Gabriel Byrne

Three years after Paul Simon's Graceland, the most identifiable member (by far) of the Talking Heads ventured way beyond his band's terrain with his solo debut. With Rei Momo, David Byrne inaugurated his plunge into Latin American music, doing so with a variety of styles, from son to salsa to merengue to samba, each lit with horn charts and piles of rhythm. The album, like Graceland, inspired some critiques (many of them vehement) of Byrne's cherry picking of styles, which smacked a bit of postmodern exotica. The album certainly genre hops, mixing national styles with lyrics that gnash about Latin American political and human rights concerns. Released a decade prior to the late-1990s fascination with native Cuban popular music, Rei Momo sheds light on the background for the explosion of interest in Buena Vista Social Club as well as the meteoric rise of Latin pop, which shares Byrne's border-agnostic mesh of all available styles. More than anything, though, Rei Momo stands as one of Byrne's most inspired outings, perhaps even as an early pinnacle of his now-lengthy solo career. --Andrew Bartlett

The former Talking Head's first real solo album (not counting collaborations with Twyla Tharp, Robert Wilson, and Brian Eno) is one of the more charming examples of cultural cannibalism to date. Byrne's now nearly old-fashioned concern with the rootless, consumer-driven insubstantiality of everyday life assumes a goofy irony when sung quirkily over deep Afro-Latino grooves and throbbing choruses cowritten and performed with salsa greats like Willie Colon, Johnny Pacheco, and bassist Andy Gonzalez. Byrne's best songs, "Make Believe Mambo" and "The Call of the Wild," are highly pleasurable if rather anxious demonstrations of the limits of taking the entire world as artistic fodder. His 1989 album sometimes sounds as though he were merely checking items off a list, like a dissatisfied customer trying on countless pairs of shoes in hopes of finding a perfect fit. --Richard Gehr

BYRNE DAVID REI MOMO

This 1988 animated feature from Don Bluth (An American Tail) focuses on an orphaned young dinosaur, Littlefoot, who has to make his way to the paradise of the Great Valley in order to survive a plague. Along the way, he meets up with some other dinos from different species, and they all bond and travel together. On the way, they have plenty of adventures. Even with elements of suspense, this is a pretty relaxed movie that isn't in a particular hurry to roll out its story. Kids will like the originality of the concept, and the themes of friendship and cooperation are well woven into the fabric of the entertainment, plus the music is great. Bluth's artwork looks good, though--as always--he never seems to quite catch up with the quality of the Disney machine. --Tom Keogh

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Narrated by Academy Award® nominee Liam Neeson (Schindler s List) and Gabriel Byrne (The Usual Suspects) as the voice of Patrick.Few historical figures inspire more celebration than Ireland s St. Patrick. Many believe him to have been an Irishman who drove the snakes from Ireland but neither is true. Patrick offers a dramatic new look at one of the best-loved and least-understood icons of world religion. The story of the real St. Patrick is part adventure tale and part spiritual awakening with the future saint rising from slave to liberator; learning to forgive and ultimately love his enemies; taking up a cause no one believed in; and finally lighting a fire that kept western civilization alive. Patrick was filmed entirely on location in Ireland and features commentary from Pulitzer Prize-winning author Frank McCourt (Angela s Ashes) as well as an Emmy®-nominated soundtrack.SPECIAL FEATURES: Commentary from: Pulitzer Prize-winning author Frank McCourt (Angela s Ashes) and Emmy®-winning director Pamela Mason WagnerVideo montage featuring the Emmy®-nominated soundtrackSystem Requirements:Running Time: 60 Mins Format: DVD MOVIE Genre: DOCUMENTARIES/MISC. UPC: 018713518804 Manufacturer No: 05-51880

The enormous story of Irish emigration is well told in this documentary that mixes an adept historical overview and deeply touching personal stories with well-chosen archival material and gorgeously filmed modern footage. The troubled history of Ireland is covered by way of explaining why millions fled their homeland, and deserved attention is given to the uprising of 1798 and the Great Famine of the 1840s. The flood of poor Irish to the New World and their struggles to assimilate and eventually triumph is told with excerpts of letters, some of which are beautifully read by the noted playwright John B. Keane. Musician and folklorist Mick Moloney appears frequently to offer apt anecdotes and appropriate snatches of song, and historians provide perspective on the poverty and political repression at home that forced the Irish to cross a dangerous ocean to find a better life. Representative 19th-century Irish immigrants who found new lives in places as diverse as Massachusetts and North Dakota are profiled, and the contributions made in American society by the descendants of the millions who left Ireland are noted. As a striking blend of solid history and resonant personalities, Out of Ireland is a thoughtful presentation that also happens to be a pleasure to watch. --Robert J. McNamara

