Edward James

Rectangular wrap-around refrigerator magnet and a glossy mylar cover.Large 2x3 inch rectangle fridge magnet or 'buttons' as they are sometimes known in the USA.Crop shown is automated for display purposes only. All magnets are hand finished and the best most appropriate crop will always be selected to best show the full image. Therefore, actual product may vary slightly from crop shown - this can include borders or slight cropping in order to best place the image within the fixed size.

This mug is created using the finest dye sublimation techniques and creates a stunning dishwasher safe finish. Great as a gift, or for promotional items. Each of our mugs come individually boxed for protection in transit.

100% Cotton. Made in UK. Size 70cms X 46cmsThis is an automated preview only. Actual Tea Towel design may vary. All products are hand finished by our expert manufacturers and the best crop available will always be selected.

Get the Best in High Definition for your HDTV with Blu-ray Movies!Now Bambi, Walt Disney's beloved coming-of-age story involving Bambi, the wide-eyed fawn, his playful pal Thumper, the loveable skunk Flower and wise Friend Owl, will thrill a new generation of fans with its breathtakingly beautiful animation, soaring music and memorable characters. Plus, this special Diamond Edition includes an all-new immersive game and special features that reveal the extraordinary creative process behind the making of this timeless classic and take you deeper into Bambi's world than ever before! Rated G.•Packaged in Blu-ray case

It always comes up when people are comparing their most traumatic movie experiences: "the death of Bambi's mother," a recollection that can bring a shudder to even the most jaded filmgoer. That primal separation (which is no less stunning for happening off-screen) is the centerpiece of Bambi, Walt Disney's 1942 animated classic, but it is by no means the only bold stroke in the film. In its swift but somehow leisurely 69 minutes, Bambi covers a year in the life of a young deer. But in a bigger way, it measures the life cycle itself, from birth to adulthood, from childhood's freedom to grown-up responsibility. All of this is rendered in cheeky, fleet-footed style--the movie doesn't lecture, or make you feel you're being fed something that's good for you. The animation is miraculous, a lush forest in which nature is a constantly unfolding miracle (even in a spectacular fire, or those dark moments when "man was in the forest"). There are probably easier animals to draw than a young deer, and the Disney animators set themselves a challenge with Bambi's wobbly glide across an ice-covered lake, his spindly legs akimbo; but the sequence is effortless and charming. If Bambi himself is just a bit dull--such is the fate of an Everydeer--his rabbit sidekick Thumper and a skunk named Flower more than make up for it. Many of the early Disney features have their share of lyrical moments and universal truths, but Bambi is so simple, so pure, it's almost transparent. You might borrow a phrase from Thumper and say it's downright twitterpated. --Robert Horton

A magical Walt Disney tale about the shy circus elephant whose big, floppy ears make him the target of ridicule among the other elephants. Dumbo gets lessons in self confidence from his rodent best friend, Timothy Q. Mouse, leading him to the revelation that his ears are actually a wonderful gift that will allow him to fly. Songs include "Pink Elephants on Parade" and "Baby Mine." 64 min. Standard; Soundtracks: English DTS HD 7.1 Master Audio, Dolby Digital stereo, Spanish Disney Enhanced Home Theater Mix 5.1, French Disney Enhanced Home Theater Mix 5.1; Subtitles: English (SDH), Spanish, French; audio commentary; "making of" documentary; featurettes; deleted scene; deleted song; art gallery; trivia; game; bonus shorts "The Flying Mouse" (1934), "Elmer Elephant" (1936). Also includes a DVD version of the film. Two-disc set.

A Disney "classic" that actually is a classic, Dumbo should be part of your video collection whether or not you have children. The storytelling was never as lean as in Dumbo, the songs rarely as haunting (or just plain weird), the characters rarely so well defined. The film pits the "cold, cruel, heartless" world that can't accept abnormality against a plucky, and mute, hero. Jumbo Jr. (Dumbo is a mean-spirited nickname) is ostracized from the circus pack shortly after his delivery by the stork because of his big ears. His mother sticks up for him and is shackled. He's jeered by children (an insightful scene has one boy poking fun at Dumbo's ears, even though the youngster's ears are also ungainly), used by the circus folk, and demoted to appearing with the clowns. Only the decent Timothy Q. Mouse looks out for the little guy. Concerns about the un-PC "Jim Crow" crows, who mock Dumbo with the wonderful "When I See an Elephant Fly," should be moderated by remembering that the crows are the only social group in the film who act kindly to the little outcast. If you don't mist up during the "Baby Mine" scene, you may be legally pronounced dead. --Keith Simanton

