Dragon Game

35301 Medieval dragon chess set. 32 Chessmen fit inside the chessboard case. Alabastrite. 17" diameter x 2 3/4" high.

An extraordinary new stein based on the beloved fantasy masterpiece by J.R.R. Tolkien. Each iconic moment is brought to life with panoramic, bas-relief sculpting and are hand-crafted in the old-world style with fine-grain stoneware by the world-renowned stein artisans. An absolute must-have for fans of both The Hobbit and The Lord of the Rings trilogy, each exquisite stein stands over 10" tall (25.4cm), weighs a hefty 3 lbs. (1.36kg.), and is topped with a sculpted pewter lid.

Premium-etched glassware based on the literary masterpieces The Hobbit and The Lord of the Rings. Each high-quality drinking glass is deep-etched with iconic artwork featuring one of the most popular Middle-earth taverns, The Green Dragon. Perfect for everyday use or gift giving, these are dishwasher and freezer-safe glasses.

Disney's 1959 animated effort was the studio's most ambitious to date, a widescreen spectacle boasting a gorgeous waltz-filled score adapting Tchaikovsky. In the 14th century, the malevolent Maleficent (not dissimilar to the wicked Queen in Disney's Snow White and the Seven Dwarfs taunts a king that his infant Aurora will fatally prick her finger on a spinning wheel before sundown on her 16th birthday. This, of course, would deny her a happily-ever-after with her true love. Things almost but not quite turn out that way, thanks to the assistance of some bubbly, bumbling fairies named Flora, Fauna, and Merryweather. It's not really all that much about the title character--how interesting can someone in the middle of a long nap be, anyway? Instead, those fairies carry the day, as well as, of course, good Prince Phillip, whose battle with the malevolent Maleficent in the guise of a dragon has been co-opted by any number of animated films since. See it in its original glory here. And Malificent's castle, filled with warthogs and demonic imps in a macabre dance celebrating their evil ways, manages a certain creepy grandeur. --David Kronke On the Blu-raySleeping Beauty was the last and most lavish of Walt Disney's animated fairy tales. He told the artists not to hurry and to give him "a moving illustration": The film required almost four and one-half years and one million finished drawings. Instead of the 19th century storybook illustrations that had influenced the look of Snow White and Pinocchio, the artists adapted the flattened perspective and jewel-like colors of 15th century French illuminated manuscripts. The results remain unmatched for sheer visual opulence. However, Sleeping Beauty suffers from a weak story: the vision of an ageless princess slumbering in a vine-shrouded tower was replaced with elements of Snow White and a boy-meets-girl musical. The evil Maleficent and the three Good Fairies (Flora, Fauna, and Merryweather) dominate the film, rather than Princess Aurora and Prince Philip. Sleeping Beauty was originally released in 70mm, and the Blu-ray edition restores the film to its original splendor. (Many earlier releases trimmed the wide-screen images and/or muted the glowing palatte.) The Bonus DVD looks good on a flat screen monitor, but it pales in comparison to the richness of the Blu-ray. In addition to the commentaries and a making-of documentary, the set includes myriad extras that vary widely in quality. Nostalgia buffs will enjoy the recreation of the old Sleeping Beauty's Castle attraction in Disneyland, and the TV program "Four Artists Paint One Tree" provides a welcome showcase for key talents from the film. But the CG animation of the dragon and the voice imitations of the Good Fairies fail to capture the magic of the originals in the "Dragon Encounter"; the "Maleficent's Challenge Game"--a hi-tech Twenty Questions--sounds only vaguely like the redoubtable sorceress. The BD-Live features require an awful lot of bother: after wading through (or ignoring) 130 screens of legalese, participants must enter their Social Security number or other personal information in the drawn-out sign-on process. Once that's finally done, viewers can send special messages to pop up during the film, chat online with others who are watching, and view it in synch with others. The question is whether or not you want to. (Rated G: violence) --Charles Solomon Stills from Sleeping Beauty (Click for larger image)

