Jason Robards

Based on the recent best-selling novel by Dominick Dunne - the story of how the rich exert their influence, no matter what the human price. A billionaire (Jason Robards) with an elegant wife (Jill Eikenberry) is having a passionate affair with a tough, yet vulnerable waitress, Flo March (Rebecca De Mornay). A murder at their mountaintop estate threatens to destroy their comfortable, insulated lives. A young and ambitious writer (Peter Gallagher) is determined to uncover the sordid truth. Thrust into this ruthless world of wealth, power and class, Flo March never had a chance.

Mark Twain's classic tale of the adventures of a young boy on the Mississippi and the fascinating characters he meets is given a rich treatment by the Disney Studios. Elijah Wood is the adventurous Huck, who befriends runaway slave Jim (Courtney B. Vance) and meets the crafty con men King (Jason Robards, Jr.) and Duke (Robbie Coltrane). 110 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital Surround, Spanish Dolby Digital stereo, French Dolby Digital stereo; Subtitles: Spanish, French; audio commentary; featurette.

Huckleberry Finn's age has been scaled down in this 1993 Disney film in order to accommodate star Elijah Wood's young years at the time. But that's not the only concession Mark Twain's great American novel must make to Disney revisionism. Wood's Huck, as adapted for the screen by writer-director Stephen Sommers, is all rascal and only nominally a philosopher, which takes a lot of the soul out of Twain's extraordinary story about Huck's enlightenment while traveling with the slave Jim (Courtney B. Vance) along the Mississippi river. Big chunks of the journey are also minimized in significance, and not just for the sake of storytelling economy. Jason Robards Jr. and Robbie Coltrane brighten things up, but overall this is an unnecessarily simplified version of an important story. --Tom Keogh

Pat Garrett & Billy the Kid may be the most beautiful and ambitious film that Sam Peckinpah ever made. The time is 1881. Powerful interests want New Mexico tamed for their brand of progress, and Sheriff Pat Garrett (James Coburn) is commissioned to rid the territory of his old gunfighting comrades. He serves fair notice to William Bonney--Billy the Kid (Kris Kristofferson)--and his Fort Sumter cronies, but it's not in their nature, or his, to go quietly. Peckinpah's theme, more than ever, is the closing of the frontier and the nature of the loss that that entails. But this time his vision takes him beyond genre convention, beyond history and legend, to the bleeding heart of myth--and surely of himself. This is one strange and original movie. In 1973 most American reviewers responded by panning it and deriding its director, whom they saw as having betrayed the promise of Ride the High Country, been swept up in his own cult of violence, and become incoherent as a storyteller. Coherence wasn't helped by MGM's cutting at least a quarter-of-an-hour out of the finished film and removing a bitter, retrospective prelude. Subsequent releases have restored a lot of material, and now there's more widespread appreciation of the depth and power of Peckinpah's achievement. The cast, teeming with fine character actors, is extraordinary, making the gallery of frontier denizens vivid and resonant. Coburn's Garrett, a man who comes to loathe himself for his mission yet cannot abandon it, is the high-water mark of the actor's career. L.Q. Jones, Luke Askew, Harry Dean Stanton, Jack Elam, and Richard Bright create indelible moments, and Slim Pickens becomes the center of an unforgettably moving scene. The presence of Kristofferson (just starting out as an actor) and Bob Dylan (whose enigmatic role is nearly wordless) nudges us toward recognizing Old West outlawry as an early form of rock stardom--flesh-and-blood gods for a primitive society to feed on. --Richard T. Jameson

Sam Peckinpah's brutal, mythic western saga focuses on the pursuit of outlaw Billy the Kid (Kris Kristofferson) by mentor-turned-lawman Pat Garrett (James Coburn) in 1880s New Mexico. With Barry Sullivan, Jason Robards, and Bob Dylan (who also wrote the music). 1988 restored version; 122 min./2005 special edition; 115 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital mono, French Dolby Digital mono; Subtitles: English, French, Spanish; audio commentary; featurettes; theatrical trailers. Two-disc set.

