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What's up, Doc? Well, how about a four-disc boxed set packed with 56 of the funniest cartoons in Warner Bros. history? Get ready to laugh yourself silly with salutes to Bugs Bunny ("Baseball Bugs," "Long-Haired Hare," "Wabbit Twouble," "The Rabbit of Seville," and more); Daffy Duck and Porky Pig ("Duck Amuck," "Dough for the Do-Do," "Scaredy Cat," "Duck Dodgers in the 24 1/2th Century," and more); and other toon faves ("Elmer's Candid Camera," "Fast and Furry-ous," "For Scent-imental Reasons," "Speedy Gonzales," "The Foghorn Leghorn," "Devil May Hare," and more). 6 3/4 hrs. total. Standard; Soundtracks: English Dolby Digital mono, French Dolby Digital mono; Subtitles: English, French, Spanish; audio commentary; documentaries; featurette; more. NOTE: This set includes all 28 shorts from "Premiere Collection, Vol. 1."

For years, animation buffs have waited impatiently for the Warner Bros. cartoons to appear on DVD. The Warner shorts never commanded the budgets and prestige of the Disney and MGM films, and won fewer Oscars than they deserved. But decades after the best ones were created, they remain the quintessential Hollywood cartoons: brash, fast-paced, aggressively funny and uniquely American. Virtually everyone in the U.S. under the age of 60 grew up on these films, in theaters and on TV. The 56 cartoons in the set (out of a studio output of over 1,000) were transferred from good prints--which means the viewer can see dust, scratches, and occasional mistakes by the cel painters. The films are all presented uncut, in defiance of the killjoys who have insisted on censoring alleged "violence" in the versions shown on television. Warner Bros. is obviously testing consumer response with this set. Although the erratic selection includes many classics, purists will argue (correctly) that it offers neither a fair representation of the directors' oeuvres, nor anything approaching a coherent history of the characters or studio style. (Nearly half the films were directed by Chuck Jones; only three are by Bob Clampett, and there's nothing by Tex Avery or Frank Tashlin.) But it seems petty to carp about omissions and biases when the discs offer excellent, uncensored prints of some of the funniest films ever made in the U.S.--or anywhere else. (Rated G, suitable for all ages: cartoon violence) --Charles Solomon

PRESLEY ELVIS THE ESSENTIAL ELVIS PRESLEY

"We wanted a tough album," producer Quincy Jones recalls in a bonus interview on this special edition of Bad. Though the 1987 blockbuster would appear to be Michael Jackson's most personal statement to date--9 of its 11 cuts were written solely by him--its appeal also rested more on craft than the idiosyncratic art of Thriller and Off the Wall. At the same time, most of Bad has aged well in spite of its digital brittleness and MIDI treatments of gems like Jimmy Smith's organ solo on the title track. While the third best of his first three Epic solo discs, Bad carries a lot of what people love about Jackson's music. This disc also benefits from two fine outtakes, the exciting, uptempo "Streetwalker" and the Carpenters homage "Fly Away." Either could easily have extended the record's run of hit singles. --Rickey Wright

Our Seller's Notes...Special Edition....In Very Good Shape.

