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The Serpent's Kiss, DVD, Ewan McGregor, Greta Scacchi, Pete Postlethwaite, Richa
US $5.78
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The Serpent's Kiss, DVD, Ewan McGregor, Greta Scacchi, Pete Postlethwaite, Richa
US $5.78
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1994 Press Photo In the Name of the Father Pete Postlethwaite
US $13.88
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NEW The Age of Stupid (DVD, 2-Disc Set) Pete Postlethwaite
US $15.99
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Another great place to shop for Pete Postlethwaite products is Amazon. They have more than just books!
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James and the Giant Peach (Special Edition)
List Price: $19.99
Sale Price: $15.00
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Roald Dahl's modern classic for children becomes a delightful combination of live action and stop-motion animation by the team that made The Nightmare Before Christmas: director Henry Selick and producers Tim Burton (Batman) and Denise Di No
Roald Dahl's modern classic for children becomes a delightful combination of live action and stop-motion animation by the team that made The Nightmare Before Christmas: director Henry Selick and producers Tim Burton (Batman) and Denise Di Novi. The story concerns young James (played for real and through voice-overs by Paul Terry), who is orphaned and left in the charge of two cruel aunts (Miriam Margolyes, Joanna Lumley). Rescued by a mysterious fellow (Pete Postlethwaite), James ends up inside a giant peach, drifting over the Atlantic Ocean in the company of a gentleman grasshopper (voiced by Simon Callow), a fast-talking centipede (Richard Dreyfuss), an anxious earthworm (David Thewlis), a matronly ladybug (Jane Leeves), and a sexy spider (Susan Sarandon). The collection of actors and their creepy-crawly alter egos are a delight, especially when some of the song-and-dance numbers (tunes are written by Randy Newman) get everyone going. --Tom Keogh
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![James and the Giant Peach - Special Edition (Widescreen) [VHS]](http://ecx.images-amazon.com/images/I/516NN181JML._SL160_.jpg) |
James and the Giant Peach - Special Edition (Widescreen) [VHS]
List Price: $14.99
Sale Price: $6.25
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Roald Dahl's modern classic for children becomes a delightful combination of live action and stop-motion animation by the team that made The Nightmare Before Christmas: director Henry Selick and producers Tim Burton (Batman) and Denise Di Novi. The story concerns young James (played for real and through voice-overs by Paul Terry), who is orphaned and left in the charge of two cruel aunts (Miriam Margolyes, Joanna Lumley). Rescued by a mysterious fellow (Pete Postlethwaite), James ends up inside a giant peach, drifting over the Atlantic Ocean in the company of a gentleman grasshopper (voiced by Simon Callow), a fast-talking centipede (Richard Dreyfuss), an anxious earthworm (David Thewlis), a matronly ladybug (Jane Leeves), and a sexy spider (Susan Sarandon). The collection of actors and their creepy-crawly alter egos are a delight, especially when some of the song-and-dance numbers (tunes are written by Randy Newman) get everyone going. --Tom Keogh
Take a bite out of Disney's delicious Special Edition of JAMES AND THE GIANT PEACH and celebrate the 40th anniversary of the popular children's book by Roald Dahl that inspired this imaginative film. This amazing mix of live-action, stop-motion animation and computer-generated special effects includes bonus materials never before available. When young James spills some magic crocodile tongues, a giant peach grows as huge as a house. Climbing inside, he embarks on a thrilling and magical odyssey that only the creative team from TIM BURTON'S THE NIGHTMARE BEFORE CHRISTMAS could bring you. Along the way you'll discover the famous star voices of Richard Dreyfuss and Susan Sarandon, Jane Leeves (FRASIER), and Simon Callow (SHAKESPEARE IN LOVE), plus the inspired music of Randy Newman. Enjoy -- it's a peach of a journey!
