Hat Cap

Ball Regular Mouth Plastic Storage Caps

This is a reproduction of our classic 'Drink Coca-Cola' STARR "X" Bottle Opener. Does not carry the patent# nor the STARR "X" trademark on the bottom of the opener. But is still a great item. Perfect for your kitchen, home bar, deck or any other gathering place. This is an essential item for the beer and soda drinker. Comes with two mounting screws. Purchase a bottle cap catcher to make the bottle opening experience more simple and enjoyable (sold separately).

Share in Walt Disney's extraordinary vision of pairing imaginative stories with spectacular music in Disney's 8th full-length animated classic, available for the first time ever.In the tradition of FANTASIA, MAKE MINE MUSIC is a glorious collection of musically charged animated shorts featuring such fun-filled favorites as "Peter And The Wolf," narrated by the beloved voice behind Winnie The Pooh. In addition, you'll enjoy such classic cartoon hits as "Casey At The Bat," "The Whale Who Wanted To Sing At The Met," and "Johnnie Fedora And Alice Bluebonnet," the whimsical adventure of two hats who fall in love in a department store window. Every member of your family will have a favorite in this musical medley of fun and fantasy from Disney! Product Measures: 0.61" x 5.34" x 7.5"

Sometimes referred to as "the Poor Man's Fantasia," Make Mine Music (1946) was the first of the "package features" Walt Disney released after World War II. Instead of Bach and Beethoven, the artists illustrated segments set to popular music by Benny Goodman, Dinah Shore, and the Andrews Sisters. Originally set to Debussy's "Claire de Lune," "Blue Bayou" remains an atmospheric evocation of the Everglades. "The Whale Who Wanted to Sing at the Met" is a charming fantasy about a cetacean with an extraordinary voice. "Peter and the Wolf," based on the Prokofiev score, offers brightly colored designs, but the narration by Sterling Holloway seems superfluous. "All the Cats Join In" is an upbeat evocation of the Bobby Sox era, but "Casey at the Bat" and "Johnny Fedora and Alice Bluebonnet" feel self-conscious and unfunny."Two Silhouettes" combines rotoscoped images of Ballets Russes de Monte Carlo stars Tatiana Riabouchinska and David Lichine with kitsch cupids, sparkles, and hearts. "The Martins and the Coys," a spoof of a hillbilly feud, has been excised in a bow to modern taste. The supplemental material includes The Band Concert, the first color Mickey Mouse short and one of the character's finest performances, and Music Land, a quirky Silly Symphony about clashing musical styles. --Charles Solomon

Picking up where the breakthrough funk-pop of Control left off, Janet Jackson and her production team of Jimmy Jam and Terry Lewis laced Rhythm Nation with high-minded references to societal ills--seldom the favored province of dance music, but a daring attempt nonetheless. Songs like "State of the World" and "The Knowledge" follow in the tradition of "free your mind and your ass will follow." Still, aside from the title track, it was the pure pop fare and dance music that stormed the charts: "Escapade," "Love Will Never Do (Without You)," "Alright," and "Come Back to Me" concentrate on the politics of personal relationships, not public policy, while "Black Cat" burns the place down with a fierce burst of hard rock. Rhythm Nation 1814 doesn't necessarily hang together thematically, but it's so chock full of hits, you scarcely notice. --Daniel Durchholz

No Description Available.Genre: Soul/R&BMedia Format: Compact DiskRating: Release Date: 18-SEP-1989

In... The Life of Chris Gaines is a way for Garth Brooks to indulge his rock-star fantasies without directly putting his country credibility on the line. This fictional greatest-hits album is supposedly a prequel to a movie (The Lamb) in which Brooks will assume the role of a mysterious Australian-born pop singer. The first single, "Lost in You," sounds like Kenny Loggins auditioning for a role in the Backstreet Boys. Gaines's other "hits" range from the funk-lite of "Snow in July" to the Prince-like "The Way of the Girl," the Beatlesesque "Maybe," and the blatant Wallflowers rip "Unsigned Letter." The tune on which Brooks most resembles the cat in the hat we all know is the melancholy ballad "It Don't Matter to the Sun." The most provocative tune is "Right Now," which interpolates (really) the Youngbloods' hippie classic "Get Together" with Cheryl Wheeler's antigun screed "If It Were Up to Me." As himself, Garth Brooks has sold almost 100 million albums. If he's lucky, many of those fans will forgive him for Chris Gaines. --Rick Mitchell

