Photo Card

Set of 20 transparent acid-free and PVC-free refill pocket pages for C.R. Gibson Recipe Organizers and Recipe Memory Books. Each page holds two 4 x 6 inch recipe cards.

Custom recipe storage in classic black, features top-stitched genuine bonded leather with window frames for embossed letter inserts that slip in easily for instant personalization. CR Gibson's Pocket Page Recipe Book is the perfect place to organize and store favorite recipes. 20 PVC-free pocket page sheets hold 40 4-inch x 6-inch decorated recipe cards and are easy to wipe clean; 12 tabbed decorated divider pages. Book has 3-ring binder construction with hubbed spine and usable applied frame; easily add, subtract and move pages. Add family favorites and the Recipe Book turns into a very special gifts. From memory books to note cards, every day to special events - CR Gibson has meant quality and style for more than 140 years.

These tabletop card/menu holders are ideal for any restaurant, party or banquet needs. These holders are made from quality stainless steel, features a tight-ring hold with three insert channels and a heavy balanced base for a sturdy hold of yoru card menus, table number, name cards, etc. DIMENSIONS: Height - 2 Inches Diameter (base) - 2? Inches Diameter (ring) - 1? Inches

BEATLES THE STEREO BOXSET WITH DOCS (16CD+1DVD)

LOONEY TUNES:GOLDEN COLLECTION VOL 1 - DVD Movie

For years, animation buffs have waited impatiently for the Warner Bros. cartoons to appear on DVD. The Warner shorts never commanded the budgets and prestige of the Disney and MGM films, and won fewer Oscars than they deserved. But decades after the best ones were created, they remain the quintessential Hollywood cartoons: brash, fast-paced, aggressively funny and uniquely American. Virtually everyone in the U.S. under the age of 60 grew up on these films, in theaters and on TV. The 56 cartoons in the set (out of a studio output of over 1,000) were transferred from good prints--which means the viewer can see dust, scratches, and occasional mistakes by the cel painters. The films are all presented uncut, in defiance of the killjoys who have insisted on censoring alleged "violence" in the versions shown on television. Warner Bros. is obviously testing consumer response with this set. Although the erratic selection includes many classics, purists will argue (correctly) that it offers neither a fair representation of the directors' oeuvres, nor anything approaching a coherent history of the characters or studio style. (Nearly half the films were directed by Chuck Jones; only three are by Bob Clampett, and there's nothing by Tex Avery or Frank Tashlin.) But it seems petty to carp about omissions and biases when the discs offer excellent, uncensored prints of some of the funniest films ever made in the U.S.--or anywhere else. (Rated G, suitable for all ages: cartoon violence) --Charles Solomon

Blessed, the stunning new album from three-time Grammy Award-winner Lucinda Williams is set for release on March 1st 2011 by Lost Highway. Considered by many to be one of America's greatest living songwriters, Williams lives up to that and more by delivering 12 new songs that cover an even wider emotional spectrum than her previous work, without moving too far in any one direction. Blessed opens with the gritty kiss-off "Buttercup" then moves seamlessly into the sultry blues of "Born To Be Loved". Williams delves into a heavier subject as she questions the motives for a suicide on the hard-driving "Seeing Black", which features blistering guitar from Elvis Costello. The thoughtful title track slowly builds to a melodic climax as it offers an eye-opening look at what's right in front of us, but too often unnoticed. The poignant and powerful "Soldier's Song" simultaneously tells a tragic story of the soldier overseas and his wife and child back home. On the gorgeous "Kiss Like Your Kiss", Williams lays down one of the most beautiful and fragile vocals she has ever recorded. The original version of "Kiss Like Your Kiss" appeared on the True Blood: Music From The HBO Original Series - Volume 2 and was just nominated for a Grammy Award for Best Song written for motion picture, television or other visual media. It's nothing new to see Williams tug at the heartstrings and stimulate the mind with her songs, but there is a vibe throughout Blessed that is unique to this album in-particular. It's the sound of the wisdom and experience Williams has gained through her years as an uncompromising talent. Combine that with Grammy Award-winning producer Don Was at the helm, and something special is born. Was co-produced Blessed with Eric Liljestrand and Tom Overby, who co-produced Williams highly-praised Little Honey (2008). Blessed features special guests Rami Jaffe on keyboards, Matthew Sweet on vocals Greg Leisz and Elvis Costello on guitar. The Deluxe Edition comes with a bonus disc called 'The Kitchen Tapes'. These are the demos Lucinda recorded of the songs that became Blessed right as they were born at her kitchen table, where she does most of her writing. To further enhance Lucinda's vision, The Deluxe Edition is available with 8 different album cover images randomly distributed through the manufacturing process. The one cover you get may not be the one you see here, but we're sure you'll agree it's an equally powerful image and another facet of this incredible album.

