Michelle Gellar

Buffy and the Scooby Gang are back! This time they make their appearance on an 11-ounce mug, featuring artwork by the talented Jo Chen. Don't wage your war against the supernatural without fortifying yourself with your coffee in this mug!

Featuring the artwork of Jo Chen, from first issue of BtVS: Season Eight! First published on March 14, 2007, this image has become iconic to the hit comic series. Keep the Slayer close while you enjoy your morning cup of coffee!

11oz. Black Mug with Buffy Logo

While the idea of infusing a weekly TV series with a Broadway musical ethos isn't exactly a new one--think Randy Newman's ambitious Cop Rock--it became something of a turn-of the-century television mini-trend. But few have reached as far--or succeeded--like this November 2001 episode of Fox Network's Buffy the Vampire Slayer. Penned by series creator-producer Joss Whedon and performed by Sarah Michelle Gellar and cast, it's a loving, loopy musical pastiche that takes potshots at everything from Andrew Lloyd Webber to alt-rock. Paralleling the show's lovable pop culture tweaking, the musical styles here (the episode's musical conceit is a curse visited upon Buffy's hometown of Sunnydale) range from a patent footlight chorus of demons being interrupted by Gellar's hard-rocking stake thrusts on "Going Through the Motions" to Spike the Vampire's goth-metal complaint "Rest in Peace," with everything from parking tickets and mustard stain removal to climactic duels with the supernatural getting the Broadway send-up. Also includes strong orchestral score-suites from three other episodes, as well as Whedon and wife Kai Cole's demo for "Something to Sing About." --Jerry McCulley

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Cheri Oteri breathed bracing fresh air into the seasons she appeared on Saturday Night Live, and created memorable characters both absurd and delightful. This 78-minute disc contains samples of some of her signature performances, including the preternaturally peppy cheerleader, Arianna, paired with a strapping Will Ferrell. (Ever tried to lead a cheer at the team's…swim meet? Arianna never met a challenge she couldn't conquer.) Oteri also takes on media icon Barbara Walters, satirized decades earlier by the incomparable Gilda Radner as Baba Wawa. Oteri's impersonation both pays homage to Radner's and takes it to a new level of absurdity; Oteri's Walters is a randy, name-dropping old coot who doesn't miss a beat--or an opportunity to aggrandize herself ("I was horseback riding the other day with Saddam Hussein…"). Don't miss the brief skit where Walters tries to have phone sex with a nonplussed Tom Brokaw. Other signature characters include Oteri's Judge Judy and the prescription hound Collette (appearing here in a priceless bit with John Goodman as a flummoxed pharmacist). And of course, the abusive Burger Castle counter chick Nadeen, who shoots down every customer request with a "Simma down, now!" Extras include audition and dress rehearsal footage, and an audio commentary by Oteri. --A.T. Hurley

Cheri Oteri's peppy, energetic style always made her characters on SNL hilarious to watch. From physical comedy (along side Will Ferrell) as the Cheerleader, Arianna, to impressions of Barbara Walters and Judge Judy, to wacky characters like Rita Del Vecchio, Nadeen or prescription drug junkie Collette Reardon, Cheri made audiences laugh so hard they often needed time to "Simma Down." Now you can own the best of Cheri's performances on one DVD. Be sure check out the bonus features such as the audio commentary and get a first-hand account of SNL from Cheri herself, as well as a sketch from a dress rehearsal that's never been seen until now! Starring: Cheri Oteri

Like many of the clips that make up the bulk of its content, the Saturday Night Live 25th Anniversary special suffers from that malady specific to almost every SNL sketch: it starts out brilliantly, loses steam about halfway through, then slowly but gamely limps to the finish line with occasional spurts of humor. This special (which actually marks the show's 24th anniversary, but never you mind about those small details!) gathered almost all of the Saturday Night Live alumni--well, the funny ones, anyway--for a celebration of the show's entrenchment in the cultural landscape. It's basically an occasion to show a lot of clips, ranging in time from the Coneheads to Mary Katherine Gallagher, put together in a sprightly, rapid-pace manner and interspersed with occasional live audience-interaction bits. An hysterically funny Bill Murray kicks things off as a lounge singer at an Indian reservation casino who hobnobs with the celebrity audience members; Tom Hanks, a fave guest host, offers up a lively Q&A session (with a dryly funny Christopher Walken, among others); and Billy Crystal revives his Fernando persona to great effect. Dan Aykroyd, Laraine Newman, and Steve Martin provide the best cast tribute, warmly remembering John Belushi while wryly offering up memorabilia for online auction, and Jan Hooks introduces a heartfelt short film featuring her and the late Phil Hartman. Other cast members, with the notable absence of Eddie Murphy and the surprise appearance of Norm MacDonald, pop up for various intros of clips--some are funny (Dennis Miller), some are not (Adam Sandler), some are obviously uncomfortable (David Spade), but at about the halfway mark it all starts to wear on you, like most tribute shows. Still, the stable of classic skits (including a surprisingly strong showing from the current cast) make this worth sticking around for. And at least this time, unlike during the live broadcasts, you can fast-forward through the unfunny parts. --Mark Englehart

