Another great place to shop for David Caruso products is Amazon. They have more than just books!
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CSI Coffee Mug
Sale Price: $15.95
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Horatio on a mug. You might call it....A Mug Shot. YEEEEAAAAAAHHHHH!
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Closer
List Price: $13.98
Sale Price: $4.17
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GROBAN JOSH CLOSER
Thanks to a fortuitous intersection of talent and fate, 22-year-old Josh Groban hasn't finished his senior year in performing arts school but has already released his sophomore effort on a major major label. Fans of the young vocal phenom's debut will find much to enthrall them here, even if it nudges the singer closer to the center of producer/mentor David Foster's MOR pop sensibilities. Eschewing much of its predecessor's more overt classic-lite pretensions and pop-rock covers for a slate of dramatic, Eurocentric ballads that serve as a showcase for the singer's inviting baritone, Groban shrewdly positions himself as the American alternative to the Bocelli-Watson crossover axis. "Caruso" may find the singer falling short of its operatic inspiration, but "Oceano" and "My Confession" quickly showcase his true dramatic range (which seems to all but yearn for a bona fide Broadway musical challenge), while a vocal take of Bacalov's graceful "Il Postino" theme uses classical virtuoso Joshua Bell's violin flourishes to good effect. To his credit, Groban displays some promising efforts at songwriting collaboration on the bittersweet "Per Te" and "Remember When It Rains," while the ambient/ethnic soundscape of Deep Forest's "Never Let Go" offers a teasing alternative to the record's otherwise melodramatic production formula. Groban has found commercial triumph via Foster's mentoring, but there remains a nagging sense here that he hasn't truly pushed himself as an artist--yet. --Jerry McCulley
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Andrea Bocelli - Amore
List Price: $18.98
Sale Price: $9.79
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Romance. Passion. Emotion. These Words Are Synonymous With The Voice Of Andrea Bocelli. Almost Ten Years Ago He Exploded Onto The International Music Scene With Romanza, And Has Since Sold Nearly 50 Million Albums Worldwide. Amore--Released Amongst The Glamor Of The Winter Olympics In Torino, Italy (Where He Will Perform At The Closing Ceremony) And The Romance Of Valentine'S Day--Finds Bocelli Straying From The Carefully Groomed Classical Ground In Which He Is Most Familiar. The Concept Of The Album Came From Famed Producer'S And Longtime Bocelli Fans David Foster And Humberto Gatica And Co - Producer Tony Renis, Who Posed The Question: Why Not Take The Most Beautiful Love Songs In The World And Pair Them With The Most Romantic Voice In The World? The Result Is A Beautiful Album Of Pop Standards That Foster Has Publicly Claimed Is "One Of The Most Beautiful Records I Have Ever Been Part Of." Embarking On A New Era, Amore Unveils A Fresh Sensuous Sound That Gently Moves Bocelli Into New Territory. Spanish Guitars Flourish, Traditional Latin Percussion Seductively Keeps The Tempo, Accordions And Harmonicas Provide Charming Melodies, While Sometimes Bocelli Shares The Spotlight With Just A Grand Piano. Recorded Late In The Summer At Bocelli'S Tuscan Home Studio Overlooking The Coast, The Album Exudes The Natural Beauty And Breathtaking Surroundings Evident In Italy. Amore Marks The Only Album David Foster Has Made Outside Of His Californian Studio Complex In Two Decades. This Was Also Most Musically Gratifying For Bocelli: "I'Ve Been Presented With Opportunities I Once Could Only Dream Of, Challenges I Longed To Confront And Experiences I Will Cherish Forever, But While Recording This Album I Realized That Now Is The Perfect Moment To Arrive At An Album Of This Repertoire, With The Perfect Producers, The Perfect Musicians And The Perfect Selection Of Songs."
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Pavarotti: Greatest Hits
List Price: $18.98
Sale Price: $6.96
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All products are BRAND NEW and factory sealed. Fast shipping and 100% Satisfaction Guaranteed.
