Goldberg Film

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The Lion King, one of Disney's masterpiece movies comes in plastic protective case. case and tape look and plays very good.

Not an ideal choice for younger kids, this hip and violent animated feature from Disney was nevertheless a huge smash in theaters and on video, and it continues to enjoy life in an acclaimed Broadway production. The story finds a lion cub, son of a king, sent into exile after his father is sabotaged by a rivalrous uncle. The little hero finds his way into the "circle of life" with some new friends and eventually comes back to reclaim his proper place. Characters are very strong, vocal performances by the likes of Jeremy Irons, Nathan Lane, and Whoopi Goldberg are terrific, the jokes are aimed as much (if not more) at adults than kids, the animation is sometimes breathtaking, and the music is more palatable than in many Disney features. But be cautious: this is too intense for the Rugrat crowd. --Tom Keogh

Anybody who struts around with Simba's hard-won authority deserves this royal DVD read-along from Disney. Kids can recoil at Uncle Scar's dastardly deeds en español and discover that "hakuna matata" sounds pretty much the same in Spanish, French, Italian, or German. And should the dynamic storytelling fail to thrill your 4- to 12-year-old fan, a flurry of other interactive options await. Toggle to "Songs" for sing-along renditions of movie hits, including "I Just Can't Wait to Be King," and on to "Music Videos," where Elton John roars soundtrack favorites "Circle of Life" and "Can You Feel the Love Tonight" and Jimmy Cliff and Lebo M groove to "Hakuna Matata." The "Vocabulary" feature allows for see-and-say mastery of a list of wildlife, while the "Game" section allows players to match paw and hoof prints to the proper beast and reassemble the scattered skeletal remains of an elephant. Original cast voices are featured, and grownups will be pleased by the package's reading component. --Tammy La Gorce

Whoopi Goldberg has a lot of talents, but singing is not one of them. Hearing her massacre Motown classics like "Dancing in the Street," "Ball of Confusion" and "Ain't No Mountain High Enough" in her flat, dull voice on this soundtrack album would be harmless if a whole generation weren't being introduced to these songs through her clumsy performances. Several choirs turn in lackluster performances of gospel numbers. The disc's one redeeming moment is Aretha Franklin's overpowering delivery of "A Deeper Love," written and produced by C+C Music Factory. --Geoffrey Himes

A young HIV+ real estate agent begins a cross country trip with a black lesbian club singer and along the way they pick up a young pregnant woman who

This female-bonding film takes your basic soap opera and twists it inside out. Although director Herbert Ross draws superb performances from his actresses, he occasionally wallows in that maudlin, Hollywood melodrama in which close-ups are crucial. Remember, this is the man who directed Steel Magnolias. However, Ross also does something you don't expect: he makes you fall in love with his characters. Whoopi Goldberg is a down-on-her luck singer who hopes to start over in Los Angeles. Mary-Louise Parker is the realtor whose life is going nowhere. After Goldberg answers Parker's ad in the paper for a companion to drive to LA, these two completely different women grudgingly find themselves emotionally involved. Drew Barrymore enters the picture on the first leg of the trip when Goldberg insists on visiting her. After battling with her drug-dealing boyfriend, the flighty, sexy Barrymore throws in with them. During their trek west, the women learn to take life as it lands on them while recognizing true friendship. The film is enlightened in that it accepts the complications and blurred family ties of the '90s. At the heart of the story is the realization that people can expand past expected boundaries. The movie gels in other areas as well. The all-female soundtrack is powerful and works to underscore, not overpower, certain scenes. The same can be said of the supporting cast, specifically Anita Gillette and James Remar. --Rochelle O'Gorman

More is not necessarily better. A glitzy Hollywood cast and a big budget did not improve the wonderful 1957 teleplay (or its equally charming 1964 remake) upon which this version is based. This is partly because Brandy, cast in the title role, cannot act. Not helping matters are Whoopi Goldberg as the prince's mother and Jason Alexander as his valet. Their shtick wears thin very quickly. However, Paolo Montalban is charismatic as the prince, and Whitney Houston plays a fairy godmother with pizzazz. The production cost millions, and is certainly lavish, but the whole affair feels forced and overdone, reminding one of a prom queen wearing too much makeup. It does deserve credit for a multi-ethnic cast, the addition of two new songs and a hip attitude. However, the 1964 version (the original was not taped) is much sweeter and more romantic. Originally released as Rodgers and Hammerstein's Cinderella. --Rochelle O'Gorman