A beautiful princess born in a faraway kingdom is destined by a terrible curse to prick her finger on the spindle of a spinning wheel and fall into a deep sleep which can only be awakened by true love's first kiss. Though the titular princess is on par with the rest of Disney's essential heroines, most of the fun arises from the trio of charming fairies entrusted with her care: Flora, Fauna, and Meriweather. Meanwhile the evil Malificent may just be Disney's most chilling villainess. This classic makes wondrous use of Tchaikovsky's same-titled ballet score, which earned SLEEPING BEAUTY an Academy Award nomination for Best Scoring of a Musical Picture.

When a mail-order apprentice witch (Angela Lansbury) is saddled with three sibling refugees from London during World War II, the outlook is grim. But the kids soon discover her secret and sign on for adventure in the name of England. With the aid of a magical bed, they track down her fraudulent headmaster (David Tomlinson) to find the spell that will aid the Allies. Fascinated that she has actually achieved results with his lessons, he joins forces. The quintet does battle with corrupt booksellers, animated-lion royalty, and, eventually, invading Germans. Songs include Lansbury's Oscar-nominated "The Age of Not Believing." This film is often compared to director Robert Stevenson's earlier effort, Mary Poppins, and for good reason. In addition to Tomlinson, the movies share a fondness for magic at the hands of a good woman, light romance with an understanding male, and wide-eyed children. Stevenson also graces both films with interaction between humans and animated animals. Disney is wise to play up that aspect on its box this time around as both the underwater ball and the subsequent island soccer match are the most visually interesting and appealing parts of the film. Adults may find the 1971-vintage mixing of actors and animation a bit creaky, but kids used to a variety of animation quality will find the action a hoot. Ages 4 and up. The movie has been recut several times but was restored to the original length of 139 minutes for its 30th anniversary in 2001. --Kimberly Heinrichs

Sinewy, sleek, and oozing charisma, Bruce Lee brought sex appeal to the martial arts genre, dominating even the most cliché-riddled adventures with his mix of good-humored geniality and focused intensity. His first film, the low-budget Hong Kong adventure Fists of Fury (as it was titled in the U.S.), is exactly that: a raw, rough-edged revenge drama of a country boy who uncovers a heroin-smuggling ring. Yet the film comes alive when Lee pounces into action, his wiry, well-muscled frame erupting in lightning moves. His follow-up, The Chinese Connection, keeps the revenge theme going for a tale of a kung fu student who avenges his teacher's death at the hands of a Japanese rival. The international success of both films enabled the increasingly ambitious Lee to write and direct his own feature, Return of the Dragon, a more-comic tale of a Chinese country boy who travels to Rome to help out cousins under the thumb of local mobsters. Though filled with excellent martial arts bouts, all choreographed by Lee, the highlight is a death match between Lee and karate champion Chuck Norris in the Roman Colosseum. Lee died before completing his last feature, Game of Death, and a rather unconvincing double runs around much of the film between footage of the real Lee, but the climax features an impressive bout with basketball star and Lee student Kareem Abdul-Jabar. Though a cut above most martial arts movies of the period, these are no masterpieces, but then who watches a Bruce Lee film for the story? In these films, plot is simply there for the scenes between Lee's amazing fight sequences. The documentary Bruce Lee: The Legend completes the collection. --Sean Axmaker

Sticker haute qualité, sous licence officielle.Dimensions: 19 x 23 cm

Includes (11) assorted themed decals with squeegee. This is an officially licensed Puff, the Magic Dragon product.

