George Clooney

Over 600 21st Century Leaders in the worlds of fashion, film, television, music and sport, have donated their original artworks and signed messages of hope for the future, to join Whatever It Takes - a unique artwork campaign launched by 21st Century Leaders Foundation, charity registration no. 1061376. Featuring these artworks on products which are designed and sold under licence worldwide, Whatever It Takes has already raised over $3,000,000 for charity. Each Whatever it Takes product range raises a minimum amount for 21st Century Leaders Ltd., which donates its net proceeds to 21st Century Leaders Foundation for selected projects, including those nominated by the celebrity artists, in support of key global development causes - poverty alleviation, environmental conservation, and the protection of children.

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The best soundtracks are like movies for the ears, and O Brother, Where Art Thou? joins the likes of Saturday Night Fever and The Harder They Come as cinematic pinnacles of song. The music from the Coen brothers' Depression-era film taps into the source from which the purest strains of country, blues, bluegrass, folk, and gospel music flow. Producer T Bone Burnett enlists the voices of Alison Krauss, Gillian Welch, Emmylou Harris, Ralph Stanley, and kindred spirits for performances of traditional material, in arrangements that are either a cappella or feature bare-bones accompaniment. Highlights range from the aching purity of Krauss's "Down to the River to Pray" to the plainspoken faith of the Whites' "Keep on the Sunny Side" to Stanley's chillingly plaintive "O Death." The album's spiritual centerpiece finds Krauss, Welch, and Harris harmonizing on "Didn't Leave Nobody but the Baby," a gospel lullaby that sounds like a chorus of Appalachian angels. --Don McLeese

Excellent 19 track soundtrack from the Clooney film. Digipac has a little wear. Light scuff on disc will not affect play.

This two-CD, 25-song set, recorded in Louisville on two nights in the spring of 2002, finds bluegrass's most celebrated crossover band at the top of its game. Krauss's warm, feathery vocals, capable of conveying complex emotions in a single note, appear more full-bodied than in studio recordings, yet lose none of their sensual appeal or dramatic tension. She's perfect, for example, as the melancholy temptress on "Let Me Touch You for Awhile," coming across as both savior and seductress, while Jerry Douglas's Dobro echoes the searing strains of passion and pain. With banjoist-guitarist Ron Block, bassist Barry Bales, and guest drummer Larry Atamanuik anchoring the rhythm, the ensemble deftly blends bluegrass with jazz, rock, and folk, combining lightning speed (though rushing through "Forget About It") with sophisticated chops, tangible emotion, and thrilling vocal blends. The crowd, more spellbound with every note, doesn't even breathe on "Ghost in This House" and nearly tears the place down on Dan Tyminski's voice-of-George Clooney showcase, "I Am a Man of Constant Sorrow." But who could blame them? It's only one highlight on an album of uncommon artistry, a moving testament to how good live music can be in the hands of world-class players. --Alanna Nash

Two CD LIVE set in a slimline double jewelbox as Alison Krauss + Union Station. Light scuffs on discs will not affect play.

Only Joel and Ethan Coen, the fraternal director and producer team behind art-house hits such as The Big Lebowski and Fargo and masters of quirky and ultra-stylish genre subversion, would dare nick the plot line of Homer's Odyssey for a comic picaresque saga about three cons on the run in 1930s Mississippi. Our wandering hero in this case is one Ulysses Everett McGill, a slick-tongued wise guy with a thing about hair pomade (George Clooney, blithely sending up his own dapper image) who talks his chain-gang buddies (Coen-movie regular John Turturro and newcomer Tim Blake Nelson) into lighting out after some buried loot he claims to know of. En route they come up against a prophetic blind man on a railroad truck, a burly, one-eyed baddie (the ever-magnificent John Goodman), a trio of sexy singing ladies, a blues guitarist who's sold his soul to the devil, a brace of crooked politicos on the stump, a manic-depressive bank robber, and--well, you get the idea. Into this, their most relaxed film yet, the Coens have tossed a beguiling ragbag of inconsequential situations, a wealth of looping, left-field dialogue, and a whole stash of gags both verbal and visual. O Brother (the title's lifted from Preston Sturges's classic 1941 comedy Sullivan's Travels) is furthermore graced with glowing, burnished photography from Roger Deakins and a masterly soundtrack from T-Bone Burnett that pays loving homage to American '30s folk styles--blues, gospel, bluegrass, jazz, and more. And just to prove that the brothers haven't lost their knack for bad-taste humor, we get a Ku Klux Klan rally choreographed like a cross between a Nuremberg rally and a Busby Berkeley musical. --Philip Kemp

