Glengarry Glen

Glengarry Glen Ross: Original Motion Picture Soundtrack! TRACKS: 1. Main Title - Wayne Shorter; 2. You Met My Wife - Wayne Shorter; 3. Plot - Wayne Shorter; 4. Street of Dreams - Little Jimmy Scott; 5. You'd Better Go Now - Shirley Horn; 6. I'm Always Chasing Rainbows - Take 6; 7. Prelude to a Kiss - Bill Holman Big Band; 8. Easy Street - Georgie Fame; 9. Day Dream - David Sanborn; 10. Tear Filled Skies - Joe Roccisano Orchestra; 11. Blue Skies - Al Jarreau; 12. Blue Lou - Joe Roccisano Orchestra; 13. In the Car - Wayne Shorter; 14. Don't Sell to Doctors - Wayne Shorter; 15. Blue Skies - Dr. John; & 16. Nyborgs - Wayne Shorter.

Like moths to a flame, great actors gravitate to the singular genius of playwright-screenwriter David Mamet, who updated his Pulitzer Prize-winning play for this all-star screen adaptation. The material is not inherently cinematic, so the movie's greatest asset is Mamet's peerless dialogue and the assembly of a once-in-a-lifetime cast led by Al Pacino, Jack Lemmon, and Alec Baldwin (the last in a role Mamet created especially for the film). Often regarded as a critique of the Reagan administration's impact on the American economy, the play and film focus on a competitive group of real estate salesmen who've gone from feast to famine in a market gone cold. When an executive "motivator" (Alec Baldwin) demands a sales contest among the agents in the cramped office, the stakes are critically high: any agent who fails to meet his quota of sales "leads" (i.e., potential buyers) will lose his job. This intense ultimatum is a boon for the office superstar (Pacino), but a once-successful salesman (Lemmon) now finds himself clinging nervously to faded glory. Political and personal rivalries erupt under pressure when the other agents (Alan Arkin, Ed Harris) suspect the office manager (Kevin Spacey) of foul play. This cauldron of anxiety, tension, and sheer desperation provides fertile soil for Mamet's scathingly rich dialogue, which is like rocket fuel for some of the greatest actors of our time. Pacino won an Oscar nomination for his volatile performance, but it's Lemmon who's the standout, doing some of the best work of his distinguished career. Director James Foley shapes Mamet's play into a stylish, intensely focused film that will stand for decades as a testament to its brilliant writer and cast. --Jeff Shannon

A group of sleazy real estate men face a high-pressure stress as they are put in danger of getting the ax by their hard-driving bosses.System Requirements:Starring: Al Pacino Alan Arkin Alec Baldwin Ed Harris Jack Lemmon and Kevin Spacey. Directed By: James Foley. Running Time: 100 Min. Color. This film is presented in both "Widescreen" and "Standard" formats. Copyright 2002 Artisan Entertainment.Format: DVD MOVIE Genre: DRAMA Rating: R UPC: 012236114505 Manufacturer No: 13286

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Like moths to a flame, great actors gravitate to the singular genius of playwright-screenwriter David Mamet, who updated his Pulitzer Prize-winning play for this all-star screen adaptation. The material is not inherently cinematic, so the movie's greatest asset is Mamet's peerless dialogue and the assembly of a once-in-a-lifetime cast led by Al Pacino, Jack Lemmon, and Alec Baldwin (the last in a role Mamet created especially for the film). Often regarded as a critique of the Reagan administration's impact on the American economy, the play and film focus on a competitive group of real estate salesmen who've gone from feast to famine in a market gone cold. When an executive "motivator" (Alec Baldwin) demands a sales contest among the agents in the cramped office, the stakes are critically high: any agent who fails to meet his quota of sales "leads" (i.e., potential buyers) will lose his job. This intense ultimatum is a boon for the office superstar (Pacino), but a once-successful salesman (Lemmon) now finds himself clinging nervously to faded glory. Political and personal rivalries erupt under pressure when the other agents (Alan Arkin, Ed Harris) suspect the office manager (Kevin Spacey) of foul play. This cauldron of anxiety, tension, and sheer desperation provides fertile soil for Mamet's scathingly rich dialogue, which is like rocket fuel for some of the greatest actors of our time. Pacino won an Oscar nomination for his volatile performance, but it's Lemmon who's the standout, doing some of the best work of his distinguished career. Director James Foley shapes Mamet's play into a stylish, intensely focused film that will stand for decades as a testament to its brilliant writer and cast. --Jeff Shannon

Like moths to a flame, great actors gravitate to the singular genius of playwright-screenwriter David Mamet, who updated his Pulitzer Prize-winning play for this all-star screen adaptation. The material is not inherently cinematic, so the movie's greatest asset is Mamet's peerless dialogue and the assembly of a once-in-a-lifetime cast led by Al Pacino, Jack Lemmon, and Alec Baldwin (the last in a role Mamet created especially for the film). Often regarded as a critique of the Reagan administration's impact on the American economy, the play and film focus on a competitive group of real estate salesmen who've gone from feast to famine in a market gone cold. When an executive "motivator" (Alec Baldwin) demands a sales contest among the agents in the cramped office, the stakes are critically high: any agent who fails to meet his quota of sales "leads" (i.e., potential buyers) will lose his job. This intense ultimatum is a boon for the office superstar (Pacino), but a once-successful salesman (Lemmon) now finds himself clinging nervously to faded glory. Political and personal rivalries erupt under pressure when the other agents (Alan Arkin, Ed Harris) suspect the office manager (Kevin Spacey) of foul play. This cauldron of anxiety, tension, and sheer desperation provides fertile soil for Mamet's scathingly rich dialogue, which is like rocket fuel for some of the greatest actors of our time. Pacino won an Oscar nomination for his volatile performance, but it's Lemmon who's the standout, doing some of the best work of his distinguished career. Director James Foley shapes Mamet's play into a stylish, intensely focused film that will stand for decades as a testament to its brilliant writer and cast. --Jeff Shannon

