Cap Video

Enables the FoodSaver? to vacuum packageMason jars. Perfect for liquid and other?fragile? foods and storing dry goods.

For those who cook large quantities of food, FoodSaver vacuum packaging systems offer excellent protection against food spoilage and freezer burn. This jar sealer attachment fits on wide-mouth mason jars and is for use with any FoodSaver machine that has an accessory port. The top forms a tight seal on mason jars while the tubing removes air from the jar with the help of a FoodSaver machine. The jar sealer works equally as well in packaging liquid foods, such as jams or chocolate sauces, as it does for dry goods, such as brown sugar or spices. While vacuum packaging is not a substitute for traditional canning methods, it does keep food fresh three to five times longer than keeping it in a plastic food storage container in the refrigerator. --Cristina Vaamonde

With a large, smooth, plastic twist handle that fits nicely in the palm, this can opener operates with a minimum of effort. Flexible rubber fins on the handle absorb the tension necessary to keep the opener in place, while sharp, stainless-steel teeth bite into lids with the agility of a great white shark. A built-in bottle opener completes the design. Sturdy construction and a large twisting knob make this one of the best can openers on the market. Hand-washing is recommended.

The OXO Steel Can Opener is a kitchen essential. The stainless steel blades make it durable, and the large, soft turning knob is easy to manage. Also includes a built-in bottle opener.

Thermos 2465P 18oz Stainless Steel Hydration BottleThermos 2465P 18oz Stainless Steel Hydration Bottle Features:; 18 oz; Unbreakable Stainless Steel Interior & Exterior Hydration Bottle; Black Rubber Grip; Thermal Max Double Wall Vacuum Insulation; Ideal For Water, Iced Tea, Juices & Sport Drinks

With their third album, the Beasties transformed themselves from smart-ass punks with a hip-hop jones into a playful live funk band with some solid rhymes, assisted by the extraordinary keyboardist Mark Ramos Nishita. A couple of tracks look back to their old school rap roots, and they still deploy goofy samples like nobody's business, but they're mostly making their own grooves (including some instrumentals worthy of being sampled in their own right). Their universalist world-view results in some excellent, off-the-wall fusions--the metalloid bump that forms the funk pulse of "So What'cha Want," Sly Stone's "Time for Livin'" transformed into a hard-rock bomber--but they don't have to prove how clever they are any more, and they're stronger and more humane for it. --Douglas Wolk

Beastie Boys Check Your Head CD, 1992 Capitol/Grand Royal.

It's been a dozen years since the Beastie Boys broke, and on Hello Nasty, they show that--though they've grown up, matured, and just gotten older--they're still in touch with the inner brat that always made them so much fun. Turns out that the brat's turned into an ace record collector with choice taste in collaborators, too. --Randy Silver

On their previous album, Ill Communication, the Beastie Boys expanded their parameters yet again, melding cutting-edge hip-hop with slinky jazz, butt-wiggling funk, weepy classical, and combustive punk rock. Four years down the line, the group's music isn't nearly as organic. They've all but abandoned the guitars and returned to the kind of old-school beats and rhythms that defined their groundbreaking 1989 disc, Paul's Boutique. But Hello Nasty isn't a regression, and it's anything but a cop-out: in addition to resurrecting the best elements from their past, the Beastie Boys have embraced the dopest high tech gizmos of the computer age. Hello Nasty gurgles like galactic sulfur pools, whizzes like a Sega game, and slurps and thumps like the best backward Hendrix loops. Add in a cavalcade of Latin percussion, calliope keyboards, and exotic samples (Stravinsky, Stephen Sondheim, Jazz Crusaders, Rachmaninoff), and you're left with one of the most creative and jubilant hip-hop records to date, even if you exclude witty lyrics like, "I'm the king of Boggle / There is none higher / I get 11 points off the word quagmire" ("Putting Shame in Your Game"). To paraphrase über-critic Robert Christgau, Paul's Boutique may have been the band's Pet Sounds, but Hello Nasty is the Beasties' Sgt. Pepper's. --Jon Wiederhorn

All products are BRAND NEW and factory sealed. Fast shipping and 100% Satisfaction Guaranteed.

