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Silicone Trivet For Holding Your Hot Pots. Adds Fun and Drama to the Dinner Table!

Silicone Trivet For Holding Your Hot Pots. Adds Fun and Drama to the Dinner Table!

On the surface, David Cronenberg may seem an unlikely candidate to direct A History of Violence, but dig deeper and you'll see that he's the right man for the job. As an intellectual seeker of meaning and an avowed believer in Darwinian survival of the fittest, Cronenberg knows that the story of mild-mannered small-town diner proprietor Tom Stall (Viggo Mortensen) is in fact a multilayered examination of inbred human behavior, beginning when Tom's skillful killing of two would-be robbers draws unwanted attention to his idyllic family life in rural Indiana. He's got a loving wife (Maria Bello) and young daughter (Heidi Hayes) who are about to learn things about Tom they hadn't suspected, and a teenage son (Ashton Holmes) who has inherited his father's most prominent survival trait, manifesting itself in ways he never expected. By the time Tom has come into contact with a scarred villain (Ed Harris) and connections that lead him to a half-crazy kingpin (William Hurt, in a spectacular cameo), Cronenberg has plumbed the dark depths of human nature so skillfully that A History of Violence stands well above the graphic novel that inspired it (indeed, Cronenberg was unaware of the source material behind Josh Olson's chilling adaptation). With hard-hitting violence that's as sudden as it is graphically authentic, this is A History of Violence that's worthy of serious study and widespread acclaim. --Jeff Shannon

Based on the graphic novel by John Wagner and Vince Locke, David Cronenberg's compelling drama stars Viggo Mortensen as a small-town diner owner and family man who becomes a local hero when he kills two men who attempt to rob his restaurant. The media frenzy that follows attracts the attention of Philadelphia mobster Ed Harris, forcing Mortensen to come to grips with his long-buried past. With Maria Bello and William Hurt. 96 min. Widescreen (Enhanced); Soundtracks: English Dolby TrueHD 5.1, Dolby Digital 5.1; Subtitles: English (SDH), Spanish; audio commentary by Cronenberg; featurettes; deleted scene; theatrical trailer.

It takes a while, but the saga of one of the more fascinating characters put on the page or the screen in recent years comes to a satisfying conclusion with The Girl Who Kicked the Hornet's Nest, the last installment of the late Swedish author Stieg Larsson's so-called Millennium Trilogy. That character is Lisbeth Salander, the computer-hacking, Goth-loving, dark angel of revenge, played by Noomi Rapace with the same black stare and taciturn charisma that were so riveting in the first two films (The Girl with the Dragon Tattoo and The Girl Who Played with Fire, both also released in 2010). When we last saw her, Lisbeth was trying to kill her father, a Russian defector and abusive monster; in the process, the girl was seriously wounded by her half-brother, a hulking freak with a strange condition that renders him impervious to physical pain. As the new film opens, all three are still alive, and she's being taken to a hospital to recover while waiting to stand trial for attempted murder. Meanwhile, her champion and erstwhile lover, journalist Mikael Blomkvist (Michael Nyqvist), sets about uncovering the full extent of the conspiracy responsible for (among other crimes) Lisbeth's being sent to an asylum at age 12 while her father was protected by evil forces within the government. This investigation, which puts not only Lisbeth but also Blomkvist and his colleagues in considerable danger, leads to "the Section," a thoroughly repellent bunch of aging liars, killers, thieves, and perverts with a great many secrets they'd like to keep (the oily Dr. Peter Teleborian, who was responsible for Lisbeth's "treatment" as a child, emerges as the most vile antagonist since the guardian who brutally assaulted her in the first film). Although much of the exhaustive detail about these and other matters has been eliminated by director Daniel Alfredson (who also helmed The Girl Who Played with Fire) and screenwriters Jonas Frykberg and Ulf Ryberg for the purpose of adapting the novel to the screen, The Girl Who Kicked the Hornet's Nest is still quite long (148 minutes), and less kinetic and violent than the earlier films; there are some exciting sequences, but Lisbeth, previously an unlikely but magnetic action heroine, is seen mostly on a hospital bed or in a courtroom, and much of the film is spent on procedural matters. Still, the fact that the loose ends are wrapped up in fairly conventional fashion doesn't make the conclusion any less satisfying. In fact, the only real letdown comes from knowing that we won't get to see Noomi Rapace play Lisbeth Salander again. --Sam Graham

