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ADELE 19

This three disc set features two CDs scheduled to contain 34 tracks including four new songs plus a bonus DVD containing videos for all the CD's tracks.

Even in the face of epochal success, it's tempting to ponder what Barbra Streisand might have accomplished had she not spread herself across so many diverse entertainment media; so much ambition, so little time. This collection of 19 Streisand duets chronicles collaborations with Frank Sinatra and Judy Garland at one end of the scale and Don Johnson at the other. It finds the singer dabbling--if, as her bluesy miscue with Ray Charles on "Crying Time" argues, not necessarily triumphing--in styles she largely eschewed elsewhere in her career. Still, her unlikely collaborations with Barry Gibb ("Guilty," "What Kind of Fool") and Donna Summer ("No More Tears (Enough Is Enough") during the disco era scored her some of the biggest successes of her career, ample proof that with the right chemistry, Streisand could be as powerful a pop music chameleon as she was a diva. New recordings with veteran Barry Manilow (the warm, low-key "I Won't Be the One to Let You Go") and Josh Groban (David Foster's overwrought "All I Know of Love") supplement recordings that stretch from the '60s kitsch-a-go-go of Harold Arlen's "Ding-Dong! The Witch Is Dead" across five decades of Streisand's unparalleled career. --Jerry McCulley

STREISAND BARBRA DUETS

Disney's 1959 animated effort was the studio's most ambitious to date, a widescreen spectacle boasting a gorgeous waltz-filled score adapting Tchaikovsky. In the 14th century, the malevolent Maleficent (not dissimilar to the wicked Queen in Disney's Snow White and the Seven Dwarfs taunts a king that his infant Aurora will fatally prick her finger on a spinning wheel before sundown on her 16th birthday. This, of course, would deny her a happily-ever-after with her true love. Things almost but not quite turn out that way, thanks to the assistance of some bubbly, bumbling fairies named Flora, Fauna, and Merryweather. It's not really all that much about the title character--how interesting can someone in the middle of a long nap be, anyway? Instead, those fairies carry the day, as well as, of course, good Prince Phillip, whose battle with the malevolent Maleficent in the guise of a dragon has been co-opted by any number of animated films since. See it in its original glory here. And Malificent's castle, filled with warthogs and demonic imps in a macabre dance celebrating their evil ways, manages a certain creepy grandeur. --David Kronke On the Blu-raySleeping Beauty was the last and most lavish of Walt Disney's animated fairy tales. He told the artists not to hurry and to give him "a moving illustration": The film required almost four and one-half years and one million finished drawings. Instead of the 19th century storybook illustrations that had influenced the look of Snow White and Pinocchio, the artists adapted the flattened perspective and jewel-like colors of 15th century French illuminated manuscripts. The results remain unmatched for sheer visual opulence. However, Sleeping Beauty suffers from a weak story: the vision of an ageless princess slumbering in a vine-shrouded tower was replaced with elements of Snow White and a boy-meets-girl musical. The evil Maleficent and the three Good Fairies (Flora, Fauna, and Merryweather) dominate the film, rather than Princess Aurora and Prince Philip. Sleeping Beauty was originally released in 70mm, and the Blu-ray edition restores the film to its original splendor. (Many earlier releases trimmed the wide-screen images and/or muted the glowing palatte.) The Bonus DVD looks good on a flat screen monitor, but it pales in comparison to the richness of the Blu-ray. In addition to the commentaries and a making-of documentary, the set includes myriad extras that vary widely in quality. Nostalgia buffs will enjoy the recreation of the old Sleeping Beauty's Castle attraction in Disneyland, and the TV program "Four Artists Paint One Tree" provides a welcome showcase for key talents from the film. But the CG animation of the dragon and the voice imitations of the Good Fairies fail to capture the magic of the originals in the "Dragon Encounter"; the "Maleficent's Challenge Game"--a hi-tech Twenty Questions--sounds only vaguely like the redoubtable sorceress. The BD-Live features require an awful lot of bother: after wading through (or ignoring) 130 screens of legalese, participants must enter their Social Security number or other personal information in the drawn-out sign-on process. Once that's finally done, viewers can send special messages to pop up during the film, chat online with others who are watching, and view it in synch with others. The question is whether or not you want to. (Rated G: violence) --Charles Solomon Stills from Sleeping Beauty (Click for larger image)

