Gellar Buffy

Buffy and the Scooby Gang are back! This time they make their appearance on an 11-ounce mug, featuring artwork by the talented Jo Chen. Don't wage your war against the supernatural without fortifying yourself with your coffee in this mug!

Featuring the artwork of Jo Chen, from first issue of BtVS: Season Eight! First published on March 14, 2007, this image has become iconic to the hit comic series. Keep the Slayer close while you enjoy your morning cup of coffee!

While the idea of infusing a weekly TV series with a Broadway musical ethos isn't exactly a new one--think Randy Newman's ambitious Cop Rock--it became something of a turn-of the-century television mini-trend. But few have reached as far--or succeeded--like this November 2001 episode of Fox Network's Buffy the Vampire Slayer. Penned by series creator-producer Joss Whedon and performed by Sarah Michelle Gellar and cast, it's a loving, loopy musical pastiche that takes potshots at everything from Andrew Lloyd Webber to alt-rock. Paralleling the show's lovable pop culture tweaking, the musical styles here (the episode's musical conceit is a curse visited upon Buffy's hometown of Sunnydale) range from a patent footlight chorus of demons being interrupted by Gellar's hard-rocking stake thrusts on "Going Through the Motions" to Spike the Vampire's goth-metal complaint "Rest in Peace," with everything from parking tickets and mustard stain removal to climactic duels with the supernatural getting the Broadway send-up. Also includes strong orchestral score-suites from three other episodes, as well as Whedon and wife Kai Cole's demo for "Something to Sing About." --Jerry McCulley

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The third season of Joss Whedon's Buffy the Vampire Slayer was marked by the arrival in Sunnydale of renegade slayer Faith (Eliza Dushku), a moody loner who seemed to like her calling just a little bit too much--she definitely got a pleasure out of staking vamps that went beyond mere job satisfaction. While Buffy (Sarah Michelle Gellar) was always wary of Faith, the two developed a deep friendship and appreciative rapport--that is, until the evil mayor of Sunnydale (Harry Groener) tapped into Faith's dark side and lured her into his plot to take over the world, first as a double agent spying on Buffy, then as out-and-out nemesis. And as the mayor's ascension approached--which happened to fall on Sunnydale High's graduation day--Buffy and Faith's battles got nastier and nastier, as Buffy attempted to wrestle with her dark side (literally and figuratively), save the world and her friends, and keep her lover Angel (David Boreanaz) out of Faith's evil clutches. While Faith was around for a good deal of Buffy's third season, the six episodes of the Slayer Chronicles represent the highlights of her and Buffy's relationship. "Bad Girls" shows Buffy and Faith at their closest, going on a demon-killing rampage--until Faith accidentally kills a human being, and shows little regret for doing so. "Consequences" deals with the, well, consequences of the accidental murder, and also brings Buffy face-to-face with the mayor's evil plans for Sunnydale. "Enemies" details Faith's attempts to seduce Angel away from Buffy, by stealing both his body (hubba hubba!) and his soul. The controversial "Earshot" (pulled from its initial broadcast due to its similarities to the Columbine massacre) is one of Buffy's best episodes ever, mixing pathos, humor, and suspense as Buffy develops the ability to read minds, and discovers someone is thinking very seriously about mass murder at Sunnydale High. The Slayer Chronicles' pièce de résistance, though, is the two-parter "Graduation Day," wherein Faith tries to kill Angel, and the students of Sunnydale High prepare to do battle with a mutated mayor and his army of demons. Aside from the series' exceptional writing and acting, what makes the Slayer Chronicles so compelling are the performances of the consistently excellent Gellar (as Buffy) and Dushku as the complicated Faith, a girl you truly love to hate. By the end of these episodes, Faith will have cast a spell on you that you'll find very hard to shake off. --Mark Englehart

Fran Rubel Kuzui's 1992 tongue-in-cheek vampire comedy is sugarcoated horror, an unusual mix of the cute and scary, with a splash of postmodern pop nonsense to give culture critics something to think about. Kristy Swanson plays a Valley Girl who learns she belongs to a line of ancient vampire killers. After training under the watchful eye of a mentor (Donald Sutherland), she becomes a spandex-wearing, kung-fu kicking, stake-stabbing babe and the mortal enemy of a narcissistic master vampire (Rutger Hauer). The accent is all on cheery attitude, though the action can be as authentically unnerving as any other halfway decent monster movie. Paul Reubens, formerly Pee-wee Herman, has a small role as Hauer's fanged familiar. --Tom Keogh

