Mint Comedy

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As peopled by John Cusack and Kate Beckinsale, director Peter Chelsom's romantic fable mines a familiar vein: What if a pair of attractive protagonists engaged to others suddenly found themselves madly in love? If the premise is as vintage Hollywood as popcorn and sticky theater floors, its soundtrack is smartly contemporary, a collection of new songs (by Evan & Jaron, Shawn Colvin, Wood, Heather Nova, John Mayer, and Chantal Kreviazuk) and well-selected album cuts (by Annie Lennox, Nick Drake, Bap Kennedy, David Gray) filled out with a loopy slice of vintage Louis Armstrong ("Cool Yule") and jazzy solo piano score excerpt by film composer Alan Silvestri. The tone shifts warmly amid jangly alterna-pop, folk-tinged, and quieter, more jazz/blues flavored cuts. It's tasteful, sensual stuff--and largely devoid of the cloying bathos of similar Hollywood romantic fare. -Jerry McCulley

This odds 'n' ends mix of '60s, '70s, and '90s pop clashes like an all-plaid tuxedo, so those with a stereo pre-programming function--or better yet, a remote--would be wise to rearrange this album's songs in a less jarring manner. Unlike many teen flick soundtracks, Never Been Kissed tries hard to follow the film script's championing of the underdog: There are no Everclears, no Alanises, just primarily a warm, risk-free blend of mostly lesser-known pop acts (Semisonic, Remy Zero, Sonichrome) who sound vaguely reminiscent of other, bigger-name pop acts. The rub is that the string of modern bubblegum numbers segues into a sprinkling of old faves like John and Yoko's "Watching the Wheels" and the Beach Boys' "Don't Worry Baby," both of which are hideously out of place next to the ethnic rap stylings of Ozomatli and no-brainer jubilance of teen idol Jeremy Jordan. The final insult is the inclusion of The Smiths' tender "Please, Please, Please, Let Me Get What I Want," a ballad that strongly identified the mood of '80s high-school movies (it originally appeared on the Pretty in Pink soundtrack) but has no meaning in this cootchy-coo context. --Kristy Ojala

Beach Boys' DON'T WORRY BABY + 15 more.

Although at first glance it looks like a movie dreamed up by a marketing committee (and in some respects it probably was), Space Jam actually defies the odds against it to become a dazzling display of family entertainment. There's a kind of demented genius to the idea of casting NBA superstar Michael Jordan in a live-action and animated movie costarring the beloved characters from Warner Bros.' Looney Tunes cartoons. They play off each other like seasoned veterans of vaudeville, and Jordan never falls into the kind of awkward, amateurish showmanship that you might expect from a sports idol. He's comfortable in the cartoon land of his costars, who include Bugs Bunny and sexy newcomer Lola Bunny, Daffy Duck, Porky Pig, Elmer Fudd, Sylvester & Tweety, Speedy Gonzalez, the Tazmanian Devil, Foghorn Leghorn, and Yosemite Sam. They've all been hijacked to an outer-space amusement park run by the Nerdlucks, who strike a Faustian bargain with the Looney heroes: if Bugs and Co. can defeat the Nerdluck "Monstars" in a basketball game, they'll win back their freedom; if they lose, they'll be doomed to stay there forever as enslaved entertainers. So they kidnap Jordan as their coach and "secret weapon" while the nefarious Nerdlucks suck out the basketball skills from such stellar victims as Charles Barkley and Patrick Ewing. It all leads to reckless abandon on the basketball court, and Bill Murray pops in for some hilarious support. Combining traditional animation and computer-generated Nerdlucks with its live-action cast, Space Jam was made in the anarchic spirit of the Looney Tunes cartoons, where anything goes as long as it's funny and off-the-wall (or the ceiling, or the door, or the floor...). Technically astounding, it's also witty enough to entertain adults and kids alike. --Jeff Shannon

1996 - Warner Bros / WB - Family Entertainment - Space Jam - Animation / Live Action - Stars: Bugs Bunny , Michael Jordan, Wayne Knight, Theresa Randle - Voice of Danny DeVito - Director: Joe Pytka - VG Condition - Your Satisfaction of Your Money Back!

