Enterprise Original

Many associate Ginsu knives with the product’s kitschy infomercial from the ‘70s that begins with a karate kick to a watermelon and proceeds with a demo of these knives cutting through just about anything in the house. Like the original product, Ginsu’s International Traditions is designed for the home cook who is not attuned to the maintenance required of a more high-end knife. However, this line is an improvement on the original, offering the weight, balance, and style of a commercial-quality knife, while meeting current design trends and performance expectations. This 14-piece set stocks a kitchen with most cutlery needs, and packs all knives in a contemporary black hardwood storage block. The set includes: an 8-inch chef’s knife, an 8-inch slicer, a 7-inch santoku knife, a 5-1/2-inch boning knife, a 5-inch utility knife, a 3-1/2-inch paring knife, and six 4-1/2-inch steak knives, plus a pair of shears. Ginsu blades are constructed from stainless steel and feature a two-dimensional serrated edge that is symmetrically cut on either side for more accurate slicing and for either right- or left-handed use. Edges are still as low-maintenance as ever and never require sharpening. The blades have full tangs that extend through lightweight bakelite handles and are triple-riveted for strength. Ginsu covers these International Traditions knives under a limited, lifetime warranty and recommends manual cleaning with hot, soapy water to keep them in top shape. What’s in the Box3-1/2-inch paring knife, 5-inch utility knife, 5-1/2-inch boning knife, 7-inch santoku knife, 8-inch slicer, 8-inch chef’s knife, six 4-1/2-inch steak knives, shears, hardwood block

You've rented a classic family movie, something along the lines of "Beauty and the Beast" or "Mary Poppins", and the whole gang is snuggled on the couch. What would make this picture truly complete? Popcorn of course! You can have 6 quarts of crunchy, buttery kernels ready to go in no time with this popper.

Crock-Pot 6 Quart Countdown Cook & Carry Slow Cooker Stainless Steel

Our Seller's Notes and Fine Print :...From Asylum, like NEW in good shape TWO CD in digipak..

This packed double-disc is the slim option for fans who find the Eagles' vaunted greatest hits sets too little and the boxed set too hefty. Hit singles large and medium are here, often ("One of These Nights," "Hotel California") still sounding definitive and even tough. Large helpings of favorite album cuts are also included, along with a taster from a promised 2004 Eagles studio reunion. Unfortunately, "Hole in the World," Don Henley's response to September 11, feels just as empty and entitled as "Get Over It," the band's previous state-of-the-union message (from which the newer song represents a philosophical 180-degree turn). But for those seeking an overview of this Southern California juggernaut's successes, as well as telling comments from band members--mostly Henley and Frey--in a well-designed booklet, Very Best will more than do. --Rickey Wright

Augmenting 1972's Greatest Hits with additional tracks, Best of... now stands as the preeminent one-disc introduction to the music of Simon & Garfunkel. Containing everything Greatest Hits offered except for the live version of "59th Street Bridge Song" (the original studio hit resurfaces here) and the incandescent "Kathy's Song," the updated retrospective boasts 20 tracks, in contrast to its predecessor's 14 selections. Added to the mix are the likes of "Hazy Shade of Winter," "The Only Living Boy in New York," "Song for the Asking," and "My Little Town," a one-off the twosome did five years after they ended their phenomenally successful partnership. Remastered from the original source tapes, Best of... also boasts far superior sound to the earlier hits collection. --Steven Stolder

No Description AvailableNo Track Information AvailableMedia Type: CDArtist: SIMON & GARFUNKELTitle: BEST OF SIMON & GARFUNKELStreet Release Date: 11/16/1999

When it was released during Hollywood's golden year of 1939, The Wizard of Oz didn't start out as the perennial classic it has since become. The film did respectable business, but it wasn't until its debut on television that this family favorite

