Never Filmed

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Classic television will never be completely forgotten or out of style as it brought so much to television screens in living rooms across the country. Watching reruns of classic TV shows will never fall out of fashion either. Not with those of us who grew up watching and learning from these classic TV shows. And not with the new generation of classic TV fans that the re-airing of these classics in television are creating now.

Some of us can remember that being youngsters in the 70s we rushed home from school to get started on finishing our homework right away so that we could watch such classic TV shows as Gilligan's Island and I Love Lucy before suppertime. Some of our primetime classic TV selections included Bewitched, Happy Days, The Brady Bunch, Green Acres, and The Beverly Hillbillies, Petticoat Junction, and The Partridge family. Some of these classic TV shows were still being filmed into the 80s and were joined by what are now also classic television shows we remember fondly and still enjoy watching today. Laverne & Shirley, One Day at a Time, Welcome Back Kotter, Barretta, Starsky & Hutch, Hillstreet Blues, and Mork & Mindy. When Cagney & Lacey hit the classic TV scene in the 80s, young women were empowered to dream of going into professions usually reserved for males as these two women fought crime on the mean streets of NYC and in the sometimes equally mean environment of the male dominated workplace. Our Saturday mornings were reserved for Fat Albert and the Gang, Scooby Doo, and the Jetsons. Sunday evenings we watched classic television such as Hee Haw and Disney Family Showcase Theatre.

The raunchy, pushed to the limits reality television programs that have replaced old TV shows on most networks today have nothing on those classic TV shows from the 70s and 80s. We learned true family values from the Brady's the Walton's, The Ingals Family, and the Partridges, not to mention the Cleavers in Leave it to Beaver, and Timmy, his Mom and super canine hero and friend, Lassie. These classic TV shows from the 70s and 80s continue to teach the family values that would otherwise be lost to the generation of children now growing up in broken or in families headed by only one parent, or in families in which both parents are forced to work just to make ends meet.

Those old classic TV shows taught the importance of moral values and the strength and wisdom found with several generations of a family living together or close by to one another .We learned how to share with one another and how to make friends. We learned that it was important to never lie to our parents and that they would always love us no matter what mistakes we made. We learned that there were solutions to every problem, no matter how big or small they might be. We learned to believe in ourselves and to dream big. We learned about falling in love and how to mend a broken heart. We learned all of this and so much more from these classic TV shows that will live on in those of us who have come to love them and through the television networks still brave enough to provide a platform for quality, family values shows like classic TV shows.

For many of us these shows are so ingrained in our memories it is as if Ritchie, Potsie and Mouth were our high school chums and we were right there with them throughout all of the teenage angst and mischief they got into. At the time many of us would sit and wonder what it would be like to be a Brady or Partridge. Who among us didn't wish we owned the General Lee and could do some off- roading that rivaled that of the Duke brothers? Mork made us hopeful that it there was life on other planets, that they would be as hilarious and ready to make friends as he was. Oh and how many of our big brothers shot BB guns into the ground when Mom wasn't looking because they were intent on finding oil and becoming millionaires like good ol' Jed Clampitt did? Okay so not everything we learned from these classic TV shows was something Mom was thrilled to find us reenacting. But is sure was a whole lot of fun. Classic TV encouraged you to use your imagination. Not at all like the mindless stuff that permeates television and our children our bombarded with today that spark little, if any imagination.

No, classic television will never be completely forgotten or go out of style. There are too many of us old and young who will keep the demand for these old TV shows alive.

~Ben Anton 2007

The author invites you to visit our site and read more about Johnny Carson videos on DVD [http://www.classictelevisionblog.com/tv/johnny_carson/index.html] and other classic tv on DVD.

Film Festivals Can Be Very Kind To Independent Filmmakers

If you are one of those people who went to film school and still cannot understand why they did not teach you how to get a job in the film industry, then I suggest that you stop complaining, gather up all the creative, hard working film production people you know, make yourself an independent film and enter it in some film festivals. If you win an award at a prominent film festival your life may change very dramatically for the better. Even a small award at a small film festival will more than likely set you on the path to having a career in the film industry.

