Paris Rare

Detailed item info Track listing DISC 1: 1. Stick Around 2. Love Song 3. Fling Thing 4. R.I.P. (Rock In Peace) 5. Carry Me Home 6. Crabsody In Blue 7. Cold Hearted Man 8. Snake Eye 9. Borrowed Time 10. Down On the Borderline 11. Big Gun 12. Cyberspace DISC 2: 1. Dirty Deeds Done Dirt Cheap - (live) 2. Dog Eat Dog - (live) 3. Live Wire - (live) 4. Shot Down In Flames - (live) 5. Back In Black - (live) 6. T.N.T. - (live) 7. Let There Be Rock - (live) 8. Guns For Hire - (live) 9. Rock and Roll Ain't Noise Pollution - (live) 10. This House is On Fire - (live) 11. You Shook Me All Night Long - (live) 12. Jailbreak - (live) 13. Highway To Hell - (live) 14. For Those About To Rock (We Salute You) - (live) 15. Safe In New York City - (live) DISC 3: 1. Big Gun [Video] 2. Hard As a Rock [Video] 3. Hail Caesar [Video] 4. Cover You In Oil [Video] 5. Stiff Upper Lip [Video] 6. Satellite Blues [Video] 7. Safe In New York City [Video] 8. Rock N Roll Train [Video] 9. Anything Goes [Video] 10. Jailbreak [Video] 11. It's a Long Way To the Top (If You Wanna Rock 'N' Roll) [Video] - (alternate take) 12. Highway To Hell [Video] 13. You Shook Me All Night Long [Video] 14. Guns For Hire [Video] 15. Dirty Deeds Done Dirt Cheap [Video] - (live) 16. Highway To Hell [Video] - (live) 17. [Bonus Features] 18. Making of Rock N Roll Train, The

Definitive four CD box-set highlights the rock and roll genius that was Bon Scott. Featuring Live From The Atlantic Studios (8 tracks), Let There Be Rock-The Movie Live In Paris (12 tracks), 'Volts' (12 tracks) & Back In Black (10 tracks). Includes 45 page color booklet with photos, lyrics and story of the band, plus a 1'x 2' poster. Out-of-print domestically. Housed in a deluxe box (approx. 6 x 12 x 1 inches). EMI. 1997.

Released as a Tribute to Bon Scott's Legacy, "Bonfire" Includes a Remasterd Version of the "Back in Black", the Legendary "Atlatnic Studio Radio Broadcast", the Soundtrack to the Movie "Let There Be Rock" which was Shot in Paris in 1979 and a CD of Rarities and Live Tracks Titled "Volts", featuring Five Previously Unreleased Versions of Classic Ac/Dc Tracks. "Bonefire" is Rounded Out by an Informative 47 Page Book and Double Sided Souvenir Poster.

Import four CD box set that gives the listener full access to Nile Rodgers' Chic Organization Ltd. archives. The boxset includes Chic's best tracks, rare versions, outtakes, remixes, unreleased songs and all of Chic Organization Ltd's main productions including 'We Are Family' by Sister Sledge, 'Upside Down' and 'I'm Coming Out by Diana Ross and many others. Rodgers, his musical co-hort Bernard Edwards and Chic recorded eight albums and is one of the most sampled band in the world. The bass line from "Rapper's Delight" by Sugarhill Gang comes from Chic's "Good Times", "Lady" by Modjo comes from "Soup For One", Notorious BIG sampled "I'm Coming Out", Will Smith rearranged "He's The Greatest Dance" by Sister Sledge. In addition, many artists were heavily influenced by Bernard Edwards' bassline in "Good Times" such as Queen with "Another One Bites The Dust". A few years after the dawn of Disco, Rodgers and Edwards disbanded The Chic Organization Ltd. but they kept on playing and producing. Rhino Records. 2010.

Revivez l'epoque de la Gaule antique et suivez l'invincible petit guerrier Asterix et ses compagnons rivalisant de force et de ruse avec tout l'Empire romain! Nous sommes en l'an 50 avant Jesus Christ. Aide par la portion magique du druide Panoramix, le village d'Asterix continue a ridiculiser les troupes de Jules Cesar. Pour sauver son honneur, Cesar parient a convaincre les Gaulois d'accomplir une insurmontable serie d'epreuves surhumanines, avec pour enjeu l'avenir de Rome et la liberte du village d'Asterix!