Deluxe two CD edtion including a bonus disc called The Kitchen Tapes', which contains the demos Williams recorded for the album right as they were born at her kitchen table, where she does most of her writing. 2011 album from three-time Grammy Award-winner. Considered by many to be one of America's greatest living songwriters, Williams lives up to that and more by delivering 12 songs that cover an even wider emotional spectrum than her previous work, without moving too far in any one direction. It's nothing new to see Williams tug at the heartstrings and stimulate the mind with her songs, but there is a vibe throughout Blessed that is unique to this album in-particular. It's the sound of the wisdom and experience Williams has gained through her years as an uncompromising talent. Combine that with Grammy Award-winning producer Don Was at the helm, and something special is born. Was co-produced Blessed with Eric Liljestrand and Tom Overby, who co-produced Williams highly-praised Little Honey (2008). Blessed features special guests Rami Jaffe on keyboards, Matthew Sweet on vocals Greg Leisz and Elvis Costello on guitar.

STAR TREK:NEXT GENERATION MOTION PICT - Blu-Ray Mo

First ContactEven-numbered Star Trek movies tend to be better, and First Contact (#8 in the popular movie series) is no exception--an intelligently handled plot involving the galaxy-conquering Borg and their attempt to invade Earth's past, alter history, and "assimilate" the entire human race. Time travel, a dazzling new Enterprise, and capable direction by Next Generation alumnus Jonathan Frakes makes this one rank with the best of the bunch. Capt. Picard (Patrick Stewart) and his able crew travel back in time to Earth in the year 2063, where they hope to ensure that the inventor of warp drive (played by James Cromwell) will successfully carry out his pioneering warp-drive flight and precipitate Earth's "first contact" with an alien race. A seductive Borg queen (Alice Krige) holds Lt. Data (Brent Spiner) hostage in an effort to sabotage the Federation's preservation of history, and the captive android finds himself tempted by the queen's tantalizing sins of the flesh! Sharply conceived to fit snugly into the burgeoning Star Trek chronology, First Contact leads to a surprise revelation that marks an important historical chapter in the ongoing mission "to boldly go where no one has gone before." --Jeff ShannonGenerationsThere were only two ways for "classic Trek" cast members to appear in a movie with the cast of Star Trek: The Next Generation: either Capt. Kirk and his contemporaries would have to be very, very old, or there would be some time travel involved in the plot. Since geriatric heroes aren't very exciting (despite a welcomed cameo appearance by the aged Dr. McCoy), Star Trek: Generations unites Capt. Kirk (William Shatner) and Capt. Jean-Luc Picard (Patrick Stewart) in a time-jumping race to stop a madman's quest for heavenly contentment. When a mysterious energy coil called the Nexus nearly destroys the newly christened U.S.S. Enterprise-B, the just-retired Capt. Kirk is lost and presumed dead. But he's actually been happily trapped in the timeless purgatory of the Nexus--an idyllic state of being described by the mystical Guinan (Whoopi Goldberg) as "pure joy." Picard must convince Kirk to leave this artificial comfort zone and confront Dr. Soran (Malcolm McDowell), the madman who will threaten billions of lives to be reunited with the addictive pleasure of the Nexus. With subplots involving the android Data's unpredictable "emotion chip" and the spectacular crash-landing of the starship Enterprise, this crossover movie