John Anne

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Rectangular wrap-around refrigerator magnet and a glossy mylar cover.Large 2x3 inch rectangle fridge magnet or 'buttons' as they are sometimes known in the USA.Crop shown is automated for display purposes only. All magnets are hand finished and the best most appropriate crop will always be selected to best show the full image. Therefore, actual product may vary slightly from crop shown - this can include borders or slight cropping in order to best place the image within the fixed size.

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Huckleberry Finn's age has been scaled down in this 1993 Disney film in order to accommodate star Elijah Wood's young years at the time. But that's not the only concession Mark Twain's great American novel must make to Disney revisionism. Wood's Huck, as adapted for the screen by writer-director Stephen Sommers, is all rascal and only nominally a philosopher, which takes a lot of the soul out of Twain's extraordinary story about Huck's enlightenment while traveling with the slave Jim (Courtney B. Vance) along the Mississippi river. Big chunks of the journey are also minimized in significance, and not just for the sake of storytelling economy. Jason Robards Jr. and Robbie Coltrane brighten things up, but overall this is an unnecessarily simplified version of an important story. --Tom Keogh

Mark Twain's classic tale of the adventures of a young boy on the Mississippi and the fascinating characters he meets is given a rich treatment by the Disney Studios. Elijah Wood is the adventurous Huck, who befriends runaway slave Jim (Courtney B. Vance) and meets the crafty con men King (Jason Robards, Jr.) and Duke (Robbie Coltrane). 110 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital Surround, Spanish Dolby Digital stereo, French Dolby Digital stereo; Subtitles: Spanish, French; audio commentary; featurette.

If you've ever wanted to hear Jack Nicholson sing (or try to) or marvel at the sight of Ann-Margret drunkenly cavorting in a cascade of baked beans, Tommy is the movie you've been waiting for. As it turns out, the Who's brilliant rock opera is sublimely matched to director Ken Russell's penchant for cinematic excess, and this 1975 production finds Russell at the peak of his filmmaking audacity. It's a fever-dream of musical bombast, custom-fit to the thematic ambition of Pete Townshend's epic rock drama, revolving around the titular "deaf, dumb, and blind kid" (played by Who vocalist Roger Daltrey) who survives the childhood trauma that stole his senses to become a Pinball Wizard messiah in Townshend's grandiose attack on the hypocrisy of organized religion. The story is remarkably coherent considering the hypnotic dream-state induced by Russell's visuals. Tommy's odyssey is rendered through wall-to-wall music, each song representing a pivotal chapter in Tommy's chronology, from the bloodstream shock of "The Acid Queen" (performed to the hilt by Tina Turner) to Nicholson's turn as a well-intentioned physician, Elton John's towering rendition of "Pinball Wizard," and Daltrey's epiphanous rendition of "I'm Free." Other performers include Eric Clapton and (most outrageously) the Who's drummer Keith Moon, and through it all Russell is almost religiously faithful to Townshend's artistic vision. Although it divided critics when first released, Tommy now looks likes a minor classic of gonzo cinema, worthy of the musical genius that fueled its creation. --Jeff Shannon

The Who's innovative rock opera gets an electrifying, eye-popping film treatment from director Ken Russell. Roger Daltrey plays the "deaf, dumb and blind kid" whose pinball prowess makes him a global sensation; Ann-Margret, Oliver Reed, Elton John, Tina Turner, Eric Clapton, and Jack Nicholson also star. Songs include "Pinball Wizard," "The Acid Queen," "See Me, Feel Me." 111 min. Standard and Widescreen; Soundtracks: English Dolby Digital 5.0, Dolby Digital stereo; Subtitles: English, French, Spanish.

The labels that are now gathered under the Universal Classics umbrella have a pretty impressive scorecard in the area of classical compilations. We've seen The Greatest Opera Show on Earth, The Yellow Guide: Classical Music, Best of the Millennium, and now there's The No. 1 Opera Album. But that's no surprise, since Universal has some of the finest interpreters in its catalogue to draw from. This two-CD set (at the price of one), for example, brings together the likes of Cecilia Bartoli, Renée Fleming, Luciano Pavarotti, Kiri Te Kanawa, Sir Georg Solti, Herbert von Karajan, and many more. Yet the other key to a successful compilation is canny anthologizing, and here again, you have a nice selection to give you a smattering of opera's heavyweights from the Italian, German, and French repertory (there's even a step outside the standard framework with an aria from Dvorák's lovely Rusalka). Ranging from 1959 to 1997, the choices from back catalogue will doubtless be the entry ticket for many into this grandest of the arts. --Sarah Chin

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Even as Disney has reveled in the success of its high-end animated features, it occasionally sneaks a lesser effort into theaters, based on one of the many TV shows with which it dominates daytime TV. This one is based on perennial Disney favorite Goofy's adventures in domesticated bliss. Goofy is now a single dad; when son Max gets blamed for a prank gone wrong at school, Goofy blames himself and decides that, for his vacation, he's going to get away with Max alone. Of course, this is no treat for Max, who has just met the girl of his dreams and harbors no wish to spend the summer touring America with his square dad. The vacation is one disaster after another, though they aren't particularly funny disasters; the culmination involves Goofy's efforts to get Max backstage at a big rock concert. Strictly for young fans of the TV show. --Marshall Fine

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WallMonkeys wall graphics are printed on the highest quality re-positionable, self-adhesive fabric paper. Each order is printed in-house and on-demand. WallMonkeys uses premium materials & state-of-the-art production technologies. Our white fabric material is superior to vinyl decals. You can literally see and feel the difference. Our wall graphics apply in minutes and won't damage your paint or leave any mess. PLEASE double check the size of the image you are ordering prior to clicking the 'ADD TO CART' button. Our graphics are offered in a variety of sizes and prices. WallMonkeys are intended for indoor use only. Printed on-demand in the United States Your order will ship within 3 business days, often sooner. Some orders require the full 3 days to allow dark colors and inks to fully dry prior to shipping. Quality is worth waiting an extra day for! Removable and will not leave a mark on your walls. Our catalog of over 10 million images is perfect for virtually any use: school projects, trade shows, teachers classrooms, colleges, nurseries, college dorms, event planners, and corporations of all size.