With a seriously wounded Lisbeth (Noomi Rapace) hospitalized and facing murder charges following the events of "The Girl Who Played with Fire," journalist Mikael (Michael Nyqvist) must expose the international conspiracy that is linked to Lisbeth's tortured past if he hopes to save her. Georgi Staykov and Annika Hallin also star in this intense final film in the Stieg Larsson "Millennium Trilogy" series. 129 min. Widescreen; Soundtracks: Swedish Dolby Digital 5.1, English Dolby Digital 5.1; Subtitles: English; theatrical trailer. In Swedish with English subtitles/Dubbed in English.

The Girl With the Dragon TattooFans of Stieg Larsson's Men Who Hate Women may have been concerned about how the Swedish author's novel would translate to the screen, but they needn't have worried. Significant changes to the source material have been made, but director Niels Arden Opley's The Girl with the Dragon Tattoo, as it's now called, is mostly riveting. As the story begins, middle-aged investigative journalist Mikael Blomkvist (Michael Nyqvist) has just been convicted of a bogus charge of libel against a rich and corrupt corporate hotshot when he's unexpectedly offered a most unusual gig. An aging captain of industry named Henrik Vanger (Sven-Bertil Taube) wants Blomkvist to figure out what happened to Vanger's niece, who disappeared more than 40 years earlier; not only is the old man convinced that she was murdered, but he suspects that another member of his large and rather disagreeable family (which includes several former Nazis) is the culprit. Blomkvist takes the job, which includes spending at least six months on Vanger's isolated island in the middle of winter. But what he doesn't know is that he's being spied on by twentysomething Lisbeth Salander (brilliantly played by Noomi Rapace in a career-making performance), the titular Girl and the possessor of remarkable skills as a sleuth and computer hacker. With her gothlike piercings and all-black clothes, Lisbeth is a vivid character, to say the least. While we don't exactly know the details of her dark past, it's obviously still with her; indeed, she's just been assigned a new "guardian" (like a parole officer) to look after her finances and other matters. We also know that she is not someone to mess with; when the guardian turns out to be a thoroughly vile monster, Lisbeth gets back at him in one of the more satisfying revenge sequences in recent memory. That Lisbeth and Mikael should end up working together, and more, isn't especially surprising. But the horrifying details and depths of depravity they uncover while working on the case (parallels to The Silence of the Lambs are facile but appropriate) definitely are, and Opley does a nice job of keeping it all straight. At more than two and a half hours, the film is long, with its share of grim, graphic, and scary moments, but The Girl with the Dragon Tattoo is a winner. --Sam GrahamThe Girl Who Played With FireThe toughest chick in Sweden returns to action in The Girl Who Played with Fire, the second film adaptation of the late author Stieg Larsson's Millennium Trilogy novels. That would be Lisbeth Salander, once again played with quiet, feral intensity by Noomi Rapace. As Larsson's readers and anyone who saw the first film (The Girl with the Dragon Tattoo, also released in 2010) knows, Lisbeth is small in stature but big trouble for any man who crosses her--after all, this is the woman who set her father on fire after he abused her mother and later, after being released from a mental institution, took extreme revenge on her legal guardian after he brutally assaulted her (those scenes are briefly revisited for the enlightenment of those who missed the earlier film). Also back is investigative journalist Mikael Blomkvist (Michael Nyqvist), Lisbeth's erstwhile lover and partner in solving the Dragon Tattoo mystery. When two of his young colleagues are killed while at work on a story about sex trafficking, followed shortly by the murder of the aforementioned guardian, Salander is the prime suspect. But Mikael is sure of her innocence; in fact, he's convinced she's the next victim, leading to a tangled tale in which Lisbeth learns more about her family and its very dark secrets than she ever wanted to know. The story is compelling, if a bit slow to take shape, and director Daniel Alfredson, taking over for Niels Arden Oplev, skillfully sustains the mystery and tension (there are also doses of nudity and violence, the latter much more graphic than the former). But Lisbeth isn't on screen nearly as much this time, and her relationship with Blomkvist, so central to Dragon Tattoo, is almost an afterthought. Still, The Girl Who Played with Fire will certainly whet fans' appetites for the next installment, The Girl Who Kicked the Hornet's Nest; and considering the overall class and quality of these Swedish productions, one shudders to think how they'll turn out in the inevitable American versions, the first of which is due in 2011, with Daniel Craig as Blomkvist. --Sam GrahamThe Girl Who Kicked the Hornet's NestIt takes a while, but the saga of one of the more fascinating characters put on the page or the screen in recent years comes to a satisfying conclusion with The Girl Who Kicked the Hornet's Nest, the last installment of the late Swedish author Stieg Larsson's so-called Millennium Trilogy. That character is Lisbeth Salander, the computer-hacking, Goth-loving, dark angel of revenge, played by Noomi Rapace with the same black stare and taciturn charisma that were so riveting in the first two films (The Girl with the Dragon Tattoo and The Girl Who Played with Fire, both also released in 2010). When we last saw her, Lisbeth was trying to kill her father, a Russian defector and abusive monster; in the process, the girl was seriously wounded by her half-brother, a hulking freak with a strange condition that renders him impervious to physical pain. As the new film opens, all three are still alive, and she's being taken to a hospital to recover while waiting to stand trial for attempted murder. Meanwhile, her champion and erstwhile lover, journalist Mikael Blomkvist (Michael Nyqvist), sets about uncovering the full extent of the conspiracy responsible for (among other crimes) Lisbeth's being sent to an asylum at age 12 while her father was protected by evil forces within the government. This investigation, which puts not only Lisbeth but also Blomkvist and his colleagues in considerable danger, leads to "the Section," a thoroughly repellent bunch of aging liars, killers, thieves, and perverts with a great many secrets they'd like to keep (the oily Dr. Peter Teleborian, who was responsible for Lisbeth's "treatment" as a child, emerges as the most vile antagonist since the guardian who brutally assaulted her in the first film). Although much of the exhaustive detail about these and other matters has been eliminated by director Daniel Alfredson (who also helmed The Girl Who Played with Fire) and screenwriters Jonas Frykberg and Ulf Ryberg for the purpose of adapting the novel to the screen, The Girl Who Kicked the Hornet's Nest is still quite long (148 minutes), and less kinetic and violent than the earlier films; there are some exciting sequences, but Lisbeth, previously an unlikely but magnetic action heroine, is seen mostly on a hospital bed or in a courtroom, and much of the film is spent on procedural matters. Still, the fact that the loose ends are wrapped up in fairly conventional fashion doesn't make the conclusion any less satisfying. In fact, the only real letdown comes from knowing that we won't get to see Noomi Rapace play Lisbeth Salander again. --Sam Graham