It's no secret that Buffy creator Joss Whedon was unhappy with the hilariously campy and charming 1992 film about his vampire-slaying heroine. When the opportunity for the Warner Brothers series came along, he set out to present his complete vision of the teen dream. This set is a nice introduction to Buffy (petite and pretty Sarah Michelle Gellar); her watcher Rupert Giles (Anthony Stewart Head); her best friend, the computer whiz Willow (winning Alyson Hannigan); their devoted but slightly goofy friend Xander (Nicholas Brendon), and the self-involved beauty Cordelia (Charisma Carpenter). Also featured is Buffy's angst-ridden, 240-year-old beau-to-be, Angel (David Boreanaz). Sunnydale, where former Los Angelean Buffy now resides, just happens to be at a Hellmouth opening, allowing for the presence of not only vampires, but all kinds of beasties and demons. This keeps Buffy and her posse very busy. The two-part opener, "Welcome to Hellmouth" and "Harvest," introduces Buffy and audiences to her new high school, her friends, and her enemies. Most importantly, the episodes introduce a demon who'll plague her through the series' first season: the Master. She also meets Angel, the most beleaguered vampire this side of Lestat's Louis. Together, the newfound friends and the watcher battle--and win (for now)--against the Master's minions. "The Witch" is an early example of the demons Buffy faces--it's not just about staking vamps. Here Buffy meets Amy (a recurring character), whose mother is a cheerleader-obsessed--you guessed it--witch. "Never Kill a Boy on the First Date" explores a recurring theme: Buffy's thwarted attempts for normalcy in her life. As viewers come to expect, demons get in the way. Here, the Anointed One (a kiddie vamp) is crowned. Buffy learns the true identity of the mysterious and handsome Angel, who's spent the last 80 years without a kill. The couple agree not to pursue a relationship (yeah, right). Another episode that explores the demonic is "The Puppet Show," which borrows from the familiar theme of the possessed ventriloquist's dummy. Some episodes are quite graphic ("The Puppet Show," for example, features a potential brain removal), but there's always the inevitable triumph of good over evil. This justifiably popular phenomenon serves up healthy messages of loyalty and friendship, complete with hip, dead-on funny dialogue and great clothes. It's also a celebration of the quirky and the odd(balls). --N.F. Mendoza

From its charming and angst-ridden first season to the darker, apocalyptic final one, Buffy the Vampire Slayer succeeds on many levels, and in a fresher and more authentic way than the shows that came before or after it. How lucky, then, that with the release of its boxed set of seasons 1-7, you can have the estimable pleasure of watching a near-decade of Buffy in any order you choose. (And we have some ideas about how that should be done.) First: rest assured that there's no shame in coming to Buffy late, even if you initially turned your nose up at the winsome Sarah Michelle Gellar kicking the hell out of vampires (in Buffy-lingo, vamps), demons, and other evil-doers. Perhaps you did so because, well, it looked sort of science-fiction-like with all that monster latex. Start with season 3 and see that Buffy offers something for everyone, and the sooner you succumb to it, the quicker you'll appreciate how textured and riveting a drama it is. Why season 3? Because it offers you a winning cast of characters who have fallen from innocence: their hearts have been broken, their egos trampled in typically vicious high-school style, and as a result, they've begun to realize how fallible they are. As much as they try, there are always more monsters, or a bigger evil. Despite this, or perhaps because of it, the core crew remains something of a unit--there's the smart girl, Willow (Alyson Hannigan) who dreams of saving the day by downloading the plans to City Hall's sewer tunnels and mapping a route to safety. There are the ne'r do wells--the vampire Spike (James Marsters), who both clashes with and aspires to love Buffy; the tortured and torturing Angel (David Boreanz); the pretty, popular girl with an empty heart (Charisma Carpenter); and the teenage everyman, Xander (Nicholas Brendon). Then there's Buffy herself, who in the course of seven seasons morphs from a sarcastic teenager in a minidress to a heroine whose tragic flaw is an abiding desire to be a "normal" girl. On a lesser note, with the boxed set you can watch the fashion transformation of Buffy from mall rat to Prada-wearing, kickboxing diva with enviable highlights. (There was the unfortunate bob of season 2, but it's a forgivable lapse.) At least the storyline merits the transformations: every time Buffy has to end a relationship she cuts her hair, shedding both the pain and her vulnerability. In addition to the well-wrought teenage emotional landscape, Buffy deftly takes on more universal themes--power, politics, death, morality--as the series matures in seasons 4-6. And apart from a few missteps that haven't aged particularly well ("I Robot" in season 1 comes to mind), most episodes feel as harrowing and as richly drawn as they did at first viewing. That's about as much as you can ask for any form of entertainment: that it offer an escape from the viewer's workaday world and entry into one in which the heroine (ideally one with leather pants) overcomes demons far more troubling than one's own. --Megan Halverson