When it was released during Hollywood's golden year of 1939,The Wizard of Oz didn't start out as the perennial classic it has since become. The film did respectable business, but it wasn't until its debut on television that this family favorite saw its popularity soar. And while Oz's TV broadcasts are now controlled by media mogul Ted Turner (who owns the rights), the advent of home video has made this lively musical a mainstay in the staple diet of great American films. Young Dorothy Gale (Judy Garland), her dog, Toto, and her three companions on the Yellow Brick Road to Oz--the Tin Man (Jack Haley), the Cowardly Lion (Bert Lahr), and the Scarecrow (Ray Bolger)--have become pop-culture icons and central figures in the legacy of fantasy for children. As the Wicked Witch who covets Dorothy's enchanted ruby slippers, Margaret Hamilton has had the singular honor of scaring the wits out of children for more than six decades. The film's still as fresh, frightening, and funny as it was when first released. It may take some liberal detours from the original story by L. Frank Baum, but it's loyal to the Baum legacy while charting its own course as a spectacular film. Shot in glorious Technicolor, befitting its dynamic production design (Munchkinland alone is a psychedelic explosion of color and décor), The Wizard of Oz may not appeal to every taste as the years go by, but it's required viewing for kids of all ages. --Jeff Shannon

An addictive blend of suds and social commentary, ITV's Downton Abbey brings a microcosm of Edwardian society together under one roof. Lord Robert Crawley (Hugh Bonneville) and his family live a life of leisure, while a fleet of servants, including butler Carson (Jim Carter), attend to their every need, but two events conspire to shake things up: the sinking of the Titanic, which claims Crawley's heirs, and the return of his valet, Bates (Brendan Coyle). Since Crawley and Lady Cora (Elizabeth McGovern) have three daughters, his distant solicitor cousin, Matthew (Dan Stevens), becomes heir to the estate. With that, the scheming begins, since Thomas the footman (Rob James-Collier) views Bates as an interloper and Crawley's mother, Violet (Maggie Smith), feels the same way about Matthew's mother, Isobel (Penelope Wilton). In the tradition of the BBC's Upstairs Downstairs and Robert Altman's Gosford Park, for which writer-creator Julian Fellowes received an Academy Award, the royals, servants, and middle-class relations struggle to get along. Sniffs uptight maid Miss O'Brien (Siobhan Finneran), "Gentlemen don't work," but that doesn't stop Mary (Michelle Dockery) and Edith Crawley (Laura Carmichael) from competing for Matthew's affections. Though it takes awhile to warm up to the tightest-wound characters, most everyone reveals their more vulnerable side before the first season comes to an end, and a new small-screen classic is born. The entire sprawling cast is quite wonderful, particularly Bonneville, Carter, and James-Collier, who provide a fascinating study in contrasts (the latter is downright dastardly). Unlike the version that aired on PBS's Masterpiece Classic, this set offers seven parts rather than four. Extras include a featurette, in which cast and crew discuss the production, and an introduction to Hampshire's Highclere Castle, which doubles for Downton Abbey. The first season was a phenomenon in the United Kingdom, and Fellowes has promised a second season set during World War I. --Kathleen C. Fennessy

Studio: Pbs Release Date: 01/11/2011 Run time: 368 minutes

Arnold Schwarzenegger is back in a big way in this pulse-pounding sequel. This time he's a reprogrammed T-800 who not only defends Sarah Connor's (Linda Hamilton) young son John (Edward Furlong) from a highly advanced Terminator (Robert Patrick) with the ability to change its shape, but must also fight to prevent a cataclysmic event that will destroy human civilization. Oscar-winning special effects and non-stop action highlight this smash hit from director James Cameron. R-rated version; 135 min./Extended version; 152 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1 EX, French Dolby Digital stereo; Subtitles: English (SDH), French, Spanish; audio commentary by Cameron others; behind-the-scenes footage; storyboards; trivia; games; more.