WallMonkeys wall graphics are printed on the highest quality re-positionable, self-adhesive fabric paper. Each order is printed in-house and on-demand. WallMonkeys uses premium materials & state-of-the-art production technologies. Our white fabric material is superior to vinyl decals. You can literally see and feel the difference. Our wall graphics apply in minutes and won't damage your paint or leave any mess. PLEASE double check the size of the image you are ordering prior to clicking the 'ADD TO CART' button. Our graphics are offered in a variety of sizes and prices. WallMonkeys are intended for indoor use only. Printed on-demand in the United States Your order will ship within 3 business days, often sooner. Some orders require the full 3 days to allow dark colors and inks to fully dry prior to shipping. Quality is worth waiting an extra day for! Removable and will not leave a mark on your walls. 'Fotolia' trademark will be removed when printed. Our catalog of over 10 million images is perfect for virtually any use: school projects, trade shows, teachers classrooms, colleges, nurseries, college dorms, event planners, and corporations of all size.

WallMonkeys wall graphics are printed on the highest quality re-positionable, self-adhesive fabric paper. Each order is printed in-house and on-demand. WallMonkeys uses premium materials & state-of-the-art production technologies. Our white fabric material is superior to vinyl decals. You can literally see and feel the difference. Our wall graphics apply in minutes and won't damage your paint or leave any mess. PLEASE double check the size of the image you are ordering prior to clicking the 'ADD TO CART' button. Our graphics are offered in a variety of sizes and prices. WallMonkeys are intended for indoor use only. Printed on-demand in the United States Your order will ship within 3 business days, often sooner. Some orders require the full 3 days to allow dark colors and inks to fully dry prior to shipping. Quality is worth waiting an extra day for! Removable and will not leave a mark on your walls. 'Fotolia' trademark will be removed when printed. Our catalog of over 10 million images is perfect for virtually any use: school projects, trade shows, teachers classrooms, colleges, nurseries, college dorms, event planners, and corporations of all size.

WallMonkeys wall graphics are printed on the highest quality re-positionable, self-adhesive fabric paper. Each order is printed in-house and on-demand. WallMonkeys uses premium materials & state-of-the-art production technologies. Our white fabric material is superior to vinyl decals. You can literally see and feel the difference. Our wall graphics apply in minutes and won't damage your paint or leave any mess. PLEASE double check the size of the image you are ordering prior to clicking the 'ADD TO CART' button. Our graphics are offered in a variety of sizes and prices. WallMonkeys are intended for indoor use only. Printed on-demand in the United States Your order will ship within 3 business days, often sooner. Some orders require the full 3 days to allow dark colors and inks to fully dry prior to shipping. Quality is worth waiting an extra day for! Removable and will not leave a mark on your walls. 'Fotolia' trademark will be removed when printed. Our catalog of over 10 million images is perfect for virtually any use: school projects, trade shows, teachers classrooms, colleges, nurseries, college dorms, event planners, and corporations of all size.

