Kristen Stewart

Classic porcelain coffee cups get an update with the colorful silicone bands. Each latte cup features a colored silicone, non slip grip for secure handling. Service for 4

The New Breaking Dawn Part 1 Plastic Tumbler is a perfect gift or novelty item for the Twilight Fan. Features Bella, Edward and Jacob.

These magnets are manufactured from the highest quality materials... made of a hard metal base, thick mylar, strong magnet and true to life vibrant colors. Put them on your refrigerator, locker, file cabinet or any metal object you can think of! Magnets are great party favors for your next gathering and also make great prizes/giveaways. They are wonderful gifts for everyone!

2009 - Atlantic / Warner Music - CD - The Twilight Saga : New Moon - Original Motion Picture Soundtrack - Features Bands: Death Cab for Cutie / Band of Skulls / Thom Yorke / Lykke Li / The Killers / Anya Marina / Muse / Bon Iver & St. Vincent / Black Rebel Motorcycle Club / Hurricane Bells / Sea Wolf / Ok Go / Grizzly Bear w/ Victoria Legrand / Editors / Alexanddre Desplat - Film stars: Kristen Stewart / Robert Pattinson / Taylor Lautner - New - Sealed - Limited Release - Collectible

Into Broadway's creative vacuum of revivals, movie adaptations, and Hollywood star vehicles comes Rent, the story of squatters, junkies, performance artists, struggling musicians, drag queens, aspiring filmmakers, and HIV-positives (and you thought Miss Saigon's helicopter landing was cool). Undoubtedly among the defining pop cultural events of 1996, Rent has already won four Tony awards and a Pulitzer Prize for Drama. More importantly, it threatens to bring substance back to the Great White Way. Transposing Puccini's 100-year-old opera La Bohème into modern day Bohemia (19th-century Paris's Left Bank becomes late-20th-century New York's East Village where the scourge of tuberculosis becomes the plague of AIDS) Rent celebrates life among the young, sick, and unconventional. While Broadway shows are hardly the place for authentic portrayals of the latest marginalized hipsters, composer Jonathan Larson (who died at age 36, days before his musical opened) managed to sculpt vivid characters and scenes that bring Avenue A as close as it will ever come to 42nd Street. And by telling a socially relevant story of living without the guarantee of a future (renting, that is), Larson does his own little bit to define an X'ed generation. At worst, Rent is the Hair of the '90s. For the majority of us who won't be seeing Rent anytime soon, the Original Cast Recording is more than just an after-show souvenir. Well-packaged with a complete libretto, the two-CD set is a worthwhile album separate of live performance. Full of songs that are funny and catchy, inspiring and touching, smart and hip and not overly sentimental, Rent mixes showtune pop with elements of rock, R&B, dance, gospel, and tango to make one of the best albums of the year--certainly the best rock opera in decades. La vie bohème, indeed. --Roni Sarig

Most television movies about real-life rock & roll heroes are a deadening mix of biographical bullet-points and sensational recreations of outré behavior. Rarely does the essence of a pop artist, great or otherwise, come into focus within the spuriously tragic atmosphere of the kind of TV bio-pic that has made fools of the likes of the Beach Boys and John Lennon. Happily, that's not the case with Leon Ichaso's Hendrix, a remarkably sensitive film, originally broadcast on cable, that refuses to exploit guitar legend Jimi Hendrix's mythic appetites nor reduce his prodigious genius to bite-size drama. It is, instead, a portrait of the artist as a field of incongruous energy, sprawling everywhere and nowhere at once, remote from his roots and pained by the disruptive, implacable force of his awesome talent. Wood Harris (Remember the Titans) is wonderful as Hendrix, masterfully capturing the rock god's legendary shyness, unabashed sexual adventurism, and constant redefinition of his purpose and sound. Keeping him on a short tether is Hendrix's management team, which insists he keep up a grueling schedule for the money and throws obstacles onto the path of his creative freedom. Cuban director Ichaso (Sugar Hill) makes clever use out of a fictional, black-and-white interview Hendrix supposedly gave a journalist on the day he died. In it he talks about everything that comes to mind: playing guitar for African American singers on the old rhythm & blues circuit, the thrill of his triumphs during the London blues scene in 1967, and his efforts to mollify advocates of black militarism without becoming involved in it. Terrific support work by Billy Zane as Hendrix's would-be puppeteer, Christian Potenza as former Animals bassist- turned-rock-manager Chas Chandler, and Dorian Harewood as Al Hendrix. --Tom Keogh

No Description Available.Genre: Feature Film-DramaRating: RRelease Date: 2-NOV-2004Media Type: DVD