not only satisfied Trek fans, but it also gave them something they'd never had to confront before: the heroic and truly final death of a beloved Star Trek character. Passing the torch to the Next Generation with dignity and entertaining adventure, the movie isn't going to please everyone with its somewhat hokey plot, but it still ranks as a worthy big-screen launch for Picard and his stalwart crew. --Jeff ShannonInsurrection Star Trek fans were decidedly mixed in their reactions to this, the ninth big-screen feature in Paramount's lucrative Trek franchise, but die-hard loyalists will appreciate the way this Next Generation adventure rekindles the spirit of the original Trek TV series while combining a tolerable dose of New-Agey philosophy with a lighthearted plot for the TNG cast. This time out, Picard (Patrick Stewart) and his executive crew must transport to a Shangri-la-like planet to see why their android crewmate Data (Brent Spiner) has run amuck in a village full of peaceful Ba'ku artisans who--thanks to their planet's "metaphasic radiation"--haven't aged in 309 years. It turns out there's a conspiracy afoot, masterminded by the devious, gruesomely aged Ru'afo (F. Murray Abraham, hamming it up under makeup resembling a cosmetic surgeon's worst nightmare), who's in cahoots with a renegade Starfleet admiral (Anthony Zerbe, in one of his final screen roles). They covet the fountain-of-youth power of the Ba'ku planet, but because their takeover plan violates Starfleet's Prime Directive of noninterference, it's up to Picard and crew to stop the scheme. Along the way, they all benefit from the metaphasic effect, which manifests itself as Worf's puberty (visible as a conspicuous case of Klingon acne), Picard's youthful romance with a Ba'ku woman (the lovely Donna Murphy), the touching though temporary return of Geordi's natural eyesight, and a moment when Troi asks Dr. Crusher if she's noticed that her "boobs are firming up." Some fans scoffed at these humorous asides, but they're what make this Trek film as entertaining as it is slightly disappointing. Without the laughs (including Data's rousing excerpt from Gilbert & Sullivan's HMS Pinafore), this is a pretty routine entry in the franchise, with no real surprises, a number of plot holes, and the overall appearance of a big-budget TV episode. As costar and director, Jonathan Frakes proves a capable carrier of the Star Trek flame--and it's nice to see women in their 40s portrayed as smart and sexy--but while this is surely an adequate Trek adventure, it doesn't quite rank with the best in the series. --Jeff Shannon NemesisThe sacrifice of a beloved character is just one of many highlights in Nemesis, the 10th feature in the lucrative Star Trek franchise. Enigmatically billed as the beginning of "A Generation's Final Journey," this richly plotted Next Generation adventure maintains the "even number rule" regarding Trek's feature quality, and it's one of the best in the series. It hits its brisk stride when Picard (Patrick Stewart) and his Enterprise-E crew encounter Shinzon (Tom Hardy), a younger clone of Picard, rejected by the Romulans as the human weapon of an abandoned conspiracy. Raised on the nocturnal Romulan sister planet Remus, Shinzon now plots revenge against Romulus and Earth but needs Picard's blood to carry out his scheme. A wedding, a childlike "duplicate" Data named B-4 (Brent Spiner), spectacular space battles, and uncommon acts of valor make this a tautly-paced action thriller, poised to pass the franchise (but not quite yet) to a new generation of Starfleet personnel. Die-hard Trekkers will not be disappointed. --Jeff Shannon

