Games Tony

Now make gear-agous fun on the fridge! Great way to keep the kids in sight and out of trouble while you're making dinner!

The Tony Stewart 4-piece BBQ set from B.S.I. includes a stainless steel spatula, brush, fork and tongs. Each utensil in this officially licensed set is designed with durable, team-colored handles that are inlaid with the driver's car number and race team logo. The driver's number and replica signature are etched into the blade of the spatula.

SHOT GLASS - TONY

Catherine Deneuve and David Bowie are rich, beautiful, and oh-so chic as denizens of the night. Dressed in sleek outfits and stylish sunglasses, they haunt rock & roll clubs on the prowl for young blood, whom they bring home to their impossibly luxurious mansion for a late-night snack. Being a vampire never looked more sexy, but there's a price: Bowie starts to age so fast he wrinkles up in the waiting room of a doctor's (Susan Sarandon) office. The agelessly elegant Deneuve, evoking Delphine Seyrig's Countess Bathory from Daughters of Darkness, is perfectly cast as a millenniums-old bloodsucker who seeks a new mate in Sarandon and seduces her in a sunlight-bathed afternoon of smooth, silky sex. Tony Scott's (Ridley's brother) directorial debut, adapted from the Whitley Strieber novel, revises the vampire myth with Egyptian inflections and removes all references to garlic and crosses and wooden stakes--these bloodsuckers can even walk around in the daylight--but the ties between blood and sex are as strong as ever. Scott's background as an award-winning commercial director is evident in every richly textured frame and his densely interwoven editing, but the moody atmosphere comes at the expense of dramatic urgency. At times the film is so languid it becomes mired in its hazy, impeccably designed visual style. In its own way, The Hunger is the perfect vampire film for the '80s, all poise and attitude and surface beauty. Sarandon talks candidly about the film in the documentary The Celluloid Closet. --Sean Axmaker

Catherine Deneuve and David Bowie star as ages-old vampires looking for new blood and companionship...and find it in the form of Susan Sarandon. Stylish, frightening chiller with some hot erotic moments, including a controversial love-making scene with Deneuve and Sarandon, from director Tony Scott. 96 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital mono, French Dolby Digital mono; Subtitles: English, Spanish, French; theatrical trailer; audio commentary; photo gallery.

Billy Joel's historic "venue-closing" concert at Shea Stadium in July of 2008 provides the dramatic center of this documentary about the history of the stadium and its relationships with other famous musical artists as well as the New York Mets. In addition to a sweeping tour through Shea's distinguished history, the film features recollections by Sting, John Mayer, Garth Brooks, Tony Bennett, and others, plus a special performance by Paul McCartney. 96 min. Widescreen (Enhanced); Soundtrack: English Dolby Digital 5.1; Subtitles: English, Spanish; bonus footage; interviews.

After a delightful opening, in which jungle boy Mowgli (voiced by Haley Joel Osment) recaps much of the original Jungle Book in a sprightly shadow puppet show, The Jungle Book 2 swiftly turns into a carbon copy of the splendidly swinging previous movie. After his old pal Baloo the bear (voiced by John Goodman) draws Mowgli away from the man-village, with all its work and rules, and back into the glorious indolence of the jungle, the movie repeats--in a less energetic form--an encounter with Kaa the snake, the cockney vultures, a musical number at the monkey's palace, the menace of Shere Khan the tiger, and even the song "The Bare Necessities." The only difference is that there's a girl named Shanti along for the ride; sadly, her character is so bland that it doesn't do much to justify the movie's existence. --Bret Fetzer

Studio: Buena Vista Home Video Release Date: 06/17/2008 Run time: 72 minutes Rating: G

Actors: Bobby Driscoll, Kathryn Beaumont, Hans Conried, Bill Thompson, Heather Angel Directors: Clyde Geronimi, Hamilton Luske, Jack Kinney, Wilfred Jackson Writers: Bill Peet, Erdman Penner, J.M. Barrie, Joe Rinaldi Format: Animated, Closed-captioned, Color, THX, HiFi Sound, NTSC Language: English

Peter Pan has a special place in the realm of classic animated Disney films: it instills an element of childlike wonder. The 1953 version of James M. Barrie's story is colorfully told and keeps on the straight and narrow of the book. Barrie's wondrous focus on child's play is the key to its longevity: kids who don't grow up, shadows that run away from their owners, pirates, a fairy, and the magic ability to fly. In short, you can't help wishing the adventure would happen to you. Fueled by a few memorable songs (the stunner being "You Can Fly") and the strong impression of the pixie fairy Tinkerbell and the goofy Captain Hook, Disney's version of this story neither supplants nor lessens the Broadway version with Mary Martin that was produced for television the same decade. Unlike some classics, Peter Pan never ages along the way. --Doug Thomas

