Poster Anthony

Unavailable at all for nearly three decades, then issued in a VHS edition in 1996, the Rolling Stones' legendary Rock and Roll Circus finally gets the full treatment with this DVD release documenting the 1968 event. The Stones were reportedly unhappy with their performance (hence the long delay), and it isn't their finest moment; performing "Jumping Jack Flash" and a variety of songs from their then-new Beggars Banquet album, Keith Richards is game, but Jagger's preening (especially on "Sympathy for the Devil") is over the top, and guitarist Brian Jones looks dissolute and well on his way to his death the following year. A certain weirdness permeates some of the other musical acts as well: Jethro Tull lip-syncs unconvincingly, Taj Mahal and band were obliged to perform before the circus set was completed and the audience had arrived, and John Lennon's outing with impromptu supergroup the Dirty Mac (with Richards, Eric Clapton, and drummer Mitch Mitchell) is hampered by Yoko Ono's caterwauling, although their version of the Beatles' "Yer Blues" is cool. Still, the Who are brilliant, Marianne Faithfull is beautiful, the various circus acts are fun, and the crowd clearly loves it. The DVD comes with some fascinating bonus features, including three extra songs by Mahal, some lovely classical piano by Julius Katchen, and a "quad split-screen" version of "Yer Blues." Best of all are a new interview with the Who's Pete Townshend and the various commentary tracks added for the DVD--especially those by Tull's Ian Anderson, director Michael Lindsay-Hogg, and Stones Jagger, Richards, and Bill Wyman (who dryly attributes Jagger's reluctance to issue the show to his dissatisfaction with his own performance, not the band's). Flaws notwithstanding, this is a treat. --Sam Graham

Studio: Uni Dist Corp (music) Release Date: 10/12/2004

PUCCINI:TURANDOT - DVD Movie

It's not a stretch to call Rudolf Nureyev and Margot Fonteyn the most sublime of all dance partners and Sergei Prokofiev the most gifted 20th-century ballet composer. And so it goes without saying that the 1966 film version of the Royal Ballet production of Prokofiev's Romeo and Juliet featuring Nureyev and Fonteyn as the star-crossed lovers is an absolute must-have for anyone who cares a whit about the art. Director Paul Czinner has made all the right moves, alternating between full shots of the performers with long shots that accentuate how Kenneth MacMillan's fastidious choreography is inexorably linked to the characters, their story, the elaborate sets, and the viewer. Nicholas Georgiadis's costumes are sumptuous without being overdone, the supporting dancers and ensemble are as exquisite as the leads, and John Lanchbery conducts the Orchestra of the Royal Opera House with just the right mixture of joviality and tragedy that Prokofiev's classic score needs but doesn't always receive. --Kevin Filipski

No Description Available.Genre: Performing Arts - Ballet/DanceRating: NRRelease Date: 30-NOV-1999Media Type: DVD

The middle film in George Lucas's enormously popular Star Wars science fiction trilogy is a darker, more somber entry, considered by many fans as the best in the series. Gone is the jaunty swashbuckling of the first film; the rebellion led by Princess Leia (Carrie Fisher) suffers before the superior forces of the Empire, young hero Luke Skywalker (Mark Hamill) faces his first defeats as he attempts to harness the Force under the tutelage of Jedi master Yoda (voiced by Frank Oz), and cocky Han Solo (Harrison Ford) is betrayed by former ally Lando Calrissian (Billy Dee Williams). In the tradition of the great serials, this film is left with a hefty cliffhanger. The leap in special effects technology in the three years since Star Wars results in an amazing array of effects, including a breathtaking chase through an asteroid field and a dazzling, utopian Cloud City, where Luke faces the black-clad villain Darth Vader (David Prowse, voice of James Earl Jones) in a futuristic sword fight and learns the secret of his Jedi father. Veteran director Irvin Kershner (The Eyes of Laura Mars, Never Say Never Again) took the directorial reins from creator and producer Lucas and invested the light-speed adventure with deeper characters and a more emphatic sense of danger. The special edition expands Luke's encounter with the Abominable Snowman-esque wampa and establishes the creature as a tangibly more terrifying beast, in addition to refining many of the existing effects. The trilogy is concluded in The Return of the Jedi. --Sean Axmaker

A former Confederate guerrilla officer arrives in Dallas, Texas, seeking revenge on the three brothers who ravaged his home and lands.