Avant-garde cinema remains unseen for all sorts of reasons. Because it's rare. Because it's elusive. Because the mainstream distribution and exhibition apparatus is not designed to serve it (and, arguably, to a large extent is designed to suppress and deny it). Because people--that vast army of us proud to be unpretentious "regular moviegoers"--basically don't want to see it, fearing that it's esoteric and challenging and probably boring. These are excellent--which is to say, very real--reasons. Except that, as of autumn 2005, they're obsolete. All but the personal-resistance part, anyway. Now, thanks to Anthology Film Archives, curator Bruce Posner, and the cooperation of the world's foremost film museums, anybody with a DVD player can make the acquaintance of 20some hours of definitive avant-garde film experiences through this often dazzling seven-disc set. And whaddaya know: a lot of "unseen cinema" turns out to be fascinating, thrilling, spectrally beautiful, tantalizingly mysterious--in a word, eye-opening, to both the art of film and the world we all share. Moreover, it's not all precious, artist(or would-be artist)-in-a-garret stuff. Some of it has glimmered on regular movie screens, from nickelodeon days through the golden age of Hollywood, doing its avant-garde thing (often without knowing it's avant-garde) as one- and two-reel narratives or astonishing sequences in commercial Hollywood pictures. A 1910 D.W. Griffith two-reeler that compresses several decades (including the Civil War) into 16 minutes. Prologue and transitional montages that goosed up pedestrian feature films with lunges into jagged surrealism and abstraction. The erotically crazed, visually dynamic, sometimes nightmarish phantasmagoria that are Busby Berkeley's "By a Waterfall" and "Lullaby of Broadway." In Posner's own words: "American experimental film has existed since the technological inception of cinema ... The background against which the experimentalists toiled provides a fascinating review of Americana coupled with numerous cross-currents ... and an unfailing desire to create on film an image that can be viewed as an independent and provocative art.... The goal [of this set] is to present the broadest possible spectrum of experimental films produced between the 1890s and 1940s." Each of the seven discs is organized around a central theme, and which one you first reach for will be determined by individual curiosity and susceptibility. The Devil's Plaything: American Surrealism steps off with Edwin S. Porter's 1902 Jack and the Beanstalk, its visionary transformations of settings and now-you-see-'em, now-you-don't appearances and disappearances of cast members the more remarkable for having been entirely achieved in the shooting, without postproduction optical trickery. Griffith's cameraman-to-be Billy Bitzer sends time scurrying dreamily backwards in Impossible Convicts (1905), while such classic 1920s experiments as The Fall of the House of Usher and The Telltale Heart seek to meet Edgar Allan Poe halfway by portraying distorted/demented worlds via stylized lighting and decor. The ambitious Robert Florey, whose feature-directing career would be almost entirely confined to the B zone, collaborates with montage maestro Slavko Vorkapich on The Life and Death of 9413--A Hollywood Extra and with premier production designer William Cameron Menzies on The Love of Zero. Inverted Narratives: New Directions in Storytelling includes Suspense, a 1913 two-reeler by Lois Weber that emulates and occasionally tops her august contemporary, D.W. Griffith; the adventurous selection of camera angles and big, then still-bigger closeups continue to amaze. Charles Vidor's The Bridge, a 1929 rendering of the Ambrose Bierce story "An Occurrence at Owl Creek Bridge," is starker than but not inferior to the more poetic French version that won an Oscar in the 1960s. Josef Berne's Black Dawn, aka Dawn After Dawn, weaves a Gothic spell with its account of love and death on an isolated farm, including a startling passage of sunstruck eroticism. And twelve minutes of Leo Hurwitz and Paul Strand's agitprop, allegorical docudrama of American corporate fascism Native Land, narrated by Paul Robeson, inspires an urgent wish to see the entire film. Light Rhythms: Music and Abstraction moves from surrealist milestones such as Man Ray's Le Retour à la raison, Fernand Léger's Ballet mécanique, and Rose Sélavy's Anémic cinéma (an anagram many times over) to never-seen full-length versions of montages created by Slavko Vorkapich for such films as Crime Without Passion and The Firefly. Vorkapich's mesmerizing nature poem Moods of the Sea, set to Mendelssohn's Fingal's Cave, is among the most relentlessly stunning passages on celluloid. An ecstatically extended bal sequence from Ernst Lubitsch's So This Is Paris inspires, again, a craving to see that unavailable 1926 feature film, while George L.K. Morris' Abstract Movies is an encyclopedic and hilarious amateur re-creation of fond cliches and tropes of generic filmmaking. Still, if one had to pick a single DVD to luxuriate in (and one can: it's the only disc available separately), it would have to be Picturing a Metropolis: New York City Unveiled. The Blizzard, a Gotham panorama grabbed by an unknown cameraman standing outside the Mutoscope film company office one day in 1898, is one of the most enchanting moments you'll ever experience on film, with an urban crowd sharing the bemusement of a winter day slipping into evening, and the fairy-tale vastness of a nearby park softened by falling snow: an absentminded documentary record become sheer poetry. Bitzer's Interior New York Subway, 14th Street to 42nd Street, an unbroken take from the front of an onrushing train (with supplementary illumination supplied by lights mounted on another train on a parallel track!), was shot in 1905, though the itinerary looks exactly the same today; only the crowds have changed. (One comical, endearing touch: a mother and her children, caught in passing at Grand Central, stop in their bustling journey to stare at the camera.) The 1901 Demolishing and Building Up the Star Theatre uses time-lapse photography to chronicle the taking down, and then to imaginatively ordain the resurrection, of an urban show palace. And Robert Flaherty's 24 Dollar Island (c. 1926) is so razor-sharp and judiciously observed that it remains the definitive portrait of Manhattan on film--truly a portrait of the city itself as a living, dynamic space, with scarcely any intrusion of humankind to distract us from the place, its light and shapes and rhythms. There's additional, virtually prehistoric contemplation of urban spaces--including the 1900 Paris Exposition and the Eiffel Tower--in The Mechanized Eye: Experiments in Technique and Form. The Amateur as Auteur: Discovering Paradise in Pictures celebrates the intentional and inadvertent sublimities of home movies. And Viva la Dance: The Beginnings of Ciné-Dance collects everything from the various Annabelle Dances of 1894-97 through Mexican footage shot for Sergei Eisenstein's Que viva México to one more bravura sequence by Busby Berkeley (from Wonder Bar) and the avowedly avant-garde Tarantella and Spook Sport by Mary Ellen Bute in 1940. It cannot be overstated that much of this footage is beautifully preserved, whether transferred from paper prints or exhumed from still-luminous nitrate footage cached in a European archive. And the brief headnotes by such authoritative commentators as Jan-Christian Horak, David Shepard, Kevin Brownlow, and Bruce Posner himself are marvels of lucidity and concision, supplying just the right context--in a mere 50 words or so--to enable the uninitiated viewer to appreciate the film he or she is about to witness. Unseen Cinema is not just (just!) an awesome collection of film landmarks--it's a landmark achievement in its own right. --Richard T. Jameson

