Poster Producers

RICHARD DOYLY CARTE English impresario, producer of Gilbert and Sullivan operettas .

At the time of this show's 1968 Greenwich Village debut, French singer-songwriter Jacques Brel's body of theatrically insightful ballads was already an obscure but deeply influential treasure trove for many American musicians. The revue's success would go on to influence artists as diverse as Leonard Cohen, Bowie (who covered "Amsterdam" shortly thereafter), and Sinatra, and it may even be responsible for one-hit wonder Terry Jacks's revival of "Seasons in the Sun". More important, the pioneering musical-without-a-book helped introduce Brel's oft-brooding, ever evocative art to a wider American audience--and arguably had an evolutionary influence on Broadway itself. This complete reissue of the 1968 boxed set cast album offers up a rich cross-section of Brel's songs about life, death, and love--and typically sharp-eyed observations about the human follies that season them--deftly performed by a cast that includes Elly Stone, Alice Whitfield, Shawn Elliott, and, crucially, rock pioneer, Brel associate, and co-producer Mort Shuman. This new edition fleshes out the set with the sessions' only unreleased song, a sprightly take on the deliciously cynical "The Middle Class." --Jerry McCulley

In 1994 Cash stunned the music world with this commanding collection of 13 solo acoustic performances that roll from gospel to cowboy to sarcastic folk. Minimalism had long been Cash's meal ticket, but this time around, producer Rick Rubin stripped it all away, recording the bulk of the record in Cash's cabin or his own living room (two cuts were captured live at the Viper Room in front of an emphatic audience). Cash offers five typically direct and vivid originals, but he also seizes control of songs by Kris Kristofferson, Nick Lowe, Leonard Cohen, Tom Waits, and Loudon Wainwright. Forty years after "Hey Porter," Cash delivers a pure, naked, and incredibly moving record that, dare we say, rivals the impact of his greatest achievements. --Marc Greilsamer

Out of print in the U.S.! Johnny Cash had already recorded some of the most important Country albums in the history of the genre, yet, although he was still making quality music throughout the '80s, record sales and label support were the lowest he'd ever experienced in his entire career. By the early '90s, he was without a label for the first time in four decades. Longtime fan, label owner and producer Rick Rubin stepped in, asked Johnny to return to his roots and together, they re-created the legend of the Man In Black. Features Cash performing his own compositions as well as songs from Loudon Wainwright, Leonard Cohen, Nick Lowe, Tom Waits and Glenn Danzig. American Recordings earned Johnny a 1995 Grammy Award for Best Contemporary Folk Album. A stunning return to form. Warner.

Out of print in the U.S.! Johnny Cash had already recorded some of the most important Country albums in the history of the genre, yet, although he was still making quality music throughout the '80s, record sales and label support were the lowest he'd ever experienced in his entire career. By the early '90s, he was without a label for the first time in four decades. Longtime fan, label owner and producer Rick Rubin stepped in, asked Johnny to return to his roots and together, they re-created the legend of the Man In Black. Features Cash performing his own compositions as well as songs from Loudon Wainwright, Leonard Cohen, Nick Lowe, Tom Waits and Glenn Danzig. American Recordings earned Johnny a 1995 Grammy Award for Best Contemporary Folk Album. A stunning return to form. Warner.

If Once In A Blue Moon hasn't exactly been the Holy Grail for the Rod Stewart faithful, it's only because we didn't know what we were missing - until now. This unqiue collection of covers recorded in the summer 1992 is Maestro Stewart at his interpretive best - that magnificent voice yearning, pleading, and shouting in all its gravelly glory while serving as a lethal instrument for the legendary producer Trevor Horn. And though each of these ten tracks has been previously released in various forms in different mixes, together they form an exciting whole that places Blue Moon squarely in the upper reaches of Rod's classic catalog. Once In A Blue Moon: The Lost Album includes vintage long box packaging and two previously unissued hidden tracks. Track listing: 1. Ruby Tuesday 2. The Groom's Still Waiting At The Altar 3. Shotgun Wedding 4. The Downtown Lights 5. Windy Town 6. This 7. Stand Back 8. Let The Day Begin 9. First I Look At The Purse 10. Tom Traubert's Blues

In the same year that he directed a handsome version of The Scarlet Pimpernel for television, Clive Donner also made this worthy 1984 small-screen production of the Dickens tale. George C. Scott can't quite muster a decent English accent, but he does bring some new colors to this movie's interpretation of Scrooge, making the character less nasty for the sake of nastiness and more a product of a life of lovelessness. The supporting cast is first-rate, and the production is far more handsome than most TV fare. --Tom Keogh

WallMonkeys wall graphics are printed on the highest quality re-positionable, self-adhesive fabric paper. Each order is printed in-house and on-demand. WallMonkeys uses premium materials & state-of-the-art production technologies. Our white fabric material is superior to vinyl decals. You can literally see and feel the difference. Our wall graphics apply in minutes and won't damage your paint or leave any mess. PLEASE double check the size of the image you are ordering prior to clicking the 'ADD TO CART' button. Our graphics are offered in a variety of sizes and prices. WallMonkeys are intended for indoor use only. Printed on-demand in the United States Your order will ship within 3 business days, often sooner. Some orders require the full 3 days to allow dark colors and inks to fully dry prior to shipping. Quality is worth waiting an extra day for! Removable and will not leave a mark on your walls. 'Fotolia' trademark will be removed when printed. Our catalog of over 10 million images is perfect for virtually any use: school projects, trade shows, teachers classrooms, colleges, nurseries, college dorms, event planners, and corporations of all size.