Reading Rainbow is one of the longest running and best loved children's series on PBS. Reading Rainbow is designed to inspire a love of reading and build lasting connections between children and books. As a half hour magazine-style series, Reading Rainbow mixes live action, music and illustrations. Reading Rainbows' target audience is children 4-8 years old.. Included in this collection is Hip Cat, a cat creates a sound of his own and sees how rhyme and rhythm enchant his audience, Zin! Zin! Zin! A Violin, features how patterns can make music fun. Full screen, region 0 encoded, audio 2.0

Two years ago, a man broke into James Blakely's apartment and shot him in his sleep. Twelve times, killing him instantly. Dead and confused, James discovers he has a choice: he can move on into the afterlife, or he can stay behind. Unfortunately, since James has done some very bad things, moving on into the afterlife can only mean one thing: the fires of Hell. Or so he thinks. Forgoing eternal damnation, James instead chooses to haunt his old apartment building.Now James's days are mostly spent visiting his daughter and ex-wife, welcoming new neighbors, and talking to those who can see the dead. It's a simple, peaceful life, but with each passing day, James discovers something more and more alarming: memories of his former life — and even his own identity — begin slipping away. Faced with the prospect that he is rapidly deteriorating into a state of nothingness, James sets out to save his eternal soul. With the help of his daughter and a world-class medium, his journey to peace and forgiveness will not be an easy one, especially for a ghost who still wishes to be a father — and who fears he is destined for a fiery Hell as punishment for sins he cannot remember. Now, as James begins to uncover the devastating secret that connects his soul to earth, he will discover that even in death life has a few surprises.**Acclaim for the novels of J.R. Rain**"Gripping, adventurous, and romantic — J.R. Rain's The Lost Ark is a breakneck thriller that traces the thread of history from Biblical stories to current-day headlines. Be prepared to lose sleep!"—JAMES ROLLINS, international bestselling author of Altar of Eden and The Doomsday Key"I enjoyed this immensely. The protagonist, Samantha Moon, is a female vampire with a husband and children. Those predate her condition; six years ago she was attacked by a vampire and rendered into one. Now she's trying to carry on with family and private eye business, and she's a feisty, skilled person, so is doing mostly okay. It is not a horror story; she buys animal blood to eat and doesn't generally prey on humans. But her husband has an increasing problem with her coldness — not of spirit, but of body. 'You sicken me and scare the hell out of me,' he tells her. 'And when I touch you it's all I can do to not gag.' She replies, 'Words every wife wants to hear.' I love this! What makes it special are her character and nature."—PIERS ANTHONY, New York Times bestselling author of A Spell for Chameleon and On A Pale Horse"Dark Horse is one of the best books I've read in a long time! A great classic detective story with a modern twist. Unique and interesting characters (I think I'm half in love with Jim Knighthorse now!), a great plot that kept me guessing until the end, and some of the funniest lines I've read anywhere."—GEMMA HALLIDAY, author of Deadly Cool and Play Dead"Impossible to put down. J.R. Rain's Moon Dance is a fabulous urban fantasy."—APRIL VINE, author of The Midnight Rose"Moon Dance is absolutely brilliant!"—LISA TENZIN-DOLMA, author of Understanding the Planetary Myths"Moon Dance is a must read. If you like Janet Evanovich's Stephanie Plum, bounty hunter, be prepared to love J. R. Rain's Samantha Moon, vampire private investigator."—EVE PALUDAN, author of Letters from David and The Romance Writer's Pink Pages"I totally loved The Body Departed. As someone who communicates with those who are either earthbound or have crossed over — your descriptions and interpretations of the dialogue and circumstances could not have been written more accurately. My favorite scene is the one of Jesus stepping down from the cross and then the passionate and compassionate way it was treated as he went back to the cross. I will relive that for a long time to come. You're a wonderfully descriptive writer who paints a very creative, visionary canvass based in a paranormal pallet that only a few experience and many can enjoy."—JULIE BELMONT, author of Seizing Your Success