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![Dressed to Kill [VHS]](http://ecx.images-amazon.com/images/I/51CSC5S4NSL._SL160_.jpg) |
Dressed to Kill [VHS]
List Price: $7.95
Sale Price: $3.47
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To condemn Dressed to Kill as a Hitchcock rip-off is to miss the sheer enjoyment of Brian De Palma's delirious 1980 thriller. Hitchcockian homages run rampant through most of De Palma's earlier films, and this one's chock-full of visual quotes, mostly cribbed from Vertigo and Psycho. But De Palma's indulgent depravity transcends simple mimicry to assume a vitality all its own. It's smothered in thickly atmospheric obsessions with sex, dread, paranoia, and voyeurism, not to mention a heavy dose of Psycho-like psychobabble about a wannabe transsexual who's compelled to slash up any attractive female who reminds him--the horror!--that he's still very much a man. Angie Dickinson plays the sexually unsatisfied, fortysomething wife who's the killer's first target, relaying her sexual fantasies to her psychiatrist (Michael Caine) before actually living one of them out after the film's celebrated cat-and-mouse sequence in a Manhattan art museum. The focus then switches to a murder witness (De Palma's then-girlfriend Nancy Allen) and Dickinson's grieving whiz-kid son (Keith Gordon), who attempt to solve the murder while staying one step ahead (or so they think) of the crude detective (Dennis Franz) assigned to the case. Propelled by Pino Donaggio's lush and stimulating score, De Palma's visuals provide seductive counterpoint to his brashly candid dialogue, and the plot conceals its own implausibility with morbid thrills and intoxicating suspense. If you're not laughing at De Palma's shameless audacity, you're sure to be on the edge of your seat. --Jeff Shannon
VHS MOVIE
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![Rambo Trilogy [VHS]]() |
Rambo Trilogy [VHS]
List Price: $24.98
Sale Price: $19.95
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Six hours of monosyllabic John Rambo high jinks, best savored in surround sound (for the bone-rattling explosions) and with your brain on pause (for everything else). Sylvester Stallone's second signature character, after Rocky, a seething ex-Green Beret killing machine, went from Viet-vet victim in the original picture, First Blood, flipping out over the ingratitude of his beloved homeland, to a muscle-bound terminator in Rambo III, mowing down Commies in the deserts of Afghanistan. You should consider bypassing the boxed set in favor of just the middle chapter, Rambo: First Blood Part 2, written by James Cameron and directed by George Pan Cosmotos. It's the most balanced and satisfying of the three films: Rambo is dropped back into 'Nam to rescue some POWs, and the action builds steadily in scale and ferocity. Each fireball seems to be bigger than the last. Of all the recent headbanger action movies, only the first Die Hard offers more bang for the buck. The underrated character actor Richard Crenna (a standout sleazebag in Body Heat), as Rambo's military mentor and staunch defender, is the series' secret weapon, providing some welcome human ballast. --David Chute
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![Who Is Harry Kellerman [VHS]](http://ecx.images-amazon.com/images/I/51YMK7WFJCL._SL160_.jpg) |
Who Is Harry Kellerman [VHS]
List Price: $9.98
Sale Price: $6.54
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When a mysterious Harry Kellerman starts spreading outrageous lies about him, George Soloway (Dustin Hoffman), a successful rock composer, is drawn into an unusual examination of his life. For as he attempts to discover who the elusive Harry is, George realizes he must first come to grips with the fact that fame and fortune do not make up for self-betrayal.