Beastie Boys Paul's Boutique Vinyl - Digitally Re-mastered for the 1st time, overseen personally by the band to celebrate the 20th Anniversary of the release. The original artwork has been faithfully restored in this 8 panel eco-friendly limited edition CD with fold-out poster. Paul's Boutique is consistently named as one of the greatest albums of all time by numerous publications such as Time, Rolling Stone, Spin, Q, and The Source. Also includes a free digital download for a track-by-track commentary by the band discussing each song over the music -- Paul's Boutique "The Director's Cut" bonus audio.

VInyl LP pressing of this 20th Anniversary edition of the Beastie Boys' 1989 sophomore album. When first released, the album was a commercial failure but slowly, but surely, the world caught up and now the album is considered a landmark in Hip Hop and Alt-Rock by critics and fans.

The adage "cheaters never prosper" takes on new meaning after spending a half hour with Zidgel, Midgel, and Fidgel, a trio of space-exploring penguins. After pig-tailed Michelle cheats her brother in a game of Squid-Tac-Toad, our feathered friends whisk her off to Bullamanka in a last-ditch effort to make peace between a couple of galactic kings. It seems that cheating is a universal phenomenon, and the Lizard King is the culprit. Now, Michelle must agree to contest his victory to save the good Bandicoot King from certain doom down the "gurgler." In between clever one-liners and general zaniness, viewers will catch the central message that "when you cheat, everyone loses." From the creators of VeggieTales, 3-2-1 Penguins! adheres to the same winning formula: quality cartoon-style humor wrapped in a timeless moral message, presented in a nonpreachy fashion. While the new series is still a fledgling, once these penguins find their, er, flippers, they will be as well loved as Bob and Larry. (Ages 5 and up) --Lynn Gibson

Go Go Live at The Capital Centre features performances by Chuck Brown & The Soul Searchers, Rare Essence, Experience Unlimted, Little Benny & The Masters, D.C. Scorpio, Junkyard Band, Hot Cold Sweat, Go Go Lorenzo and others. 100 minutes of Go Go.

Sometimes referred to as "the Poor Man's Fantasia," Make Mine Music (1946) was the first of the "package features" Walt Disney released after World War II. Instead of Bach and Beethoven, the artists illustrated segments set to popular music by Benny Goodman, Dinah Shore, and the Andrews Sisters. Originally set to Debussy's "Claire de Lune," "Blue Bayou" remains an atmospheric evocation of the Everglades. "The Whale Who Wanted to Sing at the Met" is a charming fantasy about a cetacean with an extraordinary voice. "Peter and the Wolf," based on the Prokofiev score, offers brightly colored designs, but the narration by Sterling Holloway seems superfluous. "All the Cats Join In" is an upbeat evocation of the Bobby Sox era, but "Casey at the Bat" and "Johnny Fedora and Alice Bluebonnet" feel self-conscious and unfunny."Two Silhouettes" combines rotoscoped images of Ballets Russes de Monte Carlo stars Tatiana Riabouchinska and David Lichine with kitsch cupids, sparkles, and hearts. "The Martins and the Coys," a spoof of a hillbilly feud, has been excised in a bow to modern taste. The supplemental material includes The Band Concert, the first color Mickey Mouse short and one of the character's finest performances, and Music Land, a quirky Silly Symphony about clashing musical styles. --Charles Solomon

Share in Walt Disney's extraordinary vision of pairing imaginative stories with spectacular music in Disney's 8th full-length animated classic, available for the first time ever. In the tradition of FANTASIA, MAKE MINE MUSIC is a glorious collection of musically charged animated shorts featuring such fun-filled favorites as "Peter And The Wolf," narrated by the beloved voice behind Winnie The Pooh. In addition, you'll enjoy such classic cartoon hits as "Casey At The Bat," "The Whale Who Wanted To Sing At The Met," and "Johnnie Fedora And Alice Bluebonnet," the whimsical adventure of two hats who fall in love in a department store window. Every member of your family will have a favorite in this musical medley of fun and fantasy from Disney!

