Les Liaisons

Danceny a Cecile de Volanges; (illustration to letter the Hundred a thirteenth, from the Marquise de Merteuil to the Vicomte de Valmont). .

Le Vicomte de Valmont uses his mistress, Opera as a writing desk whilst writing to the virtuous Mme. Tourvel, whom he plans to seduce. .

Les Liaisons Dangereuses scene from act 1 performance at Maisons-Lafitte of the adaptation by Fernand Noziere .

Les Liaisons DangereusesArtist: Duke JordanThis product is manufactured on demand using CD-R recordable media. Amazon.com's standard return policy will apply.

The imperious Jeanne Moreau stars in this modernized adaptation of the classic French novel of seduction and deceit, Les Liaisons Dangereuses. Moreau and Gérard Philipe play the amoral Juliette and Valmont, a wife and husband in 1960s Paris who tell each other everything about their endless affairs; they respect nothing but each other's manipulative skill. But when Valmont genuinely falls in love with a virtuous woman (Annette Vadim, the director's wife at the time), Juliette tastes the bitterness of jealousy for the first time. Her revenge destroys not only their lives, but the lives of several innocents as well. Director Roger Vadim is unsubtle, but not without style. Like his other films (And God Created Woman, Barbarella), Liaisons features discreet nudity and aloof displays of passion, but the brilliantly orchestrated plot gives Liaisons real momentum, helped by a fantastic score from jazz giant Thelonious Monk. --Bret Fetzer

The imperious Jeanne Moreau stars in this modernized adaptation of the classic French novel of seduction and deceit, Les Liaisons Dangereuses. Moreau and Gérard Philipe play the amoral Juliette and Valmont, a wife and husband in 1960s Paris who tell each other everything about their endless affairs; they respect nothing but each other's manipulative skill. But when Valmont genuinely falls in love with a virtuous woman (Annette Vadim, the director's wife at the time), Juliette tastes the bitterness of jealousy for the first time. Her revenge destroys not only their lives, but the lives of several innocents as well. Director Roger Vadim is unsubtle, but not without style. Like his other films (And God Created Woman, Barbarella), Liaisons features discreet nudity and aloof displays of passion, but the brilliantly orchestrated plot gives Liaisons real momentum, helped by a fantastic score from jazz giant Thelonious Monk. --Bret Fetzer

This visually sumptuous adaptation of the classic French novel of seduction, betrayal, and revenge stars the great Catherine Deneuve (Repulsion, Belle de Jour) as the scheming Madame de Meurteuil, who--to get back at a man who spurned her for a younger woman--persuades her equally amoral friend Valmont (Rupert Everett, My Best Friend's Wedding) to seduce the young woman in question. Thus begins one of the most intricate and hypnotic plots every orchestrated; it's no wonder Les Liaisons Dangereuses has been adapted into film so many times. This 2003 French miniseries starts with cars, costumes, and music from the early 20th century, then rapidly becomes more modern. More stylish than passionate; still, the villainous orchestrations will suck you in. Also featuring Nastassja Kinski (Tess, Cat People), Leelee Sobieski (The Glass House), and Danielle Darrieux (8 Women). Jean-Paul Gaultier costumed Deneuve. --Bret Fetzer

Josée Dayan's latest adaptation of Choderlos de Laclos' classic tale of seduction, betrayal and revenge features an all-star cast including Catherine Deneuve, Rupert Everett, Nastassja Kinski and Leelee Sobieski, and is set in the world of 1960s Parisian high society. The beautiful Madame de Merteuil (Deneuve) seeks vengeance when her ex-lover tells her that he is now engaged to her young goddaughter, Cécile (Sobieski). She turns to her partner-in-crime, Valmont (Everett), famous for his reputation as a Don Juan to seduce Cécile. Valmont gets sidetracked when he goes to visit his aunt and falls for Madame Tourvel (Kinski), a virtuous, married woman who knows of his womanizing ways, but that only makes the challenge more exciting to Valmont. Together, Madame de Merteuil and Valmont make a dangerous team and they will stop at nothing when it comes to matters of the heart.