**144 episodes on 40 discs. 110 hrs.**

The seventh and final season of Buffy the Vampire Slayer begins with a mystery: someone is murdering teenage girls all over the world and something is trying hard to drive Spike mad. Buffy is considerably more cheerful in these episodes than we have seen her during the previous year as she trains Dawn and gets a job as student counselor at the newly rebuilt Sunnydale High. Willow is recovering from the magical addiction which almost led her to destroy the world, but all is not yet well with her, or with Anya, who has returned to being a Vengeance demon in "Same Time, Same Place" and "Selfless," and both women are haunted by their decisions. Haunting of a different kind comes in the excellent "Conversations with Dead People" (one of the show's most terrifying episodes ever), in which a mysterious song is making Spike kill again in spite of his soul and his chip. Giles turns up in "Bring on the Night" and Buffy has to fight one of the deadliest vampires of her career in "Showtime". In "Potential" Dawn faces a fundamental reassessment of her purpose in life. Buffy was always a show about female empowerment, but it was also a show about how ordinary people can decide to make a difference alongside people who are special. And it was also a show about people making up for past errors and crimes. So, for example, we have the excellent episodes "Storyteller", in which the former geek/supervillain Andrew sorts out his redemption while making a video diary about life with Buffy; and "Lies My Parents Told Me," in which we find out why a particular folk song sends Spike crazy. Redemption abounds as Faith returns to Sunnydale and the friends she once betrayed, and Willow finds herself turning into the man she flayed. Above all, this was always Buffy's show: Sarah Michelle Gellar does extraordinary work here both as Buffy and as her ultimate shadow, the First Evil, who takes her face to mock her. This is a fine ending to one of television's most remarkable shows. --Roz Kaveney

All 22 episodes from the seventh season--including "Lessons," "Beneath You," "Conversations with Dead People," "End of Days," and the series finale, "Chosen"--are collected in a six-disc set. 16 1/2 hrs. total. Standard; Soundtracks: English Dolby Digital Surround, French Dolby Digital Surround, Spanish Dolby Digital Surround; Subtitles: English, Spanish; audio commentary on selected episodes; featurettes; outtakes; DVD-ROM content. **22 episodes on 6 discs. 16 1/2 hrs.**

All 22 episodes from season six--including the two-part "Bargaining," "Once More, With Feeling," "Tabula Rasa," "Seeing Red," and "Grave"--are collected in a six-disc set. 16 1/2 hrs. total. Standard; Soundtracks: English Dolby Digital Surround, French Dolby Digital Surround, Spanish Dolby Digital Surround; Subtitles: English, Spanish; audio commentary on selected episodes; featurettes; outtakes; music videos; DVD-ROM content. **22 episodes on 6 discs. 16 1/2 hrs.**

The sixth season of Buffy the Vampire Slayer followed the logic of plot and character development into some gloomy places. The year begins with Buffy being raised from the dead by the friends who miss her, but who fail to understand that a sacrifice taken back is a sacrifice negated. Dragged out of what she believes to have been heavenly bliss, she finds herself "going through the motions" and entering into a relationship with the evil, besotted vampire Spike just to force her emotions. Willow becomes ever more caught up in the temptations of magic; Xander and Anya move towards marriage without ever discussing their reservations; Giles feels he is standing in the way of Buffy's adult independence; Dawn feels neglected. What none of them need is a menace that is, at this point, simply annoying--three high school contemporaries who have turned their hand to magical and high-tech villainy. Added to this is a hungry ghost, an invisibility ray, an amnesia spell and a song-and-dance demon (who acts as rationale for the incomparable musical episode "Once More, with Feeling"). This is a year in which chickens come home to roost: everything from the villainy of the three geeks to Xander's doubts about marriage come to a head, often--as in the case of the impressive wedding episode--through wildly dark humor. The estrangement of the characters from each other--a well-observed portrait of what happens to college pals in their early 20s--comes to a shocking head with the death of a major character and that death's apocalyptic consequences. The series ends on a consoling note which it has, by that point and in spite of imperfections, entirely earned. --Roz Kaveney

Fits Iphone, Iphone 3G and Iphone 3GS. Also included with Gelskin is a link for free matching wallpaper downloads.

Features the high school logo from the popular series.

Sink your fangs into this delicious delight from the haunted hallways of Sunnydale High! A crimson t-shirt made from 100% cotton and featuring a fiendish school logo. SHS, it's got the highest student mortality rate in the entire state!

Great looking 100% cotton shirt. Please refer to our sizing chart for measurements.This design also available as a women's tee shirt, and a men's hoodie and sweat shirt in our other amazon.com listings.

Armed with the tools of her trade, Buffy the Vampire Slayer is prepared for action. Based on the popular television series, this six-piece plastic set includes a stand, a 5.75-inch-tall figure, crossbow with attached bolts, a dagger, and two wooden stakes. A typical teen by day, Buffy is dressed in formfitting jeans, boots, and leather jacket; with movable legs, arms, and head, the figure can be posed atop the small oval stand. Ready for nighttime action, her hands are formed to hold a combination of deadly weapons used against vampires and demons. Components have sharp edges and care must be taken during unpacking and assembly. Several of the pieces are quite small and can be a choking hazard; this is not a toy for young children. --Laura Ferri