Black & Decker RC-100-P Replacement Spool Cap and Spring for AFS Trimmer Black & Decker RC-100-P Replacement Spool Cap and Spring for AFS Trimmer Features: Replacement spool cap and spring For use with AFS models GH400, GH500, CST1000, CST2000, NST2018, ST7000, ST6600, and ST7700 Automatic feed spool 3.5" x 1.5" x 3.5" Carded

The Black & Decker Replacement Spool Cap and Spring is designed for use with string trimmers that utilize an automatic feed spool. This product fits Black & Decker AFS models GH400, GH500, GH600, CST1000, CST2000, NST2018, ST7000, ST6600, and ST7700.

If you're in the market for a basic, entry-level electric trimmer to handle light trimming work around your house, the Black and Decker 9-inch grass trimmer might be worth considering. While certainly not as powerful or feature-laden as more costly models, this trimmer can handle much of the light-duty work many homeowners need. The trimmer weighs just 3.2 pounds and requires little assembly with just 2 steps. It operates off a reliable, 1.8-amp HP motor, which spins the line at 11,000 rpm. This grass trimmer features a basic bump feed line system, a generous nine-inch cutting path, and a secondary assist handle for added comfort and control. It comes with 20 feet of .065-diameter line, and spool replacement is fairly simple. One thing I found especially handy with this particular trimmer was its unique cord lock system, which holds the extension cord firmly in place while the trimmer is in use. As someone who has accidentally unplugged a trimmer halfway through a job on more than one occasion, this indeed a handy feature to have. This product is backed by a 2-year full warranty. --Carl Thress

If you're in the market for a basic, entry-level electric trimmer to handle light trimming work around your house, the Black & Decker ST1000 might be worth considering. While certainly not as powerful or feature-laden as more costly models, this trimmer can handle much of the light-duty work many homeowners need. The trimmer weighs just 3.2 pounds and requires little assembly. It operates off a reliable, 1.8HP motor, which spins the line at 11,000 rpm. The unit features a basic bump feed line system, a nine-inch cutting path and a two-year warranty. It comes with 20 feet of line, and spool replacement is fairly simple. One thing I found especially handy with this particular trimmer was its unique cord lock system, which holds the extension cord firmly in place while the trimmer is in use. As someone who has accidentally unplugged a trimmer halfway through a job on more than one occasion, this is indeed a handy feature to have.--Carl Thress

Ideal for smaller yards or light-duty trimming jobs, as well as post-mowing maintenance, this electric grass trimmer from Black & Decker cuts a nine-inch path and weighs under four pounds so it's easy to handle and control. The ST1000 owes its reliable performance to a 1.8 Amp motor that operates at 11,000 RPM. A bump feed spool allows feeding of the line as needed (it's a snap to replace the spool), and a convenient cord retention system guards against unintended unplugging while you're working. The ST1000 includes 20 feet of .065-diameter line, a secondary assist handle, and a 2-year warranty. For added convenience, it also comes ready to assemble in just two straightforward steps.

The Wiremold White Cordmate II kit contains everything you need to hold wires and cords within a space-saving cord channel that's flexible and hinged, and easily snaps opens and shut. The peel and stick self-adhesive backing is easily attached onto baseboards or walls, and the white PVC components can be painted or stained to match a room's color. This kit is ideal for holding networking cables and audio/video wiring. What's in the Box l2 feet of cord channel (3 four-foot sections), two flat elbows, inside elbow, outside elbow, two couplings, and T-fitting.

Declared unfit for military service during World War II, scrawny Steve Rogers (Chris Evans) gets a chance to serve his country when he undergoes a procedure that transforms him into the ultimate super soldier: Captain America. Armed with his indestructible shield, Cap must defeat the Red Skull (Hugo Weaving), a Nazi scientist who hatches his own plan to take over the world with the help of a powerful cosmic artifact. Tommy Lee Jones, Hayley Atwell, Stanley Tucci co-star in this exciting actioner, based on the Marvel Comics icon. 123 min. Widescreen; Soundtracks: English DTS HD 7.1 Master Audio, DVS, French Dolby Digital 5.1, Spanish Dolby Digital 5.1, Portuguese Dolby Digital 5.1; Subtitles: English (SDH), French, Spanish, Portuguese; audio commentary; featurettes; deleted scenes; bonus short "A Funny Thing Happened on the Way to Thor's Hammer" (2011); bonus digital copy. Also includes a DVD version of the film. Two-disc set.