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James and the Giant Peach (Two-Disc Special Edition Blu-ray/DVD Combo) [Blu-ray]
List Price: $26.50
Sale Price: $13.49
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In an all-new digitally restored special edition from Tim Burton, the acclaimed director of Alice In Wonderland, comes the astounding film that captured the hearts of fans and critics all across the world. Inspired by Roald Dahl’s beloved children’s book, Burton, Denise Di Novi and director Henry Selick combine a fascinating mix of live-action, stop-motion animation and computer-generated special effects to create a world beyond your imagination in this new Special Edition DVD.After the daring rescue of a spider, a young boy named James finds gains possession of some magic crocodile tongues. When James spills them in the garden, out sprouts an enormous peach! Climbing inside, he meets an astonishing cast of characters and embarks on a magical odyssey full of thrills and adventure. Voiced by an all-star cast, including legendary actors Richard Dreyfuss, Susan Sarandon, Simon Callow and Jane Leeves, and featuring the celebrated music of Randy Newman, this classic story is delicious entertainment for the whole family!Features include: •MPAA Rating: PG•Format: Blu-Ray•Runtime: 80 minutes
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![James and the Giant Peach (Walt Disney Pictures Presents) [VHS]](http://ecx.images-amazon.com/images/I/51SX34AWKCL._SL160_.jpg) |
James and the Giant Peach (Walt Disney Pictures Presents) [VHS]
List Price: $19.99
Sale Price: $6.93
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Roald Dahl's modern classic for children becomes a delightful combination of live action and stop-motion animation by the team that made The Nightmare Before Christmas: director Henry Selick and producers Tim Burton (Batman) and Denise Di Novi. The story concerns young James (played for real and through voice-overs by Paul Terry), who is orphaned and left in the charge of two cruel aunts (Miriam Margolyes, Joanna Lumley). Rescued by a mysterious fellow (Pete Postlethwaite), James ends up inside a giant peach, drifting over the Atlantic Ocean in the company of a gentleman grasshopper (voiced by Simon Callow), a fast-talking centipede (Richard Dreyfuss), an anxious earthworm (David Thewlis), a matronly ladybug (Jane Leeves), and a sexy spider (Susan Sarandon). The collection of actors and their creepy-crawly alter egos are a delight, especially when some of the song-and-dance numbers (tunes are written by Randy Newman) get everyone going. --Tom Keogh
Guaranteed to work or your money back - PLEASE NOTE ALL MONIES FROM THIS SALE GO TO A 501 (C)3 NO KILL ANIMAL SHELTER
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![The Shipping News [VHS]](http://ecx.images-amazon.com/images/I/411MJ89J5TL._SL160_.jpg) |
The Shipping News [VHS]
List Price: $9.99
Sale Price: $3.00
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Fans of Lasse Hallström's truffle, Chocolat, may enjoy the director's subsequent novel adaptation, the emotionally charged Shipping News. The opening sequence introduces us to the bumbling Quoyle (Kevin Spacey), an ink setter at the Poughkeepsie News; his hedonistic wife Petal Bear (Cate Blanchett); and their daughter Bunny. But we hardly get to meet the characters, much less connect with them, in the fewer than eight minutes allotted for the scene. Before you know it, Petal is dead in a car wreck, Quoyle's parents have committed suicide, and Quoyle and Bunny are headed off with Quoyle's aunt Agnis (Judi Dench) to start over in a small Newfoundland port town. As the main story ensues--Quoyle's transformation from passive victim to sensitive lover and eloquent columnist--the subplot of his sordid family history and his aunt's search for healing seems contrived and lifeless. While Julianne Moore, as the widow Wavey, gives a solid performance as Quoyle's love interest, Spacey's performance is uneven, never convincingly at sea enough to reward Quoyle's ultimate self-discovery. As with so many films adapted from novels, The Shipping News fails to embark confidently enough upon its own course to keep off the rocks. --Fionn Meade
Academy Award(R)-winning stars Kevin Spacey (AMERICAN BEAUTY, Best Actor, 1998) and Judi Dench (SHAKESPEARE IN LOVE, Best Supporting Actress, 1998) join talents with Julianne Moore (HANNIBAL) and Cate Blanchett (THE LORD OF THE RINGS) in this deeply moving motion picture from the director of CHOCOLAT and THE CIDER HOUSE RULES. After tragedy strikes, Quoyle (Spacey) moves with his daughter from upstate New York to his ancestral home in a small Newfoundland fishing village. With a job at the local newspaper and developing romance with a woman (Moore) who lives with her own demons, Quoyle is transformed by this place of magic, beauty, and hardship. In a compelling story based on the Pulitzer Prize-winning novel, Quoyle's past melds with his present in an inspirational journey of self-discovery and second chances.
