Joel Grey

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One of the most common complaints about musicals is that the books are flimsy pretexts from which to hang numbers. Wicked runs into the opposite problem: it has a great plot, but too often the songs just get in the way. Based on Gregory Maguire's novel of the same name, Wicked tells us what happened between Glinda the Good and Elphaba, the Wicked Witch of the West, before Dorothy showed up in Oz. And the show is lucky to boast a pair of ace leading women in the main roles. As Glinda, Kristin Chenoweth delivers a sensational star turn, displaying a crystal-pure voice and sharp comic timing; Idina Menzel lends her powerful pipes to the tricky role of Elphaba. Unfortunately, you wish they had better material to work with. Stephen Schwartz's pop score is often dragged down by overly synthetic orchestrations and sentimental lyrics (think Chicken Soup for the Witch). Still, at its best Wicked is a seductive slice of popular entertainment that could well give a younger audience a lasting taste for musical theater. --Elisabeth Vincentelli

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Cheated out of playing nightclub canary Sally Bowles on Broadway in director Hal Price's Cabaret, Liza Minnelli nevertheless delivered an Oscar-winning star turn in Bob Fosse's cinematic reinvention of the show (which had the good sense to retain perverse imp Joel Grey from the stage production). Although the 1972 film discarded several songs from the original score, the new ones sound even better: Minnelli's breast-beating "Maybe This Time," the sultry "Mein Herr," and the salaciously satirical "Money, Money." By placing almost all the pertinent musical action on the stage of the decadent Kit Kit Club, the Kurt Weill-like compositional nuances and political underpinnings bask in the spotlight...that is, when Minnelli stops eclipsing it with her no-holds-barred performance. --Kurt B. Reighley

VARIOS INTERPRETES CABARET

Talk about hubris: this film, released at the height of sequelmania in the mid-1980s, came with its own intimations of future sequels built right into the title. Unfortunately, you have to make a good first film in order to generate follow-ups--something these filmmakers didn't manage--so the adventure began and ended with this one. Based on the pulp paperback adventure series The Destroyer, the film deals with a ne'er-do-well, Remo Williams (Fred Ward), who is recruited to battle the forces of evil. He is trained by an Asian martial arts master who, in those days before political correctness, was played by Joel Grey in heavy makeup. But the action is both forced and preposterous, jokey without every really being funny. The best thing about the film is Grey--and his stereotyped depiction of an Asian is pretty hard to take today. --Marshall Fine

Writer Nicholas Meyer (who went on to write two of the best Star Trek films) made his bones with his adaptation of his bestselling novel, directed by Herbert Ross. Fanciful and entertaining, it imagines what might have happened had Dr. Watson (Robert Duvall) convinced Sherlock Holmes (Nicol Williamson) to seek a cure for his cocaine addiction from Dr. Sigmund Freud (Alan Arkin). This meeting of the minds takes a turn into adventure when Holmes and Freud team up to solve a kidnapping mystery. Arkin is intriguingly likable as Freud, while Williamson makes a keen and frenetic Holmes. Duvall is almost unrecognizable as the avuncular, phlegmatic Watson. Laurence Olivier turns up as Professor Moriarty, who is hardly the criminal mastermind that the drug-deluded Holmes believes. --Marshall Fine

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Winner of eight Academy Awards, including Best Director (Bob Fosse), Best Actress (Liza Minnelli), and Best Supporting Actor (Joel Grey), Cabaret would also have taken Best Picture if it hadn't been competing against The Godfather as the most acclaimed film of 1972. (Francis Ford Coppola would have to wait two years before winning Best Director, for The Godfather, Part II.) Brilliantly adapted from the acclaimed stage production, which was in turn inspired by Christopher Isherwood's Berlin Stories and the play and movie I Am a Camera, this remarkable musical turns the pre-war Berlin of 1931 into a sexually charged haven of decadence. Minnelli commands the screen as nightclub entertainer Sally Bowles, who radiantly goes on with the show as the Nazis rise to power, holding her many male admirers (including Michael York and Helmut Griem) at a distance that keeps her from having to bother with genuinely deep emotions. Joel Grey is the master of ceremonies at the Kit Kat Klub who will guarantee a great show night after night as a way of staving off the inevitable effects of war and dictatorship. They're all living in a morally ambiguous vacuum of desperate anxiety, determined to keep up appearances as the real world--the world outside the comfortable sanctuary of the cabaret--prepares for the nightmarish chaos of war. Director-choreographer Fosse achieves a finely tuned combination of devastating drama and ebullient entertainment, and the result is one of the most substantial screen musicals ever made. --Jeff Shannon

