Olivia Newton

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MADE WITH THE ORIGINAL 45 RPM RECORD. EMBEDDED IN A HIGH GLOSS ACRYLIC CASTING FINISH WITH CORK BACKS. THE 7 INCH RECORD HAS BEEN CUT DOWN TO 4 X 4 INCHES.

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The movie is a 1970s take on 1950s musicals, providing all the kitsch anyone could hope for. It's John Travolta as Danny Zuko as Olivia Newton-John's pompadoured main squeeze, and the kids go crazy. Fresh from his astronomical success with Travolta in Saturday Night Fever, Bee Gee Barry Gibb penned the title track (sung by Frankie Valli). Sha Na Na is over-represented, and actress Stockard Channing struts her, um, versatility, singing a couple of tracks. This has become a touchstone in American culture, and so isn't likely to improve our standing in the world's eyes. Maybe the point is that it's supposed to sound amateurish, but it does manage to eke out some fun, most notably on the hit "You're the One That I Want." --Scott Wilson

BEE GEES THE MYTHOLOGY (4 CDS)

Riding the strange '50s nostalgia wave that swept through America during the late 1970s (caused by TV shows like Happy Days and films like American Graffiti), Grease became not only the word in 1978, but also a box-office smash and a cultural phenomenon. Twenty years later, this entertaining film adaptation of the Broadway musical received another successful theatrical release, which included visual remastering and a shiny new Dolby soundtrack. While this 2002 DVD release contains retrospective interviews with the cast and director Randal Kleiser, it's unfortunately full screen. As a result, the widescreen dance numbers are instead panned and scanned, destroying the symmetrical, lively choreography. A widescreen version is also available and is highly recommended because without the vibrant colors, unforgettably campy and catchy tunes (like "Greased Lightning," "Summer Nights," and "You're the One That I Want"), and fabulously choreographed, widescreen musical numbers, the film has to rely on a silly, cliché-filled plot that we've seen hundreds of times. As it is, the episodic story about the romantic dilemmas experienced by a group of graduating high school seniors remains fresh, fun, and incredibly imaginative. The young, animated cast also deserves a lot of credit, bringing chemistry and energy to otherwise bland material. John Travolta, straight from his success in Saturday Night Fever, knows his sexual star power and struts, swaggers, sings, and dances appropriately, while Olivia Newton-John's portrayal of virgin innocence is the only decent acting she's ever done. And then there's Stockard Channing, spouting sexual double-entendres as Rizzo, the bitchy, raunchy leader of the Pink Ladies, who steals the film from both of its stars. Ignore the sequel at all costs. --Dave McCoy

Riding the strange '50s nostalgia wave that swept through America during the late 1970s (caused by TV shows like Happy Days and films like American Graffiti), Grease became not only the word in 1978, but also a box-office smash and a cultural phenomenon. Twenty years later, this entertaining film adaptation of the Broadway musical received another successful theatrical release, which included visual remastering and a shiny new Dolby soundtrack. For its video and laser disc re-release, Grease lovers can also now see it in the correct 2:35 to 1 Panavision aspect ratio, and see retrospective interviews with cast members and director Randal Kleiser. All these stylistic touches are essential to the film's success. Without the fabulously choreographed, widescreen musical numbers; vibrant colors; and unforgettably campy and catchy tunes (like "Greased Lightning," "Summer Nights," and "You're the One That I Want"), the film would have to rely on a silly, cliché-filled plot that we've seen hundreds of times. As it is, the episodic story about the romantic dilemmas experienced by a group of graduating high school seniors remains fresh, fun, and incredibly imaginative. The young, animated cast also deserves a lot of credit, bringing chemistry and energy to otherwise bland material. John Travolta, straight from his success in Saturday Night Fever, knows his sexual star power and struts, swaggers, sings, and dances appropriately; while Olivia Newton-John's portrayal of virgin innocence is the only decent acting she's ever done. And then there's Stockard Channing, spouting sexual double-entendres as Rizzo, the bitchy, raunchy leader of the Pink Ladies, who steals the film from both of its stars. Ignore the sequel at all costs. --Dave McCoy