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Jurassic Park Ultimate Trilogy (Blu-ray + Digital Copy)
List Price: $79.98
Sale Price: $35.49
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Experience one of the biggest movie trilogies of all time like never before with the Jurassic Park Ultimate Trilogy! "You won't believe your eyes" (Rolling Stone) when dinosaurs once again roam the Earth in an amazing theme park on a remote island. From Academy Award®-winning director Steven Spielberg (Jurassic Park, The Lost World: Jurassic Park) and Joe Johnston (Jurassic Park III), the action-packed adventures find man up against prehistoric predators in the ultimate battle for survival. Featuring visually stunning imagery and groundbreaking filmmaking that has been hailed as "a triumph of special effects artistry" (Roger Ebert, Chicago Sun-Times), this epic trilogy is sheer movie-making magic that was 65 million years in the making. "Welcome to Jurassic Park."
Jurassic Park Steven Spielberg's 1993 mega-hit rivals Jaws as the most intense and frightening film he'd ever made prior to Schindler's List, but it was also among his weakest stories. Based on Michael Crichton's novel about an island amusement park populated by cloned dinosaurs, the film works best as a thrill ride with none of the interesting human dynamics of Spielberg's Jaws. That lapse proves unfortunate, but there's no shortage of raw terror as a rampaging T-rex and nasty raptors try to make fast food out of the cast. The effects are still astonishing (despite the fact that the computer-generated technology has since been improved upon) and at times primeval, such as the sight of a herd of whatever-they-are scampering through a valley. --Tom Keogh The Lost World - Jurassic Park In the low tradition of knockoff horror flicks best seen (or not seen) on a drive-in movie screen, Steven Spielberg's sequel to Jurassic Park is a poorly conceived, ill-organized film that lacks story and logic. Screenwriter David Koepp strings along a number of loose ideas while Jeff Goldblum returns as Ian Malcolm, the quirky chaos theoretician who now reluctantly agrees to go to another island where cloned dinosaurs are roaming freely. Along with his girlfriend (Julianne Moore) and daughter, Malcolm has to deal with hunters, environmentalists, and corporate swine who stupidly bring back a big dino to Southern California, where it runs amok, of course. Spielberg doesn't seem to care that the pieces of this project don't add up to a real movie, so he hams it up with big, scary moments (with none of the artfulness of those in Jurassic Park) and smart-aleck visual gags (a yapping dog in a suburb mysteriously disappears when a hungry T-rex stomps by). A complete bust.--Tom Keogh Jurassic Park III Surpassing expectations to qualify as an above-average sequel, Jurassic Park III is nothing more or less than a satisfying popcorn adventure. A little cheesier than the first two Jurassic blockbusters, it's a big B movie with big B-list stars (including Laura Dern, briefly reprising her Jurassic Park role), and eight years of advancing computer-generated-image technology give it a sharp edge over its predecessors. While adopting the jungle spirit of King Kong, the movie refines Michael Crichton's original premise, and its dinosaurs are even more realistic, their behavior more detailed, and their variety--including flying pteranodons and a new villain, the spinosaurus--more dazzling and