WallMonkeys wall graphics are printed on the highest quality re-positionable, self-adhesive fabric paper. Each order is printed in-house and on-demand. WallMonkeys uses premium materials & state-of-the-art production technologies. Our white fabric material is superior to vinyl decals. You can literally see and feel the difference. Our wall graphics apply in minutes and won't damage your paint or leave any mess. PLEASE double check the size of the image you are ordering prior to clicking the 'ADD TO CART' button. Our graphics are offered in a variety of sizes and prices. WallMonkeys are intended for indoor use only. Printed on-demand in the United States Your order will ship within 3 business days, often sooner. Some orders require the full 3 days to allow dark colors and inks to fully dry prior to shipping. Quality is worth waiting an extra day for! Removable and will not leave a mark on your walls. 'Fotolia' trademark will be removed when printed. Our catalog of over 10 million images is perfect for virtually any use: school projects, trade shows, teachers classrooms, colleges, nurseries, college dorms, event planners, and corporations of all size.

WallMonkeys wall graphics are printed on the highest quality re-positionable, self-adhesive fabric paper. Each order is printed in-house and on-demand. WallMonkeys uses premium materials & state-of-the-art production technologies. Our white fabric material is superior to vinyl decals. You can literally see and feel the difference. Our wall graphics apply in minutes and won't damage your paint or leave any mess. PLEASE double check the size of the image you are ordering prior to clicking the 'ADD TO CART' button. Our graphics are offered in a variety of sizes and prices. WallMonkeys are intended for indoor use only. Printed on-demand in the United States Your order will ship within 3 business days, often sooner. Some orders require the full 3 days to allow dark colors and inks to fully dry prior to shipping. Quality is worth waiting an extra day for! Removable and will not leave a mark on your walls. 'Fotolia' trademark will be removed when printed. Our catalog of over 10 million images is perfect for virtually any use: school projects, trade shows, teachers classrooms, colleges, nurseries, college dorms, event planners, and corporations of all size.

A visionary of sorts with no formal training and a fetish for wearing womens clothing. Ed wood follows his dream to direct a studio-made feature. Although recognition and respect seem to elude him every step of the way he never abandons hope of one day becoming a famous director. Studio: Buena Vista Home Video Release Date: 09/06/2005 Starring: Johnny Depp Sarah Jessica Parker Run time: 127 minutes Rating: R Director: Tim Burton

Edward D. Wood Jr. was an actor writer-director-producer, occasionally in drag, who combined meager bursts of talent with an undying optimism to create some of the most bizarrely memorable "B" movies to ever come out of Tinseltown. Though Wood died in obscurity as an alcoholic in 1978, his films have been considered cult classics for years. He is consistently voted the worst director who ever lived. You would think this an odd subject, but director Tim Burton harnesses the undying hopefulness that made Wood such a character. Shot in black and white, just like Wood's creations, this stylized, witty production captures the poetic absurdity of Wood's films and his unconventional life. Burton's recreation of Wood's wonderfully awful Plan 9 from Outer Space looks much better than the original low-budget quickie. Burton tackled an extremely strange subject matter for a biopic, but Wood is presented as naive almost to the point of delusion, so the story works. The pace sags in the middle, as the weirdness starts to wear thin, but Depp proves himself an adroit actor, even while wearing angora and a blonde wig. Wood's unconventional repertoire company is faithfully reproduced, including an Academy Award-winning Martin Landau as Bela Lugosi. Landau is pathetic, droll, and charismatic as the elderly junkie who made his last screen appearances in Wood's films. --Rochelle O'Gorman

THEIR EYES WERE WATCHING GOD - DVD Movie

Produced by Oprah Winfrey, this lush, yet earthy telefilm was adapted from the 1937 novel by Zora Neale Hurston. Set in rural Florida, the story begins several years after emancipation. Janie (a soulful Halle Berry) is a dreamy-eyed teenager, who never knew her parents. She was raised by the bitter Nanny (Ruby Dee), an ex-slave, who marries her off to an older man the minute she gets the chance. Mr. Killicks works Janie like a dog, but leaves her alone otherwise (he's abusive in the book). Then Janie meets the courtly Joe (Ruben Santiago-Hudson, Lackawanna Blues), who whisks her away from the muck to the black township of Eatonville. The two proceed to transform the town from a patch of dirt into a real community. Along the way, Joe becomes mayor and Janie a mere helpmate. Except for her friend Phoeby (Nicki Micheaux), the townspeople confuse her sadness for conceit and she ends up lonelier than ever. Twenty years later, Joe dies and Janie takes up with the younger Tea Cake (Michael Ealy, Barbershop). Much like the other literary adaptations with which she's been associated (The Color Purple, Beloved, etc.), this Oprah production boasts an impressive line-up of African-American talent, including Terrence Howard (Crash) as the covetous Amos. A mostly successful mix between suds and substance, Their Eyes Were Watching God, which premiered on ABC, was directed by Darnell Martin, co-written by Pulitzer Prize winner Suzan Lori-Parks, and graced with a classy score by frequent Spike Lee collaborator Terence Blanchard. --Kathleen C. Fennessy

