Natasha Richardson

"Well, first of all, " said the BFG, "human beans is not really believing in giants, is they? Human beans is not thinking we exist." Sophie discovers that giants not only exist, but that there are a great many of them who like to guzzle and swallomp nice little chiddlers. But not the Big Friendly Giant. He and Sophie cook up an ingenious plot to free the world of troggle-humping -- forever. Performed by Natasha Richardson

The New Yorker review praised Patrick McGrath's "ornate, deadpan style . . . distinguished by its unusual seriousness, its lack of camp," and described Asylum as a "layered, implicating book, whose terrors and malignities aren't quite the ones we expect, and are a matter of mood and viewpoint as well as of plot." McGrath's fourth novel (his other three are also highly recommended) features a subtly deceptive narrator whose confident, musical voice seduces you--a voice that mirrors, in its meter, emotions ranging from lyrically obsessed, to meticulously fond, to cautious and stiff with horror. And the imagery is unforgettable: the grim architecture of the asylum; a ravaged human head with empty eye sockets; a drowning in a pool on a barren heath.

From our most celebrated writer of the psychological thriller comes this nerve-wracking yet eerily beautiful work of erotic obsession and madness.In the summer of 1959 Stella Raphael joins her psychiatrist husband, Max, at his new posting--a maximum-security hospital for the criminally insane. Beautiful and headstrong, Stella soon falls under the spell of Edgar Stark, a brilliant and magnetic sculptor who has been confined to the hospital for murdering his wife in a psychotic rage.But Stella's knowledge of Edgar's crime is no hindrance to the volcanic attraction that ensues--a passion that will consume Stella's sanity and destroy her and the lives of those around her.

Emma Thompson spent five years translating Jane Austen's work to the screen. Fans of the film will treasure this beautiful volume that includes her screenplay, diaries of the writing and the filming, and many gorgeous color pictures from the film.

This engaging and beautiful book includes the complete Academy Award-winning script and Thompson's own diaries detailing the production of the film, reviewed by Stanley Kauffmann in The New Republic as "vivid, funny, and gamy." 88 photos including 36 in color.

The Bacon Brothers say it best on this hilarious CD's title track: "Poultry in motion is a beautiful thing." So is a record that grabs you by the funnybone from its opening (the Seldom Herd's "Cows") and doesn't let go till the final note is clucked. Sandra Boynton, whose illustrated board books have become as much a part of every toddler's reading list as Mother Goose, makes a convincing case here that authors can succeed brilliantly as very silly songwriters. Meryl Streep, Laura Linney, Kevin Kline, Natasha Richardson, and fourteen other performers all qualify as contenders for king and queen of the coop, and they whoop it up enough to guarantee the most enjoyable sing-along ever. --Tammy La Gorce

No Description Available.Genre: ChildrensMedia Format: Compact DiskRating: Release Date: 10-FEB-2004

The 1998 Broadway production of Cabaret is that rarest of revivals, one that feels like an utterly new show. Despite their incredibly familiarity, the songs of Kander and Ebb sound as lively and lascivious as ever, and the revised score augments the original with several tunes written specifically for the Oscar-winning 1972 film ("Mein Herr," "Maybe This Time"). In the central roles of deluded chanteuse Sally Bowles and the MC, respectively, Natasha Richardson and Alan Cumming have big pumps to fill; they successfully do so with distinctive flair, eschewing the ham-fisted tendencies of Liza Minnelli and Joel Grey to impart this complicated yet enthralling vision of 1930s Berlin with a fiercely individual spirit. --Kurt B. Reighley

If you were a kid in the early 1960s, then you saw The Parent Trap with Hayley Mills--it's as simple as that. Now Disney has pulled the beloved comedy--about a pair of twins who meet for the first time at summer camp and vow to reunite their long-divorced parents--out of the mothballs and remade it with a decidedly '90s feel. This time, the twins act is performed by newcomer Lindsay Lohan, who plays both Hallie and Annie, who each live with one of their parents (Dennis Quaid and Natasha Richardson). Adversaries when they first meet at camp, Hallie and Annie become, well, sisters when they figure out that they are siblings. The comedy springs from their efforts to sabotage Dad's impending marriage to the gold-digging Elaine Hendrix, while reintroducing Dad to Mom. Quaid has a nice, loosey-goosey way with slapstick, as does Richardson, who plays a very funny drunk scene. --Marshall Fine