On October 11 1975 a radical new breed of comedy was born and America would never be the same. Now after a quarter of a century of irreverent unique and biting satire Saturday night live salutes its outrageous heritage if hilarity!Celebrate SNL s 25th anniversary with this extraordinary feature length special. Relive this star-studded gala event featuring top SNL cost members and guests past and present.System Requirements: Running Time 162 MinFormat: DVD MOVIE Genre: COMEDY Rating: NR UPC: 031398115847 Manufacturer No: LG1158D

"I would've gotten away with it if weren't for you meddling kids!" Equal parts remake and spoof, this tongue-in-cheek live-action resurrection finds the old Saturday-morning-cartoon gang reunited to investigate the zombie teens of a haunted amusement park. Frantic action and big-screen special effects stand in for logic, but for a while it makes for a spirited send-up. Freddie Prinze Jr., under a blond hairdo and an ascot, turns Fred into a preening pretty boy, and Sarah Michelle Gellar plays with her own Buffy image as eternal damsel-in-distress Daphne (in magenta mini-dress and maxi-boots, no less), but this show belongs to gangly Matthew Lillard, who is the adenoidal beatnik Shaggy. His loyal-to-the-end friendship with the computer-animated Scooby-Doo is the most convincing relationship in the whole two-dimensional goof. Some of the supernatural nasties may be scary for young kids and the humor careens from winking self-awareness to Scooby doo-doo gags, but otherwise this is as harmless as a Saturday-morning chapter and as substantial as a Scooby snack. --Sean Axmaker

Zoinks! Two years after a clash of egos forced Mystery Inc. to close it's doors, Scooby-Doo and his clever crime-solving cohorts Fred (FREDDIE PRINZE JR.), Daphne (SARAH MICHELLE GELLAR), Shaggy (MATTHEW LILLARD) and Velma (LINDA CARDELLINI) are individually summoned to Spooky Island to investigate a series of paranormal incidents at the ultra-hip Spring Break hot spot. Concerned that his frightfully popular resort might truly be haunted, Spooky Island owner Emile Mondavarious (ROWAN ATKINSON) tries to reunite those notoriously meddling detectives to solve the mystery before his supernatural secret scares away the college crowds. Scooby and the gang will have to overcome their personal differences and forget everything they think they know about fake ghouls and phony creatures to crack the case, save themselves and possibly...the world! Ruh-roh!

If yours is a stubborn sense of disbelief--if you groaned your way through Gilligan's Island fixated on why Ginger brought along all those evening gowns for a three-hour tour--expect acute frustration from Beverly Hills Family Robinson. Any film that tries to float a spoiled celebrity and her disaffected family who find personal and material fulfillment plus the equipment to whip up coconut sorbet on a deserted South Pacific island, after all, is doomed to leave you feeling duped. Let the tide role in on an overdeveloped sense of what's plausible, though, and this movie proves a watertight choice for families--it's a feel-good, gag-fueled escapist fantasy full of bona-fide TV stars. Dyan Cannon, her familiar blonde-poodle mop poking out from under a straw hat, is alluring as ever as Marcia Robinson, a snarly, way-less-prim Martha Stewart; Sarah Michelle Gellar is the hipper-than-thou daughter who's had it with the phoniness of her mom's TV-ready existence; and Martin Mull is the spunky son thwarted in his attempts to be a regular kid. Their orthodontist dad doesn't mind much when what's meant to be a working vacation--Marcia's dispatched to tape a tropical segment--ends in disaster. Sure, a trio of pirate buffoons hijacks their yacht and they're soon shipwrecked, but some quality family time is in store. Everybody bands together, including the Robinsons and a smart-alecky parrot, a prankster of a crab, and a surfer-dude castaway-cum-carpenter--and before you can say Crusoe, a five-star tree house takes shape. Come rescue time, Marcia's no longer too big for her waterlogged britches, and togetherness reigns--a result that'll extend to families who call a time-out to gather round the tube for this well-acted, light-as-a-feather flick from Disney television. --Tammy La Gorce

