Cybill Shepherd

Vintage Taxi Driver Movie Poster Deniro RARE! PICTURE - 24x36

Taxi Driver Movie Poster Featuring Robert Dinero

Taxi Driver reproduction Approx. Size: 11 x 17 Inches - 28cm x 44cm Style A mini poster print Pop Culture Graphics, Inc is Amazon's largest source for movie and TV show memorabilia, posters and more: Offering tens of thousands of items to choose from. We also offer a full selection of framed posters.. Customer satisfaction is always guaranteed when you buy from Pop Culture Graphics,Inc

Larry McMurtry's novel was a sequel to The Last Picture Show, picking up with the same characters in the 1980s, after the Texas oil boom had gone bust. Peter Bogdanovich, down on his luck, was tapped to direct and managed to reassemble much of the original cast: Jeff Bridges, Cybill Shepherd, Timothy Bottoms, Cloris Leachman, and Randy Quaid. Where Picture Show focused on Bottoms's character, this episode centers on Bridges. Fending off creditors, dealing badly with middle age, and drinking too much, he reconnects with Shepherd when she returns to town. But there's not a lot of plot; rather, this is a meditation on the disappointments life can hand out. Bridges, as always, is solid; Bottoms, something of a lost soul in his acting career, seems typecast as the achiever who never recovered from the shell shock of the Korean War. Still, an interesting companion piece to the first film. --Marshall Fine

Nominated for two Academy Awards?.Another Neil Simon comedy masterpiece! Lenny Cantrow, an ambitious 27-year-old sporting goods salesman meets a girl named Lila Koldny in a Manhattan singles bar. Following a brief courtship, Lenny proposes marriage. On their honeymoon in Florida, he discovers his wife's maddening idiosyncracies and decides he's made a mistake. Enter Kelly Corcoran (Cybill Shepherd), a beautiful college student vacationing with her wealthy parents. Lenny is head over heels and is sure that this is the real thing. There is only one small complication?he is a newlywed! Basing his film on the short story, "A Change of Plan," by Bruce Jay Freidman, producer Edgar J. Scherick selected Neil Simon to write the screen play. Simon's Broadway credits include "Barefoot in the Park," "Plaza Suite," and "The Odd Couple." Director Elaine May's daughter, Jeannie Berlin, won the N.Y. Film Critics Award for Best Supporting Actress for her performance here, with Eddie Albert capturing an Oscar for his best supporting role.

As Psych's second year drew to a close, Gus (Dulé Hill) had become a pharmaceutical rep and Shawn (James Roday) welcomed his long-lost mother, Madeleine (Cybill Shepherd), back to town. In all other respects, the show remains the same. Gus just has two jobs instead of one, and the detecting continues. Later, Shawn reconnects with his treasure-hunting Uncle Jack (Steven Weber) and former flame Abigail (Rachael Leigh Cook), who seems likely to return in the future. The same goes for Chief Vick's sister, Coast Guard Commander Dunlap (Jane Lynch), who has eyes for the still-married Lassie (Timothy Omundson). Other highlights include "Talk Derby to Me," in which Jules (Maggie Lawson) infiltrates a roller-derby team in order to catch some thieves, "Lassie Did a Bad, Bad Thing," in which Shawn and Gus race to protect their uptight colleague's good name, "Tuesday, the 17th," a surprisingly scary take-off on Friday the 13th, and "Murder?... Anyone?... Anyone?... Bueller?," a high school reunion episode filled with references to the generation-defining films of the late John Hughes. And just to keep the fan worship going, Ferris Bueller's Alan Ruck and The Breakfast Club's All Sheedy make guest appearances during the season. If this 16-episode set drags a little in the middle, Psych continues to bring the funny, and the entire cast has an appealing chemistry (we even find out a little more about Kirsten Nelson's Vick, such as her affection for Phil Collins). Like previous sets, this one includes a gag reel, above-average deleted scenes, and 12 commentary tracks split three ways: audio, podcast (without show dialogue), and video (on-screen interviews with the writers about specific episodes). Granted, the doubling of overcast Vancouver for sunny Santa Barbara remains completely unconvincing, but you can't win 'em all. --Kathleen C. Fennessy

After being arrested for giving the police accurate information on a crime, Shawn Spencer pretends to be psychic to clear his name and opens a detecti

Story of teenagers in a small Texas town just prior to the hero leaving for Korea and the closing of the town's movie theater.

