Promo Poster

While Radiohead saw its stock rising in 1994, it wasn't until 1995's The Bends that it really became a blue chip band. And for good reason. The quintet honed its talent for bombastic Brit Rock, yet still preserved an edge of unpredictability. Even singles like the title track didn't give in to the kind of swooning guitar clichés usually embraced by commercial radio. If the CD proved anything, it was that Radiohead could find solid ground between pop experimentation and the tradition of born-in-the-bone, balls-out rock. --Nick Heil

RADIOHEAD THE BENDS

Ah, youth: the exuberance, the energy, the blistering highs and bottomless depths. It's an ideal breeding ground for true rock & roll belief. Hence, the youngsters of Paramore unearth geysers of loud, sugary angst on Riot!, their major label debut and follow-up to 2005's All We Know Is Falling. Small-town musicians who have played together for years, Paramore boasts the appeal of an emo-pop blast developed out of savvy songwriting and musicianship. The sweet spot the band hits--somewhere between Avril Lavigne and All-American Rejects--comes naturally. Lead singer Hayley Williams, barely 18, has big-time vocal depth and genuine charisma besides, and while her singing can sound a little contrived, she delivers with such end-of-the-world conviction that it's an easy flaw to forgive. Bright and catchy melodies abound, but songs like "Misery Business" and "Miracle" also feature razor-sharp cadences and ultra-clean transitions. Too clean, actually. The production is crystal clear, which accentuates the stumbles (mostly on the ballads) and robs these whippersnappers of the messy highs they surely achieve playing live. But some things can't be entirely glossed over, and while the more aged among us will sip our Scotch and make fun of their adolescent shenanigans, we'll also be surreptitiously listening on our iPods after we put the kids to bed. --Matthew Cooke

PARAMORE RIOT

Go behind the scenes at Nintendo of America, Inc. in search of the big gorilla, Donkey Kong. The beast is back ... with a vengeanance! DK's starring in the biggest, baddest Super NES game ever: DONKEY KONG COUNTRY. And you get to see this incredibly advanced game (for it's time - copyright 1994) in action before the rest of the world gets blown away by it! Get exposed to the amazing graphics and sound! Once you've watched the video and have memorized every detail -- the goodies, the baddies, learned the tips, checked the technology and have made Diddy your best new 'bud', you might even want to expose your friends to it. They'll be overcome with shock, amazement and disbelief! Just make sure you watch it ALL because what you think is the end, may not be...

WallMonkeys wall graphics are printed on the highest quality re-positionable, self-adhesive fabric paper. Each order is printed in-house and on-demand. WallMonkeys uses premium materials & state-of-the-art production technologies. Our white fabric material is superior to vinyl decals. You can literally see and feel the difference. Our wall graphics apply in minutes and won't damage your paint or leave any mess. PLEASE double check the size of the image you are ordering prior to clicking the 'ADD TO CART' button. Our graphics are offered in a variety of sizes and prices. WallMonkeys are intended for indoor use only. Printed on-demand in the United States Your order will ship within 3 business days, often sooner. Some orders require the full 3 days to allow dark colors and inks to fully dry prior to shipping. Quality is worth waiting an extra day for! Removable and will not leave a mark on your walls. Our catalog of over 10 million images is perfect for virtually any use: school projects, trade shows, teachers classrooms, colleges, nurseries, college dorms, event planners, and corporations of all size.

WallMonkeys wall graphics are printed on the highest quality re-positionable, self-adhesive fabric paper. Each order is printed in-house and on-demand. WallMonkeys uses premium materials & state-of-the-art production technologies. Our white fabric material is superior to vinyl decals. You can literally see and feel the difference. Our wall graphics apply in minutes and won't damage your paint or leave any mess. PLEASE double check the size of the image you are ordering prior to clicking the 'ADD TO CART' button. Our graphics are offered in a variety of sizes and prices. WallMonkeys are intended for indoor use only. Printed on-demand in the United States Your order will ship within 3 business days, often sooner. Some orders require the full 3 days to allow dark colors and inks to fully dry prior to shipping. Quality is worth waiting an extra day for! Removable and will not leave a mark on your walls. Our catalog of over 10 million images is perfect for virtually any use: school projects, trade shows, teachers classrooms, colleges, nurseries, college dorms, event planners, and corporations of all size.