Star Trek I : The Original Motion PictureBack when the first Star Trek feature was released in December 1979, the Trek franchise was still relatively modest, consisting of the original TV series, an animated cartoon series from 1973-74, and a burgeoning fan network around the world. Series creator Gene Roddenberry had conceived a second TV series, but after the success of Star Wars the project was upgraded into this lavish feature film, which reunited the original series cast aboard a beautifully redesigned starship U.S.S. Enterprise. Under the direction of Robert Wise (best known for West Side Story), the film proved to be a mixed blessing for Trek fans, who heatedly debated its merits; but it was, of course, a phenomenal hit. Capt. Kirk (William Shatner) leads his crew into the vast structures surrounding V'Ger, an all-powerful being that is cutting a destructive course through Starfleet space. With his new First Officer (Stephen Collins), the bald and beautiful Lieutenant Ilia (played by the late Persis Khambatta) and his returning veteran crew, Kirk must decipher the secret of V'Ger's true purpose and restore the safety of the galaxy. The story is rather overblown and derivative of plots from the original series, and avid Trekkies greeted the film's bland costumes with derisive laughter. But as a feast for the eyes, this is an adventure worthy of big-screen trekkin'. Douglas Trumbull's visual effects are astonishing, and Jerry Goldmith's score is regarded as one of the prolific composer's very best (with its main theme later used for Star Trek: The Next Generation). And, fortunately for Star Trek fans, the expanded 143-minute version (originally shown for the film's network TV premiere) is generally considered an improvement over the original theatrical release. --Jeff ShannonStar Trek II :The Wrath of KhanAlthough Star Trek: The Motion Picture had been a box-office hit, it was by no means a unanimous success with Star Trek fans, who responded much more favorably to the "classic Trek" scenario of Star Trek II: The Wrath of Khan. Inspired by the "Space Seed" episode of the original TV series, the film reunites newly promoted Admiral Kirk with his nemesis from the earlier episode--the genetically superior Khan (Ricardo Montalban)--who is now seeking revenge upon Kirk for having been imprisoned on a desolated planet. Their battle ensues over control of the Genesis device, a top-secret Starfleet project enabling entire planets to be transformed into life-supporting worlds, pioneered by the mother (Bibi Besch) of Kirk's estranged and now-adult son. While Mr. Spock mentors the young Vulcan Lt. Saavik (then-newcomer Kirstie Alley), Kirk must battle Khan to the bitter end, through a climactic starship chase and an unexpected crisis that will cost the life of Kirk's closest friend. This was the kind of character-based Trek that fans were waiting for, boosted by spectacular special effects, a great villain (thanks to Montalban's splendidly melodramatic performance), and a deft combination of humor, excitement, and wondrous imagination. Director Nicholas Meyer (who would play a substantial role in the success of future Trek features) handles the film as a combination of Moby Dick, Shakespearean tragedy, World War II submarine thriller, and dazzling science fiction, setting the successful tone for the Trek films that followed. --Jeff ShannonStar Trek III : The Search for Spock You didn't think Mr. Spock was really dead, did you? When Spock's casket landed on the surface of the Genesis planet at the end of Star Trek II, we had already been told that Genesis had the power to bring "life from lifelessness." So it's no surprise that this energetic but somewhat hokey sequel gives Spock a new lease on life, beginning with his rebirth and rapid growth as the Genesis planet literally shakes itself apart in a series of tumultuous geological spasms. As Kirk is getting to know his estranged son (Merritt Butrick), he must also do battle with the fiendish Klingon Kruge (Christopher Lloyd), who is determined to seize the power of Genesis from the Federation. Meanwhile, the regenerated Spock returns to his home planet, and Star Trek III gains considerable interest by exploring the ceremonial (and, of course, highly logical) traditions of Vulcan society. The movie's a minor disappointment compared to Star Trek II, but it's a--well, logical--sequel that successfully restores Spock (and first-time film director Leonard Nimoy) to the phenomenal Trek franchise...as if he were ever really gone. With Kirk's willful destruction of the U.S.S. Enterprise and Robin Curtis replacing the departing Kirstie Alley as Vulcan Lt. Saavik, this was clearly a transitional film in the series, clearing the way for the highly popular Star Trek IV. --Jeff ShannonStar Trek IV : The Voyage Home Jumping on to the end-of-the-century bandwagon a little early, Paramount Pictures released 10 of their top films in one 10-pack, the Millennium Collection, in 1998. All the films are presented in their widescreen editions; one, Breakfast at Tiffany's, is offered in this format for the first time. The set includes 5 Best Picture Oscar winners and films that took home an additional 33 Academy Awards. All the tapes are available to buy individually. The pack, with a handsome mosaic of faces from the movies, also features collector gift cards (a movie version of baseball cards) and a commemorative booklet detailing the productions of all 10 films. The collection is oddly weighted toward the last 25 years, offering only one film from the 1950s and one from the 1960s. Your taste in current cinema will define the value of the set. Besides Tiffany's, one of Audrey Hepburn's finest films, the collection contains: The Ten Commandments with Charlton Heston, Grease with John Travolta, Francis Ford Coppola's Apocalypse Now and The Godfather, the funny, whale-saving Star Trek IV--The Voyage Home, Tom Cruise's hit Top Gun, the smash hit Ghost with Demi Moore, Mel Gibson's Celt fest Braveheart, and Forrest Gump with Tom Hanks. --Doug ThomasStar Trek V :The Final FrontierMovie critic Roger Ebert summed it up very succinctly: "Of all of the Star Trek movies, this is the worst." Subsequent films in the popular series have done nothing to disprove this opinion; we can be grateful that they've all been significantly better since this film was released in 1989. After Leonard Nimoy scored hits with Star Trek III and IV, William Shatner used his contractual clout (and bruised ego) to assume directorial duties on this mission, in which a rebellious Vulcan (Laurence Luckinbill) kidnaps Federation officials in his overzealous quest for the supreme source of creation. That's right, you heard it correctly: Star Trek V is about a crazy Vulcan's search for God. By the time Kirk, Spock, and their Federation cohorts are taken to the Great Barrier of the galaxy, this journey to "the final future" has gone from an embarrassing prologue to an absurd conclusion, with a lot of creaky plotting in between. Of course, die-hard Trekkies will still allow this movie into their video collections; but they'll only watch it when nobody else is looking. After this humbling experience, Shatner wisely relinquished the director's chair to Star Trek II's Nicholas Meyer. --Jeff ShannonStar Trek VI : The Undiscovered CountryStar Trek V left us nowhere to go but up, and with the return of Star Trek II director Nicholas Meyer, Star Trek VI restored the movie series to its classic blend of space opera, intelligent plotting, and engaging interaction of stalwart heroes and menacing villains. Borrowing its subtitle (and several lines of dialogue) from Shakespeare, the movie finds Admiral Kirk (William Shatner) and his fellow Enterprise crew members on a diplomatic mission to negotiate peace with the revered Klingon Chancellor Gorkon (David Warner). When the high-ranking Klingon and several officers are ruthlessly murdered, blame is placed on Kirk, whose subsequent investigation uncovers an assassination plot masterminded by the nefarious Klingon General Chang (Christopher Plummer) in an effort to disrupt a historic peace summit. As this political plot unfolds, Star Trek VI takes on a sharp-edged tone, with Kirk and Spock confronting their opposing views of diplomacy, and testing their bonds of loyalty when a Vulcan officer is revealed to be a traitor. With a dramatic depth befitting what was to be the final movie mission of the original Star Trek crew, this film took the veteran cast out in respectably high style. With the torch being passed to the crew of Star Trek: The Next Generation, only Kirk, Scotty, and Chekov would return, however briefly, in Star Trek: Generations. --Jeff Shannon