Bob Fosse's stylish musical, set amid the decadence of '30s Berlin, garnered eight Academy Awards. The plot revolves around singer Liza Minnelli's affair with writer Michael York and the exotic clientele that frequent the Kit-Kat Club. Joel Grey and Marisa Berenson co-star; based on Christopher Isherwood's "The Berlin Stories." 124 min. Widescreen (Enhanced); Soundtrack: English Dolby Digital Surround; Subtitles: English, French, Spanish; filmographies; theatrical trailer; documentaries. NOTE: This Title Is Out Of Print; Limit One Per Customer.

Writer Nicholas Meyer (who went on to write two of the best Star Trek films) made his bones with his adaptation of his bestselling novel, directed by Herbert Ross. Fanciful and entertaining, it imagines what might have happened had Dr. Watson (Robert Duvall) convinced Sherlock Holmes (Nicol Williamson) to seek a cure for his cocaine addiction from Dr. Sigmund Freud (Alan Arkin). This meeting of the minds takes a turn into adventure when Holmes and Freud team up to solve a kidnapping mystery. Arkin is intriguingly likable as Freud, while Williamson makes a keen and frenetic Holmes. Duvall is almost unrecognizable as the avuncular, phlegmatic Watson. Laurence Olivier turns up as Professor Moriarty, who is hardly the criminal mastermind that the drug-deluded Holmes believes. --Marshall Fine

Get ready for a mystery adventure like no other when Sherlock Holmes meets Sigmund Freud in The Seven-Per-Cent Solution. The world's two greatest masters in the art of detection, Sherlock Holmes (Nicol Williamson) and Sigmund Freud (Alan Arkin), join forces for the first time with the persistence of Dr. Watson (Robert Duvall), which leads to a thrilling investigation into a kidnapping case. With a superb supporting cast including Academy Award winners Laurence Olivier and Vanessa Redgrave, this refreshingly amusing take on Sherlock Holmes is an ingenious tale of detection, addiction and abduction.This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.This product is expected to play back in DVD Video "play only" devices, and may not play in other DVD devices, including recorders and PC drives.

Hello My Name Is T-Shirt by Solid Gold Bomb™Solid Gold Bomb™ rocks the casbah one more time with a groovy name tag tee! Screen Printed on the American Apparel 2001 Fine Jersey Short Sleeve T-Shirt. Made of 100% fine ring-spun combed cotton (Heather Grey contains 10% Polyester), this lightweight fine jersey is exceptionally smooth and tight-knit, making it just as opaque as a much heavier fabric but smooth on the skin. Made in Los Angeles, California - a superior color fastness, minimal shrinkage, fabric weight 4.3 oz/sq. yd. (146gsm).Sizing Instructions - The following measurements are displayed in both inches and centimeters. A half chest measurement can be made with an existing garment, flat on a table, measured across the chest from the base of the under arms.Sleeve Length - XS: 8"/20cm; S: 8.25"/21cm; M: 8.5"/22cm; L: 8.75"/22cm; XL: 9"/23cm; 2XL: 9.25"/23cm; 3XL: 9.5"/24cmHalf Chest - XS: 16.5"/42cm; S: 18"/46cm; M: 20"/51cm; L: 22"/56cm; XL: 24"/61cm; 2XL: 26"/66cm; 3XL: 28"/71cmFront Body Length - XS: 27.375"/70cm; S: 28.375"/72cm; M: 29.375"/75cm; L: 30.375"/77cm; XL: 31.375"/80cm; 2XL: 32.375"/82cm; 3XL: 33.375"/85cm

The Diesel Joel Brief 00CJOX is com'in atcha! Diesel's Joel Brief 00CJOX is made of a soft and lightweight 95% Cotton, 5% Spandex fabric blend. Please note this is a FINAL SALE item - sorry, no returns, exchanges or refunds.