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![I Am Number Four [Blu-ray]](http://ecx.images-amazon.com/images/I/51LGW6h5ceL._SL160_.jpg) |
I Am Number Four [Blu-ray]
List Price: $29.99
Sale Price: $10.99
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The most successful entries in the Young Adult fantasy genre cannily cater to their target audience's growing pains, allowing the adolescent consumers to feel better about their own inner fears and doubts while watching an initially awkward protagonist discover their secret powers hidden within. The potential franchise launcher I Am Number Four, however, chooses to introduce its golden-maned, fiercely six-packed hero while he's doing a totally rad Jet Ski stunt in front of a beachful of bikinied admirers. (This is a Michael Bay production.) Based on the bestselling YA novel pseudonymously cowritten by James Frey (of A Million Little Pieces fame), the plot follows a super-powered exile from another world (Alex Pettyfer) attempting to uncover the secrets of his heritage while staying under the radar of the authorities. After arriving in a small Midwest town and hitting it off with a gorgeous, nonconformist classmate (Dianna Agron), he must make a stand against a gaggle of alien bounty hunters bent on wiping out him and his fellow eight exiles in numerical order. Director D.J. Caruso (Disturbia) is a more-than-competent craftsman, but he can't do much with the film's soggy middle section, which veers away from appealing teenage angst and perilously close to whiny entitlement. (The casting of the superbly no-nonsense Timothy Olyphant as Pettyfer's Yoda-ish instructor does help matters considerably.) Things do pick up in the final act, particularly with the introduction of some giant dinosaur/flying squirrel beasties, but it remains to be seen if the majority of viewers will be able to find a vicarious entry point within the frustratingly seamless perfection of the main character. Great hair, zero zits, the attention of the most beautiful girl in school, and way cool telekinetic flashlight hands? Pick a side, folks. --Andrew Wright
A seemingly ordinary teen, John Smith (Alex Pettyfer) is actually the fourth of nine superpowered extraterrestrials living in secret on Earth. When he learns that the evil aliens who destroyed his home planet have killed three of his kind, John realizes he's next. Now, he'll embark on a daring adventure to defeat his enemies, save what's left of his people, and protect the Earth. Dianna Agron, Kevin Durand, and Timothy Olyphant co-star in this exciting sci-fi actioner based on the popular young adult novel by Pittacus Lore. 110 min. Widescreen (Enhanced); Soundtracks: English DTS HD 5.1 Master Audio, French Dolby Digital 5.1, Spanish Dolby Digital 5.1; Subtitles: English, French, Spanish; featurette; bloopers; deleted scenes.
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CSI: Miami - The Ninth Season
List Price: $62.99
Sale Price: $19.00
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All 22 episodes from season nine--including "Fallen," "On the Hook," "Wheels Up," "Caged," and "Mayday"--are featured in a six-disc set. 15 1/2 hrs. total. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, Spanish Dolby Digital stereo; Subtitles: English (SDH); audio commentary on selected episodes; featurettes; deleted scenes. **22 episodes on 6 discs. 15 1/2 hrs.**
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CSI: Miami - The Eighth Season
List Price: $31.99
Sale Price: $13.49
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All 24 episodes from season eight--including "Out of Time," "Point of Impact," "Getting Axed," "Mommie Deadest," and "All Fall Down"--are featured in a seven-disc set. 17 1/4 hrs. total. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, Spanish Dolby Digital stereo; audio commentary on selected episodes; featurettes. **24 episodes on 7 discs. 17 1/4 hrs.**
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Amazon.Com
Here are some more information for David Caruso:

Web - Video Campaign Creation 101
Everyone knows what television commercials are, how long they are, and what the various formats and styles consist of, ranging from the hard-sell detergent ads to the soft-sell feel-good stuff.
Most people, especially those addicted to late night television also recognize the standard infomercial format with the familiar over-enthusiastic host, obnoxious pitchman, the ebullient paid shills, and the fabricated, fantastical demonstrations. And of course, let's not forget the ever-present "But wait there's more! Call now and get even more…" There are many ways to effectively delivery a marketing message and this is not one of them.
What's a Web-video commercial anyway?
Maybe it's just us but I'm finding more and more clients open to the idea that Web-commercials need to be something different, something entertaining, something informative, and most of all something memorable. It isn't about creating something viral for the sake of being viral but rather something that is worth the time and effort to sit through.
If you start your video project with a television mindset you are going to waste a lot of money on bad ideas and expensive production costs that add nothing to the delivery of a memorable message.