Seven-disc set includes "Star Trek: The Motion Picture," "Star Trek II: The Wrath of Khan," "Star Trek III: The Search for Spock," "Star Trek IV: The Voyage Home," "Star Trek V: The Final Frontier," "Star Trek VI: The Undiscovered Country," and a disc full of extras.

One of the brightest nuggets from Disney's golden age, this 1937 film is almost dizzying in its meticulous construction of an enchanted world, with scores of major and minor characters (including fauna and fowl), each with a distinct identity. When you watch Snow White's intricate, graceful movements of fingers, arms, and head all in one shot, it is not the technical brilliance of Disney's artists that leaps out at you, but the very spirit of her engaging, girl-woman character. When the wicked queen's poisoned apple turns from killer green to rose red, the effect of knowing something so beautiful can be so terrible is absolutely elemental, so pure it forces one to surrender to the horror of it. Based on the Grimm fairy tale, Snow White is probably the best family film ever to deal, in mythic terms, with the psychological foundation for growing up. It's a crowning achievement and should not be missed. --Tom Keogh Stills from Snow White and the Seven Dwarfs (Click for larger image)

One of the brightest nuggets from Disney's golden age, this 1937 film is almost dizzying in its meticulous construction of an enchanted world, with scores of major and minor characters (including fauna and fowl), each with a distinct identity. When you watch Snow White's intricate, graceful movements of fingers, arms, and head all in one shot, it is not the technical brilliance of Disney's artists that leaps out at you, but the very spirit of her engaging, girl-woman character. When the wicked queen's poisoned apple turns from killer green to rose red, the effect of knowing something so beautiful can be so terrible is absolutely elemental, so pure it forces one to surrender to the horror of it. Based on the Grimm fairy tale, Snow White is probably the best family film ever to deal, in mythic terms, with the psychological foundation for growing up. It's a crowning achievement and should not be missed. --Tom Keogh Stills from Snow White and the Seven Dwarfs (Click for larger image)

No film in history has captured the worlds imagination like Walt Disneys first full-length animated masterpiece. Through astonishing Blu-ray high definition technology, experience this timeless classic in its most spectacular presentation ever! With an all-new, state-of-the-art digital restoration and Disney Enhanced High Definition sound, the breathtaking animation and unforgettable music of the most revered Disney film of all time will enthrall you like never before!Join the beautiful princess Snow White as she escapes her jealous stepmother, the queen, and befriends a lovable group of dwarfs. But when she falls under the queens wicked spell, only true loves kiss can save her Bonus Features Include: Snow White Returns Storyboard Featurette Was Walt planning a Snow White sequel? With newly discovered storyboards Disney animators show how this sequel would have played out, Princess and the Frog Sneak Peek Exclusive sneak peek at the 1st 5 minutes before it hits theaters, The One that Started it All Featurette This featurette within Hyperion Studios reveals how Snow White forever changed the world of movies and the world at large, All New Tiffany Thornton Music Video to Someday My Prince Will Come, Audio Commentary with Walt Disney