This modern-day teen update of Les Liaisons Dangereuses suffered at the hands of both critics and moviegoers thanks to its sumptuous ad campaign, which hyped the film as an arch, highly sexual, faux-serious drama (not unlike the successful, Oscar-nominated Dangerous Liaisons). In fact, this intermittently successful sudser plays like high comedy for its first two-thirds, as its two evil heroes, rich stepsiblings Kathryn (Sarah Michelle Gellar) and Sebastian (Ryan Phillippe), blithely ruin lives and reputations with hearts as black as coal. Kathryn wants revenge on a boyfriend who dumped her, so she befriends his new intended, the gawky Cecile (Selma Blair), and gets Sebastian to deflower the innocent virgin. The meat of the game, though, lies in Sebastian's seduction of good girl Annette (a down-to-earth Reese Witherspoon), who's written a nationally published essay entitled "Why I Choose to Wait." If he fails, Kathryn gets his precious vintage convertible; if he wins, he gets Kathryn--in the sack. When the movie sticks to the merry ruination of Kathryn and Sebastian's pawns, it's highly enjoyable: Gellar in particular is a two-faced manipulator extraordinaire, and Phillippe, usually a black hole, manages some fun as a hipster Eurotrash stud. Most pleasantly surprising of all is Witherspoon, who puts a remarkably self-assured spin on a character usually considered vulnerable and tortured (see Michelle Pfeiffer in Dangerous Liaisons). Unfortunately, writer-director Roger Kumble undermines everything he's built up with a false ending that's true to neither the reconceived characters nor the original story--revenge is a dish best served cold, not cooked up with unnecessary plot twists. --Mark Englehart

CRUEL INTENTIONS - DVD Movie

THE BITING SATIRE ABOUT LOVE AND LUST, PASSION AND DECEPTIONINCLUDES DIRECTOR'S COMMENTARY.

A sumptuously mounted and photographed celebration of artful wickedness, betrayal, and sexual intrigue among depraved 18th-century French aristocrats, Dangerous Liaisons (based on Christopher Hampton's Les Liaisons Dangereuses) is seductively decadent fun. The villainous heroes are the Marquise De Merteuil (Glenn Close) and the Vicomte De Valmont (John Malkovich), who have cultivated their mutual cynicism into a highly developed and exquisitely mannered form of (in-)human expression. Former lovers, they now fancy themselves rather like demigods whose mutual desires have evolved beyond the crudeness of sex or emotion. They ritualistically act out their twisted affections by engaging in elaborate conspiracies to destroy the lives of their less calculating acquaintances, daring each other to ever-more-dastardly acts of manipulation and betrayal. Why? Just because they can; it's their perverted way of getting get their kicks in a dead-end, pre-Revolutionary culture. Among their voluptuous and virtuous prey are fair-haired angels played by Michelle Pfeiffer and Uma Thurman, who have never looked more ripe for ravishing. When the Vicomte finds himself beset by bewilderingly genuine emotions for one of his victims, the Marquise considers it the ultimate betrayal and plots her heartless revenge. Dangerous Liaisons is a high-mannered revel for the actors, who also include Swoosie Kurtz, Mildred Natwick, and Keanu Reeves. --Jim Emerson

The imperious Jeanne Moreau stars in this modernized adaptation of the classic French novel of seduction and deceit, Les Liaisons Dangereuses. Moreau and Gérard Philipe play the amoral Juliette and Valmont, a wife and husband in 1960s Paris who tell each other everything about their endless affairs; they respect nothing but each other's manipulative skill. But when Valmont genuinely falls in love with a virtuous woman (Annette Vadim, the director's wife at the time), Juliette tastes the bitterness of jealousy for the first time. Her revenge destroys not only their lives, but the lives of several innocents as well. Director Roger Vadim is unsubtle, but not without style. Like his other films (And God Created Woman, Barbarella), Liaisons features discreet nudity and aloof displays of passion, but the brilliantly orchestrated plot gives Liaisons real momentum, helped by a fantastic score from jazz giant Thelonious Monk. --Bret Fetzer

