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After rhyming over Premier's doctored jazz beats in Gang Starr, Guru decided to take it to the next level, employing the talents of actual jazz musicians to create the grooves over which he would flow. Coming off like a jazzier extension of the Brand New Heavies' Heavy Rhyme Experience: Vol. 1, Jazzmatazz, Vol. 1 brought together a diverse group of jazz cats both old-school and new, including Roy Ayers, Donald Byrd, Lonnie Liston Smith, Ronny Jordan, and Courtney Pine. Guru even enlisted the serene pipes of Carleen Anderson and N'Dea Davenport and acted as something of an international hip-hop ambassador when he flipped "Le Bien, Le Mal" with French mic pro MC Solaar. From the Blue Note-style cover art to the hepcat spoken-word intro, this package is pure hip-hop jazz music. Jazz purists may wish to note that the grooves lean heavily toward the funkier 1970s era of jazz, and hardcore hip-hop heads my be turned off by the mellower musical stance. But then again, this is neither pure jazz nor hardcore hip-hop but rather an extension of the two. --Spence Abbott

titolojazzmatazz volume iartistaguru etichettaemin. dischi1data3 febbraio 1996supportocd audiogenerehip hop e rap----brani1.introductionascolta2.loungin'ascolta3.when you're nearascolta4.transit rideascolta5.no time to playascolta6.down the backstreetsasc

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WallMonkeys wall graphics are printed on the highest quality re-positionable, self-adhesive fabric paper. Each order is printed in-house and on-demand. WallMonkeys uses premium materials & state-of-the-art production technologies. Our white fabric material is superior to vinyl decals. You can literally see and feel the difference. Our wall graphics apply in minutes and won't damage your paint or leave any mess. PLEASE double check the size of the image you are ordering prior to clicking the 'ADD TO CART' button. Our graphics are offered in a variety of sizes and prices. WallMonkeys are intended for indoor use only. Printed on-demand in the United States Your order will ship within 3 business days, often sooner. Some orders require the full 3 days to allow dark colors and inks to fully dry prior to shipping. Quality is worth waiting an extra day for! Removable and will not leave a mark on your walls. 'Fotolia' trademark will be removed when printed. Our catalog of over 10 million images is perfect for virtually any use: school projects, trade shows, teachers classrooms, colleges, nurseries, college dorms, event planners, and corporations of all size.

WallMonkeys wall graphics are printed on the highest quality re-positionable, self-adhesive fabric paper. Each order is printed in-house and on-demand. WallMonkeys uses premium materials & state-of-the-art production technologies. Our white fabric material is superior to vinyl decals. You can literally see and feel the difference. Our wall graphics apply in minutes and won't damage your paint or leave any mess. PLEASE double check the size of the image you are ordering prior to clicking the 'ADD TO CART' button. Our graphics are offered in a variety of sizes and prices. WallMonkeys are intended for indoor use only. Printed on-demand in the United States Your order will ship within 3 business days, often sooner. Some orders require the full 3 days to allow dark colors and inks to fully dry prior to shipping. Quality is worth waiting an extra day for! Removable and will not leave a mark on your walls. 'Fotolia' trademark will be removed when printed. Our catalog of over 10 million images is perfect for virtually any use: school projects, trade shows, teachers classrooms, colleges, nurseries, college dorms, event planners, and corporations of all size.

WallMonkeys wall graphics are printed on the highest quality re-positionable, self-adhesive fabric paper. Each order is printed in-house and on-demand. WallMonkeys uses premium materials & state-of-the-art production technologies. Our white fabric material is superior to vinyl decals. You can literally see and feel the difference. Our wall graphics apply in minutes and won't damage your paint or leave any mess. PLEASE double check the size of the image you are ordering prior to clicking the 'ADD TO CART' button. Our graphics are offered in a variety of sizes and prices. WallMonkeys are intended for indoor use only. Printed on-demand in the United States Your order will ship within 3 business days, often sooner. Some orders require the full 3 days to allow dark colors and inks to fully dry prior to shipping. Quality is worth waiting an extra day for! Removable and will not leave a mark on your walls. 'Fotolia' trademark will be removed when printed. Our catalog of over 10 million images is perfect for virtually any use: school projects, trade shows, teachers classrooms, colleges, nurseries, college dorms, event planners, and corporations of all size.

BRAND NEW GAME FACTORY SEALED IN PLASTIC. PLEASE NOTE: THAT WE DO NOT SHIP OUR TOYS OR GAMES VIA PRIORITY MAIL OR INTERNATIONALLY. WE PROVIDE NEXT DAY SHIPPING WITH A DELIEVERY CONFIRMATION NUMBER. WE WILL EMAIL YOU ONCE YOUR ITEM HAS BEEN SHIPPED OUT.

Filmed over three years with unprecedented access, this documentary follows David Hockney as he returns to England after 25 years in Hollywood. As Hockney approaches the age of 70, he revitalizes his painting, capturing the beautiful Yorkshire countryside in all weathers and seasons, and finally creates the largest picture ever made outdoors. Premiered on BBC1, the film tells the story of an unusual homecoming and also an intimate portrait of what inspires Hockney as his time runs out.Bonus Features includes:- David Hockney Paints "Late November Tunnel, 2006"- David Hockney Reflects on Art and Life- Leading British Art Figures Assess "Bigger Trees near Warter"- The Making of the Documentary