In the same year that he directed a handsome version of The Scarlet Pimpernel for television, Clive Donner also made this worthy 1984 small-screen production of the Dickens tale. George C. Scott can't quite muster a decent English accent, but he does bring some new colors to this movie's interpretation of Scrooge, making the character less nasty for the sake of nastiness and more a product of a life of lovelessness. The supporting cast is first-rate, and the production is far more handsome than most TV fare. --Tom Keogh

The creators of Merlin position their hero as the original Harry Potter: a headstrong young wizard with mixed feelings about--and sometimes outright hostility toward--the destiny that's been thrust upon him. Merlin is a reboot of Arthurian legend, starting when all the heroes and sorcerous folk were teenagers, bursting with hormones and wrestling with the powers-that-be, particularly Arthur's heavy-handed father, Uther Pendragon (Anthony Head, best known as Giles from Buffy the Vampire Slayer), a benevolent tyrant who's banished magic from Camelot. Merlin (Colin Morgan, an impish lad with prominent ears) comes to the kingdom with high hopes and innate magical powers. He's taken under the wing of the court physician, Gaius (Richard Wilson, One Foot in the Grave), but additionally becomes the servant of young Arthur (Bradley James), a handsome and talented fighter who's also a bully and a snob. Rounding out the main cast are Morgana (Katie McGrath), who will one day be Merlin's foe but is now Uther's ward, and Gwen (Angel Coulby), a.k.a. Guinevere, the woman who will one day be the center of a legendary love triangle--but who is now Morgana's maid. Clearly, Merlin wants to shake up any preconception about these stuffy old stories, presenting a multi-ethnic Camelot with contemporary language and attitudes. Despite all this, Merlin quickly becomes addictive. The dialogue and special effects can be cheesy (particularly when the CGI monsters have to interact with actors), but the cast is charming and the stories, while a tad formulaic, keep things moving. Morgan is appropriately dweeby (but also has killer cheekbones), James combines football-quarterback good looks with a hint of sensitivity, McGrath is luscious and impetuous, and Coulby has earthy spunk. The heavy lifting, acting-wise, is ably handled by Head and Wilson. The first season deftly explores the origins of the pillars of Arthurian mythos, from the sword Excalibur to a very dashing (but born of peasant stock) Lancelot to the mysterious birth of Arthur himself. Add to it all an imprisoned dragon, voiced by John Hurt (Alien, The Elephant Man) and prone to cryptic but sometimes helpful advice, and you have an engaging fantasy series. In addition to 13 episodes, there's an additional disk with making-of features and video diaries of the young cast gallivanting around France. --Bret Fetzer

Studio: Warner Home Video Release Date: 04/20/2010 Run time: 585 minutes

DARIA:COMPLETE ANIMATED SERIES - DVD Movie

Turns out that Clarissa did not explain it all, like what a sick sad world it is, how much student life sucks, and how the notion that it is great to be young is a storybook fantasy. Daria, which aired on MTV between 1997 and 2002, does not paint a rosy picture, but this so-called outcast for whom suburban life "is one smart-ass joke" gave sardonic voice to the disaffected. "I'm not miserable," Daria states, "I'm just not like them." She's not kidding. Though she's referring to the "interesting idiots" she suffers none too gladly at Lawndale High School, she could well be talking about the women normally paraded on MTV, the hedonistic spring break partiers, serial daters, spoiled sweet sixteeners, and tabloid tarts like Tila Tequila. And then there's Daria, an animated (just barely) character who after five seasons and two movies (both included in this eight-disc set) managed to survive high school with her sense of self unbowed and uncompromised. Daria came a long way, baby. Before she got her own series, she was a recurring character on Beavis and Butt-head, a brainy foil for the two heavy metal imbeciles, whose pet name for her was "Diarrhea." Daria relocated her to Lawndale and introduced her self-absorbed yuppie parents and her airhead, popularity-obsessed younger sister. It also gave her a best friend and kindred misanthropic spirit, Jane Lane. Their deadpan and sarcastic banter has lost none of its incisive edge. The broadly drawn high school stereotypes--vapid cheerleaders, fashion-plate mean girls, corruptible administrators, empty-headed jocks--seem unworthy of their contempt. But the series really hit satiric pay dirt when it addressed "profound and fundamental moral issues of life," such as one episode in which Jane joins the track team out of spite, but becomes a track star, alienating Daria, who is not above enjoying some of the perks of Jane's newfound popularity. When all reverts back to, for want of a better word, normal, Daria remarks, "The system continues, you haven't redeemed yourself, and we're ostracized anyway… Hey, they really are preparing us for the real world." Daria comes to DVD with 99 percent of the original music changed due to rights issues, regrettable, but that shouldn't be a deal breaker, especially for those making Daria's acquaintance. The special features almost compensate. They include an animatic version of the pilot episode "Sealed with a Kick," a series retrospective featuring series creator Glenn Eichler and key members of the voice cast, Daria and Jane episode intros, and a Top Ten video countdown hosted by the duo (videos not included). --Donald Liebenson