From a match made in heaven comes a movie spawned in hell! Young hotshot director Robert Rodriquez (El Mariachi, Desperado) teamed up with Pulp Fiction auteur Quentin Tarantino (offering his services as writer and co-star) to make this outrageous, no-holds-barred hybrid of high-octane crime and gruesome horror. QT plays Richard Gecko, a borderline psychopath who breaks his career-criminal brother, Seth (George Clooney), out of prison, after which they rob a bank and leave a trail of dead and wounded in their bloody wake. Then they hijack a mobile home driven by a former Baptist minister (Harvey Keitel) who quit the church after his wife's death and hit the road with his two children (played by Juliette Lewis and Ernest Liu). Heading to Mexico with their hostages, the infamous Gecko brothers arrive at the Titty Twister bar to rendezvous for a money drop, but they don't realize that they've just entered the nocturnal lair of a bloodthirsty gang of vampires! With not-so-subtle aplomb, Rodriguez and Tarantino shift into high gear with a nonstop parade of gore, gunfire, and pointy-fanged mayhem featuring Salma Hayek as a snake-charming dancer whose bite is much worse than her bark. If you're a fan of Tarantino's lyrical dialogue and pop-cultural wit, you'll have fun with the road-movie half of this supernatural horror-comedy, but if your taste runs more to exploding heads and eyeballs, sloppy entrails and morphing monsters, the second half provides a connoisseur's feast of gross-out excess. Bon appétit! --Jeff Shannon

A high-powered Hawaii real estate lawyer (George Clooney) finds his ordered existence shattered when a boating accident leaves his wife in a coma, leaving him in charge of the young daughters (Shailene Woodley, Amara Miller) he barely knows. After finding out his wife was having an affair, he drags the girls along on his hunt for the other man, making for moving revelations along the way. Alexander Payne's affecting comedy-drama also stars Nick Krause, Matthew Lillard. 115 min. Widescreen; Soundtracks: English Dolby Digital 5.1, DVS Dolby Digital 5.1, French Dolby Digital Surround, Spanish Dolby Digital Surround; Subtitles: English (SDH), Spanish; featurettes.

Only Oscar-winning writer-director Alexander Payne (Sideways) would think to cast the famously handsome George Clooney as a disheveled dad in his outstanding adaptation of Kaui Hart Hemmings's tragicomic novel. Clooney dials down the glamour to play Matt King, a Hawaii real-estate attorney with a propensity for unflattering shirts and ill-fitting trousers. When Matt's wife, Elizabeth, ends up in a coma after a water-skiing accident, Matt must learn to balance the parenting of his resentful daughters, Scottie (Amara Miller) and Alexandra (Shailene Woodley, The Secret Life of the American Teenager), with the sale of a pristine plot of Kauai land that stands to make the King cousins, including scruffy Hugh (Beau Bridges), a fortune. As Elizabeth's condition worsens, Matt contacts friends and relatives, like her fiercely protective father (Robert Forster), so that they'll have the chance to say goodbye. In the process, he finds out she was having an affair with realtor Brian Speer (Matthew Lillard, effectively cast against type), so he and the girls, including Alex's hilariously mellow friend, Sid (Nick Krause), go on an island-hopping trip, ostensibly to add Brian to the mix, but Matt really wants to find out what his wife saw in the guy. His journey from naiveté to knowledge brings out Clooney's soulful side, creating a believably flawed, deeply sympathetic figure. If Payne leans too heavily on the slack-key soundtrack, his love for his characters, including Judy Greer as Matt's female counterpart, results in his most emotionally satisfying movie to date. --Kathleen C. Fennessy