Two years ago, a man broke into James Blakely's apartment and shot him in his sleep. Twelve times, killing him instantly. Dead and confused, James discovers he has a choice: he can move on into the afterlife, or he can stay behind. Unfortunately, since James has done some very bad things, moving on into the afterlife can only mean one thing: the fires of Hell. Or so he thinks. Forgoing eternal damnation, James instead chooses to haunt his old apartment building.Now James's days are mostly spent visiting his daughter and ex-wife, welcoming new neighbors, and talking to those who can see the dead. It's a simple, peaceful life, but with each passing day, James discovers something more and more alarming: memories of his former life-and even his own identity-begin slipping away. Faced with the prospect that he is rapidly deteriorating into a state of nothingness, James sets out to save his eternal soul. With the help of his daughter and a world-class medium, his journey to peace and forgiveness will not be an easy one, especially for a ghost who still wishes to be a father-and who fears he is destined for a fiery Hell as punishment for sins he cannot remember. Now, as James begins to uncover the devastating secret that connects his soul to earth, he will discover that even in death life has a few surprises.**Acclaim for the novels of J.R. Rain**"Gripping, adventurous, and romantic-J.R. Rain's The Lost Ark is a breakneck thriller that traces the thread of history from Biblical stories to current-day headlines. Be prepared to lose sleep!"-JAMES ROLLINS, international bestselling author of Altar of Eden and The Doomsday Key"I enjoyed this immensely. The protagonist, Samantha Moon, is a female vampire with a husband and children. Those predate her condition; six years ago she was attacked by a vampire and rendered into one. Now she's trying to carry on with family and private eye business, and she's a feisty, skilled person, so is doing mostly okay. It is not a horror story; she buys animal blood to eat and doesn't generally prey on humans. But her husband has an increasing problem with her coldness-not of spirit, but of body. 'You sicken me and scare the hell out of me,' he tells her. 'And when I touch you it's all I can do to not gag.' She replies, 'Words every wife wants to hear.' I love this! What makes it special are her character and nature."-PIERS ANTHONY, New York Times bestselling author of A Spell for Chameleon and On A Pale Horse"Dark Horse is one of the best books I've read in a long time! A great classic detective story with a modern twist. Unique and interesting characters (I think I'm half in love with Jim Knighthorse now!), a great plot that kept me guessing until the end, and some of the funniest lines I've read anywhere."-GEMMA HALLIDAY, author of Deadly Cool and Play Dead"Impossible to put down. J.R. Rain's Moon Dance is a fabulous urban fantasy."-APRIL VINE, author of The Midnight Rose"Moon Dance is absolutely brilliant!"-LISA TENZIN-DOLMA, author of Understanding the Planetary Myths"Moon Dance is a must read. If you like Janet Evanovich's Stephanie Plum, bounty hunter, be prepared to love J. R. Rain's Samantha Moon, vampire private investigator."-EVE PALUDAN, author of Letters from David and The Romance Writer's Pink Pages"I totally loved The Body Departed. As someone who communicates with those who are either earthbound or have crossed over-your descriptions and interpretations of the dialogue and circumstances could not have been written more accurately. My favorite scene is the one of Jesus stepping down from the cross and then the passionate and compassionate way it was treated as he went back to the cross. I will relive that for a long time to come.

In this powerful, inspiring volume, former "Late Night America" host and recovering alcoholic Dennis Wholey tells his story. In addition, celebrities from Doc Severinson to Sid Caesar to Jason Robards speak in their own words about the devastating effects of alcoholism.

Rabbit Ears Heroic Bible Stories enlightens and entertains with these classic tales fromt he Old Testament--read by your favorite stars and featuring original music by some of today's greatest artists.Jonah and the WhaleRead by Jason RobardsOriginal Music by George Mgrdichian Jonah attempts to flee when he is summoned by God to preach his Word to people of Nineveh and finds himself being swallowed by a whale. After the whale spits him out, Jonah fulfills his mission and learns a valuable lesson about obedience and forgiveness.Joseph and His BrothersRead by Ruben BladesOriginal Music by Strunz & Farah Rediscover the story of Joseph, a young man who is sold into slavery by his brothers. Many years later he forgives their betrayal and saves them from the famine that is ravaging their homeland. This tale of family love and redemption is sure to inspire everyone who listens.

Producer/writer/director Ken Burns' nine-episode opus, the Emmy Award-winning PBS documentary that brought to life the most turbulent chapter in American history. Maps, drawings, vintage photographs, and narration featuring the words of those who went to war (and those who were left behind) are blended to recount the causes, conflicts and resolution of the War Between the States. Six-disc set includes a bonus disc of interviews. 11 hrs. total. Standard; Soundtracks: English Dolby Digital 5.1, Dolby Digital stereo; Subtitles: English (SDH); audio commentary by Burns; biography cards; interactive maps; booklet; more.

The most successful public-television miniseries in American history, the 11-hour Civil War didn't just captivate a nation, reteaching to us our history in narrative terms; it actually also invented a new film language taken from its creator. When people describe documentaries using the "Ken Burns approach," its style is understood: voice-over narrators reading letters and documents dramatically and stating the writer's name at their conclusion, fresh live footage of places juxtaposed with still images (photographs, paintings, maps, prints), anecdotal interviews, and romantic musical scores taken from the era he depicts. The Civil War uses all of these devices to evoke atmosphere and resurrect an event that many knew only from stale history books. While Burns is a historian, a researcher, and a documentarian, he's above all a gifted storyteller, and it's his narrative powers that give this chronicle its beauty, overwhelming emotion, and devastating horror. Using the words of old letters, eloquently read by a variety of celebrities, the stories of historians like Shelby Foote and rare, stained photos, Burns allows us not only to relearn and finally understand our history, but also to feel and experience it. --Dave McCoy