The Original Grease (Aniv) [VHS] (1978) John Travolta (Actor), Olivia Newton-John (Actor), Randal Kleiser

If you've got a taste for big hair, broad Texas accents, and gay rights, this mixture of white-trash comedy and coming-out melodrama is for you. Sordid Lives starts out as chicken-fried farce, as a funeral is prepared for a woman who died when she tripped over her adulterous lover's wooden legs; about midway the emphasis shifts to a drag queen unfairly held in a mental institution and the dead woman's grandson, an actor in Los Angeles who hasn't come out to his mother. The tone shifts wildly, and the humor depends on your fondness for the white-trash genre--if you like it, this will tickle your ribs; if you don't, it'll fall flat as the panhandle landscape. But it must be said that the cast (including Bonnie Bedelia, Beau Bridges, Delta Burke, and Olivia Newton-John) dives right in, no matter how over-the-top their characters get. --Bret Fetzer

Get ready for laughs the size of Texas when Olivia Newton-John, Beau Bridges, Bonnie Bedelia and Delta Burke lead an all-star cast in this twisted, white-trash tale "that puts the 'fun' in 'dysfunctional'" (Toronto Sun). The hilariously sordid details about a southern family surface with a vengeance when relatives converge for the funeral of "Grandma Peggy," who died after tripping over her lover's wooden legs! Toss in a couple of feuding, big-haired daughters, a jumpy aunt who just quit smoking, the scorned neighbor from hell, and crazy, cross-dressing "Brother Boy" - and you've got an outrageous "train wreck you can't help but watch!" (Chicago Tribune)

If it weren't for a couple of inspired performances, as well as the time-capsule weirdness of it all, Sgt. Pepper's Lonely Hearts Club Band would be definitively unwatchable. This misguided effort to dramatize the classic Beatles album (the Fab Four had nothing to do with it, thank goodness) also includes tunes from other Beatles LPs, strung together in lumbering '70s rock-opera style. Peter Frampton, then at the crest of his brief run at the top, stars as Billy Shears, with the Bee Gees wearing the glossy day-glo band jackets from the Pepper album cover. Earth, Wind & Fire turn in a spirited revamp of "Got to Get You into My Life," and Aerosmith thrash their way through "Come Together"; but most of the performances are pretty awful. Out-and-out novelties include Steve Martin doing "Maxwell's Silver Hammer" and George Burns (but of course) warbling "Fixing a Hole." This high-profile 1978 flop helped kill the hot streak (Saturday Night Fever, Grease) of record and movie producer Robert Stigwood and sink his RSO movie-music empire. --Robert Horton

John Travolta solidified his position as the most versatile and magnetic screen presence of the decade in this film version of the smash hit play Grease. Recording star Olivia Newton-John made her American film debut as Sandy Travolta's naive love interest. The impressive supporting cast reads like a "who's who" in this quintessential musical about the fabulous '50s. Grease is not just a nostalgic look at a simpler decade--it's an energetic and exciting musical homage to the age of rock 'n' roll!System Requirements:Running Time: 110 minsFormat: DVD MOVIE Genre: COMEDY Rating: PG UPC: 097361183947 Manufacturer No: 118394