Planet of the ApesBilled as a "reimagining" of the original 1968 film, Tim Burton's extraordinary Planet of the Apes constantly borders on greatness, adhering to the spirit of Pierre Boulle's original novel while exploring fresh and inventive ideas and paying honorable tribute to the '68 sci-fi classic. Burton's gifts for eccentric inspiration and visual ingenuity make this a movie that's as entertaining as it is provocative, beginning with Rick Baker's best-ever ape makeup (hand that man an Oscar®!), and continuing through the surprisingly nuanced performances and breathtaking production design. Add to all this an intelligent screenplay that turns Boulle's speculative reversal--the dominance of apes over humans--into a provocative study of civil rights and civil war. The film finally goes too far with a woefully misguided ending that pays weak homage to the original, but everything preceding that misfire is astonishingly right. While attempting the space-pod retrieval of a chimpanzee test pilot, Major Leo Davidson (Mark Wahlberg) enters a magnetic storm that propels him into the distant future, where he crash-lands on the ape-ruled planet. Among the primitively civilized apes, treatment of enslaved humans is a divisive issue: senator's daughter Ari (Helena Bonham Carter) advocates equality while the ruthless General Thade (Tim Roth) promotes extermination. While Davidson ignites a human rebellion, this conflict is explored with admirable depth and emotion, and sharp dialogue allows Burton's exceptional cast to bring remarkable expressiveness to their embattled ape characters, most notably in the comic relief of orangutan slave trader Limbo (played to perfection by Paul Giamatti). Classic lines from the original film are cleverly reversed (including an unbilled cameo for Charlton Heston, in ape regalia as Thade's dying father), and while this tale of interspecies warfare leads to an ironic conclusion that's not altogether satisfying, it still bears the ripe fruit of a timeless what-if idea. --Jeff Shannon Beneath the Planet of the ApesThe second--and most horrifying--of the five Planet of the Apes movies, this film goes where few end-of-the-world movies ever dare tread. It's the far future. The mass of humanity has descended into speechless savagery, kept as captive animals by the talking apes who have inherited the world. Two astronauts from our time have landed here, retracing the path of their lost comrade, Captain Taylor (Charlton Heston). Unfortunately, they've landed in the middle of a grim situation. Warlike gorillas are preparing to eliminate the last shards of shattered human civilization, a degenerate, subterranean cult worshipping the greatest of all human achievements--the cobalt bomb. As well as rescuing Taylor, the two men have to stop the gorillas from wiping out humanity ... and stop humanity from fulfilling their self-appointed, self-destructive destiny. This is both thrill-a-minute science fiction and a surprisingly deep reflection on the human condition. Plus, it's got lots of guys in really keen ape suits. --Grant Balfour

PLANET OF THE APES LEGACY BOX SET - DVD Movie

Young Greek Woman Wears a Homemade Sweater is digitally printed on archival photographic paper resulting in vivid, pure color and exceptional detail that is suitable for any museum or gallery display. Finding that perfect piece to match your interest and style is easy and within your budget!

"Cook Free or Die" is a quote from Anthony Bourdain. Being a fan of his show "No Reservations" where he travels the world searching the "perfect" meal I had to create these cufflinks. Skull is polished and the chefs head is frosted. Between his teeth the chef holds a knife, so watch out! ABOUT ZAUNICK At ZAUNICK, designer Kai Zaunick and a selected team of craftsmen constantly update their collection of handmade sterling silver cufflinks to reflect the latest trends in popular culture, fashion and design. Unlike mass manufacturers, Kai and his team make each pair of cufflinks by hand to the highest standards, using traditional techniques to produce clean, modern designs.

Boxed Valentine's Day cards

Movie Maniacs 2 NORMAN BATES figure by McFarlane Toys. Includes Movie Poster Replica. A great addition to any collection.