A prince, a pumpkin, a glass slipper ... history's most enduring fairy tale returns with a thoroughly modern twist! Beautifully produced and featuring an all-star cast, RODGERS & HAMMERSTEIN'S CINDERELLA shimmers to life in the most spectacular production ever of the classic musical -- including three additional Rodgers & Hammerstein songs exclusive to this special Disney presentation! Pop sensation Brandy (TV's MOESHA) stars as the beautiful Cinderella, who suffers the torment of her wicked stepmother (Bernadette Peters) and spoiled stepsisters. Cinderella dreams of the impossible -- going to the ball and dancing with the prince. Her impossible dream is realized when her fairy godmother (Whitney Houston) teaches her that with positive thinking and belief in yourself, "impossible things happen every day!" Also starring Jason Alexander (TV's SEINFELD) and Whoopi Goldberg (SISTER ACT), Disney's sparkling new version of RODGERS & HAMMERSTEIN'S CINDERELLA promises to be an instant classic. Now you can relive the magic anytime you wish!

Based on Susanna Kaysen's acclaimed journal-memoir, Girl, Interrupted bears inevitable resemblance to One Flew Over the Cuckoo's Nest, and pale comparison to that earlier classic is impossible to avoid. The mental institution settings of both films guarantee a certain degree of déjà vu and at least one Oscar winner (in this case, Angelina Jolie), since playing a loony is any actor's dream gig. Unfortunately, director James Mangold seems to have misplaced the depth and delicacy of his underrated debut, Heavy, despite a great deal of earnest effort by everyone involved. It's easy to see why Winona Ryder chose to star in (and executive-produce) this nearly worthy adaptation of Kaysen's book, since it's a strong vehicle for female casting and potent drama. Mangold certainly got the former; whether he succeeded with the latter is not so clear. To be sure, Ryder conveys the confusion and chaos that signified Kaysen's life during nearly 18 months of voluntary institutionalization beginning in 1967. But the film seems too eager to embrace the cliché that the "crazies" of the Claymoore women's ward are saner than the war-torn world outside, and lack of narrative focus gives way to semipredictable character study. Susanna (Ryder) is labeled with "borderline personality disorder," a diagnosis as ambiguous as her own emotions, and while Jolie chews the scenery as the resident bad-girl sociopath, Ryder effectively conveys an odyssey from vulnerable fear to self-awareness and, finally, to healing. The ensemble cast is uniformly superb, making this drama well worthwhile, even as it treads familiar territory. If it ultimately lacks dramatic impact, Girl, Interrupted makes it painfully clear that the boundaries of dysfunction are hazy in a world where everyone's crazy once in a while. --Jeff Shannon

Not an ideal choice for younger kids, this hip and violent animated feature from Disney was nevertheless a huge smash in theaters and on video, and it continues to enjoy life in an acclaimed Broadway production. The story finds a lion cub, son of a king, sent into exile after his father is sabotaged by a rivalrous uncle. The little hero finds his way into the "circle of life" with some new friends and eventually comes back to reclaim his proper place. Characters are very strong, vocal performances by the likes of Jeremy Irons, Nathan Lane, and Whoopi Goldberg are terrific, the jokes are aimed as much (if not more) at adults than kids, the animation is sometimes breathtaking, and the music is more palatable than in many Disney features. But be cautious: this is too intense for the Rugrat crowd. --Tom Keogh How good-looking is the DVD restoration of Disney's popular animated film? Take a look at the serviceable but dull film clips incorporated in the plethora of extras and compare them to the vivid gorgeousness of the film presentation. This "special edition" also adds a 90-second song ("Morning Report") that originated in the lavish stage musical. To Disney's credit, the original theatrical version is also included, both restored and featuring two 5.1 soundtracks: Dolby Digital and a new Disney Enhanced Home Theater Mix, which does sound brighter. As with the Disney Platinum line, everything is thrown into the discs, except an outsider's voice (the rah-rahs of Disney grow tiresome at times). The excellent commentary from the directors and producer, originally on the laser disc, is hidden under the audio set-up menu. The second disc is organized by 20-minute-ish "journeys" tackling the elements of story, music, et cetera, including good background on the awkward Shakespearean origins at Disney where it was referred as "Bamlet." The most interesting journey follows the landmark stage production, and the kids should be transfixed by shots of the real African wildlife in the animal journey. Three deleted segments are real curios, including an opening lyric for "Hakuna Matata." Most set-top DVD games are usually pretty thin (DVD-ROM is where it's at), but the Safari game is an exception--the kids should love the roaring animals (in 5.1 Surround, no less). One serious demerit goes to the needless and complicated second navigation system that is listed by continent, but just shows the same features reordered. --Doug Thomas

