Gwen Verdon

Broadway's Lost Treasures delivers what the title promises: 21 historic performances of great moments in American musical theater televised on the Tony Awards between 1967 and 1986. (Five were not included when the program was broadcast on PBS in 2003.) Unlike some other arts, theater has rarely been well-documented, so it's a treat to see these numbers performed by the original artists rather than experience them through audio recordings or tepid movie adaptations. Sure, sound and picture quality are only adequate, some of the numbers are minimally staged and some appear to be lip-synched, and some of the performances that do have excellent film counterparts (Yul Brynner in The King and I, Robert Preston in The Music Man, Joel Grey in Cabaret) seem rather lackluster here. But those are minor drawbacks compared to the chance to see Gwen Verdon and Chita Rivera perform "All That Jazz" and "Nowadays" from Chicago, or John Raitt, a stage legend who's woefully underrepresented on film, singing The Pajama Game's "Hey There." The most electrifying excerpt is from Evita, anchored by the powerhouse trio of Patti LuPone, Mandy Patinkin, and Bob Gunton, the most surprising is Julie Andrews singing "Send in the Clowns" (she wasn't in the cast of A Little Night Music), and the most touching is a 12-year-old Andrea McArdle breaking hearts in Annie's "Tomorrow." An indispensable record of a quintessential American art form. --David Horiuchi

A history of the American musical theater with compilation of archival material featuring performanaces by original cast members.Genre: MusicalsRating: NRRelease Date: 28-OCT-2003Media Type: DVD

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America's pastime gets a Faustian twist in this 1958 studio musical, which recounts the ballpark bargain struck by an aging Washington Senators fan obsessed with helping his team trump the Yanks. With echoes of the real-life 1919 Shoeless Joe Jackson scandal, and tart observations on the tradeoffs between youth and experience, Damn Yankees fuses a classic dramatic dilemma with musical comedy to often charming effect. In transferring George Abbott's Broadway hit to the screen, codirectors Abbott and Stanley Donen are smart enough to retain Richard Adler and Jerry Ross's clever songs, Bob Fosse's sizzling choreography (with Fosse himself on camera for the sultry mambo number), and stars Ray Walston and Gwen Verdon, reprising their devilish turns as the Horned One himself, Mr. Applegate, and his temptress, Lola. Where the team strikes out, unfortunately, is in their concession to marquee politics, handing the pivotal role of Joe Hardy to handsome, vapid, celluloid heartthrob Tab Hunter, whose thin voice and unsteady screen presence argue that he should have stayed in the dugout. Walston is reliably spry and acerbic as the canny archangel, and Verdon, in one of her rare starring screen turns, confirms the comedic timing and sexy, muscular grace that made her a deserved draw in subsequent stage hits including another Fosse triumph, Sweet Charity. With her combination of feline grace and alternately steely, flirtatious femininity, Verdon makes you believe her when she sings, "Whatever Lola wants, Lola gets." --Sam Sutherland

An offbeat and charming comedy with elements of science fiction thrown in, director Ron Howard's (Ransom, Apollo 13) unlikely fantasy ponders the price of immortality and the power of everlasting love. A group of aliens travel to a Florida retirement community to rescue some long-stranded colleagues cocooned and buried beneath the sea. But as the aliens take on human form and stash their counterparts in a swimming pool, a group of elderly retirees discover the pool and after swimming in the water find themselves rejuvenated, with boundless energy and insatiable appetites. Soon the retirees are forced to choose between living out their lives on earth with their families, or leaving with the aliens and attaining immortality. More character driven than dependent on the incredible plot, the film's charm comes from its characters and the wonderful cast, including Don Ameche, who won an Academy Award for his role as one of the randy retirees. --Robert Lane

Ron Howard directed this heartwarming fantasy that brings together a senior citizens' home in Florida, a swimming pool that doubles as a "fountain of youth," and some returning visitors from beyond the stars. Steve Guttenberg, Tahnee Welch, Brian Dennehy, Wilford Brimley, and Academy Award-winner Don Ameche star in this life-affirming fable. 117 min. Standard and Widescreen (Enhanced); Soundtracks: English Dolby Digital 4.1, Spanish Dolby Digital Surround, French Dolby Digital Surround; Subtitles: English, Spanish; theatrical trailers; audio commentary by Howard; featurettes; TV spots; theatrical trailers.