Ulysses Everett McGill (George Clooney) escapes the chain gang with two fellow convicts the simple and somewhat slow Delmar (Tim Blake Nelson) and ill-tempered Pete (John Turturro) to pursue the promise of hidden loot stashed in his house that is about to be swept away in a flood. On the way the trio experience a journey filled with hilarious adventure and cast of strange characters starting with a blind prophet who warns them that "the treasure you seek shall not be the treasure you find."System Requirements:Starring: George Clooney John Turturro Michael Badalucco Charles Durning John Goodman Holly Hunter and Tim Blake Nelson. Directed By: Joel Coen. Running Time: 103 Min. Color. This film is presented in "Standard" format. Copyright 2000 Buena Vista Home Video.Format: DVD MOVIE Genre: COMEDY Rating: PG-13 UPC: 786936144758 Manufacturer No: 02165400

Only Joel and Ethan Coen, the fraternal director and producer team behind art-house hits such as The Big Lebowski and Fargo and masters of quirky and ultra-stylish genre subversion, would dare nick the plot line of Homer's Odyssey for a comic picaresque saga about three cons on the run in 1930s Mississippi. Our wandering hero in this case is one Ulysses Everett McGill, a slick-tongued wise guy with a thing about hair pomade (George Clooney, blithely sending up his own dapper image) who talks his chain-gang buddies (Coen-movie regular John Turturro and newcomer Tim Blake Nelson) into lighting out after some buried loot he claims to know of. En route they come up against a prophetic blind man on a railroad truck, a burly, one-eyed baddie (the ever-magnificent John Goodman), a trio of sexy singing ladies, a blues guitarist who's sold his soul to the devil, a brace of crooked politicos on the stump, a manic-depressive bank robber, and--well, you get the idea. Into this, their most relaxed film yet, the Coens have tossed a beguiling ragbag of inconsequential situations, a wealth of looping, left-field dialogue, and a whole stash of gags both verbal and visual. O Brother (the title's lifted from Preston Sturges's classic 1941 comedy Sullivan's Travels) is furthermore graced with glowing, burnished photography from Roger Deakins and a masterly soundtrack from T-Bone Burnett that pays loving homage to American '30s folk styles--blues, gospel, bluegrass, jazz, and more. And just to prove that the brothers haven't lost their knack for bad-taste humor, we get a Ku Klux Klan rally choreographed like a cross between a Nuremberg rally and a Busby Berkeley musical. --Philip Kemp

Michael Crichton has created a medical drama that chronicles life and death in a Chicago hospital emergency room. Each episode tells the tale of another day in the ER, from the exciting to the mundane, and the joyous to the heart-rending. Frenetic pacing, interwoven plot lines, and emotional rollercoastering is used to attempt to accurately depict the stressful environment found there. This show even portrays the plight of medical students in their quest to become physicians.

This photographic Greeting Card is created on 300gsm FSC approved card. The result - a stunning reproduction at an affordable price. Actual size 7x5 inch.Greeting card comes with high grade white envelope as standard.This is an automated preview only. Actual Greeting Card design may vary. All products are hand finished by our expert manufacturers and the best crop available will always be selected.

This photographic Greeting Card is created on 300gsm FSC approved card. The result - a stunning reproduction at an affordable price. Actual size 7x5 inch.Greeting card comes with high grade white envelope as standard.This is an automated preview only. Actual Greeting Card design may vary. All products are hand finished by our expert manufacturers and the best crop available will always be selected.