these old bones is oddly unsettling, if not nightmarish. On the opening track of "Rich Woman," the soft-as-clouds vocals strike an optimistic mood, while the instrumental backing--loose snare, ominous bass line, and insinuating electric guitar lines--create a spooky, sinister undertow. Plant and Krauss trade out the solo and harmony vocals, and while they both venture into new waters here (Krauss as a mainstream blues mama, Plant as a gospel singer and honkytonker), she steals the show in Sam Phillips' new "Sister Rosetta Goes Before Us," where a dramatic violin and tremulous banjo strike a foreboding gypsy tone. When Krauss begins this strange, seductive song in a voice so ethereal that angels will take note, you may stop breathing. That, among other reasons, makes Raising Sand an album to die for. --Alanna Nash

The musical collaboration of the decade, Raising Sand is the sound of two iconic figures stepping out of their respective comfort zones and letting their instincts lead them across a brave new sonic landscape. Despite hailing from distinctly different backgrounds, Alison Krauss and Robert Plant share a maverick spirit and willingness to extend the boundaries of their respective genres. This spirit, expertly honed by producer T Bone Burnett, has resulted in an album pitched three steps beyond some cosmic collision of early urban blues, spacious West Texas country, and the untapped potential of the folk-rock revolution. Supported by the unparalleled musicianship of Marc Ribot, Dennis Crouch, Mike Seeger, Jay Bellerose, Norman Blake, Greg Leisz, Patrick Warren, and Riley Baugus, Plant and Krauss -- as both solo and harmony vocalists -- tackle an intriguing selection of songs from such tunesmiths as Tom Waits, Gene Clark, Sam Phillips, Townes Van Zandt, The Everly Broth! ers, and Mel Tillis. Raising Sand finds Robert Plant and Alison Krauss exploring popular music's elemental roots while still sounding effortlessly, breath-takingly contemporary. The song "Killing the Blues" is featured in the new JC Penney American Living Campaign.

TWO MOVIE SCORES ON ONE COMPACT DISC.

Lorraine Hansberry's play is given sensitive treatment by filmmaker Daniel Petrie (The Bay Boy). Sidney Poitier heads a fine cast in the story of an African American family in Chicago who are struggling with mixed aspirations, not enough money, conflicts over religion, and institutional racism. The film is pretty much set-bound (as plays adapted for the screen sometimes are), but the drama is intense and moving. --Tom Keogh

The struggle of a poor black family against the forces of bigotry and hate in 1950s Chicago is augmented by the turmoil within the family itself. A riveting, made-for-TV interpretation of Lorraine Hansberry's powerful play.

Walter Lee Younger (Poitier) is a young man struggling with his station in life. Sharing a tiny apartment with his wife, son, sister and mother, he seems like an imprisoned man. Until, that is, the family gets an unexpected financial windfall...

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WallMonkeys wall graphics are printed on the highest quality re-positionable, self-adhesive fabric paper. Each order is printed in-house and on-demand. WallMonkeys uses premium materials & state-of-the-art production technologies. Our white fabric material is superior to vinyl decals. You can literally see and feel the difference. Our wall graphics apply in minutes and won't damage your paint or leave any mess. PLEASE double check the size of the image you are ordering prior to clicking the 'ADD TO CART' button. Our graphics are offered in a variety of sizes and prices. WallMonkeys are intended for indoor use only. Printed on-demand in the United States Your order will ship within 3 business days, often sooner. Some orders require the full 3 days to allow dark colors and inks to fully dry prior to shipping. Quality is worth waiting an extra day for! Removable and will not leave a mark on your walls. Our catalog of over 10 million images is perfect for virtually any use: school projects, trade shows, teachers classrooms, colleges, nurseries, college dorms, event planners, and corporations of all size.

Lorraine Hansberry's play is given sensitive treatment by filmmaker Daniel Petrie (The Bay Boy). Sidney Poitier heads a fine cast in the story of an African American family in Chicago who are struggling with mixed aspirations, not enough money, conflicts over religion, and institutional racism. The film is pretty much set-bound (as plays adapted for the screen sometimes are), but the drama is intense and moving. --Tom Keogh

Groundbreaking film adaptation of Lorraine Hansberry's stage drama follows a black Chicago family's attempt to get out of the slums and build a better life for themselves. Stars Sidney Poitier, Ruby Dee, Claudia McNeil, Diana Sands; look for a young Louis Gossett. 128 min. Standard and Widescreen (Enhanced); Soundtrack: English Dolby Digital mono; Subtitles: English, Chinese, Korean, Portuguese, Spanish, Thai; biographies; theatrical trailers.

Pride and poverty collide in this excellent television movie of the classic play A Raisin in the Sun. When Walter Younger (Sean Combs, a.k.a. P. Diddy), his wife Ruth (Audra McDonald, Private Practice), and his sister Beneatha (Sanaa Lathan, Something New) learn that their deceased father has left their mother Lena (Phylicia Rashad, The Cosby Show) with $10,000 in life insurance, their separate ideas of how to spend it threaten to pull the family apart. Lorraine Hansberry's passionate play ranks in the same tier as Death of a Salesman and Long Day's Journey Into Night. This version is taken from an acclaimed stage production, but the actors have expertly re-pitched their performances for the intimacy of the camera and the script has been subtly but effectively opened up to allow scenes to take place at multiple locations. Lathan, McDonald, and Rashad all deliver rich, multilayered performances; the casting of rapper Combs could have been a mere stunt, but though he lacks the chops of the powerhouse women, he acquits himself decently. Excellent supporting performances from Bill Nunn (Do the Right Thing) and John Stamos round out the cast. All in all, a rewarding adaptation of a play that continues to resonate with America's ongoing struggle with race. --Bret Fetzer

Based on the play that inspired a generation, A Raisin in the Sun tells the story of a family living and struggling on Chicago's South Side in the 1950s. A fiercely moving portrait of people whose hopes and dreams are constantly deferred, A Raisin in the Sun was the first play written by an African American woman to be produced on Broadway. The classic, still-relevant story now will be showcased in this totally new television movie adaptation. Sean Combs reprises the role which brought him critical acclaim in the highly anticipated, special three-hour television movie adaptation of the award-winning Broadway revival. Joining him is the cast of the award-winning production, including Emmy and Tony Award winner Phylicia Rashad, four-time Tony Award winner Audra McDonald, Tony Award nominee Sanaa Lathan, plus ER star John Stamos.

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