Awaken your senses to the majesty of SLEEPING BEAUTY Walt Disney's ultimate fairy tale. See more than you've ever seen before through the magic of state of the art technology and experience this groundbreaking film restored beyond its original brilliance in the way Walt envisioned it pristine beautiful utterly breathtaking. From the grand celebration of Princess Aurora's birth to the fateful day when she pricks her finger on a spinning wheel and falls under Malificent's evil curse to Prince Philip's courageous battle against a fire-breathing dragon the stunning artistry and spine-tingling sounds will transform your home into a fantastic world. The adventures continue as you are immersed into a wonderful world of bonus features.BONUS FEATURESIn the original story, Princess Aurora sleeps for 100 years before being awakened by a prince's kiss. In the Disney version, Prince Philip comes to her rescue much sooner. George Brun's orchestral score, which was nominated for an Academy Award, expertly blended famous themes from Tchaikovsky's ballet. With a budget that exceeded $6 million in 1959, this was Walt Disney's most lavish and expensive animated feature to date. Determined to make the characters as realistic as possible, Disney had a live action film shot with actors posing as Sleeping Beauty, the Prince, and Maleficent, for the animators to use. New York Times critic Bosley Crowther called the fight between Prince Philip and Maleficent the noisiest and scariest go-round he (Disney) has ever put into one of his films.Live Menus Featuring A Real Time Castle Environment All-New Making Of SLEEPING BEAUTY Featurette Deleted Songs And More!DISNEY BD LIVE innovative features premiering on Sleeping Beauty include Chat and Create Custom Video Messages With yoru Friends As You Watch The Film, Shop For Add-Ons and Downloads, Maleficent's Challenge Game, Living Menus Real Time Castle Environment Changes Based on Your Location System Requirements:Running Time: 75 minutes Format: BLU-RAY DISC Genre: CHILDREN/FAMILY Rating: G UPC: 786936746228 Manufacturer No: 05560800

There is greatness in film that can be discussed, dissected, and talked about late into the night. Then there is genius that is right in front of our faces--we smile at the spell it puts us into and are refreshed, and nary a word needs to be spoken. This kind of entertainment is what they used to call "movie magic," and there is loads of it in this irresistible computer animation feature. Just a picture of these bright toys reawaken the kid in us. Filmmaker John Lasseter thinks of himself as a storyteller first and an animator second, much like another film innovator, Walt Disney.Lasseter's story is universal and magical: what do toys do when they're not played with? Cowboy Woody (voiced by Tom Hanks), Andy's favorite bedroom toy, tries to calm the other toys (some original, some classic) during a wrenching time of year--the birthday party, when newer toys may replace them. Sure enough, Space Ranger Buzz Lightyear (Tim Allen) is the new toy that takes over the throne. Buzz has a crucial flaw, though--he believes he's the real Buzz Lightyear, not a toy. Lasseter further scores with perfect voice casting, including Don Rickles as Mr. Potato Head and Wallace Shawn as a meek dinosaur. The director-animator won a special Oscar for "the development and inspired application of techniques that have made possible the first feature-length computer-animated film." In other words, the movie is great. --Doug Thomas

Features include: •MPAA Rating: G•Format: Blu-Ray•Runtime: 80 minutes

Features include: •MPAA Rating: G•Format: Blu-Ray•Runtime: 95 minutes

John Lasseter and his gang of high-tech creators at Pixar create another entertainment for the ages. Like the few great movie sequels, Toy Story 2 comments on why the first one was so wonderful while finding a fresh angle worthy of a new film. The craze of toy collecting becomes the focus here, as we find out Woody (voiced by Tom Hanks) is not only a beloved toy to Andy but also a rare doll from a popular '60s children's show. When a greedy collector takes Woody, Buzz Lightyear (Tim Allen) launches a rescue mission with Andy's other toys. To say more would be a crime because this is one of the most creative and smile-inducing films since, well, the first Toy Story. Although the toys look the same as in the 1994 feature, Pixar shows how much technology has advanced: the human characters look more human, backgrounds are superior, and two action sequences that book-end the film are dazzling. And it's a hoot for kids and adults. The film is packed with spoofs, easily accessible in-jokes, and inspired voice casting (with newcomer Joan Cusack especially a delight as Cowgirl Jessie). But as the Pixar canon of films illustrates, the filmmakers are storytellers first. Woody's heart-tugging predicament can easily be translated into the eternal debate of living a good life versus living forever. Toy Story 2 also achieved something in the U.S. two other outstanding 1999 animated features (The Iron Giant, Princess Mononoke) could not: it became a huge box-office hit. --Doug Thomas

Smiths PP1 Smiths Pocket PAL Manual Knife Sharpener for Plain and Serrated Edge Knife Blades.