Larry David lives a charmed life-an understanding wife famous friends a supportive manager and an angelic singing voice so what's his problem? See Larry buy medical marijuana take a hooker to a baseball game steal a golf club from a corpse ruin Ben Stiller's birthday part attempt to cash in on his tenth anniversary present with Gina Gershon and trip the light fantastic in The Producers with Mel Brooks and David Schwimmer.Running Time: 300 min.System Requirements:Running Time 330 Mins.Format: DVD MOVIE Genre: COMEDY UPC: 026359242922 Manufacturer No: 92429

He never learns. In the fourth season of his award-winning HBO comedy series, the quasi-fictional character of Larry David continues to say--and do--whatever he wants whenever he wants. In the first episode alone ("Mel's Offer"), in which Mel Brooks offers him the role of Max Bialystock in The Producers, David offends a doctor, a lesbian couple, a wheelchair user, and Ben Stiller (by not shaking his hand after he sneezes). Then, in the second ("Ben's Birthday Party"), he offends a blind man--by telling him his girlfriend's not as hot as she claims--and pokes Stiller in the eye with a skewer while attempting to show agent Jeff Greene (Jeff Garlin) his new golf move. Larry continues to offend Stiller until he drops out of The Producers and, in the fifth episode ("The 5 Wood"), David Schwimmer (Friends) steps in. The following episode ("The Car Pool Lane"), in which David attends a Dodgers game--with a prostitute, so he can use the carpool lane--made history when it set an innocent man free. Unused footage from the show, entered into evidence by the defense attorney, confirmed his client's alibi that he couldn't have committed a murder because he was at the game (alas, the Braves still trounced the Dodgers). Other guests include Ted Danson ("The Weatherman"), Russell Means ("Wandering Bear"), and Gina Gershon ("The Survivor") as a Hasidic hottie. In addition, the hour-long season finale ("Opening Night") boasts a bevy of stars, including David's old colleague Jerry Seinfeld, Nathan Lane (Broadway's original Bialystock), and fellow Tony Award winner Anne Bancroft (The Miracle Worker). As they've done since the early days, Cheryl Hines (Cheryl David), Susie Essman (Susie Greene), and Richard Lewis and Wanda Sykes (as themselves) do what they can to keep one-man demolition derby David in check. --Kathleen C. Fennessy

Clint Eastwood is not only a man. He is a nameless vigilante, a vengeful detective, a bare-knuckle boxer, a Secret Service agent, and countless other definitive screen archetypes now embedded in our shared pop-culture consciousness. However you define him, Clint Eastwood has a powerful and extremely recognizable image that exists as something beyond the narratives of his films. Clint Eastwood ICON presents an unprecedented collection of film art surrounding the legendary actor. This comprehensive trove gathers together poster art, lobby cards, studio ads, and esoteric film memorabilia from around the world. From his early roles as the nameless gunslinger in Sergio Leone’s Spaghetti Westerns, to the vigilante films of the 1970s and 1980s, through his directorial roles and latest releases, Clint Eastwood ICON captures the powerful presence and quiet intensity that turned Eastwood into the definitive American hero.

The revealing photographs found within the pages of Behind the Beat expose the creative spaces of top DJ's and music producers from the UK and US. This book is an open invitation to step into the private world of the hip hop home studio and discover its inner workings. Featured are the studios and equipment of some of the most influential music creators working today including: DJ Premier, Madlib, J Dilla, DJ Spinna, Skitz, Nextmen, Taskforce, Dj Swamp, E- Swift, Beyond There, Kut masta kurt, Fat jack, Jehst, Beatminerz, DJ Shadow, DJ design, Dan the Automator, Chief Xcel, Young Einstein, Numark, Cut Chemist, Thes One, J Zone and Mario Caldato Jnr. INCLUDES AN AUDIO CD WITH TRACKS FROM FEATURED DJS AND LABELS - MIXED BY DJ RANSOM!

Larry David, the man behind two of the most successful and critically acclaimed sitcoms in television history, is the focus of this biography. This unofficial guide follows the career that has accorded him status as a comic genius and garnered a fanatical following—from his early exploits as a stand-up comic to his role as producer and cocreator of Seinfeld and HBO’s Curb Your Enthusiasm. It explores the back-story of the conception and development of Curb Your Enthusiasm, a mostly improvised sitcom in which the actor stars as a fictionalized version of himself. The comic’s on- and off-screen relationships with colleagues and friends such as Richard Lewis, Ted Danson, Wanda Sykes, Mary Steenburgen, and the cast members of Seinfeld are discussed, and a detailed episode guide to every season of Curb Your Enthusiasm completes this informative and entertaining glimpse into the life and creative process of a great comic talent.

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