This cool vinyl decal could be applied in your house, such as wall, washroom mirror, and table surface. This unique vinyl decal could be applied on your car either interior or exterior. This high quality vinyl decal could be applied on your laptop or cellphone as a skin. This personal style decal could be applied on many other places, such as motorcycle, bike, helmet, appliance, suitcase, cup, and etc. Vinyl decal works better when you apply it on a smooth surface. The lifespan of the vinyl decal is 3-6 years if you apply it exterior and can late very long time if you apply it interior. This item has 13 different colors. They are White, Black, Yellow, Orange, Red, Green, Dark Green, Blue, Dark Blue, Pink, Purple, Silver, and Gold. This item has 3 sizes. They are 15cm, 12cm, and 10cm. You can choose one of these 13 colors and one of these 3 sizes for this price. Please email us your choice of color and size in 24 hours. If we do not receive your choice of color and size, we will send you the vinyl decal in black and 15cm. You can check out our website to view larger pictures, video tutorials, and custom orders.

2 button-type batteries included for light up scepter. Clam-Shell Styled Display Box measures 16 x 13 x 5.

From the moment that Prince Eric's ship emerged from the fog in the opening credits it was apparent that Disney had somehow, suddenly recaptured that "magic" that had been dormant for thirty years. In the tale of a headstrong young mermaid who yearns to "spend a day, warm on the sand," Ariel trades her voice to Ursula, the Sea Witch (classically voiced by Pat Carroll), for a pair of legs. Ariel can only succeed if she receives true love's kiss in a few day's time and she needs all the help she can from a singing crab named Sebastian, a loudmouth seagull, and a flounder. The lyrics and music by Howard Ashman and Alan Menken are top form: witty and relevant, and they advance the story (go on, hum a few bars of "Under the Sea"). Mermaid put animation back on the studio's "to do" list and was responsible for ushering Beauty and the Beast to theaters. A modern Disney classic. --Keith Simanton

From the moment that Prince Eric's ship emerged from the fog in the opening credits it was apparent that Disney had somehow, suddenly recaptured that "magic" that had been dormant for thirty years. In the tale of a headstrong young mermaid who yearns to "spend a day, warm on the sand," Ariel trades her voice to Ursula, the Sea Witch (classically voiced by Pat Carroll), for a pair of legs. Ariel can only succeed if she receives true love's kiss in a few day's time and she needs all the help she can from a singing crab named Sebastian, a loudmouth seagull, and a flounder. The lyrics and music by Howard Ashman and Alan Menken are top form: witty and relevant, and they advance the story (go on, hum a few bars of "Under the Sea"). Mermaid put animation back on the studio's "to do" list and was responsible for ushering Beauty and the Beast to theaters. A modern Disney classic. --Keith Simanton

This stylish, American adaptation of Stieg Larsson's novel chronicles the unusual partnership of disgraced journalist Mikael Blomkvist (Daniel Craig) and tattooed computer whiz Lisbeth Salander (Rooney Mara). Working together to uncover the truth behind the disappearance of a wealthy businessman's niece nearly 40 years earlier, they find themselves thrust into a dangerous web of secrecy and deception. With Christopher Plummer, Stellan Skarsgard, Robin Wright; David Fincher directs. 158 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, French Dolby Digital Surround stereo; Subtitles: English (SDH), Arabic, French, Hebrew, Hindi; audio commentary; featurettes; theatrical trailers; TV spots; bonus UltraViolet digital copy. Also includes a DVD version of the film. Three-disc set.

A murder mystery rife with suspense, scandal, sexual abuse, and some supremely intriguing characters, The Girl with the Dragon Tattoo is an excellently crafted film adaptation of Stieg Larsson's equally fascinating book of the same name. Larsson's book was also the basis of a 2009 Swedish film (also with the same title), and while the Swedish film was good, this American version is far superior, thanks to fantastic cinematography and livelier pacing that results in a constant, electric tension that drives every second of the movie. The breathtaking footage of a snowy, remote island in Sweden thoroughly exudes bitter cold, and the attention to the smallest details, like the whistling of the wind through a door left ajar, makes the hairs on the back of viewers' necks absolutely prickle. Like the book, the film is long (158 minutes), there's an abundance of dialogue that is never awkward and always efficient, and there are plenty of false endings. The suspense and the intricacy of the mystery are stellar, and even viewers who know the story well will find themselves sucked into the riddle being investigated by journalist Mikael Blomkvist (Daniel Craig). The casting is great, as are the performances of all the key actors, but by far the best thing about this film is Rooney Mara, who is utterly believable as the incredibly strong, extremely disturbed Lisbeth Salander, Blomkvist's unlikely assistant. Mara's performance is chillingly real and completely riveting. Yorick van Wageningen is perfectly despicable as Nils Bjurman (though his scene with Salander is sure to prove highly disturbing to some viewers), Christopher Plummer is an effective Henrik Vanger, and Stellen Skarsgård is eerily frightening as Martin Vanger. Viewers can only hope that director David Fincher, screenplay writer Steven Zaillian, and actors Craig and Mara will continue their collaboration to produce films based on the final two books of Larsson's Millennium trilogy. --Tami Horiuchi