Averil Parnell is an investment banker in the American Midwest with an obsession: he wishes to acquire a financially troubled French bank, Finance Suez, which was once the largest and most powerful financial institution in the world. Jacques Montand was once an executive with Finance Suez. He was fired as the whistle-blower who brought to the attention of the authorities the bank's illegalities. Recruited by Averil to lead the buyout effort for the French bank, Jacques anticipates that he will return to Paris in triumph as the new president of a reconstituted Finance Suez. But powerful men in the French government do not want Jacques to celebrate anytime soon. They intend that Finance Suez remain in French ownership. They do not want Jacques to succeed in brokering a buyout by the Americans of the old French bank. In Paris, Jacques is perceived as a pirate intent on profiting from the demise of the employer he betrayed. So reviled is Jacques Montand that his life is threatened. But Jacques also has an interest in another Averil Parnell passion. Her name is Samantha. Averil is an old roué of the New World who relishes amorous relationships with young and attractive female subordinates. Jacques is French and over here. How can Averil and Jacques Montand work together when they must compete for Samantha's affection? But they find a way, when sympathizers to al-Qaeda emerge as dark knights to compete for control of Finance Suez.

Averil Parnell is an investment banker in the American Midwest with an obsession: he wishes to acquire a financially troubled French bank, Finance Suez, which was once the largest and most powerful financial institution in the world. Jacques Montand was once an executive with Finance Suez. He was fired as the whistle-blower who brought to the attention of the authorities the bank’s illegalities. Recruited by Averil to lead the buyout effort for the French bank, Jacques anticipates that he will return to Paris in triumph as the new president of a reconstituted Finance Suez. But powerful men in the French government do not want Jacques to celebrate anytime soon. They intend that Finance Suez remain in French ownership. They do not want Jacques to succeed in brokering a buyout by the Americans of the old French bank. In Paris, Jacques is perceived as a pirate intent on profiting from the demise of the employer he betrayed. So reviled is Jacques Montand that his life is threatened. But Jacques also has an interest in another Averil Parnell passion. Her name is Samantha. Averil is an old roué of the New World who relishes amorous relationships with young and attractive female subordinates. Jacques is French and over here. How can Averil and Jacques Montand work together when they must compete for Samantha’s affection? But they find a way, when sympathizers to al-Qaeda emerge as dark knights to compete for control of Finance Suez.

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Ce livre est une oeuvre du domaine public éditée au format numérique par Norph-Nop. L’achat de l’édition Kindle inclut le téléchargement via un réseau sans fil sur votre liseuse et vos applications de lecture Kindle

Pierre Choderlos de Laclos produced "Les Liaisons Dangereuses" in an effort to "write a work which departed from the ordinary, which made a noise, and which would remain on this earth after his death." He did just that. First published in 1782 in four volumes, "Les Liaisons Dangereuses" was an immediate success, and has since inspired a large number of literary commentaries, plays, and films. The novel is an epistolary piece, written as letters between members of the French noble class. An egotistical battle for control ensues between the Marquise de Merteuil and the Vicomte de Valmont, with the promise of sexual gratification to the victor. The primary victims are Cecile, a naïve but pretty young girl, her admirer, the Chavelier Danceny, and Madame de Tourvel, a virtuous (and married) young woman. This scandalous web of sexual desire, intrigue, infidelity, the struggle for power, and the corruption of the French upper class is a masterpiece from one of the most subtle and skillful novelists of the 18th Cent

Pierre Choderlos de Laclos produced "Les Liaisons Dangereuses" in an effort to "write a work which departed from the ordinary, which made a noise, and which would remain on this earth after his death." He did just that. First published in 1782 in four volumes, "Les Liaisons Dangereuses" was an immediate success, and has since inspired a large number of literary commentaries, plays, and films. The novel is an epistolary piece, written as letters between members of the French noble class. An egotistical battle for control ensues between the Marquise de Merteuil and the Vicomte de Valmont, with the promise of sexual gratification to the victor. The primary victims are Cecile, a naïve but pretty young girl, her admirer, the Chavelier Danceny, and Madame de Tourvel, a virtuous (and married) young woman. This scandalous web of sexual desire, intrigue, infidelity, the struggle for power, and the corruption of the French upper class is a masterpiece from one of the most subtle and skillful novelists of the 18th Cent