1996 - Touchstone Pictures - VHS Tape - Kazaam - Stars: Shaquille O'Neal, Ally Walker - Director: Paul M. Glaser - Color - 94 Minutes - New - Out of Production - Collectible - Mint - Rated PG

This junk-candy movie stars Shaquille O'Neal as a genie who not only becomes a little boy's protector but also a problem in his oversized ubiquity. Kids will enjoy the concept and the ongoing visual joke of juxtaposing a small child with O'Neal, but the film (directed by Paul Michael Glaser) isn't always particularly wholesome. It also has that messy, semiliterate storytelling look where editing logic goes out the window in favor of a more impulsive style of throwing out one busy image after another. --Tom Keogh

Harry Lucas (Jim Hutton) is a U.S. Mint employee who scrambles to recover $50,000 he accidentally destroyed in this underrated comedy of errors. After he mistakenly throws the money down the garbage disposal, a frantic Harry recruits retired mint employee Pop Gillis (Walter Brennan) to cook up a hot new batch of cold cash. The two have to hire a bunch of colorful crooks to pull off the caper. Soon the money paid out far exceeds the total of the original loss.

It's hard to believe, but for the first three seasons nobody really knew that Seinfeld was about, well, you know. It wasn't until season 4--unleashed here in a four-disc set that's equal in scope, quality, and quantity of bonus material to its predecessors--that the show really became something. In a series which can claim every installment as classic, the two-parter on disc 1 titled "The Pitch/The Ticket" truly stands out as a defining episode and, in retrospect, marked Seinfeld 4 as the breakthrough season. It's the one where (fake) NBC executives express their interest in working with Jerry Seinfeld on a TV show, then moves to the who's-on-first shtick of George successfully pitching Jerry on creating "a show about nothing." Scattered throughout the discs in commentaries by cast and creators and in numerous "Inside Look" documentaries, nearly everyone expresses some anxiety about the season having a story "arc" depicting Jerry and his "real" life becoming a sitcom. The show had been only marginally successful up to that point anyway, and with the edict, "no hugging, no learning," still in place, maybe messing with nothing was a bad idea. What makes the arc so arch is the self-reflexive way it details the reality of Jerry Seinfeld and Larry David coming up with the concept and pitching it to (real) NBC executives as a show that really was about, well, you know. In one of the many informally informative interview segments, Jerry remembers hitting a stride during this time when a lot of crazy ideas started to make sense. "Everything was just a wild guess," he says, "and it takes a while to get confident that you're guessing pretty good. I think sometime in season 4 we realized we were guessing pretty good." Oh, that we could all be so good at nothing. Season 4 also gave us the episodes "The Bubble Boy" ("He lives in a bubble!"), "The Pick" ("There was no pick!"), and, perhaps most memorably, "The Contest." Recalling how nervous he thought NBC might be about a show based on how long a person can remain--ahem--master of his domain, Larry David says that he kept the idea hidden for a long time. He may have had NBC sweating, but the episode goes by without anyone uttering the word that it's really about. The curmudgeonly David also observes that another famous season 4 episode, "The Outing," only made it on the air due to a network "note" about making sure it wouldn't be offensive to homosexuals. Hence we have the addition of another standard to the Seinfeld lexicon of American pop culture: "Not that there's anything wrong with that!" Not only wasn't there anything wrong with it, the episode won a GLAAD Media Award. Season 4 also brought Seinfeldits first Emmy for Outstanding Comedy Series. Stay tuned for season 5 (and a move to the coveted Thursday-at-9 slot) when the volcano we now know was always brewing really blew its comedic top. --Ted Fry

All 24 fourth-season episodes--including the two-part "The Trip," "The Bubble Boy," "The Contest," "The Junior Mint," and "The Pilot"--have been collected in a four-disc set. 9 1/4 hrs. total. Standard; Soundtracks: English Dolby Digital stereo, French Dolby Digital stereo, Spanish Dolby Digital stereo; Subtitles: English, French, Portuguese, Spanish; behind-the-scenes footage; interviews; deleted scenes; outtakes; audio commentary; Seinfeld stand-up footage; TV spots. **24 episodes on 4 discs. 9 1/4 hrs.**

A truly perfect movie, the 1942 Casablanca still wows viewers today, and for good reason. Its unique story of a love triangle set against terribly high stakes in the war against a monster is sophisticated instead of outlandish, intriguing instead of garish. Humphrey Bogart plays the allegedly apolitical club owner in unoccupied French territory that is nevertheless crawling with Nazis; Ingrid Bergman is the lover who mysteriously deserted him in Paris; and Paul Heinreid is her heroic, slightly bewildered husband. Claude Rains, Sydney Greenstreet, Peter Lorre, and Conrad Veidt are among what may be the best supporting cast in the history of Hollywood films. This is certainly among the most spirited and ennobling movies ever made. --Tom Keogh

RICK BLAINE, A CALLOUS NIGHTCLUB OWNER IN A WARTIME WAYSTATION, HAS HIS WORLD TURNED UPSIDE DOWN WHEN HIS LOST LOVE, ILSA,RETURNS.