This stylish, American adaptation of Stieg Larsson's novel chronicles the unusual partnership of disgraced journalist Mikael Blomkvist (Daniel Craig) and tattooed computer whiz Lisbeth Salander (Rooney Mara). Working together to uncover the truth behind the disappearance of a wealthy businessman's niece nearly 40 years earlier, they find themselves thrust into a dangerous web of secrecy and deception. With Christopher Plummer, Stellan Skarsgard, Robin Wright; David Fincher directs. 158 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, Dolby Digital Surround, DVS Dolby Digital 5.1, French Dolby Digital 5.1; Subtitles: English (SDH), French, Spanish; audio commentary.

A murder mystery rife with suspense, scandal, sexual abuse, and some supremely intriguing characters, The Girl with the Dragon Tattoo is an excellently crafted film adaptation of Stieg Larsson's equally fascinating book of the same name. Larsson's book was also the basis of a 2009 Swedish film (also with the same title), and while the Swedish film was good, this American version is far superior, thanks to fantastic cinematography and livelier pacing that results in a constant, electric tension that drives every second of the movie. The breathtaking footage of a snowy, remote island in Sweden thoroughly exudes bitter cold, and the attention to the smallest details, like the whistling of the wind through a door left ajar, makes the hairs on the back of viewers' necks absolutely prickle. Like the book, the film is long (158 minutes), there's an abundance of dialogue that is never awkward and always efficient, and there are plenty of false endings. The suspense and the intricacy of the mystery are stellar, and even viewers who know the story well will find themselves sucked into the riddle being investigated by journalist Mikael Blomkvist (Daniel Craig). The casting is great, as are the performances of all the key actors, but by far the best thing about this film is Rooney Mara, who is utterly believable as the incredibly strong, extremely disturbed Lisbeth Salander, Blomkvist's unlikely assistant. Mara's performance is chillingly real and completely riveting. Yorick van Wageningen is perfectly despicable as Nils Bjurman (though his scene with Salander is sure to prove highly disturbing to some viewers), Christopher Plummer is an effective Henrik Vanger, and Stellen Skarsgård is eerily frightening as Martin Vanger. Viewers can only hope that director David Fincher, screenplay writer Steven Zaillian, and actors Craig and Mara will continue their collaboration to produce films based on the final two books of Larsson's Millennium trilogy. --Tami Horiuchi

Adorable Crane Cool Mist Humidifier provides additional comfort to cold symptoms, dry itchy skin, and chapped lips. The whisper quiet humidifier operates on a low power consumption providing up to 11 hours of moisture from a removable one gallon water tank. Includes an automatic shut off safety feature when water tank is empty.

A fun and silly assortment of flying toys. Great as a fun outdoor game for kids.

An adorable set of 12 bright & colorful Fairy Tale Rubber Duckies. Wonderful for bedtime stories, a great activity for daycare or for a rainy day and great fun for the pool or bathtub! There is a queen, king, knight, dragon, white horse and a fairy godmother. They have a small hole in the mouth so they can be used as squirting toys, but they do not float; great for story telling! 2" You will receive a set of twelve 2" rubber duckies, two each of the six pictured designs.