Filmed Script

It's tinsel and holly and "fa la la lolly" when Eloise lends her unique brand of holiday spirit to this made-for-television movie inspired by Kay Thompson's book of the same name. Sofia Vassilieva shines as ruckus-raising Eloise, who can simultaneously exasperate and exhilarate the genteel staff of New York's Plaza hotel. In the days before Christmas, Eloise learns that Rachel (Sara Topham), the daughter of Plaza owner Mr. Peabody (Victor A. Young), is returning after a long absence to marry mystery man Brooks Oliver (Rick Roberts). Eloise insists on helping with the Yuletide nuptials while plotting a matchmaking scheme of her own--to find true love for her best pal Bill (Gavin Creel), a free-spirited hotel waiter. Meanwhile, Eloise keeps busy sprinkling holiday mirth on everyone, including her beloved Nanny, played "rawther" marvelously by Julie Andrews. Whereas Eloise at the Plaza portrays the precocious 6-year-old as mostly mischievous, this film showcases her compassionate side which, together with the strong ensemble cast, offers plenty of Christmas cheer. Watch for the sizzling chemistry and musical talents of Topham and Creel. (Ages 5 and older) --Lynn Gibson

Celebrate the holidays with 6-year-old bundle of energy Eloise in this fun-packed Christmas adventure set in New York City's Plaza Hotel. As the owner of the building's daughter prepares to marry her scheming fiance, Eloise attempts to expose the man's true intentions while befriending a cranky neighbor. Delightful family film stars Sofia Vassilieva, Julie Andrews, Christine Baranski and Jeffrey Tambor. 87 min. Standard; Soundtracks: English Dolby Digital 5.1, French Dolby Digital 5.1; Subtitles: Spanish; featurette; "making of" documentary.

Rousing musical comedy focuses on a rising fashion designer trapped in a relationship with a rich and self-centered stockbroker. After a chance meeting with a handsome but poor tailor, she begins to develop feelings for the kindly stranger. Will she ditch her wealthy lover in order to pursue true romance? Tammy Townsend, Clifton Powell, Darren Dewitt Henson star. 150 min. Widescreen; Soundtrack: English Dolby Digital 5.1.

Steelworkers, waitresses, and parking garage attendants hardly make the stuff of the traditional Broadway musical. But their voices form the songs and monologues of this plotless paean to the American working stiff, inspired by the bestselling oral history by Studs Terkel. Adapted from the stage production by composer Stephen Schwartz, this 1982 American Playhouse production has a pleasingly fluid structure that includes Terkel himself as an onscreen narrator/host. It veers from sentimentalizing working folk to (at its best) questioning the conclusion drawn by a high-priced call girl played by Barbara Hershey: "What you do is what you are." James Taylor sings a truck-drivin' tune, Scatman Crothers and Charles Durning lend a rascally vigor, and Rita Moreno insists "It's an art to be a fine waitress." Strongest of all is Eileen Brennan, with her face out of a Walker Evans photograph, as a weary factory worker resigned to her punishing job. --Robert Horton

No Description Available.Genre: Performing Arts - TheaterRating: NRRelease Date: 15-JAN-2002Media Type: DVD

George Stevens (Giant) directed this 1959 film adaptation of the hit play based on the writings of Anne Frank, the Jewish girl from Amsterdam who hid in an attic with her family and others during the Nazi occupation. As Anne, Millie Perkins is something of a milky eyed enigma and--in retrospect--too old for the part; but she is surrounded by an outstanding cast, including Joseph Schildkraut as Anne's patient father, Ed Wynn as a cranky dentist who moves into Anne's "room," and Shelley Winters as the loud Mrs. Van Daan. Stevens turns the many overlapping dramas of the caged characters into the foundation of Anne's growth as a young woman, ready for life and love just at the moment the dream comes to an end. Beautifully shot by cinematographer William C. Mellor, and written by Frances Goodrich and Albert Hackett from their stage production. --Tom Keogh

This adaptation of the F. Scott Fitzgerald novel, scripted by Francis Ford Coppola, puts costume design and art direction above the intricacies of character. It's certainly a handsome try, and perhaps no movie could capture The Great Gatsby in its entirety. Robert Redford is an interesting casting choice as Gatsby, the millionaire isolated in his mansion, still dreaming of the woman he lost. And Sam Waterston is perfect as the narrator, Nick, who brings the dream girl Daisy Buchanan back to Gatsby. No, the problem seems to be that director Jack Clayton fell in love with the flapper dresses and the party scenes and the Jazz Age tunes, ending up with a Classics Illustrated version of a great book rather than a fresh, organic take on the text. While Redford grows more quietly intriguing in the film, Mia Farrow's pallid performance as Daisy leaves you wondering why Gatsby, or anyone else, should care so much about his grand passion. The effective supporting cast includes Bruce Dern as Daisy's husband, and Scott Wilson and Karen Black as the low-rent couple whose destinies cross the sun-drenched protagonists. (That's future star Patsy Kensit as Daisy's little daughter.) The film won two Oscars--not surprisingly, for costumes and musical score. --Robert Horton