Like Easy Rider, Bonnie and Clyde, The Wild Bunch, and The Graduate, The Last Picture Show is one of the signature films of the "New Hollywood" that emerged in the late 1960s and early '70s. Based on the novel by Larry McMurtry and lovingly directed by Peter Bogdanovich (who cowrote the script with McMurtry), this 1971 drama has been interpreted as an affectionate tribute to classic Hollywood filmmaking and the great directors (such as John Ford) that Bogdanovich so deeply admired. It's also a eulogy for lost innocence and small-town life, so accurately rendered that critic Roger Ebert called it "the best film of 1951," referring to the movie's one-year time frame, its black-and-white cinematography (by Robert Surtees), and its sparse but evocative visual style. The story is set in the tiny, dying town of Anarene, Texas, where the main-street movie house is about to close for good, and where a pair of high-school football players are coming of age and struggling to define their uncertain futures. There's little to do in Anarene, and while Sonny (Timothy Bottoms) engages in a passionless fling with his football coach's wife (Cloris Leachman), his best friend Duane (Jeff Bridges) enlists for service in the Korean War. Both boys fall for a manipulative high-school beauty (Cybill Shepherd) who's well aware of her sexual allure. But it's not so much what happens in The Last Picture show as how it happens--and how Bogdanovich and his excellent cast so effectively capture the melancholy mood of a ghost town in the making. As Hank Williams sings on the film's evocative soundtrack, The Last Picture Show looks, feels, and sounds like a sad but unforgettably precious moment out of time. --Jeff Shannon

Glamorous Maddie Hayes (Cybill Shepherd) is an ex-model with a problem--her accountant just ran off with her money. Granted, he did leave her with a few broken-down businesses. One happens to be a detective agency run by charming loudmouth David Addison (Bruce Willis). Her attempt to shutter the agency fails when they stumble across a crime and David convinces Maddie to help him solve it. And with that, one of television's most popular partnerships was born. Moonlighting made a star out of newcomer Willis and turned Shepherd (Taxi Driver), who had already found fame through fashion and film, into a bona fide TV star. Created for ABC by Glenn Gordon Caron (Remington Steele), the romantic comedy/detective drama was a mid-season replacement that quickly became a hit. There were only six episodes in the first season, including the two-part pilot, but 18 were produced for the second. Rhyming receptionist Agnes DiPesto (Allyce Beasley) was a regular from the start, while Herbert Viola (Ray's Curtis Armstrong) wouldn't hit the scene until the third season (as with Paul Sorvino and Mark Harmon). The first two seasons attracted an eclectic array of guest stars, including Tim Robbins ("Gunfight at the So-So Corral"), Beasley's husband Vincent Schiavelli ("Next Stop Murder"), Dana Delany ("Knowing Her"), Richard Belzer ("Twas the Episode Before Christmas"), and Whoopi Goldberg ("Camille"), who earned an Emmy nomination for her performance. The most notable guest was surely Orson Welles, who introduces the black and white noir spoof "The Dream Sequence Always Rings Twice." It would be his final TV appearance. Moonlighting ran for three more years. While the Emmy-winning Willis would abandon TV for the big screen, Shepherd found subsequent small screen success with Cybill. Caron, meanwhile, would launch another mid-season replacement series which became a surprise hit: NBC's Medium with Patricia Arquette. --Kathleen C. Fennessy

Follows the antics of eccentric partners at the Blue Moon Detective Agency.

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'How I survived beauty pageants, Elvis, sex, Bruce Willis, lies, marriage, motherhood, Hollywood, and the irrepressible urge to say what you think.'From wholesome beauty queen to saucy cover girl, from heartbreaking movie star (THE LAST PICTURE SHOW, TAXI DRIVER) to one of television's most loved comediennes (MOONLIGHTING, CYBILL), Cybill Shepherd is renowned as sassy, shocking and sexy. In CYBILL DISOBEDIENCE, she opens her heart with the wit and honesty of a star who's seen and knows it all.

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