Zathura, a smart and stylish kid's adventure, launches into action when Danny (Jonah Bobo) twists the key of a dusty science fiction game--a game that unleashes a localized meteor shower and wrenches Danny's house into orbit around a distant ringed planet, bringing Danny's brother Walter (Josh Hutcherson, Kicking and Screaming) and sister Lisa (Kristen Stewart, Panic Room) along. Soon a defective robot, a rangy astronaut (Dax Shepard, Without a Paddle), and an alien spaceship enter the picture. Only by completing the game can the kids return their house to its proper space-time coordinates, but the game board falls into the hands of some nasty, carnivorous lizards. Zathura has some obligatory emotional conflict and resolution between the two brothers, but that's pretty much beside the point; what makes Zathura a delight is the wonderful design, the skillful escalation of disasters, and the adroit direction of Jon Favreau (Elf), who is quickly becoming the go-to guy for mass-market movies with wit and timing. Some situations may be too intense for younger kids; Favreau ratchets up the suspense at a few points. Based on the book by Chris Van Allsburg (Jumanji). Also featuring Tim Robbins (The Shawshank Redemption). --Bret Fetzer

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You may not have heard of Kristen Stewart, but she's a promising young actress who's previously appeared in Panic Room, the underrated The Safety of Objects, and Cold Creek Manor. Her charm gives a lift to preteen heist flick Catch That Kid, in which she plays an aspiring mountain climber who gets knocked off balance when an injury paralyzes her father. Unable to raise the money for an expensive operation, she commissions her two best friends (Corbin Bleu and Max Thierot) to help her rob the bank where her mother (Jennifer Beals, Flashdance, In the Soup) works as a security consultant. This hokey but serviceable premise quickly turns into an insult to logic and common sense; Catch That Kid is a disappointment from intriguing director Bart Freundlich (The Myth of Fingerprints, World Traveler). Stewart has charisma; let's hope she can find a better vehicle for her talents. --Bret Fetzer

The Twilight Saga: Breaking Dawn, Part 1 delivers strongly for the rabid fan base who have catapulted the young adult novel series and subsequent movie adaptations to the worldwide phenomenon that it's become, but it alienates a broader audience with a lack of any real action. Similar to the tone of Harry Potter and the Deathly Hallows: Part 1, the first film of the two-part Twilight conclusion is heavy on romance, love, and turmoil but light on fight scenes and gruesome battles. The movie doesn't waste any time getting to the goods and opens with Bella and Edward's much-hyped wedding scene. It works--the vows are efficient and first-time franchise director Bill Condon (Dreamgirls) moves the party along quickly and amusingly with a well-edited toast scene and some surprisingly moving moments between Bella and her father, cast standout Billy Burke. The honeymoon plays as a slightly awkward soft-focus made-for-TV movie, with a lot of long moments spent staring in the mirror and some love scenes that feel at once overly intimate and completely passionless. It's a relief when Bella retches on a bite of chicken she's cooked herself and quickly concludes she's pregnant with a potentially demonic baby. From bliss to horror, the Cullens return to Forks, where Bella spends the second half of the movie wasting away and Edward and Jacob are aligned in their anger and frustration over her decision. Throw in some over-the-top scenes with Jacob and his pack--including a strange showdown where the wolves communicate in their canine form by having a passionate nonverbal fight in their minds (a plot point that works much better in print, it's portrayed in the film via aggressive voice-over)--and the film overshoots intensity and goes straight to silly. The birth scene is horrific, but not as gruesome as in the book, and by the end, Bella has of course survived, though is much altered. The final scene features a delightfully campy Michael Sheen as Volturi leader Aro and makes it clear that the action and fun in Breaking Dawn, Part 1 is ready to start. Fans will just have to wait until Part 2 to get it. --Kira Canny

In the highly anticipated fourth installment of The Twilight Saga, a marriage, honeymoon and the birth of a child bring unforeseen and shocking developments for Bella (Kristen Stewart) and Edward (Robert Pattinson) and those they love, including new complications with werewolf Jacob Black (Taylor Lautner). Special Features: Go behind the scenes with a captivating 6-PART MAKING-OF DOCUMENTARY; relive the memories with Edward & Bella's personal WEDDING VIDEO; get a glimpse into JACOB'S DESTINY; watch your favorite scenes over and over in EDWARD FAST FORWARD and JACOB FAST FORWARD; plus an AUDIO COMMENTARY with Director Bill Condon