America's pastime gets a Faustian twist in this 1958 studio musical, which recounts the ballpark bargain struck by an aging Washington Senators fan obsessed with helping his team trump the Yanks. With echoes of the real-life 1919 Shoeless Joe Jackson scandal, and tart observations on the tradeoffs between youth and experience, Damn Yankees fuses a classic dramatic dilemma with musical comedy to often charming effect. In transferring George Abbott's Broadway hit to the screen, codirectors Abbott and Stanley Donen are smart enough to retain Richard Adler and Jerry Ross's clever songs, Bob Fosse's sizzling choreography (with Fosse himself on camera for the sultry mambo number), and stars Ray Walston and Gwen Verdon, reprising their devilish turns as the Horned One himself, Mr. Applegate, and his temptress, Lola. Where the team strikes out, unfortunately, is in their concession to marquee politics, handing the pivotal role of Joe Hardy to handsome, vapid, celluloid heartthrob Tab Hunter, whose thin voice and unsteady screen presence argue that he should have stayed in the dugout. Walston is reliably spry and acerbic as the canny archangel, and Verdon, in one of her rare starring screen turns, confirms the comedic timing and sexy, muscular grace that made her a deserved draw in subsequent stage hits including another Fosse triumph, Sweet Charity. With her combination of feline grace and alternately steely, flirtatious femininity, Verdon makes you believe her when she sings, "Whatever Lola wants, Lola gets." --Sam Sutherland

A lifelong Washington Senators fan makes a deal with the devilish Ray Walston and is transformed into a slugger (Tab Hunter), ready to lead his club to the pennant, in this hit adaptation of the Broadway musical comedy from George Abbott (who co-directed with Stanley Donen). Gwen Verdon is Lola, Walston's sultry sidekick; look for choreographer Bob Fosse as a mambo dancer. The score includes "Heart," "Whatever Lola Wants." 111 min. Widescreen (Enhanced); Soundtrack: English Dolby Digital mono; Subtitles: English, Spanish, French; theatrical trailer.

The oldsters and aliens are back, revisiting Earth to tend an Atlantic cocoon bed threatened by seismographic activity. Ocean-going sequel to the blockbuster fantasy stars Don Ameche, Steve Guttenberg, Tahnee Welch, Wilford Brimley, Jessica Tandy, and Courteney Cox. 116 min. Standard and Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, Spanish Dolby Digital mono, French Dolby Digital Surround; Subtitles: English, Spanish.

Winner of an Oscar for Cabaret, a Tony for Pippin’, and an Emmy for Liza with a `Z’—all in one year, 1972—Bob Fosse (1927-1987) was one of America’s greatest choreographers and directors. Born in Chicago, young Fosse began his career tap-dancing as part of the Riff Brothers in sleazy strip joints, where he encountered the erotic style that later became his signature. Best known for his Broadway hits (The Pajama Game, Damn Yankees, Sweet Charity, and Chicago), he was also a successful movie director. Three of his five films were nominated for Academy Awards: Cabaret, Lenny, and the autobiographical All That Jazz. A compulsive womanizer, he had many affairs, even during his three marriages, the last of which was to actress Gwen Verdon, with whom he shared his most fruitful Broadway collaborations. As his fame grew, so too did his insecurities and addictions. He survived two heart attacks and several epileptic seizures, only to die on a street corner in Washington, D.C., in Verdon’s arms. After his death Fosse became a Broadway legend. Based on interviews with friends, family, and colleagues, this eloquent biography provides a vivid connection between Bob Fosse’s life and his work for stage and screen.

A stuffed toy rabbit (with real thread whiskers) comes to life in Margery Williams's timeless tale of the transformative power of love. Given as a Christmas gift to a young boy, the Velveteen Rabbit lives in the nursery with all of the other toys, waiting for the day when the Boy (as he is called) will choose him as a playmate. In time, the shy Rabbit befriends the tattered Skin Horse, the wisest resident of the nursery, who reveals the goal of all nursery toys: to be made "real" through the love of a human. "'Real isn't how you are made,' said the Skin Horse. 'It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real.'" This sentimental classic--perfect for any child who's ever thought that maybe, just maybe, his or her toys have feelings--has been charming children since its first publication in 1922. (A great read-aloud for all ages, but children ages 8 and up can read it on their own.)

A little boy's love for his stuffed rabbit magically brings the beloved toy to life, in an enchanting story about the power of love. Read by Gwen Verdon.

Signed 8x10 B&W (Silver Signature) comes with powers collectibles coa and matching holograms

Gwen Verdon signed photo 8x10 Damn Yankees B&W. Item comes fully certified with a tamper-evident, serialized hologram and certificate of authenticity.

Signed 8x10 B&W Magazine Page comes with powers collectibles coa and matching holograms