This modern-day teen update of Les Liaisons Dangereuses suffered at the hands of both critics and moviegoers thanks to its sumptuous ad campaign, which hyped the film as an arch, highly sexual, faux-serious drama (not unlike the successful, Oscar-nominated Dangerous Liaisons). In fact, this intermittently successful sudser plays like high comedy for its first two-thirds, as its two evil heroes, rich stepsiblings Kathryn (Sarah Michelle Gellar) and Sebastian (Ryan Phillippe), blithely ruin lives and reputations with hearts as black as coal. Kathryn wants revenge on a boyfriend who dumped her, so she befriends his new intended, the gawky Cecile (Selma Blair), and gets Sebastian to deflower the innocent virgin. The meat of the game, though, lies in Sebastian's seduction of good girl Annette (a down-to-earth Reese Witherspoon), who's written a nationally published essay entitled "Why I Choose to Wait." If he fails, Kathryn gets his precious vintage convertible; if he wins, he gets Kathryn--in the sack. When the movie sticks to the merry ruination of Kathryn and Sebastian's pawns, it's highly enjoyable: Gellar in particular is a two-faced manipulator extraordinaire, and Phillippe, usually a black hole, manages some fun as a hipster Eurotrash stud. Most pleasantly surprising of all is Witherspoon, who puts a remarkably self-assured spin on a character usually considered vulnerable and tortured (see Michelle Pfeiffer in Dangerous Liaisons). Unfortunately, writer-director Roger Kumble undermines everything he's built up with a false ending that's true to neither the reconceived characters nor the original story--revenge is a dish best served cold, not cooked up with unnecessary plot twists. --Mark Englehart

**144 episodes on 40 discs. 110 hrs.**

From its charming and angst-ridden first season to the darker, apocalyptic final one, Buffy the Vampire Slayer succeeds on many levels, and in a fresher and more authentic way than the shows that came before or after it. How lucky, then, that with the release of its boxed set of seasons 1-7, you can have the estimable pleasure of watching a near-decade of Buffy in any order you choose. (And we have some ideas about how that should be done.) First: rest assured that there's no shame in coming to Buffy late, even if you initially turned your nose up at the winsome Sarah Michelle Gellar kicking the hell out of vampires (in Buffy-lingo, vamps), demons, and other evil-doers. Perhaps you did so because, well, it looked sort of science-fiction-like with all that monster latex. Start with season 3 and see that Buffy offers something for everyone, and the sooner you succumb to it, the quicker you'll appreciate how textured and riveting a drama it is. Why season 3? Because it offers you a winning cast of characters who have fallen from innocence: their hearts have been broken, their egos trampled in typically vicious high-school style, and as a result, they've begun to realize how fallible they are. As much as they try, there are always more monsters, or a bigger evil. Despite this, or perhaps because of it, the core crew remains something of a unit--there's the smart girl, Willow (Alyson Hannigan) who dreams of saving the day by downloading the plans to City Hall's sewer tunnels and mapping a route to safety. There are the ne'r do wells--the vampire Spike (James Marsters), who both clashes with and aspires to love Buffy; the tortured and torturing Angel (David Boreanz); the pretty, popular girl with an empty heart (Charisma Carpenter); and the teenage everyman, Xander (Nicholas Brendon). Then there's Buffy herself, who in the course of seven seasons morphs from a sarcastic teenager in a minidress to a heroine whose tragic flaw is an abiding desire to be a "normal" girl. On a lesser note, with the boxed set you can watch the fashion transformation of Buffy from mall rat to Prada-wearing, kickboxing diva with enviable highlights. (There was the unfortunate bob of season 2, but it's a forgivable lapse.) At least the storyline merits the transformations: every time Buffy has to end a relationship she cuts her hair, shedding both the pain and her vulnerability. In addition to the well-wrought teenage emotional landscape, Buffy deftly takes on more universal themes--power, politics, death, morality--as the series matures in seasons 4-6. And apart from a few missteps that haven't aged particularly well ("I Robot" in season 1 comes to mind), most episodes feel as harrowing and as richly drawn as they did at first viewing. That's about as much as you can ask for any form of entertainment: that it offer an escape from the viewer's workaday world and entry into one in which the heroine (ideally one with leather pants) overcomes demons far more troubling than one's own. --Megan Halverson

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