Poster Wild

Great as a gift or for your home

Great as a gift or for your home

Our Early Learning & the Arts mats engage young children to learn about shapes, colors, the alphabet, and other basic life skills through lively depictions and areas for practice. These BrainyMats help children gain interest in thinking and learning.

BEASTIE BOYS LICENSED TO ILL

The joke of Licensed to Ill's cover--that the Beasties could crash their jet into the side of a mountain and keep on tickin'--serves as a good metaphor for a career that even some of their 1986 admirers thought might be over after the one-time-only shock of this full-length debut. That thousands of funk-junkie wannabes have since failed at re-creating its groove, breaking-the-law vibe, and ear-splitting mix of rock and rap is an even better joke. And funniest of all is the record itself, which packs dexterous boasts, aural puns, and lots and lots of yelling into a disc that can still be listened to with as much pleasure as it gave in '86. --Rickey Wright

Tracks: Let's Go Crazy 4:39 / Take Me With U 3:54 / The Beautiful Ones 5:15 / Combuter Blue 3:59 / Darling Nikki 4:15 / When Doves Cry 5:52 / I Would Die 4 U 2:51 / Baby I'm A Star 4:20 / Purple Rain 8:45

Maybe this music by Prince & the Revolution will never quite sound as, well, revolutionary as it did in 1984 (and nothing else has ever sounded like the extraordinary cooing and fluttering of "When Doves Cry"), but it's a pop landmark in Prince's Artist-ic career. The hit movie was really just a big-screen showcase for Prince to perform these songs (some of them in tear-the-roof-off "live" versions set in a Minneapolis club). I don't know why that warped sermonette introduces "Let's Go Crazy" (one thing you've got to love about Prince: he's always been weird), but somehow I'm glad it's there. Other highlights include the sexual scorcher "Darling Nikki" (with its crazy backwards coda) and that anthemic title tune. Don't you miss Wendy and Lisa, too? --Jim Emerson

Take one part Ramones, one part Buzzcocks, and one part Husker Du, and you've got the basic foundation of Green Day, a punky, witty, melodic San Francisco Bay area trio who became overnight stars in 1994 when this album, their third overall release and major label debut, catapulted them to the top of the pop charts. Led by guitarist/vocalist Billie Joe Armstrong and their secret weapon, powerhouse drummer Tre Cool, Green Day put '70s and '80s punk in a compact '90s package with songs like "Longview," "Basket Case," "Pulling Teeth," and the hit semi-ballad, "When I Come Around." One the few modern alternative rock bands with a bona fide sense of humor. --Billy Altman

Audio CD

In the Dakotas of the 1870's a young Indian brave, White Bull, captures a wild stallion and decides to keep him as his own, naming him Tonka Wakan -- The Great One. Yellow Bull, the brave's cousin, is envious, and through rank acquires the horse but mistreats it, prompting White Bull to free Tonka. When the horse's new master is killed by Yellow Bull in the Battle of Little Big Horn, Tonka gets revenge before being retired to the U.S. Seventh Cavalry and reunited with White Bull.

Studio: Hbo Home Video Release Date: 06/06/2006 Run time: 720 minutes Rating: Nr

It hardly seems possible, but The Wire's second season is even better than the first. The "visual novel" concept of this masterful HBO series is taken even further in a rich, labyrinthine plot revolving around the longshoremen of Baltimore's struggling cargo docks, where corruption, smuggling, and murder draw the attention of detective McNulty (Dominic West). What follows is a series of events which at first seem unrelated (including 13 bodies found in a cargo container), and then the ongoing effort to topple the drug empire of "Stringer" Bell (Idris Elba) and the imprisoned Avon Barksdale (Wood Harris), whose business is suffering from short supply, high demand, and disruption of distribution. The dutiful diligence of a Marine Police Patrol Officer and the moral outrage of the longshoremen's union leader are also factored into the suspicious goings-on at the loading docks, and what unfolds in these 12 episodes is an American crime epic easily on par with the Godfather saga. Yes, it's that good. Detailed synopsis is pointless; The Wire must be seen, heard, and absorbed to fully appreciate the way in which over 40 characters are flawlessly incorporated into a sprawling but tightly disciplined plot that deals, in the larger sense, with the deindustrialization of America and the struggle of longshoremen in a changing economical climate. Offering a privileged and occasionally frightening glimpse of the inner workings of shipping ports and cargo transports, The Wire is also a detailed exposé of organized crime and blue-collar corruption, and an authentic, well-informed study of political maneuvering among police and city officials. There's not a single false note to be found in the cast, direction, or writing of this phenomenal series, hailed by many critics as "the best show on television." With all due respect to HBO's other excellent series, The Wire tops them all. --Jeff Shannon