The Marvel Comics superhero Captain America was born of World War II, so if you're going to do the origin story in a movie you'd better set it in the 1940s. But how, then, to reconcile that hero with the 21st-century mega-blockbuster The Avengers, a 2012 summit meeting of the Marvel giants, where Captain America joins Iron Man and the Incredible Hulk and other super pals? Stick around, and we'll get to that. In 1943, a sawed-off (but gung-ho) military reject named Steve Rogers is enlisted in a super-secret experiment masterminded by adorable scientist Stanley Tucci and skeptical military bigwig Tommy Lee Jones. Rogers emerges, taller and sporting greatly expanded pectoral muscles, along with a keen ability to bounce back from injury. In both sections Rogers is played by Chris Evans, whose sly humor makes him a good choice for the otherwise stalwart Cap. (Benjamin Button-esque effects create the shrinky Rogers, with Evans's head attached.) The film comes up with a viable explanation for the red-white-and-blue suit 'n' shield--Rogers is initially trotted out as a war bonds fundraiser, in costume--and a rousing first combat mission for our hero, who finally gets fed up with being a poster boy. Director Joe Johnston (The Wolfman) makes a lot of pretty pictures along the way, although the war action goes generic for a while and the climax feels a little rushed. Kudos to Hugo Weaving, who makes his Nazi villain a grand adversary (with, if the ear doesn't lie, an imitation of Werner Herzog's accent). If most of the movie is enjoyable, the final 15 minutes or so reveals a curious weakness in the overall design: because Captain America needs to pop up in The Avengers, the resolution of the 1943 story line must include a bridge to the 21st century, which makes for some tortured (and unsatisfying) plot developments. Nevertheless: that shield is really cool. --Robert Horton

Declared unfit for military service during World War II, scrawny Steve Rogers (Chris Evans) gets a chance to serve his country when he undergoes a procedure that transforms him into the ultimate super soldier: Captain America. Armed with his indestructible shield, Cap must defeat the Red Skull (Hugo Weaving), a Nazi scientist who hatches his own plan to take over the world with the help of a powerful cosmic artifact. Tommy Lee Jones, Hayley Atwell, Stanley Tucci co-star in this exciting actioner, based on the Marvel Comics icon. 123 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, DVS, French Dolby Digital 5.1, Spanish Dolby Digital 5.1; Subtitles: English, French, Spanish; featurettes; more.

The Marvel Comics superhero Captain America was born of World War II, so if you're going to do the origin story in a movie you'd better set it in the 1940s. But how, then, to reconcile that hero with the 21st-century mega-blockbuster The Avengers, a 2012 summit meeting of the Marvel giants, where Captain America joins Iron Man and the Incredible Hulk and other super pals? Stick around, and we'll get to that. In 1943, a sawed-off (but gung-ho) military reject named Steve Rogers is enlisted in a super-secret experiment masterminded by adorable scientist Stanley Tucci and skeptical military bigwig Tommy Lee Jones. Rogers emerges, taller and sporting greatly expanded pectoral muscles, along with a keen ability to bounce back from injury. In both sections Rogers is played by Chris Evans, whose sly humor makes him a good choice for the otherwise stalwart Cap. (Benjamin Button-esque effects create the shrinky Rogers, with Evans's head attached.) The film comes up with a viable explanation for the red-white-and-blue suit 'n' shield--Rogers is initially trotted out as a war bonds fundraiser, in costume--and a rousing first combat mission for our hero, who finally gets fed up with being a poster boy. Director Joe Johnston (The Wolfman) makes a lot of pretty pictures along the way, although the war action goes generic for a while and the climax feels a little rushed. Kudos to Hugo Weaving, who makes his Nazi villain a grand adversary (with, if the ear doesn't lie, an imitation of Werner Herzog's accent). If most of the movie is enjoyable, the final 15 minutes or so reveals a curious weakness in the overall design: because Captain America needs to pop up in The Avengers, the resolution of the 1943 story line must include a bridge to the 21st century, which makes for some tortured (and unsatisfying) plot developments. Nevertheless: that shield is really cool. --Robert Horton

Studio: Pbs Release Date: 11/09/2010