Four-disc set includes "The Girl with the Dragon Tattoo," "The Girl Who Played with Fire," "The Girl Who Kicked the Hornet's Nest," and a special disc packed with exclusive features.

Everyone needs a 3 inch wide, black and yellow printed crime scene tape. Tape is 100 ft long and 3 ml thick Bright yellow official crime scene barrier tape is useful for blocking off danger areas. Restrict access to crime scenes and messy bedrooms with this highly visible yellow polyethylene tape. Printed with large black letters. This is actual crime scene tape, rolled on a cardboard spool and not flimsy novelty tape stuffed into a plastic bag.

Barricade tape in bright yellow that reads, CRIME SCENE DO NOT CROSS. in yellow and black at 2.4 millimeters. Measures 3 inches x 1000 feet.

The first hint that Safe House will be a notch above the typical thriller comes from the list of supporting actors: Brendan Gleeson, Vera Farmiga, Sam Shepard, Rubén Blades--that's a smart cast. Then the movie starts quietly: Matt Weston (Ryan Reynolds) holding his girlfriend's hand, Tobin Frost (Denzel Washington) having a drink with an old friend… then that friend gives Frost a microchip and Safe House takes off, accelerating with every scene as legendary rogue agent Frost ends up in the hands of newbie Weston, who's just supposed to watch the safe house where prisoners are held for interrogation. But now Weston is racing across Cape Town and Johannesburg, pursued by ruthless killers, his loyalties tested and manipulated by the infinitely charming Frost. Director Daniel Espinosa skillfully orchestrates jolting action sequences and distills quieter scenes down to their mesmerizing essence. Washington and Reynolds both give their characters emotional complexity and a sense of actual thought going on behind their charismatic movie-star eyes. The plot has its clichés (legendary rogue agent, crucial microchip, CIA corruption and whatnot), but this cast and director make Safe House a genuinely gripping thriller. --Bret Fetzer