threatening than ever. These advancements justify the sequel, and its contrived plot is just clever enough to span 90 minutes without wearing out its welcome. Posing as wealthy tourists, an adventurous couple (William H. Macy, Téa Leoni) convince paleontologist Alan Grant (Sam Neill) and his protégé (Allesandro Nivola) to act as tour guides on a flyover trip to Isla Sorna, the ill-fated "Site B" where all hell broke loose in The Lost World: Jurassic Park. In truth, they're on a search-and-rescue mission to find their missing son (Trevor Morgan), and their plane crash is just the first of several enjoyably suspenseful sequences. Director Joe Johnston (October Sky) embraces the formulaic plot as a series of atmospheric set pieces, placing new and familiar dinosaurs in misty rainforests, fiery lakes, and mysterious valleys, turning JP3 into a thrill ride with impressive highlights (including a T. rex versus spinosaurus smack-down), adequate doses of wry humor (from the cowriters of Election), and an upbeat ending that's corny but appropriate, proving that the symptoms of sequelitis needn't be fatal. --Jeff Shannon
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The Town
List Price: $19.94
Sale Price: $7.57
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Ben Affleck worked triple-time on The Town, in which he directs, stars, and co-adapts Chuck Hogan's Prince of Thieves. Affleck's Doug MacRay comes from a line of Boston bank robbers. With his father (Chris Cooper) behind bars, he spent most of his childhood in Charlestown with loyal hothead Jem (The Hurt Locker's Jeremy Renner). Doug had a chance to go legit as a pro hockey player, but he threw it away on drugs and bad behavior. After the armed robbery that opens the film, Jem becomes convinced that bank manager Claire (Vicki Cristina Barcelona's Rebecca Hall) saw something, so Doug, who wore a disguise at the time, sets out to make sure she doesn't tell FBI agent Frawley (Mad Men's Jon Hamm) anything incriminating (Titus Welliver plays Frawley's partner). Doug starts by asking Claire out, and finds she's more shaken than stirred--and that he likes her better than Jem's oxy-addicted sister, Krista (Gossip Girl's Blake Lively), his sometime girlfriend. Unfortunately, neither Jem nor vicious enforcer Fergie (Pete Postlethwaite) will cut him loose until he orchestrates two more scores--the last to take place at Fenway Park. If The Town offers fewer surprises than Affleck's directorial debut, Gone Baby Gone, he raises the stakes with well-planned heists, nerve-jangling car chases, and deadly shootouts. Though Affleck looks too clean-cut to portray a thug, he gives a nicely understated performance, while Hall proves an inspired choice as a woman who could make a bad guy turn good--or die trying. --Kathleen C. Fennessy
Ben Affleck co-wrote, directed, and stars in this crime thriller about a Boston bank robber who falls for a hostage (Rebecca Hall) he took while wearing a mask during a recent heist. As he tries to ensure Hall never finds out who he really is, Affleck reluctantly agrees to plan a dangerous caper, clashes with his reckless partner (Jeremy Renner), and attempts to stay one step ahead of an FBI agent (Jon Hamm) determined to take him down. With Blake Lively, Chris Cooper, Pete Postlethwaite. 125 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, Spanish Dolby Digital 5.1, French Dolby Digital 5.1; Subtitles: English (SDH), Spanish, French; featurettes.