WallMonkeys wall graphics are printed on the highest quality re-positionable, self-adhesive fabric paper. Each order is printed in-house and on-demand. WallMonkeys uses premium materials & state-of-the-art production technologies. Our white fabric material is superior to vinyl decals. You can literally see and feel the difference. Our wall graphics apply in minutes and won't damage your paint or leave any mess. PLEASE double check the size of the image you are ordering prior to clicking the 'ADD TO CART' button. Our graphics are offered in a variety of sizes and prices. WallMonkeys are intended for indoor use only. Printed on-demand in the United States Your order will ship within 3 business days, often sooner. Some orders require the full 3 days to allow dark colors and inks to fully dry prior to shipping. Quality is worth waiting an extra day for! Removable and will not leave a mark on your walls. Our catalog of over 10 million images is perfect for virtually any use: school projects, trade shows, teachers classrooms, colleges, nurseries, college dorms, event planners, and corporations of all size.

The Good Wife is a compelling drama about Alicia Florrick (Julianna Margulies), a strong, articulate woman whose life has been turned upside down by the actions of her husband Peter Florrick (Chris Noth), a state's attorney who's been disgraced by a sex scandal and imprisoned for abusing his position in office. The series begins with a press conference in which Peter apologizes for his personal indiscretions and denies any professional wrongdoing, but the focus of this series is all on Alicia--how she endures the moment in front of the press, the personal impact of the experience just after the cameras are turned off, and how that instant in time will affect every aspect of her life from that moment on. A middle-aged woman accustomed to charity events and luxury in the suburbs, Alicia is suddenly forced to abandon her old life, move to an apartment in the city, and reenter the workforce as a junior associate in a local law firm in order to support herself and her two teenage children. Add in the extra baggage of the very public sex scandal, competition from a young and highly ambitious twentysomething lawyer (Matt Czuchry) at the firm, and a coworker (Archie Panjabi) whom her husband once fired, and things become really tricky for Alicia. The story is about much more than Alicia's reentry into the courtroom; it's about how everything in her life has changed and how every decision she makes impacts her future. Excellent writing and the powerful performances of Margulies and her costars make this series absolutely captivating. The blend of personal drama, courtroom action, sexual indiscretion, family dynamics, and political scandal is perfectly balanced and, as in real life, everything is complexly interwoven. The most compelling thing about the series is Margulies herself: she is completely believable as Alicia Florrick--everything she feels and thinks comes across as totally real to viewers, sometimes without even one word of dialogue, and viewers can't help but relate to everything she's going through and wonder what they might do in a similar situation. Viewers struggle right along with Alicia as she oscillates between self-confidence and self-doubt, resolve and vulnerability, hatred for her husband's infidelity and an inexplicable resilient love for him, even in the face of her renewed attraction to her former law school classmate and now-boss Will (Josh Charles). Viewers share in her determination to remain strong and somehow balance the demands of work and family. Panjabi is commanding in her breakout role as Kalinda, an extremely pragmatic investigator who regularly defies convention and will go to almost any length to get the information she needs, and every interaction between Alicia and Kalinda is simply electric. Christine Baranski is also stellar in her role as Diane Lockhart, a firm partner who sees Alicia both as someone to mentor and as a personal threat. Besides the 23-episode season, this six-disc set contains quite a few deleted scenes (they get longer as the season progresses) and special features that include on-air promos and a discussion of some of the real-life scandals that caused the writers to ponder the wronged wife's point of view. The hour-and-15-minute-long "Education of Alicia Florrick: Making Season One" features cocreators/writers/executive producers Robert King and Michelle King and executive producer David W. Zucker, along with many of the actors and other important production crew members. They discuss the making of the pilot, location work, casting, costuming, photographic vision, and the show's groundbreaking point of view (they also offer a hint about the focus of the second season). Optional commentaries are available for several episodes and feature Robert King, Michelle King, Zucker, and executive producer Brooke Kennedy. --Tami Horiuchi

