Peter Palmer

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Share in Walt Disney's extraordinary vision of pairing imaginative stories with spectacular music in Disney's 8th full-length animated classic, available for the first time ever.In the tradition of FANTASIA, MAKE MINE MUSIC is a glorious collection of musically charged animated shorts featuring such fun-filled favorites as "Peter And The Wolf," narrated by the beloved voice behind Winnie The Pooh. In addition, you'll enjoy such classic cartoon hits as "Casey At The Bat," "The Whale Who Wanted To Sing At The Met," and "Johnnie Fedora And Alice Bluebonnet," the whimsical adventure of two hats who fall in love in a department store window. Every member of your family will have a favorite in this musical medley of fun and fantasy from Disney! Product Measures: 0.61" x 5.34" x 7.5"

Sometimes referred to as "the Poor Man's Fantasia," Make Mine Music (1946) was the first of the "package features" Walt Disney released after World War II. Instead of Bach and Beethoven, the artists illustrated segments set to popular music by Benny Goodman, Dinah Shore, and the Andrews Sisters. Originally set to Debussy's "Claire de Lune," "Blue Bayou" remains an atmospheric evocation of the Everglades. "The Whale Who Wanted to Sing at the Met" is a charming fantasy about a cetacean with an extraordinary voice. "Peter and the Wolf," based on the Prokofiev score, offers brightly colored designs, but the narration by Sterling Holloway seems superfluous. "All the Cats Join In" is an upbeat evocation of the Bobby Sox era, but "Casey at the Bat" and "Johnny Fedora and Alice Bluebonnet" feel self-conscious and unfunny."Two Silhouettes" combines rotoscoped images of Ballets Russes de Monte Carlo stars Tatiana Riabouchinska and David Lichine with kitsch cupids, sparkles, and hearts. "The Martins and the Coys," a spoof of a hillbilly feud, has been excised in a bow to modern taste. The supplemental material includes The Band Concert, the first color Mickey Mouse short and one of the character's finest performances, and Music Land, a quirky Silly Symphony about clashing musical styles. --Charles Solomon

A boy (Jesse Bradford) and his yellow Labrador are marooned on a wilderness island in British Columbia and must find their way home through uncharted forests. This is a story about friendship and personal strength, focusing on the relationship between a boy and his dog as they battle the elements, the terrain and, of course, wild animals in their effort to find their way home and survive their harsh surroundings. Director Philip Borsos has a nice eye for those Ansel Adams-like moments--but scenery only carries a movie so far and this movie asks too much. Though relatively short at 81 minutes, it still feels long. --Marshall Fine

Hair-raising family adventure in which a teenage boy and his faithful Labrador Retriever are swept into the ocean while on a boating trip with the boy's father. The pair are then thrust into a series of frightening situations in which they face a pack of bobcats, wolves and the forces of nature. Jesse Bradford, Mimi Rogers, and Bruce Davison star. 87 min. Standard and Widescreen (Enhanced); Soundtrack: English Dolby Digital Surround, French Dolby Digital stereo, Spanish Dolby Digital Surround; Subtitles: English (SDH), Spanish.

Music from Lifehouse is a lovely record of two instantly famous concerts Pete Townshend performed in the winter of 2000, accompanied by the London Chamber Orchestra and sundry other musicians and vocalists. Undoubtedly the most rewarding failure in rock history, the Who's Lifehouse was kick-started and then abandoned in 1971 as a post-Tommy stage experiment. Composer Townshend's unwieldy dream of bringing together new music and controlled theatrical space with audience interaction sadly burst, but it also scattered song gems through various albums: Who's Next, Townshend's 1972 Who Came First, and Lifehouse Elements (2000). With passing years, Townshend has sought to unify and celebrate the music of his unrealized project, and this DVD, simultaneously contemplative and hard-charging, refines familiar warhorses ("Bargain," "Pure and Easy," "Baba O'Riley") into works of refreshed beauty and gives Townshend a chance to shine on such lesser-known titles as "Greyhound Girl." Often magical and surprisingly fun, this is a keeper for Townshend fanatics. --Tom Keogh

Thirty years have passed since Pete Townshend began work on "Lifehouse," but it's only now that the technology exists to make the experimental nature of the piece a reality. This recording of the concerts held at Sadler's Wells in London on February 25 and 26, 2000, is a celebration of the music of "Lifehouse" rather than the culmination of the project. To this day, Pete Townshend is continuing the exciting musical experiments he first pioneered in a small South London theatre back in 1971. Songs: Fantasia Upon One Note, Teenage Wasteland, Love Ain't For Keeping, Greyhound Girl, Mary, I Don't Know Myself, Bargain, Pure and Easy, Baba O'Riley, Behind Blue Eyes, Let's See Action, Getting in Tune, Relay, Join Together, Won't Get Fooled Again, Can You Help the One You Really Love?