Ever since this convoluted thriller dazzled audiences and critics in 1995 and won an Oscar for Christopher McQuarrie's twisting screenplay, The Usual Suspects has continued to divide movie lovers into opposite camps. While a lot of people take great pleasure from the movie's now-famous central mystery (namely, "Who is Keyser Söze?"), others aren't so easily impressed by a movie that's too enamored of its own cleverness to make much sense. After all, what are we to make of a final scene that renders the entire movie obsolete? Half the fun of The Usual Suspects is the debate it provokes and the sheer pleasure of watching its dynamic cast in action, led (or should we say, misled) by Oscar winner Kevin Spacey as the club-footed con man who recounts the saga of enigmatic Hungarian mobster Keyser Söze. Spacey's in a band of thieves that includes Gabriel Byrne, Stephen Baldwin, Kevin Pollak, and Benicio Del Toro, all gathered in a plot to steal a large shipment of cocaine. The story is told in flashback as a twisted plot being described by Spacey's character to an investigating detective (Chazz Palmintieri), and The Usual Suspects is enjoyable for the way it keeps the viewer guessing right up to its surprise ending. Whether that ending will enhance or extinguish the pleasure is up to each viewer to decide. Even if it ultimately makes little or no sense at all, this is a funny and fiendish thriller, guaranteed to entertain even its vocal detractors. --Jeff Shannon

Four small-time criminals and a crooked former New York cop, brought together in a police lineup, team up for a multi-million-dollar heist. The caper lands them in California and in the grip of feared and enigmatic crime boss Keyser Soze, who blackmails the quintet into pulling a job that turns into a bloodbath. Wonderfully complex thriller from director Bryan Singer stars Stephen Baldwin, Gabriel Byrne, Benicio Del Toro, Chazz Palminteri, Kevin Pollak, Kevin Spacey. 106 min. Widescreen; Soundtracks: English DTS HD 5.1 Master Audio, French Dolby Digital Surround, Spanish Dolby Digital Surround; Subtitles: English (SDH), Spanish; 24-page book.

Review for Blood SimpleThe debut film of director Joel Coen and his brother-producer Ethan Coen, 1983's Blood Simple is grisly comic noir that marries the feverish toughness of pulp thrillers with the ghoulishness of even pulpier horror. (Imagine the novels of Jim Thompson somehow fused with the comic tabloid Weird Tales, and you get the idea.) The story concerns a Texas bar owner (Dan Hedaya) who hires a seedy private detective (M. Emmett Walsh) to follow his cheating wife (Frances McDormand in her first film appearance), and then kill her and her lover (John Getz). The gumshoe turns the tables on his client, and suddenly a bad situation gets much, much worse, with some violent goings-on that are as elemental as they are shocking. (A scene in which a character who has been buried alive suddenly emerges from his own grave instantly becomes an archetypal nightmare.) Shot by Barry Sonnenfeld before he became an A-list director in Hollywood, Blood Simple established the hyperreal look and feel of the Coens' productions (undoubtedly inspired a bit by filmmaker Sam Raimi, whose The Evil Dead had just been coedited by Joel). Sections of the film have proved to be an endurance test for art-house movie fans, particularly an extended climax that involves one shock after another but ends with a laugh at the absurdity of criminal ambition. This is definitely one of the triumphs of the 1980s and the American independent film scene in general. --Tom KeoghReview for FargoLeave it to the wildly inventive Coen brothers (Joel directs, Ethan produces, they both write) to concoct a fiendishly clever kidnap caper that's simultaneously a comedy of errors, a Midwestern satire, a taut suspense thriller, and a violent tale of criminal misfortune. It all begins when a hapless car salesman (played to perfection by William H. Macy) ineptly orchestrates the kidnapping of his own wife. The plan goes horribly awry in the hands of bumbling bad guys Steve Buscemi and Peter Stormare (one of them being described by a local girl as "kinda funny lookin'" and "not circumcised"), and the pregnant sheriff of Brainerd, Minnesota, (played exquisitely by Frances McDormand in an Oscar-winning role) is suddenly faced with a case of multiple murders. Her investigation is laced with offbeat observations about life in the rural hinterland of Minnesota and North Dakota, and Fargo embraces its local yokels with affectionate humor. At times shocking and hilarious, Fargo is utterly unique and distinctly American, bearing the unmistakable stamp of its inspired creators. --Jeff ShannonReview for Miller's CrossingArguably the best film by Joel and Ethan Coen, the 1990 Miller's Crossing stars Gabriel Byrne as Tom, a loyal lieutenant of a crime boss named Leo (Albert Finney) who is in a Prohibition-era turf war with his major rival, Johnny Caspar (Jon Polito). A man of principle, Tom nevertheless is romantically involved with Leo's lover (Marcia Gay Harden), whose screwy brother (John Turturro) escapes a hit ordered by Caspar only to become Tom's problem. Making matters worse, Tom has outstanding gambling debts he can't pay, which keeps him in regular touch with a punishing enforcer. With all the energy the Coens put into their films, and all their focused appreciation of genre conventions and rules, and all their efforts to turn their movies into ironic appreciations of archetypes in American fiction, they never got their formula so right as with Miller's Crossing. With its Hammett-like dialogue and Byzantine plot and moral chaos mitigated by one hero's personal code, the film so transcends its self-scrutiny as a retro-crime thriller that it is a deserved classic in its own right. --Tom KeoghReview for Raising ArizonaBlood Simple made it clear that the cinematically precocious Coen brothers (writer-director Joel and writer-producer Ethan) were gifted filmmakers to watch out for. But it was the outrageously farcical Raising Arizona that announced the Coens' darkly comedic audacity to the world. It wasn't widely seen when released in 1987, but its modest audience was vocally supportive, and this hyperactive comedy has since developed a large and loyal following. It's the story of "Ed" (for Edwina, played by Holly Hunter), a policewoman who falls in love with "Hi" (for H.I. McDonnough, played by Nicolas Cage) while she's taking his mug shots. She's infertile and he's a habitual robber of convenience stores, and their folksy marital bliss depends on settling down with a rug rat. Unable to conceive, they kidnap one of the newsworthy quintuplets born to an unpainted-furniture huckster named Nathan Arizona (Trey Wilson), who quickly hires a Harley-riding mercenary (Randall "Tex" Cobb) to track the baby's whereabouts. What follows is a full-throttle comedy that defies description, fueled by the Coens' lyrical redneck dialogue, the manic camerawork of future director Barry Sonnenfeld, and some of the most inventively comedic chase scenes ever filmed. Some will dismiss the comedy for being recklessly over-the-top; others will love it for its clever mix of slapstick action, surreal fantasy, and homespun family values. One thing's for sure--this is a Coen movie from start to finish, and that makes it undeniably unique. --Jeff Shannon