Most people attend film schools with big dreams of working in the Hollywood film industry and possibly even making a name for themselves. They have visions of red carpet interviews, Academy Awards acceptance speeches and stars on the Hollywood Walk of Fame. However, most of them will never see those dreams come to fruition and they will face endless frustration and disappointment instead.

After graduating from film school most people are expected to break into a business that is considered to be one of the most difficult in the world to find employment, unless you have connections, of course. For the ones without connections, it can be very frustrating. Unfortunately for them, the Hollywood film industry is run by a tight knit community that practices nepotism and rarely opens the door to newcomers.

If you want to break into Hollywood but your last name is not Barrymore, Begley, Cyrus or Sheen and the only connection you have is a cousin who manages your local movie theater, then your best chance of success is to make an independent film and enter it in film festivals. If you place in the top three of any category you enter you will usually be asked to send a film print of your movie so it can be screened to audiences that attend these events.

Film festival audiences are a combination of film critics, media reporters, film distribution representatives, film fans, celebrities and local residents. These are the people that can create a buzz about a movie after they see it. When a buzz is created about a movie at a film festival it usually starts in the theater lobbies and then works its way out into the media where it can take on a life of its own. If this happens to any independent film it is destined to succeed, and the independent filmmaker who made the film springboards into a career in the film industry. Just ask Robert Rodriguez or Quentin Tarantino about the value of film festivals and they will tell you.

Winning a top award at any film contest is a good thing for anyone who makes movies. With an award comes publicity, and publicity is the life blood for filmmakers and their careers.

Film distribution companies send people to film festivals to purchase products and they always follow the publicity to find their products. Many of the purchases they make are small movies made by people with very small budgets. An independent filmmaker can make a good profit from one of these distribution deals and make themselves bankable at the same time. If they can sell their movie to a distribution company, there is a good chance that they will be able to make more films with bigger budgets using money from investors, instead of their own hard earned money.

It is very important that you choose the right film festivals to enter your movie if you want to increase your chances of winning an award. Of course it would be nice to win a major award at an event like the Cannes Film Festival, The Toronto International Film Festival or the Sundance Film Festival. But you have to be realistic and set your sites on a contest that is friendly to small independent filmmakers and their independent films. Worldfest Houston International Film Festival and the Austin Film Festival are two examples of the type of film festivals that are friendly to this type of people who work with small budgets and big ideas. There are hundreds more contests out there and they come in all shapes and sizes.

The Cannes Film Festival, The Toronto International Film Festival and the Sundance Film Festival are the biggest and most publicized movie contests in the world. Unfortunately, they are also the most difficult ones for small independent films to be accepted into because of the high standards and politics that they employ.

Most of the films that win awards and get screened at the Big Three film festivals are made by independent film production divisions of the Big Six film studios like Warner Bros and Disney. By definition they are still considered to be independent films if no more than 50 percent of the funding comes from a major studio. But that fifty percent is usually millions of dollars, and this puts the production value in a whole different league than the movies that are made by small time independent filmmakers with miniscule budgets. Also, most of these big budget festival films have big Hollywood stars attached to them which makes them irresistible to the contest judges and management.

The Big Three film festivals have been invaded by the Big Six film production studios with big budget movies masquerading as independent films. This makes it very hard for a film that was shot with a digital camera on a shoestring budget to compete at Cannes, Toronto and Sundance. These kinds of films have a much better chance of winning an award at a film festival like Worldfest Houston or the Austin Film Festival because they are more interested in showcasing film talent than they are catering to the Hollywood film industry. Choose your film festivals wisely and you will increase your chances of winning an award and securing a distribution deal.

About the Author

Michael P. Connelly is an Author, Artist and award-winning Filmmaker who writes on a variety of topics that effect people in their every day lives.

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Why do the cups in films never have lids?

It's just something I've always noticed. In American Pie, while the guys are in their favorite restaurant, none of their styrofoam cups have lids. In Superbad, the slushie drink Evan (Michael Cera) buys at the convenient store doesn't have a lid. I can't think of anymore movies off the top of my head, but I know there are more. Is it an environmental thing? Is it a copyright thing? Or am I just looking into this too much? lol

Fifth Element.

Cops had lids.

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It's a first. Outfitted with a Crittercam, an Australian sea lion has filmed itself hunting, and eating, a large octopus. Video.

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