DVD

More remake than sequel, Men in Black II safely repeats everything that made Men in Black the blockbuster hit of 1997. That's fine if you loved the original's fresh humor, weird aliens, and loopy ingenuity, but as sequels go, it's pure déjà vu. Makeup wizard Rick Baker is the only MIB alumnus who's trying anything new, while director Barry Sonnenfeld and costars Will Smith and Tommy Lee Jones (as alien-fighting agents Jay and Kay, respectively) are on autopilot with an uninspired screenplay. The quest of a multitentacled alien--on Earth in the form of Lara Flynn Boyle--for the light of Zartha requires Jay to deneuralize Kay, whose restored memory contains the key to saving the planet. The tissue-thin premise allows all varieties of special effects--mostly familiar, with some oddly hilarious new stuff tossed in for good measure. Certainly enjoyable as a popcorn distraction, but the MIB magic has worn a bit thin. --Jeff Shannon

Fine casting, genuinely special effects, and a keen combination of whimsy and danger make this Peter Pan the one to beat among all previous adaptations of J.M. Barrie's classic children's fantasy. The technical advances of CGI make the magic of Barrie's tale come alive, and the spectacular effects combined with luminous live action create an action-packed Neverland that's both believable and breathtakingly artificial, like a Maxfield Parrish landscape springing vividly to life before your eyes. More important, however, is the fact that director P.J. Hogan (whose splendid films include Muriel's Wedding and My Best Friend's Wedding) has taken care to develop a substantial, pre-adolescent affection between the boyish sprite Peter (Jeremy Sumpter) and resourceful London girl Wendy, played by Rachel Hurd-Wood in a marvelous screen debut. This emotional bond--and the mixed blessing of Peter's eternal childhood--is what gives Hogan's Peter Pan its rich emotional subtext, added to an already bountiful adventure that's equal parts delightful and menacing, especially when the villainous pirate Captain Hook (Jason Isaacs, doubling as Wendy's father) threatens to spoil the fun. With a mischievously dazzling Tinker Bell (played by Swimming Pool's Ludivine Sagnier) and no expense spared on its lavish Australian production, this Peter Pan gets it entirely right by presenting childhood as fun and frightening, in all its wondrous joys and sorrows. --Jeff Shannon

Features include: •MPAA Rating: PG•Format: DVD•Runtime: 113 minutes

The old Quaker adage, "Let your life speak," spoke to author Parker J. Palmer when he was in his early 30s. It summoned him to a higher purpose, so he decided that henceforth he would live a nobler life. "I lined up the most elevated ideals I could find and set out to achieve them," he writes. "The results were rarely admirable, often laughable, and sometimes grotesque.... I had simply found a 'noble' way of living a life that was not my own, a life spent imitating heroes instead of listening to my heart." Thirty years later, Palmer now understands that learning to let his life speak means "living the life that wants to live in me." It involves creating the kind of quiet, trusting conditions that allow a soul to speak its truth. It also means tuning out the noisy preconceived ideas about what a vocation should and shouldn't be so that we can better hear the call of our wild souls. There are no how-to formulas in this extremely unpretentious and well-written book, just fireside wisdom from an elder who is willing to share his mistakes and stories as he learned to live a life worth speaking about. --Gail Hudson

With wisdom, compassion, and gentle humor, Parker J. Palmer invites us to listen to the inner teacher and follow its leadings toward a sense of meaning and purpose. Telling stories from his own life and the lives of others who have made a difference, he shares insights gained from darkness and depression as well as fulfillment and joy, illuminating a pathway toward vocation for all who seek the true calling of their lives.

A well-liked, respected, caring pillar of the community - or an outsider, socially inept and with a frightening appearance? Wearing many different masks, serial killers are among the most disturbing and dangerous violent criminals in existence.They are individuals who have a history of multiple murders, normally committed over a long period of time and often with periods of apparent normality in between.With their different appearances and motives serial killers are hard to identify and often much harder to understand. Yet they must be caught because the one unifying characteristic all serial killers share is their inability to feel remorse for their actions, and consequently their need to keep on killing...Some profilers believe that serial killers don't learn from their mistakes. This book explores the greed-factor that sets in and explains how killers come to think that the more they kill and get away with it, the easier it will become.

A well-liked, respected, caring pillar of the community – or an outsider, socially inept and with a frightening appearance? Wearing many different masks, serial killers are among the most disturbing and dangerous violent criminals in existence.They are individuals who have a history of multiple murders, normally committed over a long period of time and often with periods of apparent normality in between.With their different appearances and motives serial killers are hard to identify and often much harder to understand. Yet they must be caught because the one unifying characteristic all serial killers share is their inability to feel remorse for their actions, and consequently their need to keep on killing...Some profilers believe that serial killers don’t learn from their mistakes. This book explores the greed-factor that sets in and explains how killers come to think that the more they kill and get away with it, the easier it will become.