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Lost For Words
List Price: $8.99
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When Annie Londgen suffers a stroke, her world and her son Dericâs, suffer a massive change and she finds herself, literally, lost for words. My motherâs eccentricity was something the family took for granted, it had always been there â her inventive way with words and her strange logic that was ever so slightly twisted. Deric LongdenâDo you want to buried Mum or do you want to be cremated?ââOh I donât know love. Surprise me.âI canât imagine how I would feel if it ever came to the point where it would be better for my Mum to be in a home. Deric is naturally one of lifeâs carers. Heâs very sensitive to everybody and he always looks outside himself. It is amazing what heâs been through but he just copes and does what he has to do. That comes out very strongly in the story.â Pete Postlethwaite (who plays Deric in the screen adaptation of Lost for Words).â Oh, Deric, I've left the key for you.â âThanks Luv, Where abouts?â â I've stuck it in the lock so you can find it.ââIâve grown enormously fond of her (Annie Longden). Sheâs a comical lady who has conversations with her cat and who sells her house by showing her buyers that itâs falling to pieces. Itâs very funny. It appeals to me that thereâs comedy in this tragedy.â Dame Thora Hird (who plays Annie Longden in the screen adaptation of Lost for Words).The film âLost for Wordsâ attracted a TV audience of more than 12 million viewers Won International EMMY for Drama 1999Nominated for three BAFTAS in 1999 : Won Best Actress - Dame Thora Hird, Nominated for Best Single Drama and for Best Actor - Pete Postlethwaite Royal Television Award for Best Actor â Dame Thora Hird National Television Award for Most Popular Actress - Dame Thora HirdGeorge Foster Peabody Award (Peabody Awards) for excellence in broadcasting.
When Annie Londgen suffers a stroke, her world and her son Deric's, suffer a massive change and she finds herself, literally, lost for words. My mother's eccentricity was something the family took for granted, it had always been there - her inventive way with words and her strange logic that was ever so slightly twisted. Deric Longden'Do you want to buried Mum or do you want to be cremated?''Oh I don't know love. Surprise me.'I can't imagine how I would feel if it ever came to the point where it would be better for my Mum to be in a home. Deric is naturally one of life's carers. He's very sensitive to everybody and he always looks outside himself. It is amazing what he's been through but he just copes and does what he has to do. That comes out very strongly in the story.' Pete Postlethwaite (who plays Deric in the screen adaptation of Lost for Words).' Oh, Deric, I've left the key for you.' 'Thanks Luv, Where abouts?' ' I've stuck it in the lock so you can find it.''I've grown enormously fond of her (Annie Longden). She's a comical lady who has conversations with her cat and who sells her house by showing her buyers that it's falling to pieces. It's very funny. It appeals to me that there's comedy in this tragedy.' Dame Thora Hird (who plays Annie Longden in the screen adaptation of Lost for Words).The film 'Lost for Words' attracted a TV audience of more than 12 million viewers Won International EMMY for Drama 1999Nominated for three BAFTAS in 1999 : Won Best Actress - Dame Thora Hird, Nominated for Best Single Drama and for Best Actor - Pete Postlethwaite Royal Television Award for Best Actor - Dame Thora Hird National Television Award for Most Popular Actress - Dame Thora HirdGeorge Foster Peabody Award (Peabody Awards) for excellence in broadcasting.
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A Spectacle of Dust: The Autobiography
List Price: $35.00
Sale Price: $18.97
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The candid memoirs of a great character actor Steven Spielberg called him "the best actor in the world," about which Postlethwaite said: "I'm sure what Spielberg actually said was, 'the thing about Pete is that he thinks he's the best actor in the world.'" This is the story of a diverse and multi-talented actor's eventful life, told in his own vibrant words as he was at the end of it.
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The Town solidifies Affleck's status as a very adept filmmaker.
It's like Affleck has taken the best parts of Clint Eastwood and Michael Mann and mixed them all up. Then, served us up this feast of awesomeness that is The Town, thereby solidifying his status as a filmmaker to seriously look out for.
The Town is the tale of four friends-Doug (Affleck), Jem (Renner), Dez (Burke) and Gloansy (Slaine)-who are part of a professional heist crew. In the beginning of the movie, the crew hit a local bank and, per usual, get away successfully. However, due to some issues with the robbery (and the hot-headed, trigger-happy tendencies of Jem) the crew take the bank manager, Claire Keesey (Hall), hostage to carry along for insurance until they're out of harm's reach. This causes problems for the crew as it's later found out that she may have witnessed things and she also lives in the same neighborhood in which the crew members reside. This revelation creates panic amongst the crew until it's decided that Doug will check in and follow her to ensure she's not ratting them out. To make things complicated though, Doug ends up falling for Claire and starts up a relationship with her unbeknownst to the rest of his crew and friends.