Sleek and slim, Smith's Pocket Pal multi-functional knife sharpener is ideal for backpackers, hikers, hunters, and fishermen who want to ensure their blades have the sharpest edge wherever they roam. Fold-out diamond-coated rod (view larger). Great for sharpening serrated blades (view larger). Smith's PP1 Pocket Pal Multifunction SharpenerAt a Glance: Slim, lightweight, easily pocketable knife sharpener Diamond-coated rod for serrated and standard edges Carbide blades quickly set your edge Ceramic stones give you a razor sharp edge Preset sharpening angles for guaranteed results Lanyard hole for carrying The Pocket Pal features a fold out, tapered round diamond-coated rod for sharpening serrated and standard edges, pre-set carbide blades for quickly restoring a dull edge, and specially shaped ceramic stones for a razor-sharp finish. The carbide blades and ceramic stones are reversible and replaceable for extended sharpening life. The Pocket Pal measures just 3-1/2 inches long and 1 inch wide, and it weighs just 1 ounce. An integrated lanyard hole makes for easy carrying. Always clean your sharpener with a damp cloth after use and towel dry. Do not rinse with water. Carbide Blades: Set the Edge The carbide blades provide quick edge setting capability for dull or damaged knives. These blades are designed for use on straight edges only, and are reversible and replaceable. Ceramic Stones: Finish the Edge Ceramic stones provide a smooth, polished edge for already sharp knives and can be used on serrated or standard blades. They're also reversible and replaceable. Abrasive Tapered Round Rod / Medium Diamond: 400 grit Pull-Through / Coarse Ceramic: 600 grit How to Use the Pocket Pal Sharpening Slots Insert knife blade into the V-shaped slots at a 90-degree angle to the sharpening blades or stones. Pull the knife blade straight back towards you while applying light pressure. Repeat this action until blade is sharp. Tapered Diamond Rod: Flat Edges Always hold the unit with the rod facing down. Place heel of the blade on the diamond rod closest to the unit. Hold blade at a 23-degree angle to the rod. While applying light pressure, push the knife away from you towards the end of the rod. Draw knife down so that the tip of the blade comes off the end of the rod. Repeat this action until blade is sharp. For the other side of the blade, you will need to switch hands holding the sharpener and the knife and repeat steps 1 through 3. Tapered Diamond Rod: Serrated Edges Only sharpen the side of your knife edge with the serrations. Hold rod at 23-degree angle to the blade and move it back and forth through each serration until sharp. What's in the Box Pocket Pal multi-functional knife sharpener Specially shaped ceramic stones for a razor sharp edge (view larger).

Ties, Reusable, Adustable, Pre-cut, 8, 100 Count, Black Velcro 91140 Reusable Self-Gripping Cable Ties 1/2 x 8 Long Black 100 Ties per Pack

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In the epic finale the battle between the good and evil forces of the wizarding world escalates into an all-out war. The stakes have never been higher and no one is safe. But it is Harry who may be called upon to make the ultimate sacrifice as he draws closer to the climactic showdown with Lord Voldemort. It all ends here.Special Features: Additional Scenes Warner Bros. Studio Tour LondonFormat: DVD MOVIE Genre: CHILDREN Rating: PG-13 Age: 883929140459 UPC: 883929140459 Manufacturer No: 1000156545