Like moths to a flame, great actors gravitate to the singular genius of playwright-screenwriter David Mamet, who updated his Pulitzer Prize-winning play for this all-star screen adaptation. The material is not inherently cinematic, so the movie's greatest asset is Mamet's peerless dialogue and the assembly of a once-in-a-lifetime cast led by Al Pacino, Jack Lemmon, and Alec Baldwin (the last in a role Mamet created especially for the film). Often regarded as a critique of the Reagan administration's impact on the American economy, the play and film focus on a competitive group of real estate salesmen who've gone from feast to famine in a market gone cold. When an executive "motivator" (Alec Baldwin) demands a sales contest among the agents in the cramped office, the stakes are critically high: any agent who fails to meet his quota of sales "leads" (i.e., potential buyers) will lose his job. This intense ultimatum is a boon for the office superstar (Pacino), but a once-successful salesman (Lemmon) now finds himself clinging nervously to faded glory. Political and personal rivalries erupt under pressure when the other agents (Alan Arkin, Ed Harris) suspect the office manager (Kevin Spacey) of foul play. This cauldron of anxiety, tension, and sheer desperation provides fertile soil for Mamet's scathingly rich dialogue, which is like rocket fuel for some of the greatest actors of our time. Pacino won an Oscar nomination for his volatile performance, but it's Lemmon who's the standout, doing some of the best work of his distinguished career. Director James Foley shapes Mamet's play into a stylish, intensely focused film that will stand for decades as a testament to its brilliant writer and cast. --Jeff Shannon

Winner of the 1984 Pulitzer Prize, David Mamet’s scalding comedy is about small-time, cutthroat real estate salesmen trying to grind out a living by pushing plots of land on reluctant buyers in a never-ending scramble for their fair share of the American dream. Here is Mamet at his very best, writing with brutal power about the tough life of tough characters who cajole, connive, wheedle, and wheel and deal for a piece of the action—where closing a sale can mean a brand new Cadillac but losing one can mean losing it all. This masterpiece of American drama is now a major motion picture starring Al Pacino, Jack Lemmon, Alan Arkin, Alec Baldwin, Jonathan Pryce, Ed Harris, and Kevin Spacey.

Join Timothy Brooks - an overachiever with very little to show for it - on a breathless journey into the dark world of the modern sales job. From the ritual humiliation of the interview process to landing his dream job at the dreaded Haywood Fryston, a world of endless phone calls and novelty sales tricks, where the routine insertion of swear words into every sentence by everybody is the only form of stress-relief going. Meet his bosses: Vincent Candle ("take your foot off the pedal and the f***ing souffle deflates") and Aiden Starling ("salesmen are born in the balls, not the womb"), two of the pettiest patriarchs in modern literature. Follow Tim as he learns to write adverts for jobs that don't exist, lie and cheat his way to meeting arbitrary sales targets, and deal with new and exciting forms of abuse from on high; twelve hours a day, five days a week. Whether you hate salesmen, or want to be one, this book is a must-read. Find out how the world of sales really works, and why "hell is other salesmen."

Join Timothy Brooks - an overachiever with very little to show for it - on a breathless journey into the dark world of the modern sales job. From the ritual humiliation of the interview process to landing his dream job at the dreaded Haywood Fryston, a world of endless phone calls and novelty sales tricks, where the routine insertion of swear words into every sentence by everybody is the only form of stress-relief going. Meet his bosses: Vincent Candle ("take your foot off the pedal and the f***ing souffle deflates") and Aiden Starling ("salesmen are born in the balls, not the womb"), two of the pettiest patriarchs in modern literature. Follow Tim as he learns to write adverts for jobs that don't exist, lie and cheat his way to meeting arbitrary sales targets, and deal with new and exciting forms of abuse from on high; twelve hours a day, five days a week. Whether you hate salesmen, or want to be one, this book is a must-read. Find out how the world of sales really works, and why "hell is other salesmen."

Mamet's criticism of American society, theatrical inventiveness, images of alienation and betrayal, sensitivity to language, and continuing productivity make him one of today's leading playwrights. This critical collection of eight original essays and two recently published essays by noted American and European scholars, including Ruby Cohn, Michael Hinden, Dennis Carroll, Steven Gale, and Chris Hudgins, examines David Mamet's development from the beginning of his career to the present. Structural and thematic essays provide a comprehensive overview of his work in theatre and film through such diverse approaches as aesthetics, linguistic strategies, communal vision, recurring paradigms, comedic structure and purpose, influences of classical and Renaissance drama, and feminist perspectives. Additionally, interviews conducted during 1990 with director Gregory Mosher, who has directed more than 12 Mamet plays, and actor Joe Mantegna, who in 15 years has starred in A Life in the Theatre , Glengarry Glen Ross , Speed-the-Plow , Things Change , and Homicide , offer insights about the writer and his work.