King Queens

Beautiful 100% cotton tea towel celebrating the 60th Anniversary of Queen Elizabeth II's reign. This lovely design shows the England's red rose Scotland's thistle, Ireland's shamrock and the daffodil of Wales topped by the crown of the Sovereign.

Made by one of the largest manufacturers of candy and soap molds, our chocolate and candy molds create fun shapes for parties, home cooking, or commercial candy shops. All chocolate candy molds are reusable and made of durable PETG plastic, and FDA approved.

Dimension: 90"L x 63"W x 47"H Finish: Deep Black Material: Solids, Veneers Queen Size Sleigh Bed Louis Philippe Style in Black Finish Features elegant curving lines on headboard and footboard. Sleigh design and Louis Philippe style. Complement your bedroom with this traditional styled Louis Philippe bedroom item. Matching nightstand, dresser, mirror, chest and TV dresser are available separately. Assembly required.

Even before their second fling with the pop mainstream, Aerosmith were one of Top 40's favorite hard-rock bands, so ubiquitous--and so funky--that Run-D.M.C. were vociferous fans. Their '70s output included at least three classic albums (Aerosmith, Toys in the Attic, and Rocks). This disc collects unstoppable singles into a horny, howling little piece of archaeology that makes even weak links like "Kings and Queens" sound great. And the truly great stuff here--"Sweet Emotion," "Last Child," "Dream On"--runs the gamut of style and feeling from swaggering freak-flag-flying to power-ballad roots that display a genuine ache. Your Aerosmith collection shouldn't end here, but this red-and-white bomb is a great place to start. --Rickey Wright

No Description AvailableNo Track Information AvailableMedia Type: CDArtist: AEROSMITHTitle: GREATEST HITSStreet Release Date: 09/07/1993

Spike Lee's longtime cinematographer, Ernest R. Dickerson, made his directorial debut with this violent story about four Harlem teens whose lives are changed when a store robbery goes wrong. The film has been likened to an urban The Wild Bunch, but it is far too artificial for that. With Dickerson's eye, Juice understandably looks great, but at the end of the day it is only a slightly better version of the heavily clichéd crime movies that have artificially dominated perceptions of black cinema in the U.S. in the '90s. Rap fans might enjoy seeing some familiar stars on board, including Queen Latifah and Tupac Shakur. --Tom Keogh

A powerful look at contemporary life in Harlem, focusing on an aspiring disc jockey and his teenage friends who have to make a difficult decision: Walk the straight and narrow or lead a life of crime. Eventually, they decide to rob a liquor store in response to an acquaintance's death. Omar Epps, Khalil Kain, Tupac Shakur star; Ernest R. Dickerson, Spike Lee's cinematographer, directs. 94 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, Dolby Digital Surround; Subtitles: English.

The biblical story of Esther, the Jewish woman who saved her people when they faced annihilation, is told in this production featuring British actress Louise Lombard in the title role and F. Murray Abraham as Mordecai, Esther's cousin and foster father. As a girl living under Persian rule, Esther was essentially kidnapped and taken into the harem of the king, Xerxes. The king, taken by her beauty, made her his queen, and as dramatized in the film, she found herself involved in a delicate balancing act between the ruling Persians and her own Jewish people. While this is a fairly elaborate production with a solid supporting cast, it proceeds at a relaxed pace and never quite takes off dramatically. But it does provide a solid telling of Esther's story, and if considered as something of a docudrama, it's successful. The story is clearly told of how the king's chief minister, Haman, had hoped to see the Jews annihilated, but thanks to Esther's intercession the Jews were able to defend themselves and destroy their enemies (events which are celebrated at the Jewish Feast of Purim). The production does provide much of the period flavor of ancient life, and the major facets of the story and portrayals of the characters coincide with biblical accounts. --Robert J. McNamara

The story of the young Jewish girl who captivates the King of Persia and urges him to show mercy on her people features an all-star cast that includes F. Murray Abraham, Jurgen Prochnow, Ornella Muti, and Louise Lombard as Esther. 91 min. Standard; Soundtrack: English Dolby Digital stereo; Subtitles: English (SDH).