The Twilight Saga: Breaking Dawn, Part 1 delivers strongly for the rabid fan base who have catapulted the young adult novel series and subsequent movie adaptations to the worldwide phenomenon that it's become, but it alienates a broader audience with a lack of any real action. Similar to the tone of Harry Potter and the Deathly Hallows: Part 1, the first film of the two-part Twilight conclusion is heavy on romance, love, and turmoil but light on fight scenes and gruesome battles. The movie doesn't waste any time getting to the goods and opens with Bella and Edward's much-hyped wedding scene. It works--the vows are efficient and first-time franchise director Bill Condon (Dreamgirls) moves the party along quickly and amusingly with a well-edited toast scene and some surprisingly moving moments between Bella and her father, cast standout Billy Burke. The honeymoon plays as a slightly awkward soft-focus made-for-TV movie, with a lot of long moments spent staring in the mirror and some love scenes that feel at once overly intimate and completely passionless. It's a relief when Bella retches on a bite of chicken she's cooked herself and quickly concludes she's pregnant with a potentially demonic baby. From bliss to horror, the Cullens return to Forks, where Bella spends the second half of the movie wasting away and Edward and Jacob are aligned in their anger and frustration over her decision. Throw in some over-the-top scenes with Jacob and his pack--including a strange showdown where the wolves communicate in their canine form by having a passionate nonverbal fight in their minds (a plot point that works much better in print, it's portrayed in the film via aggressive voice-over)--and the film overshoots intensity and goes straight to silly. The birth scene is horrific, but not as gruesome as in the book, and by the end, Bella has of course survived, though is much altered. The final scene features a delightfully campy Michael Sheen as Volturi leader Aro and makes it clear that the action and fun in Breaking Dawn, Part 1 is ready to start. Fans will just have to wait until Part 2 to get it. --Kira Canny

In the highly anticipated fourth installment of The Twilight Saga, a marriage, honeymoon and the birth of a child bring unforeseen and shocking developments for Bella (Kristen Stewart) and Edward (Robert Pattinson) and those they love, including new complications with werewolf Jacob Black (Taylor Lautner). Special Features: Go behind the scenes with a captivating 6-PART MAKING-OF DOCUMENTARY; relive the memories with Edward & Bella's personal WEDDING VIDEO; get a glimpse into JACOB'S DESTINY; watch your favorite scenes over and over in EDWARD FAST FORWARD and JACOB FAST FORWARD; plus an AUDIO COMMENTARY with Director Bill Condon

The third installment of Stephenie Meyer's blockbuster vampire series is its most action packed, both in terms of fight scenes and human-vampire-werewolf lovin'. In Eclipse, the vampiric Cullen clan and the werewolves--their sworn enemies--unite against an army of "newborn" vampires, whose remnants of human blood in their veins makes them stronger and more uncontrollable, causing a string of murders in the Seattle area. They've been created by the vengeful vampire Victoria (Bryce Dallas Howard, taking over for Rachelle Lefevre), still keen on destroying human Bella (Kristen Stewart). Thus, Bella is under careful watch, and her undead love Edward (Robert Pattinson) and werewolf best friend Jacob (Taylor Lautner) spend a lot of time arguing over who is the better man for her. (In one hilarious scene where Bella's freezing and only Jacob has the lupine body heat to warm her, he looks over at Edward and cracks, "I am hotter than you." Go Team Jacob!) But there's more at the heart of the triangle than love: Bella, against Edward's warnings, doesn't want to grow older than him and would willingly give up contact with her parents, the chance to grow old with children, and more to be turned into a bloodthirsty vampire. (Jacob's trump card is that Bella wouldn't have to give up her mortality to be with him.) But the unfolding of this love triangle is even clumsier than it was on the page; you're never really convinced Bella has romantic feelings for Jacob, even during their climactic kiss on top of the mountain. This is likely to confuse non-readers of the book series, as Stewart emotes nothing that intones there's a real competition here (clearly, she's Team Edward). Pattinson, on the other hand, appears to have overcome his awkwardness to become a much cooler Edward; Howard, while missing Lefevre's mischief as Victoria, brings her own touch of soft-spoken manipulation; and Billy Burke, as Bella's father Charlie, continues to steal every scene he's in. The other Cullens also get far more play here, notably Rosalie (Nikki Reed), whose revealing back story is touching and tragic, and Jasper (Jackson Rathbone), who trains everyone in combat and who, halfway through the movie, adopts a sudden Southern accent that he didn't have before, once it's revealed he was a Confederate soldier (on a side note, it's mentioned in the books that Jasper can calm the emotions of others, but that trait isn't used in the movie). The climactic fight scene is well staged by director David Slade (30 Days of Night, Hard Candy); the violence, while not bloody, is still more abundant and disturbing than in the previous films; and the sex, while not actually happening between anyone (yet), is certainly on everyone's mind (but Edward wants to get married first). It seems the characters, and the series, are growing up. --Ellen A. Kim

Studio: Uni Dist Corp. (summit) Release Date: 12/04/2010 Rating: Pg13

Includes 4 sticker sheets. This is an officially licensed Twilight TM product.

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