Genre: Sci-Fi/FantasyRating: PGRelease Date: 12-MAY-2009Media Type: DVD

Star Trek I : The Original Motion PictureBack when the first Star Trek feature was released in December 1979, the Trek franchise was still relatively modest, consisting of the original TV series, an animated cartoon series from 1973-74, and a burgeoning fan network around the world. Series creator Gene Roddenberry had conceived a second TV series, but after the success of Star Wars the project was upgraded into this lavish feature film, which reunited the original series cast aboard a beautifully redesigned starship U.S.S. Enterprise. Under the direction of Robert Wise (best known for West Side Story), the film proved to be a mixed blessing for Trek fans, who heatedly debated its merits; but it was, of course, a phenomenal hit. Capt. Kirk (William Shatner) leads his crew into the vast structures surrounding V'Ger, an all-powerful being that is cutting a destructive course through Starfleet space. With his new First Officer (Stephen Collins), the bald and beautiful Lieutenant Ilia (played by the late Persis Khambatta) and his returning veteran crew, Kirk must decipher the secret of V'Ger's true purpose and restore the safety of the galaxy. The story is rather overblown and derivative of plots from the original series, and avid Trekkies greeted the film's bland costumes with derisive laughter. But as a feast for the eyes, this is an adventure worthy of big-screen trekkin'. Douglas Trumbull's visual effects are astonishing, and Jerry Goldmith's score is regarded as one of the prolific composer's very best (with its main theme later used for Star Trek: The Next Generation). And, fortunately for Star Trek fans, the expanded 143-minute version (originally shown for the film's network TV premiere) is generally considered an improvement over the original theatrical release. --Jeff ShannonStar Trek II :The Wrath of KhanAlthough Star Trek: The Motion Picture had been a box-office hit, it was by no means a unanimous success with Star Trek fans, who responded much more favorably to the "classic Trek" scenario of Star Trek II: The Wrath of Khan. Inspired by the "Space Seed" episode of the original TV series, the film reunites newly promoted Admiral Kirk with his nemesis from the earlier episode--the genetically superior Khan (Ricardo Montalban)--who is now seeking revenge upon Kirk for having been imprisoned on a desolated planet. Their battle ensues over control of the Genesis device, a top-secret Starfleet project enabling entire planets to be transformed into life-supporting worlds, pioneered by the mother (Bibi Besch) of Kirk's estranged and now-adult son. While Mr. Spock mentors the young Vulcan Lt. Saavik (then-newcomer Kirstie Alley), Kirk must battle Khan to the bitter end, through a climactic starship chase and an unexpected crisis that will cost the life of Kirk's closest friend. This was the kind of character-based Trek that fans were waiting for, boosted by spectacular special effects, a great villain (thanks to Montalban's splendidly melodramatic performance), and a deft combination of humor, excitement, and wondrous imagination. Director Nicholas Meyer (who would play a substantial role in the success of future Trek features) handles the film as a combination of Moby Dick, Shakespearean tragedy, World War II submarine thriller, and dazzling science fiction, setting the successful tone for the Trek films that followed. --Jeff ShannonStar Trek III : The Search for Spock You didn't think Mr. Spock was really dead, did you? When Spock's casket landed on the surface of the Genesis planet at the end of Star Trek II, we had already been told that Genesis had the power to bring "life from lifelessness." So it's no surprise that this energetic but somewhat hokey sequel gives Spock a new lease on life, beginning with his rebirth and rapid growth as the Genesis planet literally shakes itself apart in a series of tumultuous geological spasms. As Kirk is getting to know his estranged son (Merritt Butrick), he must also do battle with the fiendish Klingon Kruge (Christopher Lloyd), who is determined to seize the power of Genesis from the Federation. Meanwhile, the regenerated Spock returns to his home planet, and Star Trek III gains considerable interest by exploring the ceremonial (and, of course, highly logical) traditions of Vulcan society. The movie's a minor