A handful of people in the San Fernando Valley are having one hell of a day. TV mogul Earl Partridge (Jason Robards) is on his deathbed; his trophy wife (Julianne Moore) is popping pills with alarming frequency. Earl's nurse (Philip Seymour Hoffman) is trying desperately to get in touch with Earl's only son, sex guru Frank T.J. Mackey (Tom Cruise), who's about to have his carefully constructed past blown by a TV reporter (April Grace). Whiz kid Stanley (Jeremy Blackman) is being goaded by his selfish dad into breaking the record for the game show What Do Kids Know? Meanwhile, Stanley's predecessor, the grown-up quiz kid Donnie Smith (William H. Macy) has lost his job and is nursing a severe case of unrequited love. And the host of What Do Kids Know?, the affable Jimmy Gator (Philip Baker Hall), like Earl, is dying of cancer, and his attempt to reconcile with his cokehead daughter (Melora Walters) fails miserably. She, meanwhile, is running hot and cold with a cop (John C. Reilly) who would love to date her, if she can sit still for long enough. And over it all, a foreboding sky threatens to pour something more than just rain. This third feature from Paul Thomas Anderson (Boogie Nights) is a maddening, magnificent piece of filmmaking, and it's an ensemble film to rank with the best of Robert Altman--every little piece of the film means something, and it's solidly there for a reason. Deftly juggling a breathtaking ensemble of actors, Anderson crafts a tale of neglectful parents, resentful children, and love-starved souls that's amazing in scope, both thematically and emotionally. Part of the charge of Magnolia is seeing exactly how may characters Anderson can juggle, and can he keep all those balls in air (indeed he can, even if it means throwing frogs into the mix). And it's been far too long since we've seen a filmmaker whose love of making movies is so purely joyful, and this electric energy is reflected in the actors, from Cruise's revelatory performance to Reilly's quietly powerful turn as the moral center of the story. While at three hours it's definitely not suited to everyone's taste, Magnolia is a compelling, heartbreaking, ultimately hopeful mediation on the accidents of chance that make up our lives. Featuring eight wonderful songs by Aimee Mann, including "Save Me." --Mark Englehart

Paul Thomas Anderson followed his acclaimed "Boogie Nights" with this bold study of a group of disparate--and desperate--characters in Los Angeles' San Fernando Valley. At the center of the story is dying TV producer Jason Robards, distraught wife Julianne Moore and estranged son Tom Cruise, who stars in "Seduce and Destroy" infomercials. With Philip Seymour Hoffman, William H. Macy, Philip Baker Hall, and John C. Reilly. 188 min. Widescreen (Enhanced); Soundtracks: English Dolby TrueHD 5.1, Dolby Digital 5.1, Spanish Dolby Digital stereo; Subtitles: English (SDH), Spanish; music video; video diary; TV spots; theatrical trailers.

Writer/director Sergio Leone's epic western tale stars Henry Fonda in a chilling role as a ruthless gunman hired by a sinister railroad tycoon to take out anyone who gets in the way of his company's expansion. Claudia Cardinale is a young landowner whose family falls victim to Fonda's bullets, and Jason Robards and Charles Bronson are a pair of outlaws commissioned to bring him to justice. Co-written by Dario Argento; score by Ennio Morricone. 165 min. Widescreen; Soundtracks: English Dolby Digital 5.1, Dolby Digital mono, French Dolby Digital mono; audio commentary.

The so-called spaghetti Western achieved its apotheosis inSergio Leone's magnificently mythic (and utterly outlandish) Once upon a Time in the West. After a series of international hits starring Clint Eastwood (from A Fistful of Dollars to The Good, The Bad, and The Ugly), Leone outdid himself with this spectacular, larger-than-life, horse-operatic epic about how the West was won. (And make no mistake: this is the wide, wide West, folks--so the widescreen/letterboxed version is strongly recommended.) The unholy trinity of Italian cinema--Leone, Bernardo Bertolucci, and Dario Argento--concocted the story about a woman (Claudia Cardinale) hanging onto her land in hopes that the transcontinental railroad would reach her before a steely-eyed, black-hearted killer (Fonda) does. (The film's advertising slogan was: "There were three men in her life. One to take her ... one to love her ... and one to kill her.") Meanwhile, Leone shoots his stars' faces as if they were expansive Western landscapes, and their towering bodies as if they were looming rock formations in John Ford's Monument Valley. --Jim Emerson

Photo Puzzle, WHITE FLANNELS, 1927. Jason Robards, Sr. in a scene from the film. WHITE FLANNELS, 1927. Jason Robards, Sr. in a scene from the film. Chosen by Granger Art on Demand. 10x14 Photo Puzzle with 252 pieces. Packed in black cardboard box of dimensions 5 5/8 x 7 5/8 x 1 1/5. Puzzle image 5x7 affixed to box top. Puzzle pieces printed on RA4 paper at 300 dpi. This item is shipped from our American lab.

Jason Robards recreates his Broadway role in this comedy drama.

Signed 8x10 B&W comes with powers collectibles coa and matching holograms