Studio: Uni Dist Corp. (mca) Release Date: 12/15/2009 Run time: 153 minutes Rating: R

Although Quentin Tarantino has cherished Enzo G. Castellari's 1978 "macaroni" war flick The Inglorious Bastards for most of his film-geek life, his own Inglourious Basterds is no remake. Instead, as hinted by the Tarantino-esque misspelling, this is a lunatic fantasia of WWII, a brazen re-imagining of both history and the behind-enemy-lines war film subgenre. There's a Dirty Not-Quite-Dozen of mostly Jewish commandos, led by a Tennessee good ol' boy named Aldo Raine (Brad Pitt) who reckons each warrior owes him one hundred Nazi scalps--and he means that literally. Even as Raine's band strikes terror into the Nazi occupiers of France, a diabolically smart and self-assured German officer named Landa (Christoph Waltz) is busy validating his own legend as "The Jew Hunter." Along the way, he wipes out the rural family of a grave young girl (Melanie Laurent) who will reappear years later in Paris, dreaming of vengeance on an epic scale. Now, this isn't one more big-screen comic book. As the masterly opening sequence reaffirms, Tarantino is a true filmmaker, with a deep respect for the integrity of screen space and the tension that can accumulate in contemplating two men seated at a table having a polite conversation. IB reunites QT with cinematographer Robert Richardson (who shot Kill Bill), and the colors and textures they serve up can be riveting, from the eerie red-hot glow of a tabletop in Adolf Hitler's den, to the creamy swirl of a Parisian pastry in which Landa parks his cigarette. The action has been divided, Pulp Fiction-like, into five chapters, each featuring at least one spellbinding set-piece. It's testimony to the integrity we mentioned that Tarantino can lock in the ferocious suspense of a scene for minutes on end, then explode the situation almost faster than the eye and ear can register, and then take the rest of the sequence to a new, wholly unanticipated level within seconds. Again, be warned: This is not your "Greatest Generation," Saving Private Ryan WWII. The sadism of Raine and his boys can be as unsavory as the Nazi variety; Tarantino's latest cinematic protégé, Eli (director of Hostel) Roth, is aptly cast as a self-styled "golem" fond of pulping Nazis with a baseball bat. But get past that, and the sometimes disconcerting shifts to another location and another set of characters, and the movie should gather you up like a growing floodtide. Tarantino told the Cannes Film Festival audience that he wanted to show "Adolf Hitler defeated by cinema." Cinema wins. --Richard T. Jameson

Video DVDs in a box set

Nothing? Seinfeld is a show about everything! It's about the appeal of the posse and coma etiquette. It's about importing and exporting. It's about sneaking a peek, and seeing the baby. It's about this, that, and the other. TV Guide ranked Seinfeld the best TV series of all time. It has become the master of its syndication domain. Its most devoted fans can quote each episode chapter and verse; their absorption of each scene's minutiae anything but a trivial pursuit. With such fervent devotion to the show, and demand for its DVD release, series creators Jerry Seinfeld and Larry David could have easily just OK'd a bare-bones set containing nothing but the episodes. Not that there would have been anything wrong with that, but instead, the creative team came together to create extensive and encyclopedic features that make this four-disc set buy-worthy. The candid and revealing audio commentaries and interviews, deleted scenes and original episode promos, and optional "Notes About Nothing" pop-ups are as irresistible as a Drake's coffee cake. It's always fun and instructive to return to the humble beginnings of a series that became a pop culture benchmark. Here are Kramer's first not-so-grand entrance, Jerry's first contemptuous "Hello, Newman," and Elaine's first "Get Out!" shove. But what is most revelatory about these episodes from the first two seasons is what Jason Alexander, during his commentary for the episode "The Revenge," calls a "sweet quality" that somehow redeems these characters' more base instincts. Consider the scene in which Jerry gives a freshly unemployed George some career guidance, or Jerry and Elaine's palpably affectionate banter throughout. The "Inside Look" episode intros offer fascinating insights into this singular show that subverted sitcom convention with such now-classic episodes as "The Chinese Restaurant," in which Jerry, George, and Elaine wait in vain for a table. We learn, for example, why movie tough guy Lawrence Tierney, who guest starred in "The Jacket," never reprised his role as Elaine's father. All of this, of course, is yadda yadda yadda to Seinfeld fans, whose patience for the show's DVD debut has been amply rewarded. As Elaine screams in the third-season episode, "The Subway," "It's not nothing, it's something!" --Donald Liebenson

This Outhouse Door Cover is made of plastic and fits conveniently over the door to the bathroom. Fun western party themed decoration. Door cover measures approximately 30" wide x 5' high.

Zippo "Wanted-Dead or Alive" High Polish Chrome Lighter, 5021

(15x16) Creature Comfort Shopper Bag by Blue Q