Four-disc set of films from Joel and Ethan Coen includes "Blood Simple," "Raising Arizona," "Miller's Crossing," and "Fargo."

This 1988 animated feature from Don Bluth (An American Tail) focuses on an orphaned young dinosaur, Littlefoot, who has to make his way to the paradise of the Great Valley in order to survive a plague. Along the way, he meets up with some other dinos from different species, and they all bond and travel together. On the way, they have plenty of adventures. Even with elements of suspense, this is a pretty relaxed movie that isn't in a particular hurry to roll out its story. Kids will like the originality of the concept, and the themes of friendship and cooperation are well woven into the fabric of the entertainment, plus the music is great. Bluth's artwork looks good, though--as always--he never seems to quite catch up with the quality of the Disney machine. --Tom Keogh

Features include: •MPAA Rating: G•Format: DVD•Runtime: 69 minutes

A superb gothic thriller that will grip you with its combination of horror, romance and the supernatural. Based on the novel by F. Paul Wilson.

Gene Hackman, Halle Berry, Heather Locklear, Gabriel Byrne, James Bond's Pierce Bronson, Kelly Preston, most of the cast from Melrose Place and 1000s of actors all take acting classes from Margie Haber. How to Get the Part... gives actors tools to break through their psychological roadblocks to auditioning.

A fascinating look into the life of one of Hollywood's hottest film stars. For twenty years Gabriel Byrne has been to the forefront of Irish actors and producers internationally. From his appearance in John Boorman's Excalibur in 1981 via Miller's Crossing in 1990 through to Stigmata and End of Days in 1999 and 2000 he has turned his diverse skills and brooding good looks to many different roles. With Stigmata and End of Days, his appearance on Broadway and the new NBC sitcom, Madigan's Men, which he produced and in which he stars he has hit a new high point in his career. In vivid cinematic sketches this absorbing memoir presents a series of fascinating glimpses into his public and private life. He leads the reader through his career on stage and screen as both producer and actor. Along the way he shares his impressions of Hollywood, New York and his native Ireland and takes us behind the scenes of his many films. He has worked with many of the cutting edge directors of international cinema including Jim Jarmusch, Wim Wenders and the Coen bothers and with many of the finest actors of the late twentieth century-Liam Neeson, Kevin Spacey, Gerard Depardieu, John Turturro, Winona Ryder, Susan Sarandon and Christina Ricci to name a few. Gabriel Byrne's unique narrative style colors every page, mixing colloquial dialogue with evocative descriptions. The result is a frank, intimate account that reveals the man-and the writer-behind the actor's many faces.

Signed 8x10 comes with powers collectibles coa and matching holograms

Signed Laser Disc Cover Signed By Kevin Spacey, Benicio Del Toro, Gabriel Byrne, Kevin Pollak and Stephen Baldwin comes with powers collectibles coa and matching holograms

Gabriel Byrne has personally hand signed this 8x10 photo. The Black custom wood frame measures 14x17 inches, and includes white over black double matting. Conservation Clear glass was used on this fine piece to protect the autograph from fading due to UltraViolet (UV) Rays. This item comes with The Real Deal Memorabilia authenticity sticker on the photo and a Certificate of Authenticity. Get The REAL DEAL!