Meanwhile, determined and persistent FBI agent Adam Frawley (Hamm) makes it his personal mission to hunt down and put away every last one of these robbers. With the FBI hot on their tail, tensions grow and friendships become strained amongst these heist men. As Doug tries to walk away, hot-headed Jem insists on continuing on and this eventually leads to doing one last job-hitting Fenway Park. Such a big job though, with so much on the line and so much heat already on the crew as Agent Frawley is breathing down their necks, it seems an ultimate crap-shoot whether the boys can actually pull it off. Urged on by Jem's greediness and by threats from the local florist (who lines up jobs and runs the crime ring) played by Pete Postlethwaite, Doug is left with no choice but to give it a shot as all the cards are stacked against him and his crew.
The script is tight for The Town and the movie provides for an adrenaline-packed time that will leave you on the edge of your seat. Affleck clearly takes cues from those that paved the way in this sub-genre. Most notably, Heat seems to be very inspirational in the plotting on this film. While Affleck's approach may seem systematic and the movie may be cliche in parts, it's never to a degree that takes away from the film as Affleck creates such a stylish and intense thriller. One that provides substance with an intelligent script rather than just play into the Hollywood stereotype of mindless action. In only his sophomore appearance as director, Affleck places himself amongst some of the greats of the genre with an action crime thriller that can hang with the best of them. The Town even stands toe-to-toe with that very film it channels for inspiration -Heat.
While on the surface you get a take-no-prisoners thrill-ride, the film also gives glimpses of its soft underbelly. From the humanity in its characters, to the honor amongst thieves and code of conduct amongst friends, the relationships in The Town provide extra depth to the movie. The most vulnerable part of that underbelly can typically be seen whenever Affleck and Hall share the screen. The story provides depth to the characters in these moments and adds a sentimental side to the story. This can also be seen anytime Lively comes on screen. She does an excellent job playing the doped-up ex-girlfriend of Doug who is teetering on the edge of falling off. Also, there are a couple scenes between Affleck and Renner that truly express the depth of friendship between the characters and provide insight into their lives as well as how close-knit and devoted those in a small community can be.
This underbelly, however, is where you'll find my one complaint about the movie. It seems when going to add this depth, Affleck was too focused on Affleck. This is most apparent, I think, in the scenes with Hall. Doug shares his story with Claire and explains how his mother left him when he was young. Explaining his family history, we're given a good look at the background of Doug to better understand his character. However, little is revealed about Claire through these heart-to-hearts, thus not delivering as much humanity to her character and not focusing enough on adding depth to anyone but Doug. This seems true with Lively as well as her character could've been given more depth. However, the great acting job by this ensemble cast manages to overcome this slight shortcoming and deliver a level of humanity to the characters through their acting alone. And the great action scenes and tight, intelligent script provide for an experience that will keep you thoroughly entertained and absolutely riveted the whole time.
The Town proves that Ben's first outing behind the camera was no fluke. Furthermore, it proves that he's only getting better and could become a damn fine filmmaker (even more so than he already is). If he continues to pump out gems like this and Gone Baby Gone, Affleck could be this generation's Clint Eastwood. While a big name and a decent actor, he could find his best expression of art through his roles behind the camera. Affleck will definitely be one to watch out for in the future and, after this movie, will be one that I will happily give the benefit of the doubt to watch whatever he puts out next. The Town is easily one of the best films of the year and a serious Oscar contender. This is Affleck's Reservoir Dogs.
Rating: 8.5/10
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Download Full Movie Solomon Kane Online
Download Full Movie Solomon Kane Online
Based on Robert E Howard's acclaimed pulp tales from the 1920s, Solomon Kane is a thoroughly entertaining demon-slaying romp set in 16th Century Britain. Boasting an impressive lead performance by James Purefoy as the anti-hero seeking redemption, the film bears enough individual traits and dynamism to overcome its numerous flaws and distance itself from the generic 'swords and sorcery' flicks of recent times.