Anybody who struts around with Simba's hard-won authority deserves this royal DVD read-along from Disney. Kids can recoil at Uncle Scar's dastardly deeds en español and discover that "hakuna matata" sounds pretty much the same in Spanish, French, Italian, or German. And should the dynamic storytelling fail to thrill your 4- to 12-year-old fan, a flurry of other interactive options await. Toggle to "Songs" for sing-along renditions of movie hits, including "I Just Can't Wait to Be King," and on to "Music Videos," where Elton John roars soundtrack favorites "Circle of Life" and "Can You Feel the Love Tonight" and Jimmy Cliff and Lebo M groove to "Hakuna Matata." The "Vocabulary" feature allows for see-and-say mastery of a list of wildlife, while the "Game" section allows players to match paw and hoof prints to the proper beast and reassemble the scattered skeletal remains of an elephant. Original cast voices are featured, and grownups will be pleased by the package's reading component. --Tammy La Gorce

Disney's THE LION KING SPECIAL EDITION features an all-new song, "Morning Report," and never-before-seen animation, giving you even more of this award-winning masterpiece -- the greatest animated adventure of all time. An unforgettable story, breathtaking animation, beloved characters, and Academy Award(R)-winning music (Best Original Score, 1994; Best Song, "Can You Feel The Love Tonight") set the stage for the adventures of Simba, the feisty lion cub who "just can't wait to be king." But his envious Uncle Scar has plans for his own ascent to the throne, and he forces Simba's exile from the kingdom. Alone and adrift, Simba soon joins the escapades of a hilarious meerkat named Timon and his warmhearted warthog pal, Pumbaa. Adopting their carefree lifestyle of "Hakuna Matata," Simba ignores his real responsibilities until he realizes his destiny and returns to the Pride Lands to claim his place in the "Circle of Life." Now extensively restored and remastered -- experience THE LION KING like never before, from its magnificent musical opening over breathtaking African vistas to its emotional climax. The all-star vocal talents -- including Matthew Broderick, Jeremy Irons, Nathan Lane, and Ernie Sabella -- rip-roaring comedy, and uplifting messages of courage, loyalty, and hope make this timeless tale entertainment for all ages.

If you like your humor broadside up, hold the subtlety, you'll want to nurse this Hangover with your best buds. The ensemble cast meshes perfectly--it's like a super-R-rated episode of Friends: silly, slapstick, and completely in the viewer's face. When four pals go to Vegas to celebrate the imminent nuptials of one of them, they partake in a rooftop toast to "a night we'll never forget." But they're in for a big surprise: their celebration drinks were laced with date-rape drugs, so when they awake in their hotel room 12 hours later, not only are they hung over, but they can't remember what they did all night long. Oh, and they're missing the groom-to-be. The film is so cheerfully raunchy, so fiercely crude, that the humor becomes as intoxicating as the mind-altering substances. The standout in the ensemble is Zach Galifianakis, who is alternately creepy and hilarious. Ed Helm (The Office), in addition to his memory, loses a tooth in uncomfortably realistic fashion, and Bradley Cooper (He's Just Not That into You) has deadpan comic timing that whips along at the speed of light. "Ma'am, you have an incredible rack," he blares to a pedestrian from the squad car the guys have "borrowed." "I should have been a [bleeping] cop," he tells himself approvingly. Director Todd Phillips brings back his deft handling of the actors and the dude humor that worked so well in Old School, as well as the unctuous Dan Finnerty, memorable as a lounge/wedding singer in both films. But it's the nonstop volley of jokes--most cheerily politically incorrect--that grabs the audience and thrashes it around the hotel room. Just watch out for the tiger in the bathroom. --A.T. Hurley

