Playbill From

The playbill found in President Abraham Lincolns box after his assassination by John Wilkes Booth at Fords Theatre. .

One of the most common complaints about musicals is that the books are flimsy pretexts from which to hang numbers. Wicked runs into the opposite problem: it has a great plot, but too often the songs just get in the way. Based on Gregory Maguire's novel of the same name, Wicked tells us what happened between Glinda the Good and Elphaba, the Wicked Witch of the West, before Dorothy showed up in Oz. And the show is lucky to boast a pair of ace leading women in the main roles. As Glinda, Kristin Chenoweth delivers a sensational star turn, displaying a crystal-pure voice and sharp comic timing; Idina Menzel lends her powerful pipes to the tricky role of Elphaba. Unfortunately, you wish they had better material to work with. Stephen Schwartz's pop score is often dragged down by overly synthetic orchestrations and sentimental lyrics (think Chicken Soup for the Witch). Still, at its best Wicked is a seductive slice of popular entertainment that could well give a younger audience a lasting taste for musical theater. --Elisabeth Vincentelli

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Evita was Andrew Lloyd Webber's last show with Tim Rice before he went on to projects with less interesting collaborators, so it's no surprise that it remains his most consistently involving and rewarding work. Loosely based on the life of Eva Peron, the charismatic wife of post-World War II Argentine president Juan Peron, Rice's compelling story of one woman's rise from poverty to power is complemented by Lloyd Webber's colorful music as propelled by vigorous Latin rhythms. The showstopper, of course, is "Don't Cry for Me, Argentina," but the score is full of gems, including "On This Night of a Thousand Stars," "Oh, What a Circus," and "Another Suitcase in Another Hall." Headlining the 1978 Broadway cast, Patti LuPone is fabulous in the title role, showcasing her big voice and brash egotism in the role she was born to play. Mandy Patinkin is Che, the Greek-chorus character commenting on and criticizing the Perons, and his tenor is sweet on the ballads and powerful on the driving numbers. LuPone and Patinkin made their names with Evita (and took home well-deserved Tonys), but it's the third principal, Bob Gunton, who elevates this cast to the stratosphere. As Peron--a role often filled by a nonsinger--Gunton inflects his strong voice with both menace and sensitivity. Forget the movie; this is the definitive version of this score, and an essential cast recording. --David Horiuchi

Tim Rice and Andrew Lloyd Webber's Evita, which began as a concept album in 1976 and had its first stage incarnation in London in 1978, finally came to the U.S. in 1979 with a production that opened in Los Angeles and moved to San Francisco for multi-week engagements before landing on Broadway on September 25 to begin a Tony-winning, 1,568-performance run. The London production had been represented by a one-disc highlights album, but this one became the second full-length treatment, running, like the concept album, 100 minutes. As such, the revisions made for the stage were more apparent, especially because there were more of them than there had been in London, sometimes to Americanize the language. ("The back of beyond" in "Eva and Magaldi" became "the sticks," while "Get stuffed!" in "Goodnight and Thank You" was now "Up yours!") "The Lady's Got Potential" had been deleted, and there was a new song, "The Art of the Possible," which, with its musical-chairs staging, was more effective in the theater than on record. And "Dangerous Jade" had been revised to become "Peron's Latest Flame." Many of the changes built up the role of Evita's critic, Che. As played by Mandy Patinkin, who achieved Broadway stardom in the role, Che now rivaled Evita as a musical presence, the actor's elastic tenor and bravura manner drawing more attention to him. But Patti Lu Pone also became a star here, fearlessly bringing out Evita's strident self-interest without attempting to gain the audience's sympathy. (You couldn't say that about London's Elaine Paige.) Lu Pone was at her best when Evita was at her worst, such as in the songs "A New Argentina" and "Rainbow High." The rest of the cast was unexceptional, though Bob Gunton's Juan Peron inspired curiosity as the only actor to use a Spanish accent. ~ William Ruhlmann Music and words written by Andrew Lloyd Webber and Tim Rice 2 CD Set. Broadway Cast Original cast includes: Patti LuPone, Bob Gunton, Mandy Patinkin.