Solid entertainment from a new group of Disney animators. The story source is a Chinese fable about a young girl who disguises herself as a man to help her family and her country. When the Huns attack China, a call to arms goes out to every village, and Mulan's father, being the only man in the family, accepts the call. Mulan (voiced by Ming-Na Wen, sung by Lea Salonga) has just made a disastrous appearance at the Matchmaker and decides to challenge society's expectations (being a bride). She steals her father's conscription notice, cuts her hair, and impersonates a man to join the army. She goes to boot camp, learning to fit in with the other soldiers with some help from her sidekick, Mushu, a wise-cracking dragon (voiced by Eddie Murphy). She trains, and soon faces the Huns eye-to-eye to protect her Emperor. The film is gorgeous to look at, with a superior blend of classic and computer-generated animation. Directors Tony Bancroft and Barry Cook make the best of it: a battle in the snowy mountains is as thrilling as the best Hollywood action films. The menacing Huns are not cute but simple and bad. The wickedness is subtle, not disturbing. The film is not a full-fledged musical, as it has only five songs (the best, "Be a Man," is sung during boot camp). Eddie Murphy is an inspired choice for the comic-relief dragon, but his lines are not as clever as Robin Williams's in Aladdin. These are minor quibbles, though. The story is strong, and Mulan goes right to the top of Disney animated heroines; she has the right stuff. --Doug Thomas

Walt Disney Tarzan VHS.

After viewing Snow White and the Seven Dwarfs, Edgar Rice Burroughs wrote to Walt Disney about adapting his novel of an ape-man into a feature animated cartoon. Sixtysome years later, the tale is finally told with brilliant design work that looks unlike any previous animated film. The story is a natural for Disney since the themes of misunderstood central figures have been at the heart of its recent hits. Disney's Tarzan doesn't wander far from the familiar story of a shipwrecked baby who is brought up by apes in Africa. What gives the film its zing is its clever use of music (the songs are sung by Phil Collins himself rather than onscreen characters) and the remarkable animation. Deep Canvas, a 3-D technology, was developed for the film, creating a jungle that comes alive as Tarzan swings through the trees, often looking like a modern skateboarder racing down giant tree limbs. The usual foray of sidekicks, including a rambunctious ape voiced by Rosie O'Donnell, should keep the little ones aptly entertained. The two lead voices, Tony Goldwyn as Tarzan and Minnie Driver as Jane, are inspired choices. Their chemistry helps the story through the weakest points (the last third) and makes Tarzan's initial connection with all things human (including Jane) delicious entertainment. Disney still is not taking risks in its animated films, but as cookie-cutter entertainment, Tarzan makes a pretty good treat. (Ages 5 and up) --Doug Thomas

Ideal for kitchen,bathroom,bedroom or hallway.

Theme Set Skateboarder Sk8er - 4 shaped pieces Easy Theme Set on 16" x 22" sheet. Made in the USA.

Because there's never truly an off season. Introducing SkyBox by Maytag. The personal beverage vendor that screams "cool" and it the first of its kind. It's the perfect trophy for the serious sports fanatic--just fill it with your favorite cans or bottles, make a selection and let SkyBox vendor serve you and your guests with ice-cold refreshment. SkyBox by Maytag's customizable, interchangeable front and side sports panels speak loud and proud to your sport of choice. They fit seamlessly on the front and sides of your SkyBox personal beverage vendor, and, unlike your old fridge, the SkyBox front panel illuminates just like commercial vending machines. Unlike those industrial vending machines, the SkyBox vendor operates without coins or dollar bills. It features a fast and simple child lock-out, ensuring your SkyBox vendor is more secure than the typical refrigerator, and a variety pack of interchangeable beverage cards. A room-temperature storage SkyBase stand is also available separately, turning your SkyBox personal beverage vendor into the perfect ManCave accessory.

This imaginative summer comedy from director Barry Sonnenfeld (Get Shorty) is a lot of fun, largely on the strength of Will Smith's engaging performance as the rookie partner of a secret agent (Tommy Lee Jones) assigned to keep tabs on Earth-dwelling extraterrestrials. There's lots of comedy to spare in this bright film, some of the funniest stuff found in the margins of the major action. (A scene with Smith's character being trounced in the distance by a huge alien while Jones questions a witness is a riot.) The inventiveness never lets up, and the cast--including Vincent D'Onofrio doing frighteningly convincing work as an alien occupying a decaying human--hold up their end splendidly. --Tom Keogh

Look out, illegal aliens (and we don't mean the human kind)! Tommy Lee Jones and Will Smith are the nattily dressed government agents whose top-secret job it is to track down any extraterrestrials landing on Earth and keep tabs on the ones living incognito as humans, all the while keeping the truth hidden from the general public, in this slyly funny, effects-filled sci-fi comedy. With Linda Fiorentino, Vincent D'Onofrio. 98 min. Standard; Soundtracks: English Dolby Digital 5.1, Dolby Digital Surround, French Dolby Digital Surround; Subtitles: English, Cantonese, French, Mandarin, Spanish; audio commentary.