Big production costs may enhance the reputation of the video producer or feed the ego of the executive suite but they rarely sell more stuff. And worst of all elaborate productions generally cause the client to cut back on the number of videos created for the campaign. One video doesn’t have the same lasting impact as a series of videos with a similar theme and message. To use poker legend Scotty Nguyen's favorite expression, "It's about the campaign, baby!"
So without further preamble here is Web-Video Campaign Creation 101.
Web-Video Campaign Creation 101 - The Plan
1. Define Focus
Your marketing message must be focused on a single idea. If you try to cram everything you can do, or offer, into one video presentation all you are doing is diluting your core marketing message, the element that makes you different and superior to your competition - you are superior to your competition, aren't you?
One reason some companies have such difficulty with this concept is that they have been trained to focus on the old feature-benefit rationale. This is a game that I guarantee you will loose unless you are the biggest, best financed, and most ruthless cutthroat company in your industry. Maybe that describes you and your business, but that's unlikely.
For any small or medium-sized company that thinks this is the path to success, read Sergio Zyman's book, "The End of Marketing As We Know It". Mr. Zyman is the former Chief Marketing Officer of the Coca-Cola Company and the guy responsible for New Coke. It's not that Mr. Zyman doesn't know what he's talking about but rather, there is only one Coca-Cola and I dare say most businesses don't fall into the same category. Unless you're a multinational corporation, trying to run your company like one is a prescription for disaster.
So, if you shouldn't be reciting a bunch of facts and features, what should you be focusing on: emotional value-add. It's the key to hitting a nerve in your audience's psyche. Focus your marketing on the psychological advantage you offer, and your competition will be left in the dust.
2. Build A BME Structure
If you want viewers to remember what you are saying and hopefully respond, then your videos have to tell a story that paints a picture in the viewers mind that they'll never forget. Without beating a dead horse, you just can't throw up an animation with a bunch of bulleted points or a series of stock royalty-free images that have been used more times than the ladies in the local red-light district and expect it to be effective.
In order to effectively deliver your core marketing message you must structure your videos around the BME story format. Simply put, a story must have a beginning, middle, and end.
This is not rocket science, but nevertheless it is a simple method that seems to elude a lot of entrepreneurs and business managers. Your story must begin with a problem that you can solve; proceed to a level of frustration or exasperation; and end with a solution; a beginning, a middle, and an end. Now that wasn't so hard, was it?
3. Create Signature Personality
Why do you watch certain programs on television and not others? Sure certain genres appeal to some and not others, but the success of any television series is based on the connection that the audience has with certain characters. If you like the characters on 'CSI' (Los Vegas) I dare say the characters on 'CSI Miami' are a complete turn-off and perhaps vice versa.
The point is your brand, whether represented by your company or by a particular product, must have a defined personality. That personality like the difference between the Los Vegas and Miami CSIs is sure to generate both positive and negative reaction, and that is good.
If you think you should only generate positive reactions from your marketing, then you will never be a successful marketer because you'll never say anything memorable or interesting. Some people absolutely hate David Caruso but that doesn't stop the people who like him to make his show a consistent top ten ratings performer.
4. Create Dialogue that Resonates
If you want a web-video marketing campaign produced for an affordable production budget you have get past the old bromide followed by the traditional movie and television industry - show it, don't tell.
First of all, showing is always more expensive than telling and it doesn't have the nuance and sophistication of communicating through the face and voice of a real human being. With apologies to all aspiring John Woo's, words have meaning, speech has impact, people sell product. We are making a commercial, not a feature film or television show. There are similarities but there are also differences.
The script is the critical element in making your point, delivering your message and creating that elusive brand personality we've talked about.
5. Add Appropriate Memory Prompts
So now that we have our focused psychological value-add, our story structured with a beginning, middle, and end, our signature personality, and a dialog scripted to present it all, we now need a few enhancements.