disappointment compared to Star Trek II, but it's a--well, logical--sequel that successfully restores Spock (and first-time film director Leonard Nimoy) to the phenomenal Trek franchise...as if he were ever really gone. With Kirk's willful destruction of the U.S.S. Enterprise and Robin Curtis replacing the departing Kirstie Alley as Vulcan Lt. Saavik, this was clearly a transitional film in the series, clearing the way for the highly popular Star Trek IV. --Jeff ShannonStar Trek IV : The Voyage Home Jumping on to the end-of-the-century bandwagon a little early, Paramount Pictures released 10 of their top films in one 10-pack, the Millennium Collection, in 1998. All the films are presented in their widescreen editions; one, Breakfast at Tiffany's, is offered in this format for the first time. The set includes 5 Best Picture Oscar winners and films that took home an additional 33 Academy Awards. All the tapes are available to buy individually. The pack, with a handsome mosaic of faces from the movies, also features collector gift cards (a movie version of baseball cards) and a commemorative booklet detailing the productions of all 10 films. The collection is oddly weighted toward the last 25 years, offering only one film from the 1950s and one from the 1960s. Your taste in current cinema will define the value of the set. Besides Tiffany's, one of Audrey Hepburn's finest films, the collection contains: The Ten Commandments with Charlton Heston, Grease with John Travolta, Francis Ford Coppola's Apocalypse Now and The Godfather, the funny, whale-saving Star Trek IV--The Voyage Home, Tom Cruise's hit Top Gun, the smash hit Ghost with Demi Moore, Mel Gibson's Celt fest Braveheart, and Forrest Gump with Tom Hanks. --Doug ThomasStar Trek V :The Final FrontierMovie critic Roger Ebert summed it up very succinctly: "Of all of the Star Trek movies, this is the worst." Subsequent films in the popular series have done nothing to disprove this opinion; we can be grateful that they've all been significantly better since this film was released in 1989. After Leonard Nimoy scored hits with Star Trek III and IV, William Shatner used his contractual clout (and bruised ego) to assume directorial duties on this mission, in which a rebellious Vulcan (Laurence Luckinbill) kidnaps Federation officials in his overzealous quest for the supreme source of creation. That's right, you heard it correctly: Star Trek V is about a crazy Vulcan's search for God. By the time Kirk, Spock, and their Federation cohorts are taken to the Great Barrier of the galaxy, this journey to "the final future" has gone from an embarrassing prologue to an absurd conclusion, with a lot of creaky plotting in between. Of course, die-hard Trekkies will still allow this movie into their video collections; but they'll only watch it when nobody else is looking. After this humbling experience, Shatner wisely relinquished the director's chair to Star Trek II's Nicholas Meyer. --Jeff ShannonStar Trek VI : The Undiscovered CountryStar Trek V left us nowhere to go but up, and with the return of Star Trek II director Nicholas Meyer, Star Trek VI restored the movie series to its classic blend of space opera, intelligent plotting, and engaging interaction of stalwart heroes and menacing villains. Borrowing its subtitle (and several lines of dialogue) from Shakespeare, the movie finds Admiral Kirk (William Shatner) and his fellow Enterprise crew members on a diplomatic mission to negotiate peace with the revered Klingon Chancellor Gorkon (David Warner). When the high-ranking Klingon and several officers are ruthlessly murdered, blame is placed on Kirk, whose subsequent investigation uncovers an assassination plot masterminded by the nefarious Klingon General Chang (Christopher Plummer) in an effort to disrupt a historic peace summit. As this political plot unfolds, Star Trek VI takes on a sharp-edged tone, with Kirk and Spock confronting their opposing views of diplomacy, and testing their bonds of loyalty when a Vulcan officer is revealed to be a traitor. With a dramatic depth befitting what was to be the final movie mission of the original Star Trek crew, this film took the veteran cast out in respectably high style. With the torch being passed to the crew of Star Trek: The Next Generation, only Kirk, Scotty, and Chekov would return, however briefly, in Star Trek: Generations. --Jeff Shannon