Eric Carle and Tomie dePaola: Author One-on-One Eric Carle is the creator, author, and illustrator of The Very Hungry Caterpillar and many other children’s books. Tomie dePaola is the author and illustrator of Strega Nona: Her Story and countless other books. They recently had a conversation about their careers as picture book authors. Tomie dePaola: When I was only four years old, I announced to my family in particular and to the world in general that I was going to become an artist, and write stories and draw pictures for books. I never swayed from that early declaration. I’ve always been curious to know, what inspired you to become a creator and illustrator of picture books? Eric Carle: My career began as a graphic designer and for a number of years I worked as an art director for an advertising agency in New York. In the mid 1960's Bill Martin, Jr. saw an ad of a red lobster that I had designed and asked me to illustrate his Brown Bear, Brown Bear, What Do You See? Well, I was set on fire! I was so inspired by this book, and the opportunity to illustrate it changed my life. After that, I started to create my own books, both words and pictures, and really it was then that I had found my true course in life. Now, I have a question for you, Tomie. How would you describe your artistic style, and has it changed over time? Tomie dePaola: My illustration style is heavily influenced by folk art--strong simple shapes, bold lines, color, color, color and a deceptive simplicity. My style began to develop early in art school, and through the years, it hasn’t changed very much, but it has refined itself. How would you describe yours? Eric Carle: My aim with my work is to simplify and refine, be logical and harmonious. I like to use simple shapes, bright colors and a lot of white space. I write for the child inside of me. That is always where I begin. Tomie dePaola: I do, as well. The only audience I keep in mind is that four-year-old in me. People sometimes ask me what advice I would give to young artists. I always think of the wonderful advice I received from my twin cousins when they were in art school in the late '30s. They told me, “Practice, practice, practice and don’t copy.” Eric Carle: I often tell people about the four magic letters: DO IT. I want to be encouraging but I can only offer the example of my own experience, which is just one approach. There are many wonderful artists to learn about, which is important. But you must use your own imagination. You have to just do it. Tomie dePaola: How do you feel knowing that a copy of The Very Hungry Caterpillar is sold every 30 seconds, somewhere in the world? Eric Carle: It is hard for me, maybe for others too, to grasp this concept. But I am truly honored that my story is enjoyed by so many and that it is now being shared by a generation of parents who grew up with my book. How about your Strega Nona. She is one of your most popular characters. Can you share how she came to be? Tomie dePaola: In the ‘70s when I was teaching at a college, we were required to attend faculty meetings. I always sat in the back with a yellow legal pad. Everyone thought I was taking notes. At one meeting a doodle appeared of a little lady with a big nose and a big chin. I named her Strega Nona, and the rest is history. Speaking of history, how will you be celebrating the third annual Very Hungry Caterpillar Day this year? Eric Carle: On The Very Hungry Caterpillar Day, March 20th, I will probably be at home with my wife, Bobbie (I am a bit of a hermit, actually). But I will be saying a little toast to the caterpillar for whom I have a special place in my heart. And speaking of holidays, isn’t your favorite holiday Christmas. Do you have a special Christmas memory? Tomie dePaola: Christmas is my favorite holiday. My favorite Christmas was the one when I received tons and tons of art supplies: everything from an easel to paints, pads and pads of paper, and “how to draw” books.

Summary:Strega Nona -- "Grandma Witch" -- is the source for potions, cures, magic, and comfort in her Calabrian town. Her magical everfull pasta pot is especially intriguing to hungry Big Anthony. He is supposed to look after her house and tend her garden but one day, when she goes over the mountain to visit Strega Amelia, Big Anthony recites the magic verse over the pasta pot, with disastrous results. In this retelling of an old tale, author-illustrator Tomie dePaola (whose middle names is Anthony) combines humor in the writing and warmth in the paintings as he builds the story to its hilarious climax.About the Author:•Tomie dePaola is one of the most popular children's book authors and illustrators of our time. His humor, insight, and gentle art delight all readers. A Newbery Honor award winner, he has written and illustrated a number of books for Simon & Schuster, including Caldecott Honor Book Strega Nona, as well as Andy: That's My Name, Watch Out for the Chicken Feet in Your Soup, and "Charlie Needs a Cloak." A native of Connecticut, Mr. dePaola studied at the Pratt Institute in Brooklyn, New York, and now lives in New London, New Hampshire.Author:Tomie dePaolaIllustrator:Tomie de PaolaPublisher:AladdinPublished Date:09/03/1979Format:PaperbackISBN:0671666061#of pages:#N/A