A successful web-video campaign is definitely not a PowerPoint presentation ported to video nor does it have to be one of those overly produced television ads the car companies like. Delivering the message is all about connecting with your audience, that is why the script and choice of presenter is critical, which brings me to the point of using the company president or sales manager as spokesperson - forget it. It is a bad idea, a very bad idea. First of all your sales manager will probably be working for the competition in a couple of months and other than the president's spouse, no one really wants to listen to, or look at him or her let alone be convinced of anything they have to say. Actors and voice-over talent know how to look, and how to deliver a line, that's what they do.
Depending on what the particular scenario being presented is, there are certain techniques that can help a campaign connect with its audience.
Music can be a major factor in enhancing memory retention but only if it is used properly. The caveat that I expressed for royalty free imagery applies to royalty free music. One of my favorite advertising campaigns is the Wayspa Christmas gift series. This series of video commercials is extraordinarily funny and I think effective, but its tagline incorporates the infamous "F-word" and that will definitely turn some people off. The music that they used as their signature theme recently cropped up on a new Christmas ad campaign for a local jewelry retail chain. As I was watching this commercial play twelve times during the evening, all I could think of was the "F-word" tagline. Not exactly what the nice middle-of-the-road, don't offend anybody retailer was trying to achieve.
Music has an enormous psychological effect on the viewer, it provides mood, enhances personality, and if scored to the presentation can stress certain key points that get embedded in the viewers memory because of the musical emphasis.
Another key use of music is as a signature logo-tag, like the familiar Intel tag that accompanies every appearance of their logo or the famous three-note NBC sound-tag.
Voice-overs are another way to create character, personality, and memory enhancement within a video presentation. Cutaways of appropriate images or montages, or on-screen text prompts are also effective ways of enhancing the memory retention of a presentation. All of these techniques enhance and emphasize if used properly, but if they are misused as is so often the case, they get remembered for all the wrong reasons.
6. Be Bold or Save Your Money
This is the Web we are talking about, an environment where it is critical to standout if you expect to get heard, let alone make an impact. You can not, I repeat you can not, be coy. Be bold or forget it. Unless you are some deep-pocketed multinational with more dough and market share than ideas then you have to make a statement, clearly and decisively. It is the only way, if you want to be successful on the Web.
Being bold may seem like it's alienating some potential customers, but what it is really doing is qualifying leads.
7. Create Campaigns Not Ads
How do you know if you've come up with a good concept that will make an effective Web-marketing advertisement or commercial? If the concept 'has legs' meaning that you can roll that idea out into a minimum of at least six similar but different presentations then you know you've got something.
It is taken for granted that everyone understands that you can't just present an advertisement once and expect it to be successful. It should also be understood that you have to present your concept in varying configurations in order to maximize its ability to be remembered and to penetrate the Web's clutter, not to mention the need for the investment to be cost effective.
After all, the hardest part of developing a marketing campaign is to come up with one that has legs. Why waste a great idea on a one-shot effort, when you should be milking it for all it's worth.
The End
So there you have Web-Video Campaign Creation 101: seven simple steps that will give you a shot at having an effective marketing campaign.
About the Author
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What are the things that most people hate about David Caruso's role in CSI:Miami?
I watched Miami, like, 10 times since it came out. I hate the guy. He is a horrible actor. I was watching an older movie years ago and he was in it. Instead of sunglasses he had a shot glass. He needs props(shot glass, sunglasses etc) to act. He talks in a creepy voice which sounds like he is a pedophile. Then the whole connecting with kid things...the guy is a closet pedophile.
He is nasty. I have nothing against Gingers or Daywalkers, but he is just ugly as he11!. He is all old and he is supposed to get these hot young chicks? He must have made sure that was written in his contract because that is the only way a man that looks like that would get any interaction with a hot chick.
I think the real question is why do people like him at all? I can act better then him and I have really bad stage fright. A friend of mine only watches it to laugh at him. I don't know any other actor that has people watching the show as a comedy when it is supposed to be an intense drama. He sucks!
Then he has this stupid old-man pose he always does. I found this video a while ago. Enjoy! http://www.eiriks.net/2008/10/24/why-csi-miami-sucks/
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