Arnold Schwarzenegger returns as The Terminator in this explosive action-adventure spectacle. Now he's one of the good guys, sent back in time to protect John Connor, the boy destined to lead the freedom fighters of the future. Linda Hamilton reprises her role as Sarah Connor, John's mother, a quintessential survivor who has been institutionalized for her warning of the nuclear holocaust she knows is inevitable. Together, the threesome must find a way to stop the ultimate enemy - the T-1000, the most lethal Terminator ever created. Co- written, produced and directed by James Cameron (The Terminator, Aliens, Titanic), this visual tour de force is also a touching human story of survival.

In the exciting fourth entry in the successful action series, an attack on the Kremlin leaves IMF agent Ethan Hunt (Tom Cruise) and his team falsely accused of international terrorism. Forced to go underground, they must race against time to clear their names while trying to stop a plot to orchestrate a nuclear war between the United States and Russia. Jeremy Renner, Simon Pegg, Paula Patton, Michael Nyqvist, and, in a cameo, Ving Rhames co-star in director Brad Bird's first live-action film. 132 min. Widescreen; Soundtracks: English Dolby Digital 5.1, French Dolby Digital 5.1, Spanish Dolby Digital 5.1; Subtitles: English, French, Spanish; featurette; deleted scenes.

The second half of the first decade of the 21st century has been kind of tough for Tom Cruise. That's tough in a way over and above the hardship of living the legacy of one of history's top movie stars--a job more demanding than any mere mortal could imagine. But after two fruitful collaborations with Steven Spielberg (Minority Report and War of the Worlds), his stature took a beating from the one-two hits of those wacky PR gaffes and that string of relative box-office disappointments (Lions for Lambs, Valkyrie, Knight and Day), which seemed to start with the third installment of his Mission: Impossible franchise in 2006. It's hard to say with a straight face that taking in only $398 million worldwide is a disappointment, but it was a low for the series, which some later saw as a prelude to his potentially dimming stardom. But on the cusp of turning 50, it looks like Tom Cruise has put the licking behind him and entered a new phase of self-conception with an upcoming array of roles, starting with a more maturely controlled version of superspy Ethan Hunt in the sleek and supercharged Mission: Impossible - Ghost Protocol. The things Cruise has done right in M: I part four include toning down his youthful, arrogant preening and letting his castmates share more of the spotlight (Jeremy Renner, Paula Patton, and Simon Pegg all have some terrifically shiny moments). He also lets the unique creative vision of director Brad Bird shine through in a first live-action outing for the acclaimed helmer of Iron Giant, The Incredibles, and Ratatouille. Still looking much younger than his years (that hair! those pecs! those abs!), Cruise is playing more age-appropriately, letting a little wisdom and grace seep into his charisma so the wattage of his mere presence smolders a little deeper. It's a nice nod to a graying generation that says you can get older and still be cool. All that is not to say he doesn't play up his action-star chops to the max. In a mostly inconsequential narrative arc that has something to do with purloined nuclear launch codes, an important metal briefcase, satellite uplinks, and global annihilation that leaps from Moscow to Dubai to Mumbai, Cruise is as dangerously nimble as he has ever been. He dangles one-handed from the tallest building in the world, bounds off ledges, springs out of speeding vehicles, tumbles and careens up and down the levels of an automated parking garage, and generally sprints and jumps his way across the movie with only a scratch or bruise to show for it. Also on the outlandish upside is a happily stereotypical villain straight out of Connery-era Bond and as many bleeding-edge gadgets as the art department techno-geeks could dream up. A running gag is that many of these electronic fantasy tools fail at just the wrong moment, which is part of a larger wink acknowledging how utterly preposterous yet ingeniously conceived this behemoth of a movie really is. The gadgetry is not limited just to the miraculous props. Ghost Protocol employs CGI fakery of the highest order from the sub-industry of effects contractors that ratchet up the standard of computing power and software design, one-upping each successive action-adventure extravaganza. The loving detail that goes into blowing up the Kremlin or rendering a photo-realistic sandstorm erupting across the enhanced skyline of an Oz-like desert city is nothing short of miraculous. What's more astonishing is that Tom Cruise closes the deal with a selling power that's as new and improved as the laminates on his multi-million-dollar teeth. --Ted Fry