The story kicks off with Captain Kane - equipped with pistols, rapier and a growling West Country drawl - depicted as a brutal killing machine intent on pillaging foreign lands for their riches. The Devil's Reaper is dispatched from the bowels of Hell to claim the corrupt Kane's soul, but he manages to escape and is forced into a life of spirituality and pacifism to keep himself alive. Back in England, he takes on a devout and impoverished existence until the demonical soldiers of a masked Overlord attack a Puritan family he has befriended and kidnap their daughter Meredith. After a torturous mental battle with his own psyche he opts to deploy his murderous talents for a good cause to save the girl - even if it means putting his soul at risk.
Two key facets of Solomon Kane help to elevate the fairly simple, no-frills script - the lead performance and the gritty visual texture. James Purefoy is perfectly cast as Kane, excelling as the morally ambiguous character whose company we enjoy but never feel entirely comfortable with. The English actor superbly brings out the undercurrents of danger and menace inherent in Kane's eyes while trying to seek a spiritual path. His fine work is also backed up by a high calibre supporting cast, including Pete Postlethwaite as Puritan patriach William Crowthorn and living legend Max von Sydow as Kane's merciless (but not in the Ming-ing sense) father.
The muddy and morbid landscape that frames the story is phenomenal, with a suitably rank stench of death permeating events. The cinematography immerses us into a world where rain-sodden corpses dangling from nooses litter the fields, and fog-drenched forests where terror might be lurking. The decision to use the Czech Republic to double for England works very well indeed. Unfortunately, while director Michael J. Bassett succeeds in establishing a visually expressive canvas, his work in painting the various battle sequences reeks of some very poor camerawork indeed. The frenetic, chaotic nature of such scenes, deprived of any clarity, often makes it a futile struggle to work out exactly what is going on and whose limbs are being severed.
Another fault seems to lie in the editing room, where several scenes end rather abruptly. One particular sequence involving a witch attack on the innocent Puritan family cuts off well before the threat has been vanquished, only to show them all well and safe the following morning. Very strange. You just have to assume the witch got a bit bored and flew off. Perhaps she caught sight of the film's final act, which scratches around for a while before plunging into the inevitable climactic battle only for it to conclude rather prematurely - as if the money and/or ideas had run out.
A lack of both clichéd one liners and a central love interest is very refreshing though, as those components are usually pre-requisite for such fare. Less impressive is the dialogue, which retains a comic book feel but comes across as too expositionary in the cinematic medium. For example, when the Devil's Reaper turns up on the scene it announces in a gravelly voice "I am the Devil's Reaper". This is coupled with Kane rattling off lines like "silence you dogs!" and "let not one of these putrid heathens live!" Still, it's naff in the most enjoyable way though, a bit like school discos and cheese fondue.
Solomon Kane is a far from perfect ride, but it's one that leaves you yearning for further adventures from the mentally tortured marauder. In that regard, the movie works almost like a TV pilot, establishing the multi-layered psyche of the lead character and the framework of the dangerous world in which he roams. It also retains a uniquely British feel and serves as a nice cultural antidote to the Turkey Twizzler style formulaic action movies churned out by Hollywood each year.
Download Full Movie Solomon Kane Online
About the Author
what nationality is pete postlethwaite's character in the usual suspects?
Which character? Kobyashi or the guy driving the jaguar at the end? Kobyashi was all a figment of the story Verbal was telling.
BTW - for anyone who loves a good movie and hasn't seen Usual Suspects, go rent a copy before we ruin the story for you.
We are in danger of walking an ugly road
I am not a monarchist like Tony Abbott but I am mindful of what the British monarchy brings with it, a magnificently rich story that stretches back over centuries.
Thanks for visiting!