The Hangover R-Rated

When Steven Spielberg was an adolescent, his first home movie was a backyard war film. When he toured Europe with Duel in his 20s, he saw old men crumble in front of headstones at Omaha Beach. That image became the opening scene of Saving Private Ryan, his film of a mission following the D-day invasion that many have called the most realistic--and maybe the best--war film ever. With 1998 production standards, Spielberg has been able to create a stunning, unparalleled view of war as hell. We are at Omaha Beach as troops are slaughtered by Germans yet overcome the almost insurmountable odds. A stalwart Tom Hanks plays Captain Miller, a soldier's soldier, who takes a small band of troops behind enemy lines to retrieve a private whose three brothers have recently been killed in action. It's a public relations move for the Army, but it has historical precedent dating back to the Civil War. Some critics of the film have labeled the central characters stereotypes. If that is so, this movie gives stereotypes a good name: Tom Sizemore as the deft sergeant, Edward Burns as the hotheaded Private Reiben, Barry Pepper as the religious sniper, Adam Goldberg as the lone Jew, Vin Diesel as the oversize Private Caparzo, Giovanni Ribisi as the soulful medic, and Jeremy Davies, who as a meek corporal gives the film its most memorable performance. The movie is as heavy and realistic as Spielberg's Oscar-winning Schindler's List, but it's more kinetic. Spielberg and his ace technicians (the film won five Oscars: editing (Michael Kahn), cinematography (Janusz Kaminski), sound, sound effects, and directing) deliver battle sequences that wash over the eyes and hit the gut. The violence is extreme but never gratuitous. The final battle, a dizzying display of gusto, empathy, and chaos, leads to a profound repose. Saving Private Ryan touches us deeper than Schindler because it succinctly links the past with how we should feel today. It's the film Spielberg was destined to make. --Doug Thomas

Studio: Paramount Home Video Release Date: 05/13/2010 Run time: 169 minutes Rating: R

Goldberg Reels---premium manufacturer of motion picture film reels. This a set of twenty 16mm reels that have a film capacity of 1600 feet each. They are made of a medium grey plastic and are all in very good to excellent condition. A great buy for the collector of motion picture films. Please note that the "product image" shows brown metal Goldberg reels--these are grey plastic.

Goldberg 1000 ft. Film Canister. 10" in diameter by 2" high.

Although at first glance it looks like a movie dreamed up by a marketing committee (and in some respects it probably was), Space Jam actually defies the odds against it to become a dazzling display of family entertainment. There's a kind of demented genius to the idea of casting NBA superstar Michael Jordan in a live-action and animated movie costarring the beloved characters from Warner Bros.' Looney Tunes cartoons. They play off each other like seasoned veterans of vaudeville, and Jordan never falls into the kind of awkward, amateurish showmanship that you might expect from a sports idol. He's comfortable in the cartoon land of his costars, who include Bugs Bunny and sexy newcomer Lola Bunny, Daffy Duck, Porky Pig, Elmer Fudd, Sylvester & Tweety, Speedy Gonzalez, the Tazmanian Devil, Foghorn Leghorn, and Yosemite Sam. They've all been hijacked to an outer-space amusement park run by the Nerdlucks, who strike a Faustian bargain with the Looney heroes: if Bugs and Co. can defeat the Nerdluck "Monstars" in a basketball game, they'll win back their freedom; if they lose, they'll be doomed to stay there forever as enslaved entertainers. So they kidnap Jordan as their coach and "secret weapon" while the nefarious Nerdlucks suck out the basketball skills from such stellar victims as Charles Barkley and Patrick Ewing. It all leads to reckless abandon on the basketball court, and Bill Murray pops in for some hilarious support. Combining traditional animation and computer-generated Nerdlucks with its live-action cast, Space Jam was made in the anarchic spirit of the Looney Tunes cartoons, where anything goes as long as it's funny and off-the-wall (or the ceiling, or the door, or the floor...). Technically astounding, it's also witty enough to entertain adults and kids alike. --Jeff Shannon

A blend of live-action and animation, this film centers on a fearful young boy (Macaulay Culkin) afraid to experience life because he's calculated the odds of an accident for every known activity. Chased by bullies, he winds up at the local library, where a bump on the head sends him into an animated universe, where his best friends are walking, talking books voiced by, among others, Patrick Stewart and Whoopi Goldberg. The Pagemaster (Christopher Lloyd) points the way to the exit, but the boy must first traverse the adventures of literary history, encountering everyone from Dr. Jekyll to Captain Ahab to Long John Silver. The animation is middling, but a worthy message makes this better children's entertainment than you'd expect. How can you fault a movie that encourages kids to pick up a book? --Marshall Fine