H9A Style: 247-H9A - Middle Connector Piece This item features: -Pivoting earcups for optimum fit. -H9A Model, high protection design, connector piece in the middle. -Works with AO Tuffmaster face protection system. -Soft seal liquid/foam filled cushions for a better seal even with eyewear. -H9P3E Model hard hat mount, high protection design. -Color: Yellow. -Quantity: 10 per case. -Style: Noise Reduction Rate (NRR):25 dB, Wt.:7 1/2lb - Price is for Each.

With seven, ultra-bright, white LEDs, the Streamlight Septor LED Headlamp features three levels of lighting for a wide range of applications including up-close detail work and long-range viewing. Adjustable straps help secure the light to any head size, and a 90-degree tilt mechanism allows you to point the light exactly where you need it. Durable and water-resistant construction ensure extended use, and the Septor Headlamp runs on three "AAA" batteries (included). Septor LED HeadlampAt a Glance:Ultra-bright LED headlamp with three different settings90-degree tilt mechanism reduces neck strain and focuses the light where you need itElastic head strap fits comfortably and securely to any head sizeIncludes rubber head strap for hard hatsLifetime limited warrantyThe adjustable elastic head strap wraps around and over the top of your head or cap for a secure fit. View larger.The rubber head strap ensures a nonslip grip for hard hats. View larger.Hands-Free LightingWeighing just 4.72 ounces, the Streamlight Septor LED Headlamp fits comfortably to your head with the included rubber hard hat strap, leaving your hands free to perform electrical work, set up a tent, look under the house, consult a manual, and more. You can use the Septor Headlamp anywhere you use a regular flashlight, but you'll have both hands available to perform the task at hand. This headlamp produces 50 lumens of light with seven LEDs, 25 lumens with three LEDs, or 9 lumens with one LED. It has a run time of up to 150 hours on three "AAA" batteries (included). The Advantages of LED TechnologyAn LED is ideal for lights that are used often and over an extended period of time. You don't have to worry about breaking the light, since there is no glass or filament, and you rarely have to replace LEDs because they can last a lifetime. Save time and money on batteries as well--they will last much longer with an LED than with a regular light bulb.Seven LEDs Provide Bright, Powerful IlluminationThe Septor Headlamp uses seven, super-bright, 100,000-hour LEDs, so you'll never need to replace a bulb again. Protected by an unbreakable polycarbonate lens, the seven LEDs provide 50 lumens of light for distance illumination. You also have the option to use three of the LEDs for medium range lighting or a single LED for short range lighting.Push Button and Tilting Head for Convenient Operation Designed for convenience and ease-of-use, the Septor Headlamp features a push-button switch at the top of the unit for quickly turning on and scrolling through the settings--first illuminating one LED, then three, and then all seven. The head tilts down to 90 degrees, reducing neck strain and allowing you to focus the light as needed. Durable Components for Extended UseMade with water-resistant thermoplastic construction that is virtually indestructible, the Septor Headlamp comes with an adjustable elastic head strap that wraps comfortably around and over the top of your head or cap for a secure fit. A rubber head strap is also included and ensures a nonslip grip for hard hats.The Streamlight Septor LED Headlamp is backed by a manufacturer's limited lifetime warranty.What's in the BoxStreamlight Septor LED Headlamp, three "AAA" batteries, rubber hard-hat strap, and elastic head strap.

SOLAR POST CAP LIGHT - Installs in minutes (screws included) durable black plastic construction with plastic lens. White LED and AA NiCD battery included # 97125. 4.13 tall.