The bright, glossy world of Doris Day and Rock Hudson sex comedies gets a self-aware brush-up in Down with Love. Pillow-lipped Renée Zellweger (Chicago) plays Barbara Novak, the author of a bestselling book called Down with Love that advises women to focus on their careers and have sex à la carte--just like a man would. Determined to prove that Novak is just as vulnerable to love as any woman, dashingly chauvinist magazine writer Catcher Block (ever-charming Ewan McGregor, Moulin Rouge) pretends to be a courtly astronaut who wouldn't dream of putting his hand on a woman's knee. This piffle of a story seems like nothing more than an excuse for ironic double-entendres and dazzling production design, until a sneaky plot twist suddenly raises the stakes for the movie's end. As he always does, the brilliant David Hyde Pierce (Frasier) scores the most comic points as Block's fussy editor. --Bret Fetzer

In the tradition of the Doris Day-Rock Hudson comedies of the 1960s comes this effervescent period romantic romp featuring Renee Zellweger as a best-selling writer who preaches equal rights for women in the bedroom and the boardroom. Chauvinistic magazine writer Ewan McGregor wants to make mincemeat out of Zellweger and her beliefs, so he plots to woo her, then write about his conquest. David Hyde Pierce, Sarah P aulson and Tony Randall also star. 102 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, French Dolby Digital Surround, Spanish Dolby Digital Surround; Subtitles: English, Spanish; audio commentary; deleted scenes; featurettes; music video; more.

Mouse pad is brand new in excellent condition. Mouse pad measures 9 inches by 8 inches and is 1/8th of an inch thick. Mousepad is made of a durable heat resistant polyester fabric top, and backed with a non slip rubber. Mousepad will not discolor or fade, and is machine washable.

Mouse pad is brand new in excellent condition. Mouse pad measures 9 inches by 8 inches and is 1/8th of an inch thick. Mousepad is made of a durable heat resistant polyester fabric top, and backed with a non slip rubber. Mousepad will not discolor or fade, and is machine washable.

You know your baby is the sweetest thing around, but why not make it clear to the rest of the world? This Junior Mints Bunting Costume is another one of our little sweeties. Dress your bundle of joy like the classic candy in this comfortable, easy-to-wear bunting. If you need a great idea for your new twins or triplets, take a look at our other bunting candies and make a sweet set! This bunting comfortably fits little ones who are ages 0-12 months. Lenght 22" Width 12"

5.5 oz. 100% cotton jersey (Ash is 99% cotton, 1% polyester; Heather is 90% cotton, 10% polyester). Ribbed crew neck. Taped shoulder-to-shoulder. Double-needle hem sleeves and bottom. White is sewn with 100% cotton thread. Printed on Front of T-Shirt. Very vibrant print. Won't peel or crack in washer/dryer. Sizes are as follows, W=Shirt Width, L=Shirt Length. All Measurements are in inches: INFANT - (6MOS 9W 12L), (12MOS 9.5W 12.5L), (18MOS 10W 13L). TODDLER - (2T 11W 14L), (3T 12W 15L), (4T 13W 16L), (5/6J 14W 17.5L), (7J 15W 18.5L).

5.5 oz. 100% cotton jersey (Ash is 99% cotton, 1% polyester; Heather is 90% cotton, 10% polyester). Ribbed crew neck. Taped shoulder-to-shoulder. Double-needle hem sleeves and bottom. White is sewn with 100% cotton thread. Printed on Front of T-Shirt. Very vibrant print. Won't peel or crack in washer/dryer. Sizes are as follows, W=Shirt Width, L=Shirt Length. All Measurements are in inches: INFANT - (6MOS 9W 12L), (12MOS 9.5W 12.5L), (18MOS 10W 13L). TODDLER - (2T 11W 14L), (3T 12W 15L), (4T 13W 16L), (5/6J 14W 17.5L), (7J 15W 18.5L).

5.5 oz., 100% combed ringspun cotton jersey; ribbed V-neck collar with topstitching; taped neck; double-needle hemmed sleeves and bottom; softly shaped for a classic, feminine fit; White is sewn with 100% cotton thread; Heather is 93% cotton, 7% polyester. Printed on Front of T-Shirt. Very vibrant print. Won't peel or crack in washer/dryer. Sizes are as follows, W=Shirt Width, L=Shirt Length. All Measurements are in inches: (SMALL 18.25W 23.5L), (MEDIUM 19.25W 24.5L), (LARGE 21.5W 25.5L), (XLARGE 23.5W 26.5L), (2XL 25.75W 27.5L).