It was a love story that amazed and scandalized the world: because royal protocol barred him marrying a divorced commoner (and an American, to boot), Edward VIII abdicated the British throne in 1936 in order to be with "the woman I love." That story is brought to the screen in W./E., along with a parallel 1990s tale of a woman (Abbie Cornish, Bright Star) fascinated by the saga as she moons about the halls of Sotheby's in anticipation of an auction of the royals' stuff. This is the project dreamed up by Madonna for her narrative-feature directing debut, and you can presume that Madonna identifies with the lives of the royals, living their dramas out in a fishbowl for all the world to see. The 1930s scenes are full of period fluff and a certain amount of satisfying royal intrigue (crisscrossing at points with The King's Speech). Perhaps the film makes too many excuses for the future king (the real Edward VIII was something of a nitwit, and at that delicate moment in history it was probably a good thing he departed the scene), ably played here by James D'Arcy. But at least his American lady, Wallis Simpson, is embodied in lively fashion by Andrea Riseborough (from Brighton Rock), who is fully convincing as a subject of fascination. The draggy modern scenes don't fare as well, although it is curious that Madonna seeks to make an out-and-out art movie instead of a crowd-pleasing slice of entertainment. Apparently she saves that impulse for her music. --Robert Horton

In this drama directed and co-written by Madonna, lonely New Yorker Wally Winthrop (Abbie Cornish) obsesses over interest in the love affair between King Edward VIII (James D'Arcy) and Wallis Simpson (Andrea Riseborough). Delving into the details of their controversial courtship, Winthrop seeks freedom from the present--and the circumstances of her unhappy marriage--by living in the past. With Oscar Isaac, James Fox. 119 min. Widescreen; Soundtrack: English; bonus digital copy. Also includes a DVD version of the film. Two-disc set.

It was a love story that amazed and scandalized the world: because royal protocol barred him marrying a divorced commoner (and an American, to boot), Edward VIII abdicated the British throne in 1936 in order to be with "the woman I love." That story is brought to the screen in W./E., along with a parallel 1990s tale of a woman (Abbie Cornish, Bright Star) fascinated by the saga as she moons about the halls of Sotheby's in anticipation of an auction of the royals' stuff. This is the project dreamed up by Madonna for her narrative-feature directing debut, and you can presume that Madonna identifies with the lives of the royals, living their dramas out in a fishbowl for all the world to see. The 1930s scenes are full of period fluff and a certain amount of satisfying royal intrigue (crisscrossing at points with The King's Speech). Perhaps the film makes too many excuses for the future king (the real Edward VIII was something of a nitwit, and at that delicate moment in history it was probably a good thing he departed the scene), ably played here by James D'Arcy. But at least his American lady, Wallis Simpson, is embodied in lively fashion by Andrea Riseborough (from Brighton Rock), who is fully convincing as a subject of fascination. The draggy modern scenes don't fare as well, although it is curious that Madonna seeks to make an out-and-out art movie instead of a crowd-pleasing slice of entertainment. Apparently she saves that impulse for her music. --Robert Horton

In this drama directed and co-written by Madonna, lonely New Yorker Wally Winthrop (Abbie Cornish) obsesses over interest in the love affair between King Edward VIII (James D'Arcy) and Wallis Simpson (Andrea Riseborough). Delving into the details of their controversial courtship, Winthrop seeks freedom from the present--and the circumstances of her unhappy marriage--by living in the past. With Oscar Isaac, James Fox. 119 min. Widescreen (Enhanced); Soundtrack: English Dolby Digital 5.1; Subtitles: English (SDH), Spanish; featurette.

This photographic Greeting Card is created on 300gsm FSC approved card. The result - a stunning reproduction at an affordable price. Actual size 7x5 inch.Greeting card comes with high grade white envelope as standard.This is an automated preview only. Actual Greeting Card design may vary. All products are hand finished by our expert manufacturers and the best crop available will always be selected.

Calculus (With Analytic Geometry)(8th edition)

A rich and insightful overview of the Christian belief in Jesus, his life, his teaching and the meaning of Jesus today.