7 DVDs - 20 Hours - 155 Classics of Avant Garde Cinema! "Unseen Cinema: Early American Avant-Garde Film 1894-1941" reveals hitherto unknown accomplishments of American filmmakers working in the United States and abroad from the invention of cinema until World War II, and offers an innovative and often controversial view of experimental film as a product of avant-garde artists, of professional directors, and of amateur movie-makers working collectively and as individuals at all levels of film production. Many of the films have not been available since their creation, some have never been screened in public, and almost all have been unavailable in copies as good as these until now. Sixty of the world's leading film archive collections cooperated with Anthology Film Archives to bring this long-neglected period of film history back to life for modern audiences.

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Blessac demi glace sauce has been developed to help anybody who wants to cook fancy French cuisine as well as a brasserie chef. Taking just three minutes to prepare, you will impress any of your guests. Just blend the powder in warm water and stir for 3 minutes and it is ready to serve. The demi glace sauce is a the base of French cuisine ii itself a base for many other sauces. Blessac`s demi glace has authentic aromas and vegetables flavours and it will raise the taste of all the meat you will cook. 6 months in original packing -Keep it from air, light, to preserve color, flavor and moisture (very hygroscopic product) - Well close the box after using - Do not storage on the floor. Note : Product very hygroscopic and sensible about heat choc. An agglomeration is possible without effect about the quality product if it is still in DLUO.

Blessac wild mushroom sauce has been developed to help anybody who wants to cook fancy French cuisine as well as a brasserie chef. Taking just three minutes to prepare, you will impress any of your guests. Just blend the powder in warm water and stir for 3 minutes and it is ready to serve. The wild mushroom sauce is a the base of French cuisine it goes so well with all meat and vegetables. Blessac`s wild mushroom has authentic white wine flavour and forest mushrooms and it will raise the taste of all your meal. 6 months in original packing -Keep it from air, light, to preserve color, flavor and moisture (very hygroscopic product) - Well close the box after using - Do not storage on the floor. Note : Product very hygroscopic and sensible about heat choc. An agglomeration is possible without effect about the quality product if it is still in DLUO.