Anybody who has written him off because of his string of stinkers--or anybody who's too young to remember The Goodbye Girl--may be shocked at the accomplishment and nuance of Richard Dreyfuss's performance in Close Encounters of the Third Kind. Here, he plays a man possessed; contacted by aliens, he (along with other members of the "chosen") is drawn toward the site of the incipient landing: Devil's Tower, in rural Wyoming. As in many Spielberg films, there are no personalized enemies; the struggle is between those who have been called and a scientific establishment that seeks to protect them by keeping them away from the arriving spacecraft. The ship, and the special effects in general, are every bit as jaw-dropping on the small screen as they were in the theater (well, almost). Released in 1977 as a cerebral alternative to the swashbuckling science fiction epics then in vogue, Close Encounters now seems almost wholesome in its representation of alien contact and interested less in philosophizing about extraterrestrials than it is in examining the nature of the inner "call." Ultimately a motion picture about the obsession of the driven artist or determined visionary, Close Encounters comes complete with the stock Spielberg wives and girlfriends who seek to tether the dreamy, possessed protagonists to the more mundane concerns of the everyday. So a spectacular, seminal motion picture indeed, but one with gender politics that are all too terrestrial. --Miles Bethany

In the night skies near his Muncie Indiana home power repairman Roy Neary (Richard Dreyfuss) experiences something out of this world. His close encounter sets into action an amazing chain of events that leads to contact with benevolent aliens and their Mothership. Spectacular special effects John Williams' outstanding score and winning performances from Dreyfuss Teri Garr Melinda Dillon and legendary director Francois Truffaut in the role of Lacombe make CLOSE ENCOUNTERS OF THE THIRD KIND movie magic of the best kind.Bonus Features: Animated Menus Production Notes Making-Of Documentary 1977 Featurette "Watching The Skies" 11 Deleted Scenes Filmographies Theatrical TrailersSystem Requirements:Starring: Richard Dreyfuss Cary Guffey Shawn Bishop Adrienne Campbell Justin Dreyfuss Lance Henriksen Merrill Connally Francois Truffaut Teri Garr Melinda Dillon Bob Balaban J. Patrick McNamara Warren J. Kemmerling Roberts Blossom and Philip Dodds. Directed By: Steven Spielberg. Running Time: 137 Min. Color. This film is presented in "Widescreen" format. Copyright 2000 Columbia TriStar Home Video.Format: DVD MOVIE Genre: SCI-FI/FANTASY Rating: PG UPC: 043396126497 Manufacturer No: 12649

The word "vampire" is never mentioned in Near Dark, but that doesn't stop this 1987 cult favorite from being one of the best modern-era vampire films. It put then-unknown director Kathryn Bigelow on Hollywood's radar and gave choice roles to Aliens costars favored by Bigelow's ex-husband James Cameron: Lance Henriksen is the leader of a makeshift family of renegade bloodsuckers, nocturnally seeking victims in rural Oklahoma; his immortal gal pal is Aliens and Terminator 2 alumnus Jenette Goldstein; and Bill Paxton is the group's deadliest leather-clad ass kicker. Fellow traveler Jenny Wright lures Okie farm boy Adrian Pasdar into the group with a love bite, and he's soon turning toward vampirism with a combination of frightened revulsion and relentless desire. With Joshua Miller (River's Edge) as the youngest vampire, Near Dark is Bigelow's masterpiece of low-budget ingenuity--a truck-stop thriller that begins well, gets better and better (aided by a fine Tangerine Dream score), and goes out in a blaze of glory. --Jeff Shannon

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Awards:The book was named an "Honorable Mention" in "The London Book Festival"held at London (Jan 26, 2012)londonbookfestival.com/portal/The book also earned an "Honorable Mention" in "The New England Book Festival" held at BOSTON (Jan 14, 2012)newenglandbookfestival.com/winners2011.html Review:"Consumerism will impel us toward a marvelous machine-made world, according to this ambitious treatise on economics and technological change. Amblee, a software engineer, spotlights a handful of simple economic principles that he feels will mold the shape of things to come. Chief among them are the eternal desire for cheaper, better, more convenient goods and services; the drive for globalization and automation; and the need for cheap energy, the lack of which he believes is the primary cause of recessions. Software linked to all-knowing financial databases will eliminate distortions in stock prices and bank lending, he contends, and thus forestall asset bubbles and end the business cycle. At restaurants, "dining tables will become digital, offering world information" that will enable us to work while we eat. Everything converges toward a future that offers "more quality, more precision" and "timelier service," one where the main jobs will be "robot design, robot assembly, software development for robots, and so on," and where "life will be so easy and comfortable you will wonder how people used to stand in long lines just to pay!"His forecasts are bold--living in "space cities," we will be impervious to global warming and asteroid impacts." - Kirkus Indie Review Description:Looking into the future does not come naturally for most of us. In fact, it is hard enough for us to see past today! This book makes an effort to present a technique for looking into the future with real world examples. Together we will journey into a fascinating future and see our own life. As we travel together, we will notice all of the technological marvels of the future are inevitable because the human technological evolution is unstoppable. We will explore how human life will change and how future generations must be prepared to face it... And so begins The Art of Looking into the Future by R. S. Amblee, an intellectual powerhouse of ideas that introduces a forward-thinking school of thought. A provocative work of nonfiction that looks at how the world works in a whole new way, Amblee helps redefine what the future holds in such areas as healthcare, stock markets, real estate, education, outsourcing, global warming, and green initiatives. If his premise that the future rests in the ever-evolving arms of technology, then the future is bright--the future is very bright, indeed. Using a timeless, unchanged model of evolution, Amblee shows readers what to expect in the near future. Broken into four parts and over twenty chapters he illustrates in very specific terms how the world will increasingly depend on automation as well as globalization. A natural progression, Amblee describes how such evolution is often hidden in the rigors of daily life. As humans logically continue to develop, there's a pattern; the genius of Amblee's work is that he identifies it. He makes no blind assumptions in his a priori assessments, which are notably hopeful, of what the future will hold, and that these guiding principles of evolution will reveal solutions for challenges in most sectors. From such an evolutionary bird's eye view, man's survival is, if not imminent, secure.