Robert Redford essays the title role of F. Scott Fitzgerald's gangster-turned-golden boy of '20s society in this lavishly photographed film adaptation of the classic novel, with Mia Farrow as Gatsby's true love, Daisy. Bruce Dern, Karen Black, Sam Waterston, and Patsy Kensit (her film debut) co-star; scripted by Francis Ford Coppola. 143 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, Dolby Digital mono; Subtitles: English.

In this lavish version of the Alexandre Dumas novel, Jim Caviezel plays Edmond Dantes, who is duped by his jealous aristocratic friend (Guy Pearce) and secretly sent to prison. While in jail, Dantes is befriended by a priest (Richard Harris), who helps him escape and leads him to a treasure that will help him stage revenge over his former ally. Dagmara Dominczyk, James Frain, and Michael Wincott also star. 132 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, French Dolby Digital 5.1; audio commentary; "making of" documentary; deleted scenes; featurette.

Revenge rarely gets sweeter than it does in The Count of Monte Cristo, a rousing, impeccably crafted adaptation of Alexandre Dumas père's literary classic. Filmed countless times before, the story is revitalized by director Kevin Reynolds (rallying after Waterworld) and screenwriter Jay Wolpert, who wisely avoid the action-movie anachronisms that plagued 2001's dubious Dumas-inspired The Musketeer. Leading a superior cast, Jim Caviezel (Frequency) expresses a delicate balance of obsession and nobility as Dantes, the wrongly accused Frenchman who endures 13 years of prison and torment, then uses a hidden treasure to finance elaborate vengeance on those who wronged him. Memento's Guy Pearce is equally effective as Dantes's betraying nemesis, and Richard Harris tops his Harry Potter wizardry with a humorous turn as Dantes's fellow prisoner and mentor. Filmed on stunning locations in Ireland and Malta, The Count of Monte Cristo easily matches Rob Roy for intelligent swashbuckling entertainment. --Jeff Shannon

Fractured fairy tales of a darker hue provide the remarkable context for Into the Woods, which deconstructs the Brothers Grimm by way of Rod Serling. While the faces and names are familiar, Cinderella, Rapunzel, Little Red Riding Hood, and company inhabit a sylvan neighborhood in which witches and bakers are next-door neighbors, handsome princes from once-parallel fables are competitive (and equally vain) brothers, and all the stories intersect through unexpected new plot twists. Stephen Sondheim's Tony-winning score favors intricate ensemble numbers that present the characters' divergent, then overlapping fears and desires. And it's the latter category that provides a primary thread to James Lapine's ingenious puzzle of a book, which coheres around the inevitability--and treachery--of our innermost wishes. That theme is given farcical energy in the first act, which offers enough comic invention, tart dialogue, and witty music for a satisfying evening of theater as is. Instead, Sondheim and Lapine offer a bold, darker second act that takes a look at what happens after "happily ever after," elevating the work beyond inspired parody toward allegorical gravity. By the final scenes, with the one-two punch of the score's two most enduring songs, "No One Is Alone" and "Children Will Listen," what began as a clever diversion has touched deeper nerves and primed some tear ducts. This video production by the original Broadway cast gets its marquee shimmer from Bernadette Peters's wonderful witch, but the standout (and Tony winner as Best Actress) is Joanna Gleason, who gives the Baker's Wife a mixture of warmth, pragmatism, and sudden, poignantly romantic radiance. The DVD version is comparatively no-frills, given its American Playhouse origins, but multiformat digital audio renders the musical performances in immaculate detail. --Sam Sutherland

A fusion of fairytales in musical form, covering themes from Cinderella, Rapunzel, Jack and the Beanstalk, Little Red Riding Hood, and others.Genre: MusicalsRating: NRRelease Date: 21-JUL-1998Media Type: DVD

The Making of Pride and Prejudice reveals in compelling detail how Jane Austen's classic novel was transformed into the stunning television drama starring Colin Firth and Jennifer Ehle. It vividly brings to life every stage of production of this sumptuous series.

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