Disney's 1959 animated effort was the studio's most ambitious to date, a widescreen spectacle boasting a gorgeous waltz-filled score adapting Tchaikovsky. In the 14th century, the malevolent Maleficent (not dissimilar to the wicked Queen in Disney's Snow White and the Seven Dwarfs taunts a king that his infant Aurora will fatally prick her finger on a spinning wheel before sundown on her 16th birthday. This, of course, would deny her a happily-ever-after with her true love. Things almost but not quite turn out that way, thanks to the assistance of some bubbly, bumbling fairies named Flora, Fauna, and Merryweather. It's not really all that much about the title character--how interesting can someone in the middle of a long nap be, anyway? Instead, those fairies carry the day, as well as, of course, good Prince Phillip, whose battle with the malevolent Maleficent in the guise of a dragon has been co-opted by any number of animated films since. See it in its original glory here. And Malificent's castle, filled with warthogs and demonic imps in a macabre dance celebrating their evil ways, manages a certain creepy grandeur. --David Kronke On the Blu-raySleeping Beauty was the last and most lavish of Walt Disney's animated fairy tales. He told the artists not to hurry and to give him "a moving illustration": The film required almost four and one-half years and one million finished drawings. Instead of the 19th century storybook illustrations that had influenced the look of Snow White and Pinocchio, the artists adapted the flattened perspective and jewel-like colors of 15th century French illuminated manuscripts. The results remain unmatched for sheer visual opulence. However, Sleeping Beauty suffers from a weak story: the vision of an ageless princess slumbering in a vine-shrouded tower was replaced with elements of Snow White and a boy-meets-girl musical. The evil Maleficent and the three Good Fairies (Flora, Fauna, and Merryweather) dominate the film, rather than Princess Aurora and Prince Philip. Sleeping Beauty was originally released in 70mm, and the Blu-ray edition restores the film to its original splendor. (Many earlier releases trimmed the wide-screen images and/or muted the glowing palatte.) The Bonus DVD looks good on a flat screen monitor, but it pales in comparison to the richness of the Blu-ray. In addition to the commentaries and a making-of documentary, the set includes myriad extras that vary widely in quality. Nostalgia buffs will enjoy the recreation of the old Sleeping Beauty's Castle attraction in Disneyland, and the TV program "Four Artists Paint One Tree" provides a welcome showcase for key talents from the film. But the CG animation of the dragon and the voice imitations of the Good Fairies fail to capture the magic of the originals in the "Dragon Encounter"; the "Maleficent's Challenge Game"--a hi-tech Twenty Questions--sounds only vaguely like the redoubtable sorceress. The BD-Live features require an awful lot of bother: after wading through (or ignoring) 130 screens of legalese, participants must enter their Social Security number or other personal information in the drawn-out sign-on process. Once that's finally done, viewers can send special messages to pop up during the film, chat online with others who are watching, and view it in synch with others. The question is whether or not you want to. (Rated G: violence) --Charles Solomon Stills from Sleeping Beauty (Click for larger image)

A beautiful princess born in a faraway kingdom is destined by a terrible curse to prick her finger on the spindle of a spinning wheel and fall into a deep sleep which can only be awakened by true love's first kiss. Though the titular princess is on par with the rest of Disney's essential heroines, most of the fun arises from the trio of charming fairies entrusted with her care: Flora, Fauna, and Meriweather. Meanwhile the evil Malificent may just be Disney's most chilling villainess. This classic makes wondrous use of Tchaikovsky's same-titled ballet score, which earned SLEEPING BEAUTY an Academy Award nomination for Best Scoring of a Musical Picture.

This film and Hello Dolly were the knockout blows to the studio movie musical, but Paint doesn't deserve its tarnished name. Ben Rumson (Lee Marvin) takes the model of a rakish derelict to an unequaled high as a prospector who teams up with a greenhorn named Pardner (Clint Eastwood), and they both end up marrying the same scorned woman (Jean Seberg). No-Name City, the prospecting town they found, is Sodom and Gomorrah without the camels, and a vision of humanity left to its own devices. The songs are mostly wonderful melodies from Lerner and Loewe, with definite high points, notably "They Call the Wind Maria" and "Wand'rin' Star." Clint Eastwood always gets flack for his versions of "I Still See Elisa" and "I Talk to the Trees," but that scorn is equally undeserved. Perhaps Paint's biggest sin, in retrospect, was trying to combine the aesthetics of the musical with the aesthetics of the male protagonists' world-weary machismo. Not the easiest task, but Paint pulls it off. --Keith Simanton

The RESCUE! Reusable Yellowjacket Trap catches all major species of yellowjackets common to North America. Catches multiple species Attractant lasts for weeks without daily maintenance Attractant refills available, including the RESCUE! 10-week Attractant Cartridge for even longer lasting performance Won’t trap beneficial honeybees Double-chambered design prevents yellowjackets from escaping Durable plastic holds up in sunlight for seasons of use Used and recommended by the United States Department of Agriculture as well as major U.S. zoos, parks, campgrounds, resorts and school districts Clear plastic tube allows the user to see the yellowjacket body count"

SLIPSTICK 4PC HEAVY DUTY BED RISERS - Heavy duty riser. Create extra storage under furniture. Set of 4 holds up to 2000 lbs. Foam insert, molds to all types of furniture legs and rollers up to 3 . Speacial non-slip rubberized base.

Plastic Bed Cover - Twin Size (75" X 36" X 8") : : (Toolusa)Great For The Little Ones When You're Potty Training - Or To Keep Your Mattress Fresh And New When Guests Come To Visit. Fits Easily Under Any Sheet. Twin (also Know As Single) Size.