Riding the strange '50s nostalgia wave that swept through America during the late 1970s (caused by TV shows like Happy Days and films like American Graffiti), Grease became not only the word in 1978, but also a box-office smash and a cultural phenomenon. Twenty years later, this entertaining film adaptation of the Broadway musical received another successful theatrical release, which included visual remastering and a shiny new Dolby soundtrack. While this 2002 DVD release contains retrospective interviews with the cast and director Randal Kleiser, it's unfortunately full screen. As a result, the widescreen dance numbers are instead panned and scanned, destroying the symmetrical, lively choreography. A widescreen version is also available and is highly recommended because without the vibrant colors, unforgettably campy and catchy tunes (like "Greased Lightning," "Summer Nights," and "You're the One That I Want"), and fabulously choreographed, widescreen musical numbers, the film has to rely on a silly, cliché-filled plot that we've seen hundreds of times. As it is, the episodic story about the romantic dilemmas experienced by a group of graduating high school seniors remains fresh, fun, and incredibly imaginative. The young, animated cast also deserves a lot of credit, bringing chemistry and energy to otherwise bland material. John Travolta, straight from his success in Saturday Night Fever, knows his sexual star power and struts, swaggers, sings, and dances appropriately, while Olivia Newton-John's portrayal of virgin innocence is the only decent acting she's ever done. And then there's Stockard Channing, spouting sexual double-entendres as Rizzo, the bitchy, raunchy leader of the Pink Ladies, who steals the film from both of its stars. Ignore the sequel at all costs. --Dave McCoy

Riding the strange '50s nostalgia wave that swept through America during the late 1970s (caused by TV shows like Happy Days and films like American Graffiti), Grease became not only the word in 1978, but also a box-office smash and a cultural phenomenon. Twenty years later, this entertaining film adaptation of the Broadway musical received another successful theatrical release, which included visual remastering and a shiny new Dolby soundtrack. While this 2002 DVD release contains retrospective interviews with the cast and director Randal Kleiser, it's unfortunately full screen. As a result, the widescreen dance numbers are instead panned and scanned, destroying the symmetrical, lively choreography. A widescreen version is also available and is highly recommended because without the vibrant colors, unforgettably campy and catchy tunes (like "Greased Lightning," "Summer Nights," and "You're the One That I Want"), and fabulously choreographed, widescreen musical numbers, the film has to rely on a silly, cliché-filled plot that we've seen hundreds of times. As it is, the episodic story about the romantic dilemmas experienced by a group of graduating high school seniors remains fresh, fun, and incredibly imaginative. The young, animated cast also deserves a lot of credit, bringing chemistry and energy to otherwise bland material. John Travolta, straight from his success in Saturday Night Fever, knows his sexual star power and struts, swaggers, sings, and dances appropriately, while Olivia Newton-John's portrayal of virgin innocence is the only decent acting she's ever done. And then there's Stockard Channing, spouting sexual double-entendres as Rizzo, the bitchy, raunchy leader of the Pink Ladies, who steals the film from both of its stars. Ignore the sequel at all costs. --Dave McCoy

It was a choral rendition of Journey's "Don't Stop Believing" that first put Glee on the map, the thrilling end to an intriguing pilot episode that aired after American Idol in May 2009. After the full season began airing that fall, Glee became the most talked about show on TV, a musical-comedy-drama of colorful characters and soaring production numbers. Will Schuester (Matthew Morrison) is a teacher at an Ohio high school who decides to coach the glee club (or show choir) that he belonged to when he was a student. The initial members are a ragtag bunch of social outcasts: born-for-Broadway diva Rachel (Leah Michele), big-voiced Mercedes (Amber Riley), wheelchair-bound Artie (Kevin McHale), stuttering goth girl Tina (Jenn Ushkowitz), and closeted gay Kurt (Chris Colfer). But things get interesting when the club starts to prepare for the sectional competition and manages to add some of the school's popular kids: quarterback Finn (Cory Monteith), his bullying teammate Puck (Mark Salling), and cheerleaders Quinn (Dianna Agron), Santana (Naya Rivera), and Brittany (Heather Morris), the final three planted as spies by Schuester's rival, internationally acclaimed cheerleading coach Sue (Jane Lynch). Meanwhile, a triangle develops among Will, his wife (Jessalyn Gilsig), and the school's obsessive-compulsive guidance counselor, Emma (Jayma Mays). Other relationships get tangled, faces are slushied, and Sue plots the club's destruction while tossing out plenty of zingers. (Note that parental discretion is advised due to some mature themes.) Through the course of its initial 13 episodes and another 9 that aired in the spring of 2010, Glee transfixed its audiences with its offbeat combination of humor and drama and its musical numbers, ranging from Broadway to classic rock to rap, or even merging them together in the show's famous "mash-ups." Michele and Morrison, both with Broadway résumés, get the biggest credits (check Michele's roof-raising "Don't Rain on My Parade" or her "Defying Gravity" duel with Colfer), but the whole cast sings and dances with skill and heart. It didn't take long for entertainment powerhouses of all stripes to take an interest in Glee, either as contributors (such as Madonna, who lent her music to a full episode) or as guest stars. Broadway star Kristin Chenoweth makes numerous appearances as glee-club alumna April Rhodes (none better than her duet with Morrison of "One Less Bell to Answer" and "A House Is Not a Home"), and in the season's best episode, "Dream" (directed by Joss Whedon), Neil Patrick Harris and Idina Menzel (Chenoweth's Wicked costar) sing terrific duets with Morrison and Michele, respectively. Other guest stars, to often-humorous effect, include Josh Groban, Molly Shannon, Eve, and Olivia Newton-John. At the end of the season, well-deserved Emmy wins went to director-creator Ryan Murphy (Nip/Tuck), Lynch, and Harris, and Morrison, Michele, Colfer, and Chenoweth also earned nominations. --David Horiuchi