Seussical: the Musical, which is based on Dr. Seuss's beloved characters, made the news even before its Broadway opening, as tales of disastrous out-of-town tryouts multiplied and creative turmoil abounded. But the show has its fans--Rosie O'Donnell, for one, likes it so much that she jumped in to play the Cat in the Hat for a month while Roger Bart was on vacation. And guess what? As conceived by Ragtime's Lynn Ahrens and Stephen Flaherty, Seussical isn't nearly as bad as its reputation would suggest. While Junior digs the familiar characters, Mom and Dad will notice that "A Day for the Cat in the Hat" could be an outtake from Cabaret--if that show had been rated G, of course--while "It's Possible" suddenly turns into an Elton John-type romp midway through. Easy on the ear and very pop, this is a kid-friendly cast album that won't insult an adult's intelligence. --Elisabeth Vincentelli

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A live-on-stage performance filmed for HBO in 1982, Camelot returns Richard Harris to the role he immortalized on film in 1967. Harris replaced the original King Arthur, Richard Burton, in this revival production as it was on its way to New York's Winter Garden Theatre, which turned out to be Harris' only role on the Broadway stage. Fifteen years later, he's an older and wiser Arthur, a little more world-weary but still with a twinkle in his eye. He's paired with Meg Bussert, whose Guinevere is not as beautiful as Vanessa Redgrave in the film, but a better singer and appropriately younger. Bussert, who was Tony-nominated for her role in Brigadoon the year before, sounds eerily like original Broadway star Julie Andrews at times. Richard Muenz (The Most Happy Fella revival) plays Lancelot, Barrie Ingham plays Pellinore, and Richard Backus is Mordred. Alan Jay Lerner and Frederick Loewe's score is still a great classic, and here two songs cut from the movie are restored, "Before I Gaze at You Again" and "The Seven Deadly Virtues," but inexplicably cut is "Then You May Take Me to the Fair." Not surprisingly the production has a more stagebound feel compared to the sumptuous feature film, but it's good to have a more faithful version of the show available on DVD. --David Horiuchi

Richard Harris, who played King Arthur in the 1967 film version of the Lerner and Lowe musical, reprises his regal performance for this special television restaging. Employing the film's screenplay as its libretto, this revival filmed especially for HBO includes scenes not seen in the original Broadway production. The stellar cast also features Meg Bussert as Guenevere, Richard Muenz as Lancelot, and Barrie Ingham as King Pellinore. 147 min. Standard; Soundtrack: English Dolby Digital stereo; biographies.

Combining rare archival footage and new interviews, this documentary chronicles the fierce rivalries between the members of the early 20th-century ballet company, who split off into two separate troupes after the death of revolutionary founder Sergei Diaghilev. Popular in London in the years preceding World War II, the dueling Ballets Russes profoundly influenced the future of balletic dance, a legacy which began in Paris, when legendary figures including Nijinsky, Balanchine, Stravinsky, and others united in thrilling collaborations. 118 min. Widescreen (Enhanced); Soundtrack: English Dolby Digital stereo Surround; Subtitles: English; bonus footage; photo gallery; theatrical trailer.

Part history, part love letter, Ballets Russes may be the most purely delightful documentary in years. The movie follows the birth of the Ballet Russe de Monte Carlo in the early 1930s, an event that eventually led--after years of exhilarating experiments, bitter artistic battles, and exhausting tours--to the establishment of modern ballet around the world. Ballet Russes combines astonishing film footage of fantastical ballets (featuring extravagant sets designed by Salvador Dali and costumes by Henri Matisse) and interviews with surviving dancers in their 70s, 80s, and 90s (ranging from Dame Alicia Markova, who was a prima ballerina with the original Ballet Russe under impresario Sergei Diaghilev, to Yvonne Craig, who went on to become Batgirl in the '60s tv show Batman); the result is a breathtaking range of scholarship and depth of feeling. The heart of the film is the dancers themselves, who are sly, thoughtful, gossipy, and amazingly youthful in spirit--even the most difficult times are discussed with humor and honesty. Ballet fans will find this an essential document, while anyone who's never even thought of going to ballet will be completely caught up in these dancers' passion and wonder. A beautiful, entrancing movie. --Bret Fetzer

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Photo Puzzle, CHILDRENS PANTOMIME. The Childrens Pantomime Party at Covent Garden Theatre . Chosen by Mary Evans. 10x14 Photo Puzzle with 252 pieces. Packed in black cardboard box of dimensions 5 5/8 x 7 5/8 x 1 1/5. Puzzle image 5x7 affixed to box top. Puzzle pieces printed on RA4 paper at 300 dpi. This item is shipped from our American lab.