The larger-than-life personalities of Oscar nominees Dolly Parton and Queen Latifah help to buoy Joyful Noise, a lightweight comedy-musical about two strong-minded women who clash over the direction of a small-town church choir. The friction is set in motion by a surprisingly callous bit of business, in which Parton is informed by her pastor (Courtney B. Vance) that the church board has planned to deny her the position of church choir director, recently vacated by the death of her husband (Kris Kristofferson), in favor of Latifah. Never mind that the announcement is made at Kristofferson's funeral service, where one might assume that even a woman with such inordinate spunk as Parton might be in a state of grief; it's one of never-mind-the-details-let's-get-to-the-singing decision that writer-director Todd Graff (Bandslam) makes throughout the picture, which renders much of the film's many dramatic elements somewhat facile. And there are quite a few elements from which to choose, including a romance between Parton's cocky grandson (Jeremy Jordan) and Latifah's daughter (Keke Palmer), Latifah's Asperger's-afflicted son, or any of the genuinely silly issues involving the choir members. Joyful Noise is ultimately a mess of loosely connected elements that viewers are asked to accept in a particularly haphazard arrangement, but for many, the storyline will be a tolerable bridge between musical numbers, which admittedly are the film's strongest selling point. Thankfully, these are in good hands, with veteran producer-composer Mervyn Warren (The Preacher's Wife) handling the score and gospel powerhouse Kirk Franklin in the cast, and both Parton and Latifah get to display their formidable vocal talents. But it's a long and largely tiresome slog to these moments, which may have viewers making frequent use of their player's fast-forward button. Extras on the Joyful Noise Blu-ray are also fairly slim, with talking-head interviews with Graff and his stars balanced by extended musical numbers and a live clip of the cast and singers at the Staples Center in Los Angeles. --Paul Gaita

In a small Georgia town, the newly appointed church choir director (Queen Latifah) clashes with her late predecessor's feisty widow (Dolly Parton). Adding fuel to their fiery feud is the budding romance between Latifah's daughter (Keke Palmer) and Parton's grandson (Jeremy Jordan). Can these two strong-willed women work together in order to get the choir ready for a national competition? Spirited musical comedy also stars Courtney B. Vance and Kris Kristofferson. 118 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, Spanish Dolby Digital 5.1; Subtitles: English (SDH), French, Spanish; featurettes.

Disney's 1959 animated effort was the studio's most ambitious to date, a widescreen spectacle boasting a gorgeous waltz-filled score adapting Tchaikovsky. In the 14th century, the malevolent Maleficent (not dissimilar to the wicked Queen in Disney's Snow White and the Seven Dwarfs taunts a king that his infant Aurora will fatally prick her finger on a spinning wheel before sundown on her 16th birthday. This, of course, would deny her a happily-ever-after with her true love. Things almost but not quite turn out that way, thanks to the assistance of some bubbly, bumbling fairies named Flora, Fauna, and Merryweather. It's not really all that much about the title character--how interesting can someone in the middle of a long nap be, anyway? Instead, those fairies carry the day, as well as, of course, good Prince Phillip, whose battle with the malevolent Maleficent in the guise of a dragon has been co-opted by any number of animated films since. See it in its original glory here. And Malificent's castle, filled with warthogs and demonic imps in a macabre dance celebrating their evil ways, manages a certain creepy grandeur. --David Kronke On the DVDSleeping Beauty was the last and most lavish of Walt Disney's animated fairy tales. He told the artists not to hurry and to give him "a moving illustration": The film required almost four and one-half years and one million finished drawings. Instead of the 19th century storybook illustrations that had influenced the look of Snow White and Pinocchio, the artists adapted the flattened perspective and jewel-like colors of 15th century French illuminated manuscripts. The results remain unmatched for sheer visual opulence. However, Sleeping Beauty suffers from a weak story: the vision of an ageless princess slumbering in a vine-shrouded tower was replaced with elements of Snow White and a boy-meets-girl musical. The evil Maleficent and the three Good Fairies (Flora, Fauna, and Merryweather) dominate the film, rather than Princess Aurora and Prince Philip. Sleeping Beauty was originally released in 70mm, and the Blu-ray edition restores the film to its original splendor. (Many earlier releases trimmed the wide-screen images and/or muted the glowing palatte.) The Bonus DVD looks good on a flat screen monitor, but it pales in comparison to the richness of the Blu-ray. In addition to the commentaries and a making-of documentary, the set includes myriad extras that vary widely in quality. Nostalgia buffs will enjoy the recreation of the old Sleeping Beauty's Castle attraction in Disneyland, and the TV program "Four Artists Paint One Tree" provides a welcome showcase for key talents from the film. But the CG animation of the dragon and the voice imitations of the Good Fairies fail to capture the magic of the originals in the "Dragon Encounter"; the "Maleficent's Challenge Game"--a hi-tech Twenty Questions--sounds only vaguely like the redoubtable sorceress. (Rated G: violence) --Charles Solomon Stills from Sleeping Beauty (Click for larger image)

A beautiful princess born in a faraway kingdom is destined by a terrible curse to prick her finger on the spindle of a spinning wheel and fall into a deep sleep which can only be awakened by true love's first kiss. Though the titular princess is on par with the rest of Disney's essential heroines, most of the fun arises from the trio of charming fairies entrusted with her care: Flora, Fauna, and Meriweather. Meanwhile the evil Malificent may just be Disney's most chilling villainess. This classic makes wondrous use of Tchaikovsky's same-titled ballet score, which earned SLEEPING BEAUTY an Academy Award nomination for Best Scoring of a Musical Picture.