All 22 episodes of season one--including the "Pilot," "Acafellas," "Vitamin D," "Funk," and "Theatricality"--are collected in a six-disc set. 16 1/4 hrs. total. Widescreen; Soundtrack: English Dolby Digital 5.1; Subtitles: English (SDH), French, Spanish, Portuguese; featurettes; more. **22 episodes on 6 discs. 16 1/4 hrs.**

Riding the strange '50s nostalgia wave that swept through America during the late 1970s (caused by TV shows like Happy Days and films like American Graffiti), Grease became not only the word in 1978, but also a box-office smash and a cultural phenomenon. Twenty years later, this entertaining film adaptation of the Broadway musical received another successful theatrical release, which included visual remastering and a shiny new Dolby soundtrack. While this 2002 DVD release contains retrospective interviews with the cast and director Randal Kleiser, it's unfortunately full screen. As a result, the widescreen dance numbers are instead panned and scanned, destroying the symmetrical, lively choreography. A widescreen version is also available and is highly recommended because without the vibrant colors, unforgettably campy and catchy tunes (like "Greased Lightning," "Summer Nights," and "You're the One That I Want"), and fabulously choreographed, widescreen musical numbers, the film has to rely on a silly, cliché-filled plot that we've seen hundreds of times. As it is, the episodic story about the romantic dilemmas experienced by a group of graduating high school seniors remains fresh, fun, and incredibly imaginative. The young, animated cast also deserves a lot of credit, bringing chemistry and energy to otherwise bland material. John Travolta, straight from his success in Saturday Night Fever, knows his sexual star power and struts, swaggers, sings, and dances appropriately, while Olivia Newton-John's portrayal of virgin innocence is the only decent acting she's ever done. And then there's Stockard Channing, spouting sexual double-entendres as Rizzo, the bitchy, raunchy leader of the Pink Ladies, who steals the film from both of its stars. Ignore the sequel at all costs. --Dave McCoy

Stills from Grease (Click for larger image)

Get out your poodle skirts and penny loafers and get ready to rock 'n' roll with John Travolta and Olivia Newton-John in the hit screen rendition of the Broadway musical look at '50s high school life. Songs include "Greased Lightning," "Summer Nights," "You're the One That I Want" and the title track; with Stockard Channing, Jeff Conaway, Didi Conn, Eve Arden. 110 min. Widescreen; Soundtracks: English Dolby TrueHD 5.1, French Dolby Digital 5.1, Spanish Dolby Digital mono; Subtitles: English (SDH), French, Spanish; audio commentary; alternate scenes; deleted scenes; extended scenes; featurettes; sing-along songs.

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