One of the brightest nuggets from Disney's golden age, this 1937 film is almost dizzying in its meticulous construction of an enchanted world, with scores of major and minor characters (including fauna and fowl), each with a distinct identity. When you watch Snow White's intricate, graceful movements of fingers, arms, and head all in one shot, it is not the technical brilliance of Disney's artists that leaps out at you, but the very spirit of her engaging, girl-woman character. When the wicked queen's poisoned apple turns from killer green to rose red, the effect of knowing something so beautiful can be so terrible is absolutely elemental, so pure it forces one to surrender to the horror of it. Based on the Grimm fairy tale, Snow White is probably the best family film ever to deal, in mythic terms, with the psychological foundation for growing up. It's a crowning achievement and should not be missed. --Tom Keogh Stills from Snow White and the Seven Dwarfs (Click for larger image)

One of the brightest nuggets from Disney's golden age, this 1937 film is almost dizzying in its meticulous construction of an enchanted world, with scores of major and minor characters (including fauna and fowl), each with a distinct identity. When you watch Snow White's intricate, graceful movements of fingers, arms, and head all in one shot, it is not the technical brilliance of Disney's artists that leaps out at you, but the very spirit of her engaging, girl-woman character. When the wicked queen's poisoned apple turns from killer green to rose red, the effect of knowing something so beautiful can be so terrible is absolutely elemental, so pure it forces one to surrender to the horror of it. Based on the Grimm fairy tale, Snow White is probably the best family film ever to deal, in mythic terms, with the psychological foundation for growing up. It's a crowning achievement and should not be missed. --Tom Keogh

Walt Disney's Classic Masterpiece movie. Comes in plastic protective case enjoyable entertainment for young and old.

Sla 12v 18ahupg 85977/d5745 sealed lead acid batteries (12v; 18 ah; ub12180). Specs: used in ups backup systems, spotlights, flashlights, exit lighting & other equipment; 12v; 18 ah; ub12180. Refurb: n. Returnable: y. Warranty: one year....

The Bird-X Balcony Guard Silent Bird Repeller is an ultrasonic bird repeller that keeps pigeons and other bird pests away from balconies, decks, terraces and other places where birds create a mess. A humane, effective and maintenance-free solution. Common Usage: Bird repellant, Color: Neutral, Material Type: Weatherproof housing, Dimensions L x W x H (in.): 5 1/4 x 6 3/4 x 3 1/4, Auto On/Off: Yes, Mounting Type: Wall mount, Assembly Required: No, Includes: Continuous or motion-sensor operation

You know exactly what you're getting in National Lampoon's Christmas Vacation: another goofball, slapstick comedy of chaos and catastrophe with Clark Griswold (Chevy Chase) and family. This time, there's no traveling involved: Clark and Ellen (Beverly D'Angelo) prepare for a nice Christmas with the kids (played by none other than Juliette Lewis and Roseanne star Johnny Galecki), when their home is invaded by backwoods cousin Eddie (Randy Quaid) and his brood, along with assorted other crazy and/or stuffy relatives. Complications, of course, are inevitable. The film is preceded by National Lampoon's Vacation (1983) and National Lampoon's European Vacation (1985) and followed by National Lampoon's Vegas Vacation (1997). Directed by Jeremiah Chechik, who went on to do Benny & Joon and the Sharon Stone remake of Diabolique. --Jim Emerson

THE GRISWOLDS HAVE DECIDED TO SPEND THE HOLIDAY AT HOME & ARE NOT-SO-PLEASANTLY SURPRISED BY SOME UNEXPECTED GUESTS.

Kopykake Edible Business Card Frosting Sheets KJFS35X1 (24 sheets per pack Edible Frosting Sheets Print the designs you've created in Photo Express or Desktop Decorator for picture perfect chocolate business cards or rectangle picture cookies. 10 to a sheet. Regular Retail: $45.00 You Pay: $27.99 One year shelf life

From the Whisper Lilac CollectionItem #38251These delightful silk flowers will add a light and airy feel to any decorFloral arrangements feature a metal holder within each pot for displaying photos and/or place cards at your next gatheringRecommended for indoor use only - if using outdoors place under a covered areaDimensions: 4""HMaterial(s): polyester/silk/metalClub pack of 24 card holders - includes 4 of each style shown