Summer, 1961: Roger Maris and Mickey Mantle are on pace to break the most hallowed record in U.S. sports, Babe Ruth's single-season 60 home runs. It's a big story, and the intense, plain-spoken Maris is the bad guy: sports writers bait him and minimize hi

61* is an endearing ode to the baseball days of yore when the press was the enemy, salaries were in check, and breaking records with bat and glove took on Ruthian proportions. In 1961 baseball expanded its season from 154 games to 162, allowing weaker pitching into the major leagues and two New York Yankees teammates--the colorless Roger Maris and golden boy Mickey Mantle--to make an assault on the sport's ultimate record: Babe Ruth's 60 home runs. To add to the stew, baseball commissioner Ford Frick announced any record set in the last eight games of the season wouldn't count toward the official record; records had to be achieved in 154 games. Director Billy Crystal guarantees success for his movie in the perfect casting of the leads. Barry Pepper (Saving Private Ryan's religious sniper) is deft as Maris, and Thomas Jane is a perfect Mantle, a superman in a Yankee uniform. Despite the differences between family man Maris and hard-living Mantle, they form a rewarding friendship amid the media and fan frenzy. The shy Maris took the brunt of the storm, even facing boo-birds in his home stadium. Crystal and first-time writer Hank Steinberg keep the pace moving quickly between the field, the locker room, the press box, and the home front. The film never tries to dazzle with more than the facts (and it softens Mantle up a bit), yet it belongs on the short list of grand baseball movies. --Doug Thomas

In The Life Aquatic with Steve Zissou, director Wes Anderson takes his familiar stable of actors on a field trip to a fantasy aquarium, complete with stop-motion, candy-striped crabs and rainbow seahorses. And though Anderson does expand his horizons in terms of retro-special effects and a whimsical use of color, fans will otherwise find themselves in well-charted waters. As The Life Aquatic opens, Zissou (Bill Murray), a self-involved, Jacques Cousteau-like filmmaker, has just released a documentary depicting the death of his best friend Esteban, who was eaten by some sort of sea creature--possibly a jaguar shark. Zissou's troubles also include his waning popularity with the public, and a nemesis (Jeff Goldblum) who hogs up all the grant money. Hope arrives in the form of Ned Plimpton (Owen Wilson), an amiable Kentuckian who may be Zissou's son. Despite his lack of enthusiasm for fatherhood, Zissou welcomes Ned--and Ned in turn saves Zissou's new documentary (in which he seeks revenge on the jaguar shark) in more ways than one. One of Wes Anderson's greatest achievements as a director to date has been launching the autumnal melancholy phase of Bill Murray's career, starting with Rushmore in 1998, and Murray delivers a similarly comedic yet low-key performance here. Unfortunately, Zissou is one of the few characters in this ensemble to achieve multi-dimensionality. Even co-star Wilson doesn't get to develop Ned much beyond Noble Southerner, and he ends up seeming more like a prop for illustrating Zissou's emotional development rather than his own man. The Life Aquatic probably won't be remembered as a great film, but it is still one that no Anderson (or Murray) fan can afford to miss.--Leah Weathersby

When his best friend is eaten by a rare breed of shark, famed oceanographer and documentarian Steve Zissou (Bill Murray) sets out on a mission to exact revenge...and make a new film. Joined by a young pilot (Owen Wilson) who may be his son, a pregnant journalist (Cate Blanchett), and his estranged wife (Anjelica Huston), Zissou's production is beset by pirates, financial problems, and an encounter with a longtime rival (Jeff Goldblum). Directed by Wes Anderson. 118 min. Widescreen; Soundtracks: English Dolby Digital 5.1, DTS 5.1; Subtitles: French, Spanish; audio commentary by Anderson; deleted scenes; "making of" documentary; featurettes; interviews; music videos; photo gallery; theatrical trailer. Two-disc set.

Zyflamend By New Chapter - 120 Softgels