What if you spent your whole life wishing for something you didn't know you already had? Hallie Parker and Annie James are about to find out. From Walt Disney Pictures and the creators of FATHER OF THE BRIDE comes the hilariously fresh and contemporary retelling of the classic hit THE PARENT TRAP. Hallie is a cool girl from California. Annie is a fair rose from London. When the two accidentally meet at summer camp, they think they have nothing in common except ... they're identical twins (both played by Lindsay Lohan)! Now they're up to their freckles in schemes and dreams to switch places, get their parents (Dennis Quaid and Natasha Richardson) back together, and have the family they've always wished for! With "Two Thumbs Up" from Siskel & Ebert, this charming, heartwarming, and delightfully clever comedy adventure will enchant your entire family.

Set in a time when a buildup of toxic chemicals has made most people sterile, Volker Schlondorff's film offers a disturbing view of a society under martial law in which fertile women are captured and made into handmaids to bear children for rich and infertile matrons. The film unfolds from the eyes of newly converted handmaid Kate (Natasha Richardson). She is trapped in this mysogynistic society which both deifies these fertile women as prized possessions and condemns them as whores. Throughout the story Kate has to cope with the jealousy of the woman she serves (Faye Dunaway), the advances of her sleazy military husband (the Commander, played by Robert Duvall), and the loss of her daughter, who has been shuttled off to a similarly aristocratic setting. She also falls in love with one of the Commander's security guards (Aidan Quinn), who sympathizes with her plight and potentially offers her a way out. Throughout The Handmaid's Tale, issues of feminism, abortion rights, male dominance, and conservative religious politics all come under fire. Some may view the film itself as antifemale considering its concepts, but it is quite the opposite. Instead it shows how only through solidarity can women bring down an overriding patriarchical mindset. The film, which works from Harold Pinter's screenplay adaption of Margaret Atwood's novel, features strong performances from those mentioned as well as Elizabeth McGovern and Victoria Tennant. --Bryan Reesman

Set in a time when a buildup of toxic chemicals has made most people sterile, Volker Schlondorff's film offers a disturbing view of a society under martial law in which fertile women are captured and made into handmaids to bear children for rich and infertile matrons. The film unfolds from the eyes of newly converted handmaid Kate (Natasha Richardson). She is trapped in this mysogynistic society which both deifies these fertile women as prized possessions and condemns them as whores. Throughout the story Kate has to cope with the jealousy of the woman she serves (Faye Dunaway), the advances of her sleazy military husband (the Commander, played by Robert Duvall), and the loss of her daughter, who has been shuttled off to a similarly aristocratic setting. She also falls in love with one of the Commander's security guards (Aidan Quinn), who sympathizes with her plight and potentially offers her a way out. Throughout The Handmaid's Tale, issues of feminism, abortion rights, male dominance, and conservative religious politics all come under fire. Some may view the film itself as antifemale considering its concepts, but it is quite the opposite. Instead it shows how only through solidarity can women bring down an overriding patriarchical mindset. The film, which works from Harold Pinter's screenplay adaption of Margaret Atwood's novel, features strong performances from those mentioned as well as Elizabeth McGovern and Victoria Tennant. --Bryan Reesman

If you were a kid in the early 1960s, then you saw The Parent Trap with Hayley Mills--it's as simple as that. Now Disney has pulled the beloved comedy--about a pair of twins who meet for the first time at summer camp and vow to reunite their long-divorced parents--out of the mothballs and remade it with a decidedly '90s feel. This time, the twins act is performed by newcomer Lindsay Lohan, who plays both Hallie and Annie, who each live with one of their parents (Dennis Quaid and Natasha Richardson). Adversaries when they first meet at camp, Hallie and Annie become, well, sisters when they figure out that they are siblings. The comedy springs from their efforts to sabotage Dad's impending marriage to the gold-digging Elaine Hendrix, while reintroducing Dad to Mom. Quaid has a nice, loosey-goosey way with slapstick, as does Richardson, who plays a very funny drunk scene. --Marshall Fine

Features include: •MPAA Rating: PG•Format: DVD•Runtime: 127 minutes

''Natasha Richardson, Rupert Graves, Anna Friel, Ciaran Hinds autographed Playbill Program Closer Broadway Show ** item pictured above comes with autographwarehouse certificate of authenticity and numbered hologram''

Natasha Richardson, Rupert Graves, Anna Friel, Ciaran Hinds autographed Playbill Program Closer Broadway Show ** item pictured above comes with autographwarehouse certificate of authenticity and numbered hologram