WallMonkeys wall graphics are printed on the highest quality re-positionable, self-adhesive fabric paper. Each order is printed in-house and on-demand. WallMonkeys uses premium materials & state-of-the-art production technologies. Our white fabric material is superior to vinyl decals. You can literally see and feel the difference. Our wall graphics apply in minutes and won't damage your paint or leave any mess. PLEASE double check the size of the image you are ordering prior to clicking the 'ADD TO CART' button. Our graphics are offered in a variety of sizes and prices. WallMonkeys are intended for indoor use only. Printed on-demand in the United States Your order will ship within 3 business days, often sooner. Some orders require the full 3 days to allow dark colors and inks to fully dry prior to shipping. Quality is worth waiting an extra day for! Removable and will not leave a mark on your walls. Our catalog of over 10 million images is perfect for virtually any use: school projects, trade shows, teachers classrooms, colleges, nurseries, college dorms, event planners, and corporations of all size.

Action and comedy mix in this fast-paced adaptation of Janet Evanovich's bestseller. Recently divorced and out of work, Stephanie Plum (Katherine Heigl) takes a job as a bounty hunter with her cousin's bail bond business. But her first high-stakes assignment proves to be more complicated than she thought when she's sent to track down a bail-jumping ex-cop (Jason O'Mara) who just so happens to be an old high school flame. With Daniel Sunjata, John Leguizamo, Sherri Shepherd, and Debbie Reynolds. 91 min. Widescreen (Enhanced); Soundtrack: English Dolby Digital 5.1; Subtitles: English, Spanish; featurettes; deleted scene; gag reel; theatrical trailer.

A film based on the incredibly popular Stephanie Plum books by Janet Evanovich, One for the Money reveals an unexpectedly versatile Katherine Heigl. This model-turned-actress is best known for her role as Dr. Izzie Stevens on Grey's Anatomy and for starring in various lighthearted romantic comedies, but here Heigl takes on the meaty role of Plum, a laid-off lingerie buyer who turns bondswoman in a desperate attempt to pay the rent and put food on the table. Heigl is surprisingly believable as a blue-collar working girl who thinks fast on her feet and is not afraid to throw herself into the middle of even the most dangerous situation--especially if it means getting what she wants. Of course, Stephanie's impulsiveness manages to get her into all sorts of awkward and potentially life-threatening situations. Throw in her desire for payback against an old boyfriend, a sleazy cousin, a gang of ruthless criminals, a couple of most unexpected allies, and a quirky family who can think of little more than setting her up with a good husband, and you've got an enticing blend of drama, action, and comedy. Debbie Reynolds is quite funny as Grandma Mazur, Daniel Sunjata makes a great Ranger, and there's definitely a nice chemistry between Heigl and Jason O'Mara. Bonus features include an 11-minute making-of featurette, a 10-minute look at some real-life "bond girls," a gag reel, and one deleted scene. --Tami Horiuchi

Action and comedy mix in this fast-paced adaptation of Janet Evanovich's bestseller. Recently divorced and out of work, Stephanie Plum (Katherine Heigl) takes a job as a bounty hunter with her cousin's bail bond business. But her first high-stakes assignment proves to be more complicated than she thought when she's sent to track down a bail-jumping ex-cop (Jason O'Mara) who just so happens to be an old high school flame. With Daniel Sunjata, John Leguizamo, Sherri Shepherd, and Debbie Reynolds. 91 min. Widescreen; Soundtrack: English DTS HD 5.1 Master Audio; Subtitles: English (SDH), Spanish; featurette; behind-the-scenes footage; deleted scene; gag reel.

A film based on the incredibly popular Stephanie Plum books by Janet Evanovich, One for the Money reveals an unexpectedly versatile Katherine Heigl. This model-turned-actress is best known for her role as Dr. Izzie Stevens on Grey's Anatomy and for starring in various lighthearted romantic comedies, but here Heigl takes on the meaty role of Plum, a laid-off lingerie buyer who turns bondswoman in a desperate attempt to pay the rent and put food on the table. Heigl is surprisingly believable as a blue-collar working girl who thinks fast on her feet and is not afraid to throw herself into the middle of even the most dangerous situation--especially if it means getting what she wants. Of course, Stephanie's impulsiveness manages to get her into all sorts of awkward and potentially life-threatening situations. Throw in her desire for payback against an old boyfriend, a sleazy cousin, a gang of ruthless criminals, a couple of most unexpected allies, and a quirky family who can think of little more than setting her up with a good husband, and you've got an enticing blend of drama, action, and comedy. Debbie Reynolds is quite funny as Grandma Mazur, Daniel Sunjata makes a great Ranger, and there's definitely a nice chemistry between Heigl and Jason O'Mara. Bonus features include an 11-minute making-of featurette, a 10-minute look at some real-life "bond girls," a gag reel, and one deleted scene. --Tami Horiuchi