The Deathly Hallows: Part 2 is the film all Harry Potter fans have waited 10 years to see, and the good news is that it's worth the hype--visually stunning, action packed, faithful to the book, and mature not just in its themes and emotion but in the acting by its cast, some of whom had spent half their lives making Harry Potter movies. Part 2 cuts right to the chase: Voldemort (Ralph Fiennes) has stolen the Elder Wand, one of the three objects required to give someone power over death (a.k.a. the Deathly Hallows), with the intent to hunt and kill Harry. Meanwhile, Harry's quest to destroy the rest of the Horcruxes (each containing a bit of Voldemort's soul) leads him first to a thrilling (and hilarious--love that Polyjuice Potion!) trip to Gringotts Bank, then back to Hogwarts, where a spectacular battle pitting the young students and professors (a showcase of the British thesps who have stolen every scene of the series: Maggie Smith's McGonagall, Jim Broadbent's Slughorn, David Thewlis's Lupin) against a dark army of Dementors, ogres, and Bellatrix Lestrange (Helena Bonham Carter, with far less crazy eyes to make this round). As predicted all throughout the saga, Harry also has his final showdown with Voldemort--neither can live while the other survives--though the physics of that predicament might need a set of crib notes to explain. But while each installment has become progressively grimmer, this finale is the most balanced between light and dark (the dark is quite dark--several familiar characters die, with one significant death particularly grisly); the humor is sprinkled in at the most welcome times, thanks to the deft adaptation by Steve Kloves (who scribed all but one of the films from J.K. Rowling's books) and direction by four-time Potter director David Yates. The climactic kiss between Ron (Rupert Grint) and Hermione (Emma Watson), capping off a decade of romantic tension, is perfectly tuned to their idiosyncratic relationship, and Daniel Radcliffe has, over the last decade, certainly proven he was the right kid for the job all along. As Prof. Snape, the most perfect of casting choices in the best-cast franchise of all time, Alan Rickman breaks your heart. Only the epilogue (and the lack of chemistry between Harry and love Ginny Weasley, barely present here) stand a little shaky, but no matter: the most lucrative franchise in movie history to date has just reached its conclusion, and it's done so without losing its soul. --Ellen A. Kim

Harry, Ron and Hermione set out on their perilous mission to track down and destroy the secret to Voldemort’s immortality and destruction – the Horcruxes. On their own and on the run, the three friends must now rely on one another more than ever…but Dark Forces in their midst threaten to tear them apart. Meanwhile the wizarding world has become a dangerous place. The long-feared war has begun and the Dark Lord has seized control of the Ministry of Magic and even Hogwarts, terrorizing and arresting all who might oppose him. The Chosen One has become the hunted one as the Death Eaters search for Harry with orders to bring him to Voldemort…alive.Product Measures: 0.5 x 5.5 x 7.5

Harry Potter and the Deathly Hallows, Part I is a brooding, slower-paced film than its predecessors, the result of being just one half of the final story (the last book in the series was split into two movies, released in theaters eight months apart). Because the penultimate film is all buildup before the final showdown between the teen wizard and the evil Voldemort (which does not occur until The Deathly Hallows, Part II), Part I is a road-trip movie, a heist film, a lot of exposition, and more weight on its three young leads, who up until now were sufficiently supported by a revolving door of British thesps throughout the series. Now that all the action takes place outside Hogwarts--no more Potions classes, Gryffindor scarves, or Quidditch matches--Daniel Radcliffe (Harry), Emma Watson (Hermione), and Rupert Grint (Ron) shoulder the film almost entirely on their own. After a near-fatal ambush by Voldemort's Death Eaters, the three embark on a quest to find and destroy the remaining five horcruxes (objects that store pieces of Voldemort's soul). Fortunately, as the story gets more grave--and parents should be warned, there are some scenes too frightening or adult for young children--so does the intensity. David Yates, who directed the Harry Potter films Order of the Phoenix and The Half-Blood Prince, drags the second half a little, but right along with some of the slower moments are some touching surprises (Harry leading Hermione in a dance, the return of Dobby in a totally non-annoying way). Deathly Hallows, Part I will be the most confusing for those not familiar with the Potter lore, particularly in the shorthand way characters and terminology weave in and out. For the rest of us, though, watching these characters over the last decade and saying farewell to a few faces makes it all bittersweet that the end is near (indeed, an early scene in which Hermione casts a spell that makes her Muggle parents forget her existence, in case she doesn't return, is particularly emotional). Despite its challenges, Deathly Hallows, Part I succeeds in what it's most meant to do: whet your appetite for the grand conclusion to the Harry Potter series. --Ellen A. Kim