Tobin Frost (Oscarr winner Denzel Washington), one of the CIA's most dangerous traitors, resurfaces in South Africa after eluding capture for almost a decade. During his interrogation, the safe house he's being held in is attacked by brutal mercenaries forcing rookie agent, Matt Weston (Ryan Reynolds) to take the infamous Frost on the run. As the masterful manipulator toys with his reluctant prot‚g‚, shaking the young operative's morality and idealism, the unlikely allies must fight to stay alive long enough to uncover who wants them dead. Packed with intense action and thrilling suspense, Safe House takes you on a deadly ride through a covert world where no one and no place is ever safe.

A murder mystery rife with suspense, scandal, sexual abuse, and some supremely intriguing characters, The Girl with the Dragon Tattoo is an excellently crafted film adaptation of Stieg Larsson's equally fascinating book of the same name. Larsson's book was also the basis of a 2009 Swedish film (also with the same title), and while the Swedish film was good, this American version is far superior, thanks to fantastic cinematography and livelier pacing that results in a constant, electric tension that drives every second of the movie. The breathtaking footage of a snowy, remote island in Sweden thoroughly exudes bitter cold, and the attention to the smallest details, like the whistling of the wind through a door left ajar, makes the hairs on the back of viewers' necks absolutely prickle. Like the book, the film is long (158 minutes), there's an abundance of dialogue that is never awkward and always efficient, and there are plenty of false endings. The suspense and the intricacy of the mystery are stellar, and even viewers who know the story well will find themselves sucked into the riddle being investigated by journalist Mikael Blomkvist (Daniel Craig). The casting is great, as are the performances of all the key actors, but by far the best thing about this film is Rooney Mara, who is utterly believable as the incredibly strong, extremely disturbed Lisbeth Salander, Blomkvist's unlikely assistant. Mara's performance is chillingly real and completely riveting. Yorick van Wageningen is perfectly despicable as Nils Bjurman (though his scene with Salander is sure to prove highly disturbing to some viewers), Christopher Plummer is an effective Henrik Vanger, and Stellen Skarsgård is eerily frightening as Martin Vanger. Viewers can only hope that director David Fincher, screenplay writer Steven Zaillian, and actors Craig and Mara will continue their collaboration to produce films based on the final two books of Larsson's Millennium trilogy. --Tami Horiuchi

This stylish, American adaptation of Stieg Larsson's novel chronicles the unusual partnership of disgraced journalist Mikael Blomkvist (Daniel Craig) and tattooed computer whiz Lisbeth Salander (Rooney Mara). Working together to uncover the truth behind the disappearance of a wealthy businessman's niece nearly 40 years earlier, they find themselves thrust into a dangerous web of secrecy and deception. With Christopher Plummer, Stellan Skarsgard, Robin Wright; David Fincher directs. 158 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, French Dolby Digital Surround stereo; Subtitles: English (SDH), Arabic, French, Hebrew, Hindi; audio commentary; featurettes; theatrical trailers; TV spots; bonus UltraViolet digital copy. Also includes a DVD version of the film. Three-disc set.

Walking with Jesus gummy candy treat packs go well at a tropical luau, pool party or beach party thanks to the beach, palm tree and flip-flops on the wrapper. Religious candy is also great for church groups, VBS, Sunday School and church carnivals.

Join the CSI Team for investigations of the fingerprint. Will you get a match to the suspect' A fun activity to work on with friends or on your own. Instruction and activity booklet comes complete with eight educational fingerprinting activities. Kit includes: fingerprint brush, dusting powder, flap lifters, two fingerprint stamps, stencil, fingerprint card, alternative light source, ink pad, marker, CSI notebook and magnification glass. Ink is washable. Requires 4 "AA" batteries (not included).

Put one of these Crime Scene Bandages on your wound to scare off the germs. Each 3-3/4" (9.5 cm) tall metal tin contains twenty-five 3" x 3/4" (7.6 cm x 1.9 cm) latex-free adhesive bandages with sterile gauze and a FREE PRIZE to help make even the ouchiest owies feel all better in no time.