Stills from Alice in Wonderland

This piece is an Amazon exclusive, can not be purchased anywhere else. It is limited to 3500 pieces.Each piece includes real film frames* from the movie and has a certificate of Authenticity on the back. On the front there is a plaque that includes the name of movie and the limited edition number. Frame measures 11-inches by 13-inches.*Frames of film used in the image may vary in the actual product received. Comes assembled and ready to hang in a nice black frame. Made in the USA

Direct from Termite Terrace, it's 60 more classic Looney Tunes and Merrie Melodies! This four-disc set offers animation fans installments with Bugs Bunny ("The Big Snooze," "Hare Conditioned," "Slick Hare," "Baby Buggy Bunny," and more); the Road Runner and friends ("Beep, Beep," "Gee Whiz-z-z-z-z-z-z," "The Dover Boys," "Mouse Wreckers," and more); Tweety and Sylvester and friends ("Bad Ol' Puddy Tat," "Tweety Pie," "Kitty Kornered," "The Great Piggy Bank Robbery," more); and other Warner all-stars ("Book Revue," "I Love to Singa," "One Froggy Evening," and more). 5 1/3 hrs. total. Standard; Soundtracks: English Dolby Digital mono, Spanish, French; Subtitles: English, French, Spanish; audio commentary; documentaries; featurette; more. NOTE: This set includes all 30 shorts from "Spotlight Collection, Vol. 2."

Brash, fast-paced, and hysterically funny, the Warner Brothers cartoons rank among the undisputed treasures of American animation and American comedy. This second collection, a follow-up to Looney Tunes: Golden Collection, includes such gems as "Porky in Wackyland," "A Bear for Punishment," "Gee Whiz-z-z," The Great Piggy Bank Robbery," and "I Love to Singa." A short documentary about director Bob Clampett features several cartoon historians, animator Eric Goldberg, Shawshank Redemption director Frank Darabont, and Ren and Stimpy creator John Kricfalusi (enthusiastic but over the top). But Warners continues its scattergun approach to selecting films. There are only eight cartoons by Clampett in the set, plus three by Tex Avery and one by Frank Tashlin. "Rabbit Fire" and "Rabbit Seasoning" appear on the first set, but the third cartoon in Jones's trilogy, "Duck! Rabbit! Duck!" isn't on either. More than two-thirds of the films are by Friz Freleng and Chuck Jones. That's not necessarily a bad thing. "Show Biz Bugs," "Bugs Bunny Rides Again," and the Oscar-winning "Tweety Pie" showcase Freleng's razor-sharp timing. "What's Opera, Doc," "The Dover Boys," and the justly celebrated "One Froggy Evening" rank among Jones's boldest experiments and most brilliant successes. Volume Two includes some genuine rarities, among them, "Sinkin' in the Bathtub" (1930), the first Looney Tune, and the Oscar-winning documentary "So Much for So Little." With 60-plus cartoons, transferred from good prints Looney Tunes: Golden Collection, Volume 2 is a collection to treasure. (Rated G, suitable for all ages: cartoon violence) --Charles Solomon

The third season of the popular shonen (boy's) show Dragon Ball Z continues the adventures of Goku and Gohan on Namek, Piccolo's home planet. Goku, who has been in a regeneration tank since the end of season 2, recovers just in time to challenge the sniggering Frieza, one of the most grating villains in anime history. Having defeated Gohan, Krillin, Vegeta, and Piccolo, Frieza takes on Goku in a protracted duel. When he begins to doubt his ability to overcome Goku, Frieza destroys the core of Namek, ensuring it will explode in a matter of minutes. Enraged by the death of Krillin and so many others, Goku transforms into the one thing Frieza fears: a Super Saiyan, a legendary warrior who appears once every 1,000 years. As the seconds tick away, the two most powerful individuals in the universe duke it out. While they're beating the soba out of each other, King Kai hatches a plan to use the Dragon Balls of Earth and Namek to ensure a happy ending. As the battle between Goku and Frieza intensifies, the kicks and punches fly, producing titanic explosions. But the duel goes on for more than 20 episodes: With only a limited budget and crude special-effects techniques at their disposal, the filmmakers have to recycle footage endlessly. Dragon Ball Z: Season 3 is more entertaining when the viewer allows a few days to elapse between episodes, rather than indulging in a Super Saiyan marathon. (Rated TV PG. suitable for ages 8 and older: violence, brief nudity, tobacco use, ethnic stereotypes) --Charles Solomon

This popular anime series follows the skilled warrior Goku and his band of Z-fighters as they search for the powerful Dragon Balls. The adventures continue with every episode from the series' third season.Format: DVD Genre: ANIMATION/ADULT SWIM UPC: 704400022456 Manufacturer No: 1-4210-0007-5

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