Photo Puzzle, Playbill for Maskelyne a Cooke magical variety show. Playbill for performances of the show The Novelty of the Age, featuring magicians Maskelyne and Cooke, held at Berkley Castle, Blackpool, January 1870. Featuring the Royal Illusionists in a variety of roles and performing decapitation, levitation, musical numbers, plate spinning and a transformation farce featuring a Gorilla! A show to delight the most fastidious whilst puzzling

Photo Puzzle, Thaumaturgick exhibitions, optical illusions and deceptions. Playbill for performance of thaumaturgick exhibitions, optical illusions and magical deceptions by Mr Boaz at the Kings Arms, High Street, with all profits to be contributed to the building of Nelsons Monument, dated 16 January 1806. HPG/8/36. Chosen by Mary Evans. 10x14 Photo Puzzle with 252 pieces. Packed in black cardboard box of dimensions 5 5/8 x 7 5/8 x 1 1/5.

How did four blue-collar kids become one of the greatest successes in pop music history? You ask four guys, you get four different answers. Have we got a story for you!Everyone knows their songs. Few know their story. Named for a bowling alley that refused to book them, The Four Seasons—Frankie, Tommy, Bob, and Nick—were four high school dropouts who emerged from New Jersey to become true American Idols: one of the biggest American pop music sensations of all time. With a shiny doo-wop sound highlighted by lead singer Frankie Valli’s stratospheric falsetto, they wrote their own songs, invented their own sounds, and sold 175 million records worldwide—all before they were thirty.Jersey Boys, Broadway’s 2006 Tony Award® Winner for Best Musical, is the electrifying tale of the Seasons’ rise, the moment they established their signature sound with their breakout hit “Sherry”; becoming a sensation on American Bandstand, of being young and full of hope and dreams and promise; of riding the rocket of success against the irresistible pull of the Jersey mob and the old neighborhood. Like the show itself, this gorgeous, full-color companion book captures the magic and the original excitement of the band’s life and times through all-new interviews with the band members. It also features the show’s libretto; interviews with the show’s writers, director, and cast; and over 200 photos from the band members’ personal collections of rarely seen memorabilia. For anyone who's ever sung along or danced to "Oh, What a Night!", “Walk Like a Man” or “Big Girls Don’t Cry”, and for those just discovering the timeless sound of The Four Seasons, Jersey Boys is the ultimate keepsake. 

 THIS BOOK IS AVAILABLE IN SEVERAL EDITIONS: ENGLISH ONLY, ENGLISH/SPANISH, ENGLISH/VIETNAMESE, AND ENGLISH/CHINESE (TRADITIONAL) TEACHERS AND LIBRARIANS -- A READER'S THEATER SCRIPT OF THIS BOOK IS AVAILABLE IN AARON'S BOOK "FOLKTALES ON STAGE," OR FREE ON AARON'S WEB SITE. No brocades are more lovely or lifelike than the ones the widow weaves to sell at the marketplace. One day she returns home with a marvelous painting of a fairy palace, and her son Chen suggests that she weave the image as a brocade. Devoting all her loving skill, she creates the finest brocade of her life. But so fine it is that the fairies of the palace send a wind to carry it off for themselves. Knowing his mother will die without her beloved creation, Chen starts out after it. But the way to the fairy palace lies over Fiery Mountain and across the Icy Sea. Even if he gets there, will the fairies give up the brocade? This popular Chinese folktale will enchant young and old, as Chen and his mother find their way to a happiness beyond their dreams. ///////////////////////////////////////////////// Aaron Shepard is the award-winning author of "The Baker's Dozen," "The Sea King's Daughter," "The Adventures of Mouse Deer," and many more children's books. His stories have appeared often in Cricket magazine, while his Web site is known internationally as a prime resource for folktales, storytelling, and reader's theater. Xiajun Li, a native of Inner Mongolia, was an award-winning children's book illustrator and art director in China before moving to the United States. 

This is a Brand New Playbill from Hugh Jackman, Back on Broadway. The stars of this new production of the Musical Is Hugh Jackman . The Playbill is in Excellent Condition. No rips or tears. The Playbill is dated from October 2011. Directed and Choreographed by Warren Carlyle.

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