This Sleep Mate Sound Conditioner product produces the sounds of nature and surround you with an environment of "conditioned" sound. Are loud neighbors, your spouse's snoring or other irritating noises keeping you awake at night? This is no longer a problem when you have this noise sleep machine. These sleep machine devices employ the latest technology to create soothing, natural sounds that effectively mask out unwanted noise that may interfere with your ability to sleep, relax, meditate or concentrate on work or studies. The sound from this sound sleep machine is continuous and pleasant, and works like a balm to soothe and relax. Sound conditioners create a consistent, smooth sound of rushing air. The tone and volume of the sound of this sleep aid are controlled by simply rotating the "cap" and "collar" of the housing. This white noise machine sound effectively masks unwanted noises and creates a sense of calm, making it easier to concentrate, relax and/or sleep.

The original CHI 1" Hairstyling Iron An ideal tool for all your creative styling and finishing needs Achieve a variety of looks and styles with one versatile tool

8 Crunchy peanut butter; 8 chocolate chip peanut butter; 8 oatmeal raisin walnut (now contains 8 chocolate chip instead of 8 oatmeal raisin walnut). Made with organic oats and soybeans. High in protein; no trans fats; 23 vitamins & minerals. Nutrition for sustained energy. Clif Bar supports organizations that address environmental, health and social issues. Clif Bar is named after my father, Clifford, my childhood hero and companion throughout the Sierra Nevada mountains. In 1990, I lived in a garage with my dog, skis, climbing gear, bicycle and two trumpets. The inspiration to create an energy bar occurred during a day-long, 175-mile ride with my buddy, Jay. We'd been gnawing on some other energy bars. Suddenly, despite my hunger, I couldn't take another bite. That's the moment I now call the epiphany. Two years later, after countless hours in Mom's kitchen, Clif Bar became a reality. And the mission to create a better-tasting energy bar was accomplished. Thanks, Mom! Clif Bar has grown since 1990, and still the spirit of adventure that began on that ride continues to thrive each day. As the company evolves, we face many choices, yet we always do our best to take care of our people, our community and our environment. - Gary, owner of Clif Bar. We source ingredients which do not contain wheat, dairy and are not genetically engineered. 70% Organic ingredients; certified organic by QAI.

Good Earth tea is a natural source of antioxidants, individually wrapped for freshness, caffeine free. Our original tea is naturally sweet & spicy and contains 3 calories per serving. The sweetness is derived from its herbs & spices. This unique tea will capture your senses, from the first whiff to the last sip. Enjoy hot or ice it up, it contains no sugar, caffeine, artificial colors or preservatives. About the Brand Good earth teas is a division of Tata beverages us region. Good earth tea is produced in Santa Cruz, California. For the past 38 years we have specialized in sourcing tea, herb, and spice ingredients from around the world. Extensive travel to china, Mexico, and many other countries on five continents has provided good earth teas unlimited sources to purchase quality herbs and teas to make our blends. Many of the growers we work with sell us their crop each year providing us consistency in quality. We believe that in manufacturing and re-selling products, we must deliver superior quality teas and herbs at competitive prices. Our vision has proven successful, making good earth teas one of the fastest growing specialty tea brands in the United States. Our insight into tea consumption trends allows us to provide quality blends of green teas, chai teas, black teas, herbal teas, red teas, and medicinal teas. These teas compliment our award-winning original blends developed for the good earth restaurants in California and Minnesota.

Watkins Original Vanilla Double Strength Extract.

Here you get a 15 oz package of some of the best jerky around. 36 pieces of Wild Bill's Original Hickory Smoked flavor beef jerky. The same jerky you get in the jar! 97% Fat Free Made in the U.S.A. Try it once.....you'll love it!