Brand New! Original Factory Sealed

It’s said that the original is the greatest, and there can be no more vivid proof than Raiders of the Lost Ark, the first and indisputably best of the initial three Indiana Jones adventures cooked up by the dream team of Steven Spielberg and George Lucas. Expectations were high for this 1981 collaboration between the two men, who essentially invented the box office blockbuster with ‘70s efforts like Jaws and Star Wars, and Spielberg (who directed) and Lucas (who co-wrote the story and executive produced) didn’t disappoint. This wildly entertaining film has it all: non-stop action, exotic locations, grand spectacle, a hero for the ages, despicable villains, a beautiful love interest, humor, horror… not to mention lots of snakes. And along with all the bits that are so familiar by now--Indy (Harrison Ford) running from the giant boulder in a cave, using his pistol instead of his trusty whip to take out a scimitar-wielding bad guy, facing off with a hissing cobra, and on and on--there’s real resonance in a potent storyline that brings together a profound religious-archaeological icon (the Ark of the Covenant, nothing less than "a radio for speaking to God") and the 20th century’s most infamous criminals (the Nazis). Now that’s entertainment. --Sam Graham

Indiana Jones (Harrison Ford) is no ordinary archeologist. When we first see him, he is somewhere in the Peruvian jungle in 1936, running a booby-trapped gauntlet (complete with an over-sized rolling boulder) to fetch a solid-gold idol. He loses this artifact to his chief rival, a French archeologist named Belloq (Paul Freeman), who then prepares to kill our hero. In the first of many serial-like escapes, Indy eludes Belloq by hopping into a convenient plane. So, then: is Indiana Jones afraid of anything? Yes, snakes. The next time we see Jones, he's a soft-spoken, bespectacled professor. He is then summoned from his ivy-covered environs by Marcus Brody (Denholm Elliott) to find the long-lost Ark of the Covenant. The Nazis, it seems, are already searching for the Ark, which the mystical-minded Hitler hopes to use to make his stormtroopers invincible. But to find the Ark, Indy must first secure a medallion kept under the protection of Indy's old friend Abner Ravenwood, whose daughter, Marion (Karen Allen), evidently has a "history" with Jones. Whatever their personal differences, Indy and Marion become partners in one action-packed adventure after another, ranging from wandering the snake pits of the Well of Souls to surviving the pyrotechnic unearthing of the sacred Ark. A joint project of Hollywood prodigies George Lucas and Steven Spielberg, with a script co-written by Lawrence Kasdan and Philip Kaufman, among others, Raiders of the Lost Ark is not so much a movie as a 115-minute thrill ride. Costing 22 million dollars (nearly three times the original estimate), Raiders of the Lost Ark reaped 200 million dollars during its first run. It was followed by Indiana Jones and the Temple of Doom (1985) and Indiana Jones and the Last Crusade (1989), as well as a short-lived TV-series "prequel."

All 26 first-season episodes--including the three-part stories "Secret Origins" and "The Savage Time" and the two-part stories "Injustice for All," "Legends" and "Metamorphosis"--are featured in a four-disc set. 9 1/2 hrs. total. Standard; Soundtrack: English Dolby Digital Surround stereo; Subtitles: English, French, Spanish; audio commentary on selected episodes; featurettes; interviews; storyboards. **26 episodes on 4 discs. 9 1/2 hrs.**

HEWLETT PACKARD HP PROMO USB 2.0 PORT REPLICATOR.HP PROMO USB 2.0 PORT REPLICATOR. Manufacturer : HEWLETT PACKARD UPC : 884420527824

24-36 elect 24v cam dog x 28

MICRODERMAL PIERCING PROMO POSTERS. POSTERS ARE 24" x 36". LET EVERYONE KNOW YOUR SHOP DOES MICRODERMAL PIERCINGS. YOU CAN BUY THEM HERE OR GET A FREE POSTER WITH A PURCHASE 24 OR MORE MICRODERMAL ANCHORS. Plain packaging and discretion guaranteed!

MICRODERMAL PIERCING PROMO POSTERS. POSTERS ARE 24" x 36". LET EVERYONE KNOW YOUR SHOP DOES MICRODERMAL PIERCINGS. YOU CAN BUY THEM HERE OR GET A FREE POSTER WITH A PURCHASE 24 OR MORE MICRODERMAL ANCHORS. Plain packaging and discretion guaranteed!

This scarce 34 by 22 inch comic book shop dealer X-Men promotional poster features the painted artwork of Bob Larkin. This promo poster was produced in very small numbers and was distributed only to authorized comic book store dealers, and it was never for sale to the public. Of the small number of these promo posters that were produced, most of the surviving posters have been previously displayed, damaged, or destroyed, making them